Collections : [University of Michigan William L. Clements Library]

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The Salomon family photograph album contains 55 photographs of friends, family members, and religious and political figures compiled by the family of Haitian President Lysius Salomon.

The Salomon family photograph album contains 55 photographs of friends, family members, and religious and political figures compiled by the family of Haitian President Lysius Salomon.

The album (30 x 22.5 cm) has embossed brown leather covers, gilt edges, and a metal clasp; it was produced and copyrighted by English firm T. J. Smith, Son, & Co. under the product name “Album Arbora.” A gilt-print index accompanied by a quote from Henry Wadsworth Longfellow on pg. 2 lists the locations of 13 decorative illustrations of various “Flowering Shrubs” found within the album.

Photographs mainly consist of carte de visite and cabinet card studio portrait photographs of various men, women, and children taken between the 1860s and 1880s. Also present is a souvenir from the funeral of a young Frenchman named Pierre Bertagne who passed away in 1925 at the age of 25 (between pgs. 2 & 3; includes a portrait of the deceased). Works of Haitian, French, English, German, Jamaican, Italian, Curaçaoan, Puerto Rican, and American photographers are represented. Black, white, and mixed subjects are included, and most individuals are unidentified. Eight portraits of President Salomon appear throughout the album; also present are photographic reproductions of illustrated portraits of Pope Pius IX (pg. 3), Italian statesman Giuseppe Garibaldi (pg. 7) and Prime Minister of Madagascar Rainilaiarivony (pg. 9) as well as a photographic portrait of Victor Emmanuel II, King of Italy (pg. 10). Numerous portraits of Catholic priests are also included.

Besides Lysius Salomon, other members of the Salomon family that may possibly be represented in the album include his second wife Florentine Salomon (pgs. 11, 15, and loose image between pgs. 40 & 41), daughter Ida Salomon Faubert (loose image between pgs. 40 & 41 and loose cabinet card between pgs. 42 & 43), and grandson Raoul Faubert (ca. 1920s real photo postcard, loose between pgs. 24 & 25).

Several photographs include inscriptions in French. Many of these inscriptions indicate that a photograph was given as a souvenir to either President Salomon himself or to Mrs. Salomon (presumably Florentine Salomon). For instance, on pg. 19 a portrait made in 1882 of a French priest of “Abbé de Aldrovandy” in Paris bears an inscription addressed to “Monsieur le General Salomon, President de la Republique D'Haiti,” indicating that the subject desired to have a fellow priest named Mathieu send this photograph to Salomon upon his death; a second inscription (presumably written by Mathieu) states the gentleman pictured has passed away and that his wish is being fulfilled by the portrait being sent to Salomon. Pg. 21 includes portraits of two women with inscriptions made out to “Mme La Presidant” and “Mde. Salomon” respectively, as well as a portrait of a young black man bearing an inscription in French that translates to: “Gratitude to our respectful and revered Father Le Duc de Saint Lous du Sud, President of the Republic of Haiti.” Also present on pg. 31 is a cabinet card portrait of the President of the Dominican Republic Fernando Arturo de Meriño with a verso inscription in Spanish that translates to: “To his Excellency General Salomon, President of the Republic of Haiti, his loyal friend Fernand A. de Merino Puerto Plata, February 5 1882.”

For conservation and preservation purposes, facsimile reproductions of each photograph have been put in place of the original photographs to replicate the arrangement of the album as it appeared when received. The original photographs are housed separately within the album container.

The Lucas family papers consist of genealogical records, newspaper clippings, and other materials about the descendants of John Ward Lucas, who moved from Middletown, Connecticut, to Lewis County, New York, in the early 19th century. Several items pertain to the history of Watertown, New York, and the surrounding area.

The Lucas family papers (40 items) consist of a family record book, newspaper clippings, and other materials about the descendants of John Ward Lucas, who moved from Middletown, Connecticut, to Lewis County, New York, in the early 19th century. Several items pertain to the history of Watertown, New York, and the surrounding area.

The Lucas Family Record Book (42 pages), compiled in the mid-19th century, contains genealogical information about the Lucas family from the mid-18th century to the mid-19th century. The volume includes lists of the descendants of Elnathan Lucas of Middletown, Connecticut, and prose biographies of John Ward Lucas (8 pages) and his son Elnathan (23 pages), who moved from Middletown to Pinckney, New York, in 1809. Page 14 has a map of the Pinckney area, showing the Lucas farm and other landmarks. Mid- to late-20th century newspaper clippings about the history of northwest New York and additional genealogical notes are laid into the volume.

The Photographs series is comprised of 2 cabinet card photographs of children, taken around 1892.

The 23 Newspaper Clippings (July 16, 1961-October 1, 1986, and undated) include obituaries and other articles related to members of the Lucas family and the history of Watertown, New York, and nearby towns and areas such as Sackets Harbor, Tug Hill, and Three Mile Bay. Many articles were clipped from the Watertown Daily Times.

The Genealogy series (14 items) contains notes and family trees about the Lucas family, providing birth and death dates for several generations. One packet of documents includes blank forms for recording family trees. Five items regard the Lucas family's coat of arms, provided in a report ordered from Halbert's, an Ohio-based company. Promotional materials for Halbert's and additional items about heraldic devices accompany the report.

This collection is made up of correspondence, diaries, scrapbooks, photographs, and realia related to the family of Universalist Rev. James Shrigley of Maryland, Pennsylvania, and Virginia. The collection spans 1761 to 1955, with the bulk of the materials covering the lives of Rev. James Shrigley (1813-1905) and his son James Burley Shrigley (1846-1914).

The Shrigley family papers are divided into four series: Correspondence and Documents; Diaries, School Books, and Scrapbooks; Photographs and Watercolor Illustration; and Realia. The collection spans 1761 to 1955, with the bulk of the materials covering the lives of James Shrigley and James Burley Shrigley.

The Correspondence and Documents series is divided into two sub-series: Family correspondence and documents, and financial records.

The Shrigley family correspondence and documents subseries contains letters from George S. White, Margaret Shrigley, and James B. Shrigley. James B. Shrigley and Ella G. Oler's marriage certificate and license are present. The items in this subseries were found in a portable writing desk, described below. The Financial records subseries is comprised of receipts and warrant deeds for Corlienus DeHart. DeHart's connection with the Shrigley family has not been determined. Two family account books date from 1764 to 1787 and 1803 to 1811.

The Diaries, School Books, and Scrapbooks series contains seven bound volumes. Three journals by James Burley Shrigley date from 1859-1864, while he was a teenager in Philadelphia, Pennsylvania. The third volume contains several watercolor illustrations, including one of a US steamer Monitor-inspired hat. The collection includes two scrapbooks compiled by James B. Shrigley and Arthur Shrigley. James's scrapbook contains a biography of his father Reverend James Shrigley and several signed letters and clipped autographs of prominent public individuals, such as P. T. Barnum and Daniel Webster. Arthur's scrapbook contains holiday-themed newspaper clippings.

The Photographs series contains images of multiple members of the Shrigley family and scenes of Frankford, Pennsylvania. Among the photographs are cabinet cards of Reverend James Shrigley and Mary Shrigley, and stereograph cards of Frankford, Pennsylvania, in 1875. The series includes ten photographs that were removed from their frames; three of the frames (original to the photographs) were retained and are filed in the Realia series.

The Realia series contains a portable writing desk, a leather pouch, and three frames. The items in the family correspondence and documents series above were found within the portable writing desk. The owner of the desk has not been determined. The three frames were original to three photographs described in the photographs series.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots. The collection includes real photographic postcards, mounted and unmounted paper prints, and one severely tarnished tintype. Also present are two fingerprint identification cards with handwritten lists containing names of numerous individuals represented in the collection. A small number of photographs appear to be standard studio portraits. Photographs range in size from 6 x 10.5 cm to 11 x 17 cm.

Many of the mugshots have printed and/or handwritten information on their versos, including names, known aliases, nationalities, birth dates/locations, occupations, arrest dates, names of arresting police officers, criminal charges, sentences, prison locations, remarks on physical appearances, and Bertillon measurements. Most of these images were produced in various places in Pennsylvania, New York, New Jersey, and Maryland, with Philadelphia being the most represented location. The mugshots are mainly of white male subjects, though there are also four mugshots of women present. Five African American individuals (four men, one women) are also pictured. A substantial number of mugshots are of individuals from immigrant backgrounds, including Italians, Irish, Austrians, Germans, Poles, Greeks, Jews, etc. Approximately 90 individuals are personally identified in total. Recorded criminal charges include shoplifting, pickpocketing, larceny, burglary, forgery, embezzlement, false pretense, flimflamming, auto theft, horse theft, conspiracy, attempted murder, and murder. Specific police departments and correctional facilities represented include the Pennsylvania Department of State Police, Harrisburg Department of Police, Philadelphia Bureau of Police, Hartford Police Department, Newark Department of Police, Auburn Prison, Sing Sing Prison, City of New York Police Department, City of Boston Police Department, Camden Bureau of Police, Baltimore Police Department, Bureau of Criminal Investigation for the New Jersey Reformatory in Rahway (now East Jersey State Prison), U.S. Penitentiary in Leavenworth, City of Paterson Police Department, Philadelphia’s Eastern State Penitentiary, Montgomery County Prison (Norristown), Columbus Department of Police, City of Wilkes-Barre Bureau of Police, Trenton Department of Public Safety, New York House of Refuge, and the Reading Department of Police.

• a 1921 mugshot of an Italian man named Peter Erico, who was executed by electric chair on September 25 1922 along with Antonio Puntario after the pair were found guilty of murdering Detective Samuel Lucchino
• a 1909 mugshot of an eighteen year old Jewish man named Albert Steinberg, accused of pickpocketing
• two different mugshots of Irishman John Shelvin (accused of pickpocketing) taken in 1897 and 1906 following arrests in Philadelphia and Baltimore
• a 1920 mugshot of German houseworker Minnie Schissel, charged with theft
• a 1909 mugshot of accused shoplifter Marie Clark
• a 1915 mugshot of an African American man named King Brown, charged with illegal dynamite explosion, assault, and other crimes
• a ca. 1903 mugshot of larceny suspect Edward Stevenson, a "fugitive from Phil. Pa."; handwritten inscriptions on verso include note to address information to Detective E. H. Parker
• a ca. 1906 mugshot of German engineer and fireman Frank Schleiman with identifying details and a $50 reward notice for information on his whereabouts following his escape from Sing Sing Prison on December 9 1906 handwritten on the verso
• a 1908 mugshot of “dishonest servant” Blanche Grisson
• a 1919 mugshot of a Mexican man named Pedro Susman, charged with shoplifting
• two copies of a portrait or mugshot of African American man James Timberlake with identifying details handwritten on verso
• a 1908 mugshot of an Austrian butcher named Herman Haubt, convicted of 2nd degree murder
• an undated mugshot of an African American woman named Pearl Williams, charged with being a dishonest servant
• a 1906 mugshot of bartender Sam Davis (accused of pick pocketing) produced by detective Harry C. White of Harrisburg
• a ca. 1918 mugshot of Oliver Denton Bender taken in Columbus, Ohio, including an attached note that lists twelve of Bender’s known aliases
• a 1900 mugshot of Irishman John Mackey, charged with till tapping; two 1918 mugshots of Italian barbers Nicholas Shieno and Frank Rinaldo, both of whom were charged with flimflamming after being arrested in Scranton, Pennsylvania
• a 1918 mugshot of Jewish printer David Schleimer taken at the New York House of Refuge on Randall’s Island
• a 1917 mugshot of Michael J. Sullivan, charged with murder

The E. L. Diedrich Collection is a selection of manuscript items compiled by his son Duane Norman Diedrich and dedicated to his memory. The content of these letters, documents, and other manuscripts reflect the life and interests of E. L. "Bud" Diedrich (1904-1988), most prominently subjects pertinent to government, business, and patriotic music.

The E. L. Diedrich Collection is a selection of manuscript items compiled by his son Duane Norman Diedrich and dedicated to his memory. The content of these letters, documents, and other manuscripts reflect the life and interests of E. L. "Bud" Diedrich (1904-1988), most prominently subjects pertinent to government, business, and patriotic music. Items include correspondence from early United States politicians, discussing aspects of the developing Federal government and political parties; letters respecting the U.S. Presidency; holograph manuscripts and correspondence respecting patriotic music, such as the Battle Hymn of the Republic; and much more.

The collection is comprised of over 50 letters, documents, manuscript songs, and photographs, and other items. For a comprehensive inventory and details about each item in the collection, please see the box and folder listing below.

This collection contains correspondence and other materials related to the family of Samuel Prioleau Ravenel and his wife, Margaretta Fleming Parker Ravenel. Many of the letters concern life in Philadelphia, Pennsylvania, and Charleston, South Carolina, before, during, and after the Civil War (particularly during Reconstruction). Other items pertain to family news, European travel, and other subjects.

This collection is made up of correspondence, photographs, and other materials related to the family of Samuel Prioleau Ravenel and his wife Margaretta Fleming Parker Ravenel. Many of the letters concern life in Philadelphia, Pennsylvania, and Charleston, South Carolina, before, during, and after the Civil War.

The Correspondence series (215 items) comprises the bulk of the collection. Many of the earliest items are incoming personal letters to Clarissa Walton and Thomas Fleming from friends, their son. These and other early items largely pertain to everyday life and social activities in Philadelphia, Pennsylvania, and Charleston, South Carolina. The series includes a group of letters that Thomas and Margaretta Fleming Parker wrote to the Flemings, his in-laws and her parents, about life in Charleston in 1861; Margaretta occasionally referred to the war. James McCarter wrote two letters from Charleston in June 1862 about the flight of civilians from the city and other effects of the war.

Ravenel family correspondence begins in the late 1850s with letters that Samuel Prioleau Ravenel received from a correspondent in Philadelphia; at the time, he lived in Pendleton, South Carolina. Ravenel began to correspond with Margaretta Parker in 1862, and they discussed their courtship, plans to marry, and daily lives until 1865. In letters to Margaretta and, in the late 1860s, to his father, Daniel, Samuel Prioleau Ravenel often wrote about Reconstruction policies, freedmen, and other political topics. Daniel Ravenel wrote to his son and his daughter-in-law about life in Charleston.

Samuel Prioleau and Margaretta Ravenel spent much of the late 1860s in Switzerland and in Paris, France, which Margaretta described in letters to her mother Clarissa Walton Fleming. Fleming responded with news from home, including comments about the 1868 presidential election and her life in Philadelphia. Throughout the 1870s, Samuel and Margaretta corresponded with their families about Charleston socialites and family news from South Carolina and their home in Highlands, North Carolina. They often discussed the births and growth of their children. A group of letters written in 1902 concerns the death of Samuel Prioleau Ravenel. Additional items from the early 20th century concern the Ravenel family's interest in a sugar mill and other topics.

The Photographs series (5 items) contains carte-de-visite portraits of S. Prioleau Ravenel in a military overcoat (1 item), Arthur Parker (1 item), and a woman, tentatively identified as Margaretta Ravenel or "Annie" (2 items), as well as a cabinet card photograph of three men around a table, taken in Mexico.

The Printed Items series (7 items) includes copies of a Supplement to Charleston Mercury (November 30, 1867), the Charleston Daily Courier-Extra (December 3, 1867), and The Charleston Mercury (May 2, 1868). Also included are a page from The Tri-Weekly Courier (December 9, 1867), a playbill for a production of Ten Nights in a Barroom at the Wardman Park theatre (April 23, 1929), a newspaper clipping containing a copy of "Mother Shipton's Prophecy" (undated), a calling card for "Miss Loat" of Balham Hill (undated); and a single book: Mason Smith Family Letters, 1860-1868, edited by Daniel E. Huger Smith, Alice R. Huger Smith, and Arney R. Childs (Columbia, S.C.: University of South Carolina Press, 1950).

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. In addition to the photographic materials, 36 manuscript items and two bound volumes are also included in the collection.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. An additional 36 manuscript items and 2 bound volumes are also included in the collection.

The collection appears to have been first started by Brearley during the mid-1860s, possibly during or immediately after his Civil War service. He seems to have solicited the autographs of a variety of famous individuals (including authors, performers, musicians, scientists, spiritual leaders, politicians, foreign rulers, and military officers) primarily by mailing them photographs of themselves and requesting their signatures. Possession of the collection appears to have been transferred to Pingree at some point, and he continued to make further contributions. Pingree’s daughter Hazel retained possession of the collection after her father’s death before eventually donating it to the Clements Library. All components of the collection are stored together in one box.

While most portraits in the collection are original studio photographs taken by a variety of photographers including Mathew Brady and Napoleon Sarony, a relatively small number of photographic reproductions of non-photographic portraits are also present (including depictions of James Monroe, Stonewall Jackson, and Henry and Clara Ford).

Volume 1: Brearley collection reproduction souvenir album

This album (16.5 x 15 cm) has green leather covers with lines of poetry from Henry W. Longfellow’s A Psalm of Life stamped in gold on the front. An index included at the beginning lists the names of 96 individuals represented across the album’s 24 pages. After the index, a passage written by William H. Brearley and dated August 1st 1874 explains that he created a limited number of facsimile copies of his original autographed portrait collection at the “urgent solicitation” of many interested friends. Brearley also explains that he acquired the original photographs and autographs in his collection “by long and patient effort, & tending over a period of ten years, and involving an expense of several Hundred dollars.” Subsequent album pages each contain four individually pasted 5.5 x 4 cm albumen print photographic reproductions of original portraits found in Brearley’s collection. This item was acquired from a separate source and was not part of the original collection of materials donated to the Clements Library by Hazel Hope Pingree Mills.

Volume 2: Brearley-Pingree collection original album

This album (30 x 26 cm) has brown leather covers and the words “Portraits. Autographs” and “Brearley” stamped in gold on the spine. The original autographed portraits of the Brearley-Pingree collection were once housed in this album before Clements Library staff removed the original photographs and substituted them with photocopies in 2010 for conservation and preservation purposes. Manuscript captions were also added by Clements Library staff. The original photographs are housed separately in smaller boxes and have been arranged according to size/format and ordered alphabetically by subject surname. See below for a complete list of photographic subjects contained in each box.

Of additional interest are three manuscript items, including the clipped signature of Hyacinthe Loyson and an October 15th 1873 letter from Henry W. Longfellow containing the same lines of poetry from A Psalm of Life that appear on the cover of the Brearley collection souvenir album. Also present is a letter from Buckingham Palace sent to Brearley in 1873 by Sir Thomas Biddulph explaining that the “enclosed Photograph” of Queen Victoria is being returned but that “The Queen’s Autograph is never given away.” Three wax seals are also included in the volume including an “Imperial Chancellor’s seal” (associated with a portrait of Otto von Bismarck); “the Napoleon Seal” (associated with a portrait of Jérôme Bonaparte); and a Great Seal of the Realm attached to the 1873 letter from Buckingham Palace.

Box 1.1: Brearley-Pingree collection cartes de visite, A-E

This box contains 47 cartes de visite. Represented individuals include the following:

• Adams, Charles Francis, 1807-1886.
• Agassiz, Louis, 1807-1873.
• Alcott, Louisa May, 1832-1888.
• Anderson, Richard Heron, 1821-1879.
• Anderson, Robert, 1805-1871.
• Anthony, Susan B. (Susan Brownell), 1820-1906.
• Bancroft, George, 1800-1891.
• Barnum, P. T. (Phineas Taylor), 1810-1891.
• Barrett, Lawrence, 1838-1891.
• Beauregard, G. T. (Gustave Toutant), 1818-1893.
• Beecher, Henry Ward, 1813-1887.
• Billings, Josh, 1818-1885. [Henry Wheeler Shaw]
• Birney, David Bell, 1825-1864.
• Bishop, Anna, 1810-1884. [Anna Riviere Schultz]
• Bismarck, Otto, Fürst von, 1815-1898.
• Bonaparte, Jérôme, King of Westphalia, 1784-1860.
• Bonner, Robert, 1824-1899.
• Booth, Edwin, 1833-1893.
• Breckinridge, John C. (John Cabell), 1821-1875.
• Bright, John, 1811-1889.
• Bryant, William Cullen, 1794-1878.
• Buchanan, James, 1791-1868.
• Bülow, Hans von, 1830-1894.
• Bunker, Chang, 1811-1874. [in portrait with Eng Bunker]
• Bunker, Eng, 1811-1874. [in portrait with Chang Bunker]
• Burnside, Ambrose Everett, 1824-1881. [two portraits included]
• Butler, Benjamin F. (Benjamin Franklin), 1818-1893.
• Carleton, Will, 1845-1912.
• Chapin, E. H. (Edwin Hubbell), 1814-1880.
• Clem, John Lincoln, 1851-1937.
• Clough, J. E. (John Everett), 1836-1910.
• Coan, Titus, 1801-1882.
• Colfax, Schuyler, 1823-1885.
• Collins, Wilkie, 1824-1889.
• Cook, Eliza, 1818-1889.
• Coombs, Jane, 1842- .
• Curtis, George William, 1824-1892.
• Cushman, Charlotte, 1816-1876.
• Dana, Charles A. (Charles Anderson), 1819-1897.
• Darwin, Charles, 1809-1882.
• Davis, Jefferson, 1808-1889.
• Dickinson, Anna E. (Anna Elizabeth), 1842-1932.
• Dix, John A. (John Adams), 1798-1879.
• Doré, Gustave, 1832-1883.
• Doubleday, Abner, 1819-1893.
• Douglass, Frederick, 1818-1895.
• Emerson, Ralph Waldo, 1803-1882.
• Emory, William H. (William Hemsley), 1811-1887.

Box 1.2: Brearley-Pingree collection cartes de visite, F-N

This box contains 46 cartes de visite. Represented individuals include the following:

• Farragut, David Glasgow, 1801-1870.
• Ferrero, Edward, 1831-1899.
• Field, Cyrus W. (Cyrus West), 1819-1892.
• Field, Kate, 1838-1896. [Mary Katherine Keemle Field]
• Fillmore, Millard, 1800-1874.
• Forrest, Nathan Bedford, 1821-1877.
• Fowler, O. S. (Orson Squire), 1809-1887.
• Garrison, William Lloyd, 1805-1879.
• Gladstone, W. E. (William Ewart), 1809-1898.
• Grant, Ulysses S. (Ulysses Simpson), 1822-1885.
• Greeley, Horace, 1811-1872.
• Greenwood, Grace, 1823-1904. [Sarah Jane Clarke Lippincott]
• Hall, John, 1829-1898.
• Halleck, H. W. (Henry Wager), 1815-1872.
• Hancock, Winfield Scott, 1824-1886.
• Hay, John, 1838-1905.
• Heintzelman, Samuel Peter, 1805-1880.
• Hoar, E. R. (Ebenezer Rockwood), 1816-1895.
• Holland, J. G. (Josiah Gilbert), 1819-1881.
• Holmes, Oliver Wendell, 1809-1894.
• Hooker, Joseph, 1814-1879.
• Howard, O. O. (Oliver Otis), 1830-1909.
• Hugo, Victor, 1802-1885.
• Jackson, Stonewall, 1824-1863.
• Johnson, Andrew, 1808-1875.
• Kirby-Smith, Edmund, 1824-1893.
• Lee, Fitzhugh, 1835-1905.
• Lee, Robert E. (Robert Edward), 1807-1870.
• Lincoln, Abraham, 1809-1865.
• Locke, David Ross, 1833-1888. [Petroleum V. Nasby]
• Logan, John Alexander, 1826-1886.
• Longstreet, James, 1821-1904.
• Loring, Charles G. (Charles Greely), 1794-1867.
• Loyson, Hyacinthe, 1827-1912.
• Lucca, Pauline, 1841-1908.
• Mario, Giovanni, 1810-1883. [Mario, T.]
• McClellan, George Brinton, 1826-1885.
• Mitchell, Maggie, 1837-1918.
• Moltke, Helmuth, Graf von, 1800-1891.
• Monroe, James, 1758-1831.
• Morse, Edward Sylvester, 1838-1925.
• Motley, John Lothrop, 1814-1877.
• Nāṣir al-Dīn Shāh, Shah of Iran, 1831-1896.
• Nast, Thomas, 1840-1902.
• Nilsson, Christine, 1843-1921.
• Nutt, Commodore, 1848-1881. [group portrait with Minnie Warren]

Box 1.3: Brearley-Pingree collection cartes de visite, O-Z

This box contains 36 cartes de visite. Represented individuals include the following:

• Ord, Edward Otho Cresap, 1818-1883.
• Parepa-Rosa, Euphrosyne, 1836-1874.
• Patti, Adelina, 1843-1919.
• Phillipps, Adelaide, 1833-1882.
• Porter, David D. (David Dixon), 1813-1891.
• Rogers, Randolph, 1825-1892.
• Salvini, Tommaso, 1829-1915.
• Saxe, John Godfrey, 1816-1887.
• Schurz, Carl, 1829-1906.
• Scott-Siddons, Mary Frances, 1844-1896.
• Sheridan, Philip Henry, 1831-1888.
• Sherman, William T. (William Tecumseh), 1820-1891.
• Sothern, Edward Askew, 1826-1881.
• Spinner, Francis Elias, 1802-1890.
• Spurgeon, C. H. (Charles Haddon), 1834-1892.
• Stanley, Henry M. (Henry Morton), 1841-1904.
• Stephens, Alexander H. (Alexander Hamilton), 1812-1883.
• Strakosch, Max, 1835-1892.
• Sumner, Charles, 1811-1874.
• Tennyson, Alfred Tennyson, Baron, 1809-1892.
• Terry, Alfred Howe, 1827-1890.
• Thiers, Adolphe, 1797-1877.
• Thomas, George H. (George Henry), 1816-1870.
• Thomas, Theodore, 1835-1905.
• Thumb, Tom, 1838-1883. [Charles Sherwood Stratton; group portrait with Lavinia Warren]
• Twain, Mark, 1835-1910. [Samuel L. Clemens; both names signed on photograph]
• Vanderbilt, Cornelius, 1794-1877.
• Waite, Morrison R. (Morrison Remick), 1816-1888.
• Warren, G. K. (Gouverneur Kemble), 1830-1882.
• Welles, Gideon, 1802-1878.
• Willcox, Orlando B.
• Wilson, Henry, 1812-1875.
• Woodhull, Victoria C. (Victoria Claflin), 1838-1927.
• Wright, Horatio Gouverneur, 1820-1899.
• Yates, Edmund, 1831-1894.
• Young, Brigham, 1801-1877.

Box 2: Brearley-Pingree collection cabinet cards

This box contains 27 cabinet cards. Represented individuals include the following:

• Andrade, Ignacio, 1836-1925.
• Arthur, Chester Alan, 1829-1886.
• Bernhardt, Sarah, 1844-1923.
• Booth-Tucker, Emma, 1860-1903.
• Booth-Tucker, Frederick St. George de Lautour, 1853-1929.
• Bull, Ole, 1810-1880.
• Cable, George Washington, 1844-1925.
• Chamberlain, Joseph, 1836-1914.
• Dickinson, Donald McDonald, 1846-1917.
• Garfield, James A. (James Abram), 1831-1881.
• Garfield, Lucretia Rudolph, 1832-1918.
• Hayes, Rutherford B., 1822-1893.
• Janauschek, Francesca Romana Magdalena, 1830-1904.
• Kellogg, Clara Louisa, 1842-1916.
• Kennan, George, 1845-1924.
• Kruger, Paul, 1825-1904.
• Longfellow, Henry Wadsworth, 1807-1882.
• Phillips, Wendell, 1811-1884.
• Ranavalona III, Queen of Madagascar, 1861-1917.
• Reed, Thomas B. (Thomas Brackett), 1839-1902.
• Stead, W. T. (William Thomas), 1849-1912. [three portraits included]
• Stowe, Harriet Beecher, 1811-1896.
• Urso, Camilla, 1842-1902.
• Victoria, Queen of Britain, 1819-1901.
• Whittier, John Greenleaf, 1807-1892.

Box 3: Brearley-Pingree collection large photographs and manuscript materials

This box contains 9 large format mounted photographs and 33 manuscript items. Represented individuals among the photographs include the following:

• Cleveland, Frances Folsom, 1864-1947.
• Cleveland, Grover, 1837-1908.
• Ford, Clara Bryant, 1866-1950.
• Ford, Henry, 1863-1947.
• Gibbons, James, 1834-1921.
• Guzmán Blanco, Antonio, 1828-1899.
• Mace, Aurelia Gay, 1835-1910.
• Milles, Carl, 1875-1955.
• Wilder, Marshall P.

Manuscript materials of interest include a number of letters dating to the mid-1870s from various individuals (including John A. Dix, C. H. Spurgeon, H. W. Longfellow, and Lucretia R. Garfield) possibly sent to William H. Brearley in response to autograph solicitations and other requests; and numerous letters addressed to Hazen S. Pingree from various individuals (inlcuding William Thomas Stead, Ignacio Andrade, Benjamin Harrison, Grover Cleveland, and William McKinley) dating to the 1890s. Other items of interest include a copy of "Special Order No. 166 'Extract' Head Quarters 2d Brigade 3d Div 2d A.I." dated June 15th 1865 stating that the 1st Mass Heavy Artillery had been ordered by Brig. Gen. Franklin Pierce to repost to General Hancock; calling cards for "Sixto Sanchez Director General de Coreeos - Postmaster" as well as "The Admiral of the Navy" George Dewey from "when he called on Gov. Pingree in Detroit"; a clipped signature of "Louis Botha Commandant General"; an undated note to poet Louise Chandler Moulton; a document dated August 1st 1892 detailing financial investment information related to the Michigan-Peninsular Car Company with pasted clippings of wealthy politicians and their net worths as well as annotations by Pingree; a letter dated Feb 19th 1892 from Don M. Dickinson to Pingree regarding the prospective visit of Grover Clevland to Detroit, Ann Arbor, and the University of Michigan; a letter dated March 9th 1949 from Hazel Hope Pingree Mills to Director of the William L. Clements Library Randolph G. Adams regarding progress being made on research regarding the life of William H. Brearley; and an undated typed copy of a short essay titled "Brearley - Man of Action, Started Many Important Detroit Activities" by historian George B. Catlin.

The Same-sex affection and gender studies photograph collection contains approximately 150 examples of photographs that illustrate closeness between subjects of the same sex as well as aspects of non-traditional gender presentation.

The collection includes photographic examples in multiple formats with real photo postcards, tintypes, cabinet cards, cartes de visite, and small format mounted photos being the most numerous. 145 images are contained in Box 1 of the collection while an additional 5 photographs on larger format card mounts are stored in Box 2. Images mainly consist of portraits of men posing familiarly with other men, women posing familiarly with other women, and portraits of groups and individuals engaged in cross-dressing. Due to the subjective nature of assessing these images combined with historical differences in what was considered socially acceptable displays of affection and the general lack of verifiable context, many of these photographs remain open to a variety of interpretations.

Numerous photographs show same-sex duos and larger groups holding hands, placing their hands on each other, leaning on each other, or demonstrating affection in some other observable way. Most subjects are unidentified, though occasionally individuals have been identified through the presence of inscriptions. In some cases, individuals pictured together have been confirmed to be relatives.

Numerous photographs of male and female individuals and groups engaged in cross-dressing are also present. In many instances, the cross-dressing most likely occurred for humorous reasons.

• Postcard showing two men embracing with the printed caption "We're looking for girls at Lansing, Mich."
• Real photo postcard bearing a studio group portrait of two men, one of whom appears to have an unbuckled belt.
• Cabinet card studio group portrait by Beardsley of Charlotte, Michigan, showing two men, one of whom holds a guitar, whose arms appear to align behind them in a manner that suggests they may have been holding hands.
• Two different group portraits of the same female couple identified through inscriptions as "Agnes Davis" and "Anna Wickerham."
• 1940s group portrait of four men included in a souvenir packet for “Swing Rendezvous,” a New York City-based lesbian/gay bar.
• Real photo postcard bearing a portrait of an unidentified man wearing women's clothing, including a dress, flower-laden hat, and beaded necklace.
• Postcard showing a man wearing women's clothing sat on a bench with the printed caption "The Male is late!"
• Outdoor portrait of two women dressed in men's clothing captioned "A pair of Peaches."
• Real photo postcard captioned "Four of a kind" showing two cross-dressed male-female couples sitting together, with the women sat in the men's laps.
• Series of four images showing a woman posing in World War I-era soldier's uniform.

The Minto-Skelton papers contain the papers of Walter Minto (1753-1796), noted mathematician and educator, his nephew Walter Minto Skelton (1804-1848), and other members of their extended family. Walter Minto's papers contain correspondence, writings, and other documents related to his travels in Italy, scholarship, and teaching career. The Walter Minto Skelton and family papers include correspondence, poetry, prose writings, illustrations and photographs, documents, printed materials, notes, invitations, and miscellanea.

The collection entitled Minto-Skelton family papers is divided into two series: the Walter Minto papers and the Skelton family papers. It began as the Walter Minto papers by donation from Harry B. Earhart in 1934, and this collection, which consists of 21 documents and seven letters, has been incorporated into the new, larger collection of Minto-Skelton family papers given by Jean McIntyre Conrad in 2004. The Skelton family papers contains only a few items from the Earhart donation: specifically, seven of the ten Detargny documents between 1796 and 1798 (in Series 2, sub-series 4) and one printed broadside from 1799 (in Series 2, sub-series 5); the rest come from the much larger Conrad donation. In the Contents Lists that follow each collection it has been noted which papers originally belonged in the Earhart donation.

Walter Minto Papers:

The Walter Minto papers consists of 296 letters and 31 documents, along with nine manuscript notebooks, diaries, account books, etc. and five short handwritten notes by Minto himself. Nearly all of the letters were written during Minto's lifetime, from 1774 to 1796, with four from 1797-98 added to the collection because they refer to him or to his estate. Most of the letters were written to him (253), and they are about equally divided between those written before he left Scotland for America (mid-1786) and those written after he arrived in America. Those from 1779 to 1786 are especially revealing about two events in his life that were either unknown or only hinted at previously.

The first has to do with his sojourn in Italy. He accompanied the Johnstone boys to Italy in 1776 as their tutor and remained with them there until early 1779, when they, and presumably he with them, returned to England. But letters both to and from his father, Walter Minto, Sr., along with references in other letters, make clear that, after entrusting the boys to Captain Machell in Spain, he returned to Slop's home in Pisa in March of 1779, began a formal, concentrated study of mathematics with Slop, that he continued that study there until mid-1782, and that it affected his health.

The second has to do with Minto's previously unknown relationship with a woman named Catherine Drummond. This relationship can be seen in the 49 letters (sometimes in French, occasionally in Italian) written by her to him between March of 1784 and early June of 1786, when he left Scotland for America. The correspondence continued in America, though less frequently; she wrote only three letters between February of 1787 and January of 1788. In a letter (of which there exists only a partial "translation") in response to hers of January of 1788 he tells her that he has loved her for four years and proposes marriage to her. She rejects his proposal by return mail, but continues writing to him until 1791, even after his marriage to Mary Skelton in the fall of 1789.

During his time in America, he met and exchanged letters with a number of influential people, both before going to Princeton (mid-1786 to late 1787) and afterwards (1787-96): for example, John Witherspoon, president of the College of New Jersey; the astronomer and clockmaker David Rittenhouse; Dr. Benjamin Rush, a signer of the Declaration of Independence, with whom he lodged when he first came to America; the army officers James Chrystie and Francis Gurney, who became his friends; even George Washington, to whom he sent a copy of his book on the new planet.

Another 25 letters are neither to nor from him. Most were written from one Minto family member to another and concern primarily family matters; they were probably brought by Minto to America, or were perhaps sent to his wife, Mary (Skelton) Minto, by his Scottish relatives after his death. Two of the letters were written to or from the Johnstones, in 1764 and 1772 (the latter by David Garrick), before Minto had even met the family. Three of the four letters written in 1797-98, after his death, were addressed to his wife, and the fourth to a close friend of hers.

Of the 18 letters written by Minto himself, eight are originals, having been sent to relatives and friends. The other ten are copies or drafts, in his own hand, that he kept for his personal use: these are always marked "copy" or "draft" in the Contents List.

Following the letters are nine manuscript notebooks, diaries, account books, etc. (eight written by Minto, 1776-96; plus one written in 1802, after his death) and five miscellaneous notes in his own hand. Most of the notebooks provide details about events in his life, especially the lists of expenses in the notepads from 1776 and 1779, having to do with his theological education and his dealings with the Johnstone boys, his trip to America in June and July of 1786 from the daily log he kept of it, his travels during his first few months in America from the notepads for late 1786 and early 1787, and the nature of his mathematical lectures at the College of New Jersey from the notebook dated 1802.

Of the remaining 31 documents: 14 date from 1757 to 1786, when Minto left Scotland for America; 14 from 1787, after he arrived in America, to his death in 1796; and three from after his death, the latest of which is dated 1801. The earliest one (a transcript of the entry for Elisabetta Dodsworth's baptism in 1739, from the Baptismal Record of Leghorn in Italy) is dated 1757, when Minto was only four years old. The last is a bill of lading, dated 1801, for what was probably family memorabilia sent from the Minto family in Scotland to Mrs. Mary Minto after her husband's death. In between are documents providing glimpses into Minto's education (24 January 1776), his being set free in Cadiz (13 March 1779), his trip home from Italy in the summer of 1782 (the passport signed by Sir Horace Mann on 11 June 1782), his honorary degree from the University of Aberdeen (3 February 1786), his becoming a United States citizen (24 July 1787), and his membership in the American Philosophical Society (17 January 1789).

Walter Minto Skelton (1804-48) and Family Papers:

The Skelton family papers, unlike the Walter Minto papers, consist of a great variety of materials: 43 letters, written between 1780 and 1940; a large body of prose writings and poetry, including 6 notebooks of prose and poetry, 20 orations, lectures, and essays, and 22 manuscripts of miscellaneous verse; one engraving, one drawing, one print, and four portrait photographs; 50 documents of various kinds; 14 printed materials and 3 newspaper clippings; and 58 items of miscellanea, including 7 notes, 18 invitations, and 24 round pieces of cloth with writing in ink.

The letters are divided into three groups based on the primary correspondent in each group: Mary Skelton Minto (from before 1780 to 1813, and possibly to 1824, the date of her death); Walter M. Skelton (from 1824 to 1843); and the Boyd family (from 1872 to 1940). All three groups of letters provide details about events in the lives of family members. In addition, the first group provides some chronology on the life of Marin Detargny, which is described in detail in the section below on documents. The second group contains some important Skelton family documents, especially the very difficult-to-read letter to Walter Skelton from his father Joseph dated 20 January 1825, and the one from his aunt Elizabeth White dated 22 March 1827. The third group of letters contains a mix of dates and correspondents, mainly regarding the extended Skelton families (especially the Boyds). Two letters in particular are revealing in their insights into the late 19th-century (and later) interest in spiritualism, or spiritism: the one from Edgar Ryder to Ann Skelton dated March 1872 announcing his belief that her brother Walter "is one of the Big Guns in the Spirit world"; and the one from Charles Robb to Elizabeth Boyd dated 12 January 1930 enclosing his transcript of a spirit message from her aunt Ann Skelton during a séance the previous day.

Following the letters are prose writings and poetry, divided into three groups. The first consists of manuscript notebooks containing one or the other or (usually) both genres, and is further divided into notebooks in Walter Skelton's own hand (3) and those in other hands (3). Except for "Elizabeth White's Collection of Poetry," all of these notebooks have Princeton connections, and a few have western Pennsylvania connections.

The second group contains orations, lectures, and essays, nearly all of which are in Skelton's hand and presumably composed by him. The dated ones are from his years at the College of New Jersey in Princeton, and most of the others must be as well. Public speaking was an integral part of the College curriculum, and some of the orations must have been delivered there during his student days (see especially the one dated July 1825).

The third group contains miscellaneous verse. A few of the poems are in Skelton's hand and may have been composed by him (3); the leaf containing the second poem has a few occurrences of the name "(Miss) C. Morford," who may have been a love interest of his. Most of the poems (19), however, are in other hands and range from well known ones like "Don't give up the Ship," Burns' "Auld Lang Syne," and Waller's "Of My Lady Isabella playing on the lute" to obscure ones, including a "Canzonetta" in Italian by Peruchini. Along with Elizabeth White's collection in the first group, these poems indicate a strong interest in poetry in Walter Skelton's extended family.

After a few miscellaneous illustrations and photographs are a large group of documents (certificates, wills, receipts, deeds of land sales, surveys, and the like), divided by the families to which they refer. Most of these families were from western Pennsylvania and related to the Skeltons (Boyd, Craig, McFarland) or were members of the Skelton family itself. The Franklin Heirs also relates to western Pennsylvania, for in January of 1840 Walter Skelton purchased two tracts of land, totaling 410 acres, on the west side of the Allegheny River in South Buffalo Township, Armstrong County, Pennsylvania, which had been owned in the 1780's by Benjamin Franklin; Skelton presumably built a house on the property and lived there until his death in 1848, when it passed into the hands of his sister Ann Skelton. The Scudders were friends of the Skelton family in New Jersey, and the deed of sale described here was probably from a descendant of that family. The two White family documents refer to Elizabeth White, whose collection of poetry is described in Series II, sub-series 2 above and who lived in Scarsdale, New York; she was the sister of Walter Skelton's mother, Sarah White Skelton, wife of Joseph Skelton, Sr.

The most intriguing set of documents has to do with Marin Detargny. It is uncertain how his papers came to be included in the papers of the Mintos or of the extended Skelton family. Moreover, seven of the ten Detargny documents between 1796 and 1798 were in the Earhart donation; why or how they became separated from the rest of the Detargny documents is a mystery, especially since they are not so different from the other three of the same date. From the documents (and four letters referring to him) one learns that Marin Detargny was born in France on 26 June 1776, son of Jean Francois Detargny. He is twice called "homme de lettres," once "Professeur," and is later referred to as "Reverend." He remained in France until at least 1798, not leaving until 1800 or a little later. By December 1802 he was in Virginia, residing in Alexandria and trying to open a school, but at about the same time he must have moved to Annapolis, where he taught French until at least April 1804. Between November 1805 and August 1807 he was in Charleston, South Carolina, but by 1810 he was in Philadelphia and being looked after, at least financially, by Benjamin Hopkins (husband of Mary Skelton Minto's niece, Elizabeth, the daughter of Mary's brother Josiah). By early 1813, Detargny was destitute and was in danger of being sent to the overseers of the poor; his wife was also destitute and depended on "relatives" who could not afford to help her husband.

How the Skeltons and the Hopkinses came to know him, and especially how the Hopkinses came to be responsible for him, is unknown, though intriguing; sometime after 1807 (see undated letter from M. Chrystie to Mary Minto) a "Mrs. Ditennia" (probably Mrs. Detargny), who had been ill, visited Mary Minto in Princeton.

The next category consists of printed materials (a broadside; an interesting advertisement and list of fees for Mrs. Graham's school in New York from the early 19th century; two newspapers; some pamphlets and announcements; and three newspaper clippings about family events). The most numerous group is the pamphlets and announcements, which contains primarily the Proceedings of seven Boyd family reunions held in western Pennsylvania and Ohio between 1881 and 1892 (at least ten reunions through 1900, but no other Proceedings appear in the Skelton family papers). These Proceedings contain lists of the participants and attendees at the various reunions, along with biographies of some of the Boyds (including Walter Skelton Boyd [1864-92], who was named for his uncle, Walter Skelton, in the 7th Proceedings), and an in-depth study of some of these people might help to unravel the connections both among the Boyds and of the Boyds with the Craigs, Earharts, and McIntyres.

The final group consists of miscellaneous materials, including notes by Walter Skelton; invitations to parties, dances, and college exercises; a statement from students at the College of New Jersey directed to James Carnahan, president of the College; a notebook containing "By-Laws of ‘The Princeton Blues'," a militia group in Princeton whose captain in 1830-31 was Walter Skelton; a booklet of proverbs and common sayings in English and Spanish on facing pages; a series of primarily 20th-century family notes and lists about the contents of the second Minto-Skelton collection before it was given to the Clements Library; and some obscure pieces of cloth with writing on them. Three of the five notes written by Walter Skelton are presumably from his days at the College of New Jersey; a fourth is apparently a record of the books in his library; and the fifth is a unique list of "Provincialisms noticed in the Western part of Pennsylvania," which he must have recorded when he first went out to that part of the country in 1826. Fourteen of the eighteen invitations (some on the backs of playing cards) are addressed to one or more of the Skelton sisters requesting their attendance at parties, dances, and college exercises, and they attest to the active social life for young women in Princeton and environs in the 1780's.

The last item in the group of miscellaneous materials is a set of twenty-four round pieces of cloth with writing in ink on one side of twenty-two of them. The writing has various configurations: always the name of the writer and, in addition, occasionally the name of the addressee, usually a sentiment of some kind, and frequently a date and the home of the writer. The addressee, when given, is always Mary or Mary McFarland; the year, when given, is 1845, usually in October; the home addresses are nearly always somewhere in Indiana County or Armstrong County, Pennsylvania; and the writers are often relatives (five are Skeltons).