Collections : [University of Michigan Special Collections Research Center]

The Ellen Van Volkenburg and Maurice Browne Papers document their personal and professional lives together. The papers are also an important source for American and British theater history.

Correspondence – Extensively documents the personal and professional activities of MB and EVV – Letters to their families, to each other, correspondence to/from other people connected with the theatre – Major correspondents include: Mary Aldis, Dorothy Crawford, Cyril Edwards, Dorothy and Leonard Elmirst, Arthur Davison Ficke, Wilfrid Wilson Gibson, Alexander Greene, Harold Monro, John Cowper Powys, R.C. Stewart, Charles Erskine Scott Wood – Also correspondence about Henry Morley, related to MB's attempted revision of Morley's A First Sketch of English Literature

Writings – Typescripts, annotations, notes, galleys, etc. – MB's autobiography, Too Late to Lament; his plays, including multiple drafts of titles such as The King of the Jews, The Mother of Gregory, and Wings over Europe; prose, including Recollections of Rupert Brooke; and poetry – EVV plays, including Ameriga Vespucci, The American, The Queen's Keys; her prose – Works by others

Theatrical Work – Companies and associations such as Chicago Little Theatre, Cornish School, Maurice Browne Ltd. - contracts, correspondence, financial records, meeting minutes, programs, scripts – Playbills - productions associated with Maurice Browne and Ellen Van Volkenburg, divided into United States and Great Britain; other productions – Printing plates of images and text used for Chicago Little Theatre materials such as playbills, etc. – Promptbooks for many of their plays, including published versions of the plays marked with cuts and edited versions EVV used in readings she gave – Puppets - small amount of material related to puppet productions

Samurai Press – Maurice Browne's project with Harold Monro – Correspondence, business records, several manuscripts, scrapbook, clippings, etc.

Personal and Family – Personal materials related to Maurice Browne and Ellen Van Volkenburg, including correspondence about their engagement, divorce, etc. – EVV's 39 journals covering 1910-1966 – Papers of other family members - Frances Anna Browne, F.H. Browne (MB's father - his papers, dismissal as headmaster, suicide), Edward Stanley Browne, F.W. Mercer (manuscripts he hand lettered and illuminated) – Family papers - Browne family, Neligan family, indentures on vellum

Photographs – Have been organized into groupings by subject – Family and Friends (roman numerals signify subject groupings - legacy from earlier cataloging) - Many photographs of EVV and MB, their families, travel photographs (MB went to India as a young man), Molly Underwood, John Cowper Powys, Arthur Davison Ficke, Mary Aldis, Marjorie Morris, other friends – London and New York I and II - organized by title of play - production/cast photographs (see both categories - not intermingled) - many from Journey's End production – Chicago Little Theatre, Cornish School, and Carmel - organized by title of play - many from Trojan Women – Associates - actors, guest artists, others associated with them

Artwork – Costume and stage designs for various productions (organized by last name of artist when known) - separate section for Othello – Miscellaneous art works - including portraits, woodcuts, watercolors, prints, sketches (organized by last name of artist when known)

Scrapbooks – contain photographs, clippings, programs (some not represented elsewhere in the collection) – some appear to have been created by professional clipping services – document Maurice Browne's parents, their early lives, public appearances, theater reviews, etc.

Printed Material – clippings, topical files

Realia – three breastplates and leather pouch worn by Paul Robeson in Othello, 1930 – puppet made of paper and bamboo – small plaster head (appears to have broken off something)

The Ellen Van Volkenburg and Maurice Browne Papers document their personal and professional lives together. The papers are also an important source for American and British theater history.

Correspondence – Extensively documents the personal and professional activities of MB and EVV – Letters to their families, to each other, correspondence to/from other people connected with the theatre – Major correspondents include: Mary Aldis, Dorothy Crawford, Cyril Edwards, Dorothy and Leonard Elmirst, Arthur Davison Ficke, Wilfrid Wilson Gibson, Alexander Greene, Harold Monro, John Cowper Powys, R.C. Stewart, Charles Erskine Scott Wood – Also correspondence about Henry Morley, related to MB's attempted revision of Morley's A First Sketch of English Literature

Writings – Typescripts, annotations, notes, galleys, etc. – MB's autobiography, Too Late to Lament; his plays, including multiple drafts of titles such as The King of the Jews, The Mother of Gregory, and Wings over Europe; prose, including Recollections of Rupert Brooke; and poetry – EVV plays, including Ameriga Vespucci, The American, The Queen's Keys; her prose – Works by others

Theatrical Work – Companies and associations such as Chicago Little Theatre, Cornish School, Maurice Browne Ltd. - contracts, correspondence, financial records, meeting minutes, programs, scripts – Playbills - productions associated with Maurice Browne and Ellen Van Volkenburg, divided into United States and Great Britain; other productions – Printing plates of images and text used for Chicago Little Theatre materials such as playbills, etc. – Promptbooks for many of their plays, including published versions of the plays marked with cuts and edited versions EVV used in readings she gave – Puppets - small amount of material related to puppet productions

Samurai Press – Maurice Browne's project with Harold Monro – Correspondence, business records, several manuscripts, scrapbook, clippings, etc.

Personal and Family – Personal materials related to Maurice Browne and Ellen Van Volkenburg, including correspondence about their engagement, divorce, etc. – EVV's 39 journals covering 1910-1966 – Papers of other family members - Frances Anna Browne, F.H. Browne (MB's father - his papers, dismissal as headmaster, suicide), Edward Stanley Browne, F.W. Mercer (manuscripts he hand lettered and illuminated) – Family papers - Browne family, Neligan family, indentures on vellum

Photographs – Have been organized into groupings by subject – Family and Friends (roman numerals signify subject groupings - legacy from earlier cataloging) - Many photographs of EVV and MB, their families, travel photographs (MB went to India as a young man), Molly Underwood, John Cowper Powys, Arthur Davison Ficke, Mary Aldis, Marjorie Morris, other friends – London and New York I and II - organized by title of play - production/cast photographs (see both categories - not intermingled) - many from Journey's End production – Chicago Little Theatre, Cornish School, and Carmel - organized by title of play - many from Trojan Women – Associates - actors, guest artists, others associated with them

Artwork – Costume and stage designs for various productions (organized by last name of artist when known) - separate section for Othello – Miscellaneous art works - including portraits, woodcuts, watercolors, prints, sketches (organized by last name of artist when known)

Scrapbooks – contain photographs, clippings, programs (some not represented elsewhere in the collection) – some appear to have been created by professional clipping services – document Maurice Browne's parents, their early lives, public appearances, theater reviews, etc.

Printed Material – clippings, topical files

Realia – three breastplates and leather pouch worn by Paul Robeson in Othello, 1930 – puppet made of paper and bamboo – small plaster head (appears to have broken off something)

University of Michigan professor of Germanic Language, Literature, and Culture, scholar and translator of East and Central European literature, poet. Correspondence with authors, scholars, poets, and editors; manuscript and printed versions of poetry printed by George's Kylix Press; notes, drafts, typescripts, and proofs of articles, reviews, and the major editorial works "Contemporary East European poetry," and "Husbanding the golden grain: studies in honor of Henry W. Nordmeyer."

Correspondence with authors, scholars, poets, and editors; manuscript and printed versions of poetry printed by George's Kylix Press; notes, drafts, typescripts, and proofs of articles, reviews, and the major editorial works "Contemporary East European poetry,"(Ardis Press, 1983; Oxford University Press, 1993), and "Husbanding the golden grain: studies in honor of Henry W. Nordmeyer," (University of Michigan, 1973). Also includes large series on Friedrich Holderlin and Miklos Radnoti, reflecting George's primary subjects of research and translation.

This collection contains materials about the personal lives and political activities of Emma Goldman and Warren Starr Van Valkenburgh, organized into four series. The bulk of the collection is correspondence between the two anarchists, primarily from the 1920s (Series 1). Also included is correspondence with other people (Series 2), records and correspondence related to committees for various political causes and to raise funds for the writing of Goldman's autobiography (Series 3), and printed materials including books and pamphlets, newspaper clippings, and typewritten drafts written by Goldman (Series 4).

A 138-page screenplay about the life of Emma Goldman, titled, "Emma Goldman, Daughter of the Dream," by Lea Walker Wood.

This 138-page unpublished screenplay dramatizes the life of anarchist Emma Goldman.

This collection consists of letters from anarchist writers and labor organizers Emma Goldman and Alexander Berkman to their friends Virginia and Lee Hersch, along with a couple miscellaneous private publications.

This collection includes letters from Emma Goldman and Alexander Berkman Americans Virginia and Lee Hersch in Paris, dated June 1930 to March 1934. All but one of the Goldman letters were written from "Bon Esprit" in St. Tropez (the last letter was written after Goldman moved to London).

Goldman first writes Hersch on June 10, 1930 with a request to send autographed bookplates to Arthur Leonard Ross. In that letter, Goldman writes how glad she is to have met the Hersches, and to "count you among my friends." Subsequent letters are increasingly warm and intimate, as Goldman shares news of mutual friends, makes arrangements for her to visit the Hersches in Paris, and reports on her travels, writing, and concerns about Alexander Berkman.

The Berkman letters were written from Nice, France. Like Goldman, Berkman discuss his political and philosophical ideas, as well as his efforts not to be expelled by the French government, mutual friends, and concerns about personal finances and health. In particular, his letter of July 6, 1933, mentions his "psychic disgust with the world at large, [and] my situation…." before going on to comment on the futility of both Russian state capitalism and U.S. private capitalism: "The result is the same: man is turned into a slave of the State or of the private owner."

In addition, the collection holds an undated memo reviewing Goldman's Living My Life, a limited edition of Voltairine de Cleyre inscribed by Emma Goldman for Virginia Hersch, and a 20-page booklet of letters of appreciation for Berkman's sixtieth birthday celebration in 1930.

The Eric Torgersen Papers consists of literary journals, personal and professional correspondences, publicity, poetry and translation drafts, and works from Torgersen's academic career at Central Michigan University and creative career as a poet/writer from the years 1963 to 2019. Also included are multiple drafts of his "Waves" poetry journals, and drafts of other poet's poems.

The Correspondence series consists of materials spanning the years 1963-2016. The Correspondence subseries includes communications with Trogersen's contemporaries, other poets submitting poems to his poetry journal, Trogersen's book proposals, communications with publishers, and correspondences related to 'Poem of the People' and 'Waves' publications. Among the more notable correspondents are Louise Glück, Jim Harrison, Faye Kicknosway, Peter Klappert and more.

The Publicity series (1967-2013) contains various reviews on Eric Torgersen's works, programs and poster art, and (U.S.) domestic newspaper clippings. This series notably includes a review on Faye Kicknosway's work.

The Publications series (1963-2017) contains multiple editions and manuscripts of the poetry journal "Waves" volumes, mailing address lists, Eric Trogersen's published books, and many other published poetry journals. Also included in this series are a collection of Italian publishing of Torgersen's poems, Cornell's poetry journals, and a University of Tampa Poetry Review issue.

The Creative Works series (1961-2019) includes drafts of various poems written by Torgersen, drafts for book proposals, scene breakdowns, essay drafts and their correspondence, a couple of Torgersen's own translations and more. This subseries also contains multiple untitled drafts, both handwritten and typed. Some of the works that appear in this series are multiple drafts and versions of Torgersens novel "Ethiopia", book proposal drafts, and Torgersen's own translations of Nicolas Born's poems.

These are the papers of Erving Winslow (1839-1922), Secretary of the Anti-Imperialist League (Boston, MA). The collection is largely correspondence related to the activities of the Anti-Imperialist League, especially those regarding Philippine independence. Many of these letters are from members of the U.S. Congress, U.S. and Philippine officials, representatives of public interest groups, and the press. There are also five volumes of record books of Anti-Imperialist League executive committee meetings as well as annual meetings (spanning 1898-1920).

Correspondence concerns the activities of the Anti-Imperialist League, especially as to Philippine independence, and chiefly includes Erving Winslow's outgoing letters as well as letters to him from members of the League's executive committee, along with letters from members of the U.S. Congress; U.S. and Philippine officials; representatives of public interest groups and the press; and other papers. It includes the record book of executive committee meetings, including the printed reports of the annual meeting, 1899–1920.

597 items and 5 v.