Collections : [University of Michigan Bentley Historical Library]

This collection is comprised of photographs of Cedric Richner's home at 941 Newport Rd., Ann Arbor, Michigan, probably taken by former owner Clarence J. Velz.

Ypsilanti, Michigan automobile salesman, antique collector for Greenfield Village, and real estate agent for the Ford Motor Company. Correspondence, newspaper clippings, and pamphlet material concerning his work for Ford Motor Company, and his interest in William H. McGuffey and Stephen Foster; and photographs.

The collection has been arranged into the following series: Correspondence; Newspaper clippings; Printed Material; Greenfield Village acquisitions; Real estate acquisitions; and Photographs.

Student papers written for courses in architectural history research, mainly about Michigan architects, buildings and communities.

The records consist of student papers prepared for courses in the University of Michigan College of Architecture and Design (later Architecture and Urban Planning), primarily for classes in architectural history research; topics concern the architecture of specific Michigan communities, the architecture of historical buildings and homes, and studies of types of structures in Michigan; papers include historical description and appended visual material. Many of the papers include photos, postcards, and other illustrations relating to the architecture of specific Michigan communities, prominent historical buildings and houses in the state, and types of structures

Professor of architecture at the University of Michigan. The series in the collection are: Architectural Research, 1932-1983; College of Architecture and Urban Planning, 1967-1985; Correspondence, 1962-1972; Development Index, 1947-1984; and Published Materials, 1930-1982.

The papers of C. Theodore Larson measure 4.0 linear feet and date from 1930 to 1985. The bulk of materials, however, are from 1951 to 1974. The papers contain five series: Architectural Research; College of Architecture and Urban Planning; Correspondence; Development index and Published materials.

Assistant Dean of Women at the University of Michigan (1958-1963), later Associate Director of Student Activities and Organizations in the Office of Student Affairs. Collection concerns various University of Michigan responsibilities mainly in the area of housing and oversight of student organizations.

The Leslie collection concerns her various University of Michigan responsibilities mainly in the area of housing and oversight of student organizations. The papers have been arranged in two series: Student Housing and Student Organizations.

Chemical engineer and research scientist, pioneer in the refining of petroleum and synthesis of rubber. Correspondence files, financial records, published research materials; and photograph albums.

The Eugene H. Leslie Papers collection consists primarily of three series of correspondence: Alphabetical Correspondence Files, 1916-1964; chronological Correspondence Files (Outgoing), 1924-1958; and Chronological Correspondence Files, 1933-1952. There are also three other smaller series: Biographical Material, Financial Records, 1934-1948, and Papers and Reprints, 1920-1927.

University of Michigan microbiologist; correspondence, student notebooks, San Francisco Plague Commission records, research files and laboratory notebooks, visual materials

The Frederick G. Novy collection documents the career and research interests of this noted bacteriologist, including information from the period of time when he was a member of the San Francisco Plague Commission (1901).

The collection has been divided into the following series:

1. Biographical/Personal
2. Correspondence
3. University of Michigan Student Notebooks
4. University of Michigan Medical School
5. San Francisco Plague Commission
6. Research Files/Laboratory Notebooks
7. Reprints and Writings
8. Miscellaneous; and Visual Materials.

Professor of botany at the University of Michigan. Correspondence and subject files relating to his professional activities, notably his specialization in mycology; and photographs.

The Frederick K. Sparrow Collection has been organized alphabetically by topic. Correspondence is filed under the letter "C" and is in chronological order. In the biographical folder, the researcher will find a summary of the disposition of Dr. Sparrow's botanical effects, listings of his personal mycological library and his holdings of rare mycological books and publications, and a detailed bibliography of his works.

Dr. Sparrow corresponded with friends, mentors, and fellow mycologists and botanists from around the world on a variety of topics. His correspondence comprises over one-half of the collection. The researcher should note that letters dealing with the Second International Mycological Congress are included with the rest of the materials from the Congress.

Architect; professor of architecture at the University of Michigan. Client files, topical file, and miscellaneous presentation drawings.

The George Brigham collection consists of three linear feet and 10 oversize drawers of architectural drawings, photographs, correspondence, and subject files relating to his career as a practicing architect in southeastern Michigan (mainly Ann Arbor), but also including some materials when he was based in Pasadena, California.

The collection has been arranged into five series: Client Files; Client Drawings Files; Prefabrication Drawings Files; Miscellaneous Drawings Files; and Topical Files

The Client Files and the Topical Files have been placed together in the collection (boxes 1-3). The Client Drawings Files, the Prefabrication Drawings Files, and the Miscellaneous Drawings Files, consisting of oversized architectural materials, have been placed together in flat storage drawers.

The Client Files and the Client Drawings Files will be discussed here together as the distinction between them is primarily one of size rather than content. Each of these series is arranged alphabetically by the name of the client for whom Brigham either designed a structure (mainly private residences), additions to existing structures, or proposed a design for which the structure was never built. As a rule, the Client Files consist of photographs, specifications, smaller original drawings, correspondence, and other materials relating either to the project or to the client, while the Client Drawings Files, as the name states, consists of the original designs from conception to final revisions as given to the contractor. There is some mixing of materials between the two series with an occasional oversize photograph located in the Client Drawings Files and with some smaller-sized drawings located in the Client Files. The researcher should also note that while the lists of names for the two series are basically the same they are not identical. The disparities depend upon whether a structure was actually built or not and whether all of the materials have survived. As a group, these two series document Brigham's creative process from first contact with a client through to the construction phase. The series also documents the introduction of a new style of domestic architecture into the Ann Arbor community, particularly areas where the faculty of the University of Michigan resided such as Barton Hills.

The Prefabrication Drawings Files and the Miscellaneous Drawings Files are not client-based files and instead concern Brigham's design innovations in the area of low-cost, prefabricated structures. Unfortunately with the passage of time and the transfer of material about, the original order of these drawings has been lost. An attempt has been made to put the drawings into a subject arrangement but there are still many items imprecisely identified or fragments that were once part of a series of drawings. Some identification is of course possible with clearly defined units of material carrying such labels as 12 panel recreation shelter, a square folding portable shelter and plank wall construction. The largest grouping of drawings here is for Brigham's modular designs, which he called "Unit Built Structures." Perhaps the most significant portion of the Miscellaneous Drawings series relates to the Youtz Unit System of building on which Brigham worked during World War II.

The final series - Topical Files - contain a miscellanea of personal materials, speeches and articles, subject files on his general interest in architectural design. Of interest here in this series are several files relating to Brigham's work with Philip Youtz and his design work on the Youtz Unit House. As mentioned previously, there are also complementary drawings on the Youtz system.

University of Michigan staff photographer, 1913-1947 and commercial photographer in Ann Arbor, Michigan. Collection includes some manuscript material but is primarily photographic prints and negatives made by Swain. Photo subjects include university buildings, faculty, and student activities, archeological expeditions to the Near East and, Ann Arbor scenes and landscapes form his travels in the western United States and Canada.

The papers and photographs of George R. Swain mainly document Swain's accomplishments as university photographer at the University of Michigan from 1913 to 1947. Researchers should note, however, that this is only a sampling of the photographer's work during these years. The Kelsey Museum of Archaeology at the University of Michigan has an extensive collection of Swain's archaeological negatives and prints, and researchers interested in his full career will want to also look at the Kelsey collection. The Bentley Library material, while including several folders of fine photographs Swain made on his travels with Professor Frances Kelsey, for the most part documents Ann Arbor and the University of Michigan.

The collection at the Bentley Library consists of three series: Miscellaneous Papers; Photographers Log; and Photographs (prints; negatives; and lantern slides. Since the bulk of the collection is comprised of early twentieth century images of Ann Arbor and the University of Michigan, the materials will be of most interest to researchers searching for visual documentation of this part of the state in that time period. There are very few materials beyond the visual, although the lengthy captions attached to many overseas images and the essays, diaries, and letters, are extremely interesting and offer insight into how Swain approached his craft, both as a professional photographer and in his personal work.