Collections : [University of Michigan William L. Clements Library]

The Zelona Eaton journal is the diary of a Baptist minister from Troy, Ohio, who was active in the local anti-slavery and temperance movements. The volume is composed of a diary, in which Eaton discussed his ministerial duties and local issues concerning abolition, temperance, fornication, and sodomy (1843-1844); 3 pages of accounts for house-building materials (1843-1844); 9 philosophical essays with an introduction (undated); and 2 letters addressed to Lottie Churchill of Washington, Vermont (1823).

The Zelona Eaton journal is the diary of a Baptist minister from Troy, Ohio, who was active in the local anti-slavery and temperance movements. The volume is composed of a 95-page diary that Eaton kept from October 31, 1843, to September 17, 1844; three pages of accounts for house-building materials (December 1843-January 1844); 8 philosophical essays with an introduction (undated); and 2 letters addressed to Lottie Churchill of Washington, Vermont (1823).

In the diary, Eaton wrote about his daily life (health, food, family, and building a new house) and the activities of his church community in Troy. He wrote descriptions of his ministerial duties, such as travelling to meetings and conferences, visiting parishioners, performing marriages, lecturing, leading prayer meetings, raising funds for missionary work, and writing sermons. Eaton also described his intellectual and spiritual life in Troy. He attended a Millerite lecture (November 15, 1843), a lecture on phrenology (November 9, 1843), and multiple anti-slavery lectures (November 29, 1843; January 19, ,March 2 and 10, April 1 and 27, 1844). He often read the Cross and Journal and the anti-slavery paper The Emancipator, which some of his friends had procured for him. In the fall of 1843, he recorded thoughts on his own spiritual health, writing that he was, "Greatly distressed about my situation in temporal things...I have reason to think God is against [me]" (November 17, 1843). Eaton also kept track of some of his finances, which he worried about frequently, and often noted food and daily house work. He mentioned making sausages and vinegar, and purchasing coffee, cinnamon, buckwheat flour, eggs, rice, and apples.

Much of the journal concerns African Americans and the anti-slavery movement. On at least two occasions, Eaton interacted with two free African Americans: he visited a man named Mr. Newsome and loaned him money, and purchased items from another man named Mr. Smith. Registering the intensity of anti-slavery activities in his community, Eaton described the many anti-slavery lectures, debates, and prayer meetings that he attended. At the meetings, they discussed questions such as whether Congress should abolish slavery in Washington D.C. without the consent of the city's inhabitants, and what people who lived in free states could lawfully do to end slavery in the slave states (December 10, 1843). Eaton also served as the secretary for a group of women who formed a "ladies Society to educate colored persons" (December 3, 1843). He traveled one hundred miles to Brown County to visit what he described as a "Colored Association," perhaps a settlement of free African Americans, reporting, upon his return, that he "was much interested at the Association, mostly by the talent exhibited. They showed about as much attention to me, as an Association would have shown to one of their ministers (September 8, 1844)."

Eaton also recounts several controversies surrounding sex in his community. On March 14, 1844, Eaton wrote that he felt "exceedingly afflict[ed]" to have "Learned of an aggravated case of fornication by two of the members" of his church. A month later he excluded two parishioners from church service "for lewdness" (April 29, 1844). Eaton also gave an account of a case of "buggery." Minister T.A. Warner had "been accused of buggery, but not proved guilty [in a church trial]" and claimed to Eaton not to be guilty (July 25, 1844). Before his church, however, Warner had "Confessed the attempt & attributed it to a habit contracted when a boy." Eaton and a Brother Whitman informed Last Creek Church of the incident "because [they] thought, such a thing had much better go before a man than to come after him" (March 2, 1844) Eaton clearly felt disturbed by Warner’s purported behavior but what is especially noteworthy is the matter-of-fact tone Eaton used in writing about the situation.

Starting at the back of the volume, Eaton wrote 8 "dissertations," with an introduction and a transcript of a letter, that explore moral, religious, and philosophical questions (pages 162-98). Eaton's goal was to "attempt to enter into the immaterial world, & investigate the properties of spirit" (page 160).

• Dissertation 1: Methods, What is meant by a Faculty of the mind? What is meant by a principle of mind?
• Dissertation 2: Understanding
• Dissertation 3: Taste
• Dissertation 4: Will
• Dissertation 5: Liberty
• Dissertation 6: Natural & Mortal Agent
• Dissertation 7: Good and Evil: Dr. Hendrick's Lecture on Good and Evil
• Dissertation 8: Difference between Natural good and evil & Moral good and evil

Many of the essays have commentary labeled "Dr. Henricks Remarks" or "Professor's Remarks." These are brief notes and criticisms of the essays.

The two letters are addressed to Lottie Churchill, wife of Arthur Churchill, of Washington, Vermont (1923). One is from her cousin Cretia from Walla Walla, Washington (3 pages), and the other is from her friend Estella, from Morrisville, Vermont (8 pages). Both letters focus on personal news and mention food and cooking.

The Wilkes County, Georgia collection is made up of probate inventories, estate records, indentures, receipts, accounts, and other documents relating to the inhabitants of Wilkes County, Georgia.

This collection contains 204 items, chiefly probate inventories, receipts, records of sales of decedents' property, indentures and other legal documents. Eighty-seven of the items pertain to the estate of Robert Toombs (d. 1826). Most of the items date from between 1778 and 1830. Twenty-one items date from 1839 to 1867; there are no probate inventories for those decades. Almost all of the material in this collection comes from Wilkes County, but a few documents are from other counties.

The probate inventories provide a wealth of details about the lives of Wilkes County residents, enslaved and free. Inventories can be used to reconstruct some details of slaves' lives. These documents show the number of slaves on plantations with the monetary value assigned to them, often give names of slaves, and indicate if women had children. Sometimes appraisers noted the names of a woman's children. For some decedents, the records of the disposition of estates show the scattering of slaves to various slaveholders as well as the distribution of other property. The "List of the property sold of Lewis Biddles Estate Deceased," has unusual value: It breaks down the slaves sold into family groups (information beyond the more frequent notations of mothers and children). A poignant 1828 estate sale record relates that Old Andrew and Old Amy were "offered & no bidder." The collection includes other material about slaves and slavery, such as records of the hiring out of slaves and a 1784 bond that expressed a preference for a "country born negroe boy." Four court documents from the late 1780s and early 1790s reveal cases of "Negroe Stealing" but with scant detail. Another court document, from 1792, declares that a Capt. John Man "saw a Negro man Ben, said to be the property of Richard Baily on the morning of the 29th June Instant, much wounded, which appeared to be done by shooting." Man testified that one Norcut Slaven had told Man that Slaven "has shot the said Negro Ben." The court took action against Slaven and other men, though the documents do not show the final outcome of the case. The records in this collection can be used to study the economy of Wilkes County. In addition to slaves, inventories list livestock and equipment, such as plows, cotton cards and looms, and blacksmiths' tools -- details that allow scholars to study the extent of plantations' self-sufficiency or participation in the market. With qualifications due to uncertainty about completeness, these inventories can be used to study wealth and consumption over time and to compare the lifestyles of the well-off versus the poor. The records also allow analysis of levels of literacy. The collection also offers information regarding material culture and consumption. William Grant furnished his house with "3 Painted Pine dressing tables," "1 Dozen Rush Bottom Chairs," and several pieces of mahogany furniture among other things. Inventories indicate that Wilkes County residents might own musical instruments, pillow cases, sugar dishes, custard cups, decanters, looking glasses, and books (occasionally listed by title) to name a few of the consumer goods that turn up in the records. The "Inventory of the estate and effects of William Rogers" suggests that Rogers may have been a teacher or bookseller. His books included Lessons for Reading, Schoolmasters asst, two copies of Ovid's Metamorphoses, a few dictionaries and a number of grammars. Some other miscellaneous inventory items listed were traps for rodents, 55 gallons of peach brandy, 22 thimbles, spice mortars, coffee mills and waffle irons.

Inventories can be used to study women's and men's legal and financial roles. Some probate inventories contain lists of debts. Women rarely served as administrators or controlled property that went through the probate process, but a few women appear in this collection in those positions. Women's presence is greatest as buyers of property sold at estate sales and as slaves. The collection contains a few wills, receipts, contracts and miscellaneous legal documents.

Approximately 80 documents about Robert Toombs's estate provide an especially full record of one family's spending on goods and services. Toombs's wife, Catherine, settled the estate's accounts over the few years after Toombs's death in 1826. Pages of accounts and receipts show the cost of education, library fees, the children's board, food, clothes, furniture, postage, medical services (including those of midwives), legal services, piano tuning, transportation, and taxes. The records also show the price that Toombs's got for their cotton and corn. A picture of the lives of the Toombs's family emerges from these records. The sons attended Franklin College, daughter Sarah Ann played the piano. The family received the Wesleyan Journal according to a receipt for paying postage for the journal. To drink, the Toombses might choose from coffee, gin, whisky or "the best Madeira Wine."

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

• Theodore Dwight Weld (page 1, page 20)
• William Hamilton (page 4)
• Sarah Weld Hamilton (page 5)
• Angelina G. Hamilton (page 6)
• William Hamilton Jr. (page 7)
• Llewellyn Haskell (page 9)
• Llewellyn Thomas Haskell (page 12)
• Louis Olcott Haskell (page 13)
• Elizabeth "Lizzie" Cram (page 21)
• William James Rolfe (page 22)
• Theodore Weld Parmele (page 27, page 34)
• Elizabeth Smith Miller (page 28)
• Ann Carroll Fitzhugh (page 29)
• George Walker Weld (page 30)
• Gerrit Smith Miller (page 35)
• Ruth C. Bodwell (page 36)
• Rena Louise Twiss (page 45)

• A photograph of a painting of the Empress Eugenie. (page 33)
• A portrait of Rebecca an escaped slave from New Orleans. (page 38)
• A photograph of a painting of Beatrice Cenci. (loose item on page 41)
• A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
• A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.

The Suckley family papers provide documentation of family life, mercantile business, and the Methodist Church in antebellum New York City.

This Suckley collection is only a small residuum of a much larger collection, yet what remains provides important documentation of several aspects of nineteenth century life, particularly relating to commercial life in antebellum New York City and the Methodist Church.

Boxes 1 and 2 consists primarily of in-coming correspondence dated between 1791 and 1839, centering on the personal and professional life of George Suckley, with the earliest material originating in the family of his first wife, Miss Lang, in England. The letters contain some information on English Methodism (1:1-6, 16-18). Of particular interest are the letters of the Methodist missionary, Francis Asbury (1:10-11) and of the wife of Richard Reece, who began his itinerant ministry in 1787 (The Christian Advocate and Journal, May 13, 1846, contains a brief sketch of Reece's life). The letters of Catherine Rutsen Suckley and Joseph Holdich include discussions of the Methodist Church in America, and the missionary Freeborn Garretson, is discussed in several letters (1:21-23,25,26,32).

George Suckley's business correspondence includes dealings with the English firm of Holy, Newbould and Suckley (1:33-42,47) and two sets of letters from agents who Suckley retained to manage his vast land holdings, John Reed in upstate New York and John Rangeley in Maine. Among the personal correspondence are several letters from Philadelphia lawyer(?) Cornelius Comegys and letters from three of George Suckley's sons. John Lang Suckley wrote frequently to request money to pay his servants; Rutsen Suckley assisted in managing his father's properties, and Thomas Holy Suckley was a college student.

Box 3 contains family correspondence written after George's death in 1846. Among the family members represented are George's children Rusten, Mary, and Thomas Holy Suckley, and his grandson Dr. George Suckley (1830-1869). George's letters are the most intrinsically interesting, as they were written during a period in the 1850s when he was practicing in Oregon and Washington Territory and considering land investments in California. During this same period, Dr. Suckley was the recipient of several letters from David and Jack Green (apparently cousins of some sort). One item (3:39) relates to George's Civil War service. The later correspondence heavily concerns New York charities. One interesting letter (3:52) is a stableman's apology for drunkenness on Christmas.

Boxes 5 through 9 are arranged in folders by subject. Of particularly interest are materials that document the various New York City rental properties owned by Rutsen Suckley, recording rents collected and upkeep expenses between the 1840s and 1870s. The cost of living in New York can be calculated from bills and receipts for a wide range of products and services.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California. Photographs show Crawford Notch and Mt. Washington in New Hampshire; the American Falls of Niagara in winter; the Erie Canal in Lockport, N.Y.; landmarks and monuments in Washington, D.C. and Arlington, Va.; and 6 views of Lake George, N.Y. by Seneca Ray Stoddard, including the steamboat Horicon and the Sagamore Hotel. Florida photographs, some signed by photographer B.F. Upton, include Castillo de San Marcos; street scenes and a former slave market in St. Augustine; Harriet Beecher Stowe's house and family in Jacksonville; and African Americans standing near a log home and in a field of cotton. California scenes show the beach and town of Monterey, Cliff House in San Francisco, and 16 views of the Yosemite Valley. Two large albumen prints show Summit Station of the Central Pacific Railroad near Soda Springs, Calif., and gateway to the Garden of the Gods, Colorado, with ink stamp on verso: C.R. Savage, Art Bazaar, Salt Lake City, Utah. Additional photographs include botanical views, tourist attractions in Scotland, Paris, and other western European locations, and photographs of artworks.

The album is half bound leather with brown boards and is stored in a blue box.

The Starbird family papers contain the incoming and outgoing correspondence of three of the Starbird siblings: Solomon and George, who served in the Civil War in the 127th New York Infantry and 1st New York Mounted Rifles respectively, and Marianne, who operated a struggling art school in New York City.

The Starbird family papers contain approximately 345 items, spanning ca. 1845 to 1864. The Correspondence series contains approximately 331 letters, arranged chronologically, with undated items at the end; the letters cover 1848 to 1864. Thirty letters in the collection predate the Civil War; these primarily concern the schooling and careers of the Starbird siblings, Marianne Starbird's health, social visits, religious observations, and various family matters. The bulk of the collection centers on the years 1862 to 1864, when Solomon and George served with the 127th New York Infantry and the 1st New York Mounted Rifles, respectively. George wrote to Marianne quite frequently during his service, at which time he was mainly stationed in Virginia and North Carolina. He participated in a number of skirmishes in southern Virginia, as well as the Siege of Suffolk, but otherwise did not see much heavy fighting. His outgoing letters, as well as those he received from fellow soldiers, are notable for their frankness about camp life and the war experience, as well as for their content regarding African Americans. Solomon Starbird wrote less frequently to his siblings, but produced very lengthy letters, which cover numerous topics, including the war camp activities, and duties.

The war-era letters open with a discussion of George's enlistment in the 1st New York Mounted Rifles, including his own rationale for enlisting (July 30, 1862). George's early letters primarily document his daily activities at Camp Dodge in Suffolk, Virginia, and a few skirmishes nearby. He frequently gave accounts of his participation in scouting parties and pickets, as well as his pastimes during quiet periods. Among the skirmishes in which he participated are one near Blackwater, Virginia (October 5, 1862); an attack by "bushwhackers" (December 28, 1862); and a skirmish at Providence Church (December 29, 1862) near Windsor, Virginia. He also gave a lengthy description of being fired on during a picket, when, at the same time, a sergeant was mortally wounded (January 15, 1863). In a letter of September 2, 1862, he described the capture of 112 Confederate prisoners on their way to Richmond, and noted that they were given coffee and generally treated well by their Union captors. He also mentioned the explosion of ordnance stored at Yorktown, Virginia, (December 17, 1863) and the search for a Confederate spy near Williamsburg (January 16, 1864).

George's letters are especially significant for the attention that they give to African Americans. He found himself in frequent proximity to slaves near Suffolk, Virginia, where he recorded their stories and noted the assistance that they provided to his company. On October 10, 1862, he recounted a conversation with the slave whom he paid to wash his clothes and cook sweet potatoes for him. The "old negro" told Starbird about his master, Nathaniel Redden, a member of the Congress of the Confederate States. Redden had left Suffolk, but tried to persuade his slaves to stay on his plantation by telling them that northerners would work them three times as hard as southerners and deny them food. According to the unnamed slave, Redden also told him, "Lincoln is going to take you to Cuba and sell you off to pay off his soldiers." In another letter, dated October 25, 1862, Starbird told his sister about a slave Tom, who "lays awake nights heaps worrying for fear the rebels have carried off his wife he left down in Carolina." Starbird also noted the work performed by contraband, such as building stables (January 15, 1863), and the assistance given to Union troops by African Americans, which included giving them corn and making them coffee (October 14, 1862).

George provided descriptions of camp life, including the soldiers' enjoyment of the barracks at Camp Suffolk, their roughhousing, and their heavy drinking. In a letter of January 1, 1863, he noted that the officers got "beastly drunk" and could barely stay on their horses; indeed, several had fallen and could not perform their duties later in the day. He also described a soldier who was nearly 60 years old and had dyed his hair and beard to appear young enough to enlist (February 9, 1863). Other topics covered in his letters include the lack of pay to the soldiers (January 18, 1863), his duties (which included compiling the monthly returns, November 5, 1863), and the hiring of substitutes (August 18, 1863). He also called his fellow soldiers a "Hard Crowd" and described their vicious brawls with one another (August 9, 1862).

George received correspondence from friends in other regiments. One man in particular, Jesse Kimball, who called himself "Barnes," wrote very frankly about the sex available to soldiers from white and black women. He mentioned rampant venereal disease (March 3, 1863), whores in Virginia (November 17, 1863), and sex with girls in his hometown (March 11, 1864).

Solomon Starbird wrote less frequently, but his letters tended to be long, rambling, and filled with details of camp life. On January 23, 1863, he wrote to Marianne concerning the lack of pay to soldiers and the slovenliness of the privates. In his letter of August 21, 1863, he described a military gathering on Folly Island and Union positions in South Carolina. In other letters he gave accounts of being fired on during picket duty (September 30, 1863) and Christmas celebrations in camp (December 22, 1863). A talented sketcher, he included in a letter of October 8, 1863, a penciled map of Cole's Island, South Carolina, labeled with the "old fort;" the 127th Regiment's camp; and the surrounding marshes.

Marianne's letters to her brothers are notable for their accounts of the administration of a struggling art school in New York City during the period. On March 8, 1863, she described her studio and enclosed a flier for the school. In another letter, she shared the necessity of supporting herself by painting portraits, though her greater talent lay in other areas (March 29, 1863). Her later letters reveal increasing health problems, and the difficulty of attracting pupils (February 22, 1864), as well as her attendance at a Sanitary Commission Fair in Brooklyn (February 7, 1864).

The Essays and Poetry series contains 14 essays and poems covering 92 pages. Marianne wrote many of these items, and submitted them in the 1840s to a Norridgewock, Maine, journal called the Social Repository. Of particular interest is an essay, likely written by Marianne, entitled "My School Days," which describes the small schoolhouse that she had attended as a girl. Also included are poems on the topics of love, autumn, the death of a mother, and friendship, and a piece by "C.B.E." entitled "The Mission of Woman." The latter defends the education and ambitions of women and notes that their rightful place in life is as "the equal, not the toy of men," but urges them to dismiss "the sneers, the prejudice, the conventionalities of the world."

The Southern tour collection contains photographs from a traveling party's visit to several locations in the southern United States, including Civil War battlefields, in March 1885, as well as a printed booklet containing sketches of people and various locales.

The collection contains 19 card photographs (13 x 21 cm). Many of these photographs show groups of men at "Magnolia," at the site of the Battle of Seven Pines (Fair Oaks), by a New Orleans train depot, and at Castillo de San Marcos in Saint Augustine, Florida; in one photograph, several men are picking strawberries. Other images show a wooded area in Mississippi, relics on a battlefield, Fort Sumter, and Fort Moultrie near Charleston, S.C. The booklet, entitled "Taylor, His Sketch Book, 1885," contains reprinted drawings of men and women (often with captions which are occasionally humorous), and of buildings in Saint Augustine, Florida. Some of the drawings depict African Americans. The card mounted photographs are bound in a red leather wrapper with the title "136 March 13-28 1885" in gold on the cover.

The Smith College, Hampton, Va., area and Connecticut photographs consist of approximately 300 photographs in 1 album and 1 folder. Images include photographs of Smith College as well as scenes from Connecticut and southeastern Virginia.

The Smith College, Hampton, Va., area and Connecticut photographs consist of approximately 300 photographs in 1 album and 1 folder. Images include photographs of Smith College as well as scenes from Connecticut and southeastern Virginia. Smith College photographs include dorm room interiors, women on campus, and a college basketball game. Connecticut scenes show a Connecticut River ferry, women boating and swimming in Bantam Lake, and St. Margaret's School in Waterbury, Connecticut. Also depicted are buildings at Hampton Institute in Virginia, a variety of boats and warships, likely on the Chesapeake Bay, winter fishing, "oyster canoes" (skipjacks) and men unloading crabs at the factory. Other Virginia photographs show buildings in pre-restoration Williamsburg and rural life, possibly in the Williamsburg area, with rundown shacks, African Americans, ox-drawn carts, and a group of African American school children. Views from unidentified locales include rural scenes, streams and country roads, beaches, dwellings, family life photos with children in a variety of settings, posed Grecian tableaux, and a studio portrait of a man dressed in Native American clothing holding a la crosse ball and stick. Additional photographs include Jamestown church ruins, Deerfield Memorial Hall with several interior views, 7 photographs of interior rooms in an unidentified house, and canal views, possibly of the Dismal Swamp Canal.

Identified individuals include: Grace Collins Lathrop, Sue Boss, Sue Gardner, Alice Bishop, Fanny Coit, Emma Kelsey, Arthur Eggleston, Percy Eggleston, Henrietta Spear, Nellie Spear, Theodate Pope, Ethel Fiefield, and Mary Lewis.

The album is half bound in burgundy leather and is stored in a three part wrap with green cloth spine

The Rochester Ladies' Anti-Slavery Society papers consist of documents generated by the society as well as correspondence to and from various members of the society about slavery, the conditions of freemen, and other progressive issues.

The Rochester Ladies' Anti-Slavery Society papers contain only a small portion of what must at one time have been a much larger collection. As a society devoted to the immediate abolition of slavery, the antislavery movement forms the context of most of the correspondence in the collection, but the members of the society were individually and collectively involved in the education of freedmen and in other movements, including women's rights. As a result, the collection offers a broad perspective on the mentality and activity of a small group of progressive northern women involved in the reform of what they saw as the worst inequities in American society.

The Society maintained contact with several national-level leaders of the antislavery movements, and provided important financial support to Frederick Douglass, in particular. The nine letters from Douglass in the collection all relate to the assistance provided for publication of his newspaper or are requests from him for direct aid to fugitive slaves en route to Canada. A particularly affecting letter is one that he wrote from England in 1860, while on an antislavery tour. Harriet Tubman, Beriah Green, Lewis Tappan, George B. Cheever, and Gerrit Smith also appear in the collection, either as correspondents or subjects of letters. Among the more interesting of these letters is one from John Stewart, probably a free black man, addressed to Harriet Tubman; a letter from Moses Anderson, also African-American, writing about the importance of Uncle Tom's Cabin in shaping his political consciousness; Jacob Gibb's letter of introduction for a fugitive slave; and William Watkins' report on the number of fugitive slaves that have passed through Rochester into Canada in the year 1857.

British support for the Society was crucial in keeping it viable in the late 1850s, and is documented through the letters of Julia Griffiths Crofts (Leeds, England); Sarah Plummer (Dalkeith, Scotland), and Maria Webb (Dublin, Ireland). The fund-raising efforts of the society can be tracked partly through the list of goods donated for a Festival (1:77), a small collection of ephemera relating to British antislavery societies (1:82), and a list of donations from those British societies (1:28). The most significant item for tracking finances, however, is the account book for the Society (2:20), which covers its entire history. The secretaries of the Society recorded the complete finances of the organization, and provided lists of speakers at their annual events, and carefully delineated money remitted to individual fugitive slaves. Included at the end of the collection are a set of photocopies of the manuscripts (2:21) and supplemental information about the Society and its members, provided by the University of Rochester (2:22).

Freedmen's education was a major concern of the Rochester Ladies' Anti-Slavery Society, and is discussed extensively by several correspondents. The single most frequent correspondent in the collection is Julia A. Wilbur, writing while working with freedmen in Alexandria, Va., 1862-1865. Wilbur writes long and vivid letters describing the miserable living conditions found among the freedmen, their want of clothing and shelter, and she describes several individual cases. Wilbur also met and became familiar with the renowned ex-slave and author, Harriet Jacobs. The situation that Wilbur describes in Virginia verges on the chaotic, with corruption at the highest levels, dissension among those in charge of contraband matters, and many in the military reluctant or unwilling to take any responsibility. She was a perceptive observer of the progress of the war, Southern citizenry, and of the destruction that the war had inflicted upon Virginia. Her official reports to the Society, which are more general and less pointed than her private correspondence, were published in the Society's published annual reports (2:1-13).

In addition to Wilbur's letters, there are six other items pertaining to freedmen's education. Three letters from G. W. Gardiner and one document signed by Lewis Overton, 1862-63, relate to the work of the Colored School, founded for freedmen at Leavenworth, Kansas, and both letters from Daniel Breed, 1863-64, include discussions of the Rochester School for Freedmen in Washington, D.C., named for the Society whose money founded it.

The printed items in the collection include fourteen of the seventeen known annual reports of the Society, a report from the Toronto Ladies' Association for the Relief of Destitute Colored fugitives (2:14), and circulars from two British societies (2:15-16). Three issues of Frederick Douglass' Paper (October 2, 1851, February 19 1858, and July 1, 1859) and one issue of The North Star (April 14, 1848) are included in Oversize Manuscripts. An issue of the Christian Inquirer (New York, July 24, 1858), having no direct relation to the Rochester Society, was transferred to the Newspapers Division. Finally, in two letters written in 1859 and 1861, Rebecca Bailey discusses her father William Bailey's newspaper, The Free South.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.