Collections : [University of Michigan Special Collections Research Center]

Back to top

Search Constraints

Start Over You searched for: Repository University of Michigan Special Collections Research Center Remove constraint Repository: University of Michigan Special Collections Research Center
Number of results to display per page
View results as:

Search Results

12 Linear Feet — 24 manuscript boxes

This collection consists of the administrative records of the Ann Arbor Tenants Union, primarily covering the 1970s-1980s. Materials include correspondence, meeting minutes, reference material, and information about legal cases.

This collection contains the official records of the Ann Arbor Tenants Union, dating primarily from the 1970s to the early 1990s. Along with administrative records, the collection includes reference materials collected by the union's leadership and information about specific actions and legal cases for which the union provided assistance. The material is primarily focused on the Ann Arbor area, but the union also corresponded with, and collected material from, similar organizaitons located across the United States; the research files also contain information about broader subjects such as unionization. A series of newsletters includes mailings from similar organizations located across the country, and a series of housing reports focuses on University of Michigan students and the Ann Arbor area. The newspaper clippings originate from around the country. Overall, the collection presents a history of the specific organization and the broader legal landscape in the Ann Arbor area during the late 20th century.

6 Linear Feet — 10 manuscript boxes, one oversized box, one flat poster.

The Performer's Awards of Detroit Records (1974-2008) consists of materials relating to the Performer's Awards of Detroit (P.A.D.), an organization that promoted gay entertainment in Detroit, Michigan. The materials represent a portion of gay culture and entertainment in Detroit, Michigan and the Southeast Michigan region. The collection contains administrative records, event flyers and programs, correspondence, performer information, posters, pageant applications, handbooks and regulations, and other documents relating to the organization and its members and events.

The Performer's Awards of Detroit Records (1974-2008) consists of materials relating to the Performer's Awards of Detroit (P.A.D.), an organization that promoted gay entertainment in Detroit, Michigan. The materials detail the organizational history through administrative records such as meeting minutes and correspondence; the annual awards show and its preparation, promotion and performers; other shows and pageants in the metropolitan Detroit, Michigan area; official USA Pageantry documentation such as handbooks and applications; and posters, awards, and audiovisual materials. The items represent a large portion of gay culture and entertainment in Detroit, Michigan and the greater Southeast Michigan region from the mid-1970s to the mid-2000s.

The Performer's Awards of Detroit Records were collected by David Marshall, aka Vicki Martin. Many of the items in the collection bear personal inscriptions to Marshall/Martin, and contain handwritten notes by Marshall.

The collection consists of seven series:

Administrative Records Consists of P.A.D. board meeting minutes, correspondence, rules and regulations, by-laws, award and election nomination lists, member registration lists, newsletters, mission statements, candidate statements, event flyers and other organizational notes. Folders were kept as they were received and usually contain one year's worth of P.A.D. records.

P.A.D. Annual Awards Show Records Consists of records relating to the annual awards show organized by P.A.D. Shows from the First Annual Show in 1976 to the 33rd Annual Show in 2007 are represented. There is a folder to represent each year of the show, containing the event program, ballots, flyers, and many that contain handwritten notes, photographs, newspaper and magazine clippings, speeches, performer information, obituaries of entertainers who have participated in the shows, and other information pertaining to the awards shows.

Other Pageant Records Contains various event flyers from Detroit gay bars: primarily Gigi's, but others as well. Also contains event programs, pageant applications, performer headshots, correspondence, newspaper clippings, advertisements, and performer lineup lists. Some files are pageant specific, i.e. Mr. Gay Michigan, Miss Gigi's, Royal Queen of Queens.

USA Pageantry Records Consists of pageant preliminary records, promoter's packages, and handbooks, rules and regulations for specific pageants held by USA Pageantry, including Miss Gay Heartland, Miss Gay USA, Mr. Gay Heartland, Mr. Gay Michigan, Mr. Gay USA, Miss Gay Michigan At-Large, Miss Great Lakes USA and Gay Jr. Miss Michigan. Also included is correspondence, event photographs, performer headshots, notes, and event flyers.

Posters Posters include promotions for various shows and other events held in Detroit, Michigan. A notable inclusion is a poster promoting the 1982 "2nd Annual Moonlight Cruise on the Bob-Lo Boat," which includes a Boblo Boat felt pennant. The Boblo Boats transported passengers to Boblo Island, a former amusement park on Bois Blanc Island in the Detroit River.

Awards Awards consist of trophies, a tiara, and an inscribed softball, as well as a plaque from P.A.D. to award Vicki Martin (David Marshall) for being "a pioneer in gay entertainment."

Audiovisual Materials One VHS tape and four ¼" tape sound recordings.

Top 3 results in this collection — view all 27

205 linear feet.

Forms part of Robert Altman Archive. Includes materials for films The Afterglow, Black and Blue, Cookie's Fortune, The Gingerbread Man, Gun, Kansas City, McTeague, Mrs, Parker and the Vicious Circle, The Player, Pret-a-Porter, and Robert Altman's Jazz '34: Remembrances of Kansas City Swing,. Records include scripts, legal files, publicity materials, photographs and correspondence.
Top 3 results in this collection — view all 3490
Folder

Afterglow (1997)

The Afterglow series (24 linear feet and one oversized box) contains materials from the 1997 film written and directed by Alan Rudolph and produced by Robert Altman. The actors in the film include Nick Nolte, Julie Christie, Lara Flynn Boyle, Don Jordan, Jay Underwood and Jonny Lee Miller.

The legal materials include "Closing Binders" containing copies of most of the legal documents related to the production. Included are corporate documents for Afterglow, Inc., Elysian Dreams LLC, and Gallery Motion Pictures, Inc., loan documents for Coutts & Co. and Lewis Horowitz Organization, and personnel agreements for the producer, director and cast. In addition, the binders contain documents related to the script, financing, guilds and unions, insurance and other production documents.

The business and financial materials are extensive and include accounts payable for vendors in both the U.S. and Canada. Some of the accounts payable files include contracts for vendors as well. There are also separate files containing the petty cash receipts. The rest of the business and financial materials cover payroll and budgets.

The script materials chronicle the various changes and drafts. They also include the final "lined" version of the script used during production.

The production materials consist mostly of schedules. There are detailed production reports and call sheets for each day of shooting. In addition, there is a detailed production notebook with information about all stages of the process, from casting to delivery.

13 Linear Feet — 13 linear feet and 3 scrapbooks

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

Top 3 results in this collection — view all 1514
Folder

Correspondence

The Correspondence series contains 9 linear feet of letters to and from Inglis. A tireless correspondent, she often combined business and personal matters with her associates. The folders are arranged alphabetically within each series, and notes are made if letters are (to) or (from) the individuals listed.

.25 Linear Feet (One half-manuscript box)

Harley Harris Bartlett was a University of Michigan botanist who conducted field research in Sumatra, Haiti, Taiwan, the Philippines, and across South America. This collection, housed at the SCRC, contains material related to the Southern Philippines in the early 20th century. It includes a typescript account of Aguinaldo's arrest by U.S. troops (in Spanish), translations of articles from the Voz de Mindanao, American reports on Moro Province (now the Department of Mindanao and Sulu), a transcript copy of the sentence passed by an American court in the Philippines in United States vs. Panglima Indanan, and American military reports. For material related to Bartlett's long career in botany, see the Harley Harris Bartlett Papers: 1909-1960 at the University of Michigan Bentley Historical Library.

The collection is comprised of 20 folders of print and manuscript material related to the Southern Philippines in the early twentieth century, including the Philippine-American War and the Moro Rebellion. It contains very little related to Bartlett's work in botany (for more on Bartlett's career, see the see the Harley Harris Bartlett Papers: 1909-1960 at the University of Michigan Bentley Historical Library).

35 Linear Feet (57 manuscript boxes and 7 flat oversize boxes)

The Rudolph papers include scripts, articles and clippings, publicity and press materials, books, photographs, artifacts/realia, audio and moving image materials, posters, awards, and branded crew garments and caps from many of Alan Rudolph's projects. Photographer Joyce Rudolph is represented by hundreds of professional and personal slides and photographs, including many candid on-set shots.

The collection consists of professional and personal correspondence, assorted clippings, film festival awards and memorabilia, and scripts and production documents related to Alan Rudolph's filmmaking career, spanning his early work in Riot (1969), through 2002's The Secret Lives of Dentists. Also included are a plethora of documents from various unproduced projects. In the Artifacts and Graphics series are a small selection of props from Rudolph's films, most notably The Moderns, along with an assortment of film cast and crew branded gear, including caps, shirts, and jackets, movie posters, and a representation of some of the numerous awards won by the Rudolphs.

A small sub-series of material devoted to friend and mentor, Robert Altman, consists of articles and reviews, assorted programs, and, most notably, photographs taken by Joyce Rudolph.

Joyce Rudolph is represented by hundreds of her professional and sought-after on-set photographs, company stills, and candid shots, all taken during the filming of projects by Alan Rudolph and a wide variety of other notable filmmakers.

A series of Audio and Moving Image material consists of several VHS tapes, several movie video disks as well as two soundtracks. The Artwork series contains an assortment of drawings and paintings, most likely created by Alan Rudolph, along with two large acrylic paintings used as props in The Moderns.

Top 3 results in this collection — view all 660

2 boxes, 1.25 linear feet

Alan Campbell , American actor and screenwriter, wrote, with his wife Dorothy Parker, screenplays for Hollywood studios during the 1930s. The collection contains the correspondence and writings of Alan Campbell and Dorothy Parker. Included is World War II correspondence, scripts, screenplays, fragments of several short stories, a play, as well as typescripts of pieces by some of Campbell and Parker's contemporaries.

The Alan Campbell and Dorothy Parker Collection consists of four series, Correspondence, Financial Papers, Writings and Miscellaneous. The Collection contains correspondence and writings of Alan Campbell and Dorothy Parker. Included is correspondence from Campbell to Parker, written during World War II; several letters from Zeppo Marx; and a few letters from Leland Hayward and Rosalie Stewart, with many references to other celebrities. Also included is a portion of the Campbell-Parker collaboration on the screenplay A Star is Born, written with Robert Carson. Campbell’s writings include the script for Told to the Children while Parker is represented by fragments of several short stories and her play The Coast of Illyria. The collection also includes typescripts of pieces written by contemporaries of Campbell and Parker, including Stephen Vincent Benét, Elliott Nugent, John O’Hara, Robert Penn Warren, and Sagittarius (aka Olga Katzin).

Top 3 results in this collection — view all 119
Folder

Correspondence

The Correspondence series is primarily comprised of letters written by Alan Campbell to Dorothy Parker during his military service in World War II. The letters, though obviously composed with the military censor in mind, are highly descriptive and evocative of war time experience. Campbell describes his daily activities as well as those of his troops. He also portrays the social worlds of London and Paris, and mentions other writers involved in the war effort such as Major Theodore Giesel (Dr. Seuss). A few of these letters include photographs, which have been housed in envelopes and left with the accompanying letter for the purpose of continuity.

The collection contains no replies to any of Campbell's World War II letters. In all of these letters, Campbell writes fondly of his desire for a continuing relationship with Parker, even though the two divorced within several months of his return home from the service in 1946. It is possible that the correspondence was weeded at some point, to eliminate signs of strife. There are also a number of letters Campbell sent to Parker from Hollywood, presumably while she was either at their country home in Pennsylvania or in New York City. These letters discuss the Hollywood social circle and his script writing. There are also three letters to other recipients: Hiram Beer, the groundskeeper of their Pennsylvania home; the Packard Motor Car Company, complaining of Campbell’s purchase of a “lemon;” and to an unidentified woman named Peggy.

The sub-series Incoming Correspondence is less extensive, but includes letters from Rosalie Stewart, Leland Hayward and Zeppo Marx, all of whom acted as agents for the Parker/Campbell writing team. There is also a small group of letters from Paul Streger to Campbell and Parker, and a letter from Mrs.Edward Warburg, inviting Dorothy Parker to attend a function where Eleanor Roosevelt was to be present.

0.5 linear ft (1 box)

Collection of writings by and about Alexandre Dumas, père. Includes correspondence, literary manuscripts, and research.

The collection includes two series, Manuscripts and Research.

Top 3 results in this collection — view all 34
Folder

MANUSCRIPTS

The Manuscripts series is comprised of Outgoing Correspondence, written from Dumas to various recipients. Eight letters represent the author's personal, quotidian contacts from a letter to one of his many mistresses to a letter possibly to François Harel, who requested that Dumas re-write the play, "La Tour de Nesle" from Jules Janin's manuscript. The subseries also includes a letter to a creditor, a letter to a family friend (with a note included from Dumas' daughter, Marie Alexandrine), a letter requesting a loan, a letter written when Dumas was serving in the National Guard, and a letter concerning the staging of a play.

Also included in the Manuscripts series are five nearly complete essays, many of them possibly written for Dumas' French and Italian Newspaper, "L'Indipendente." Two items are likely notes for larger works. There is a complete copy of Dumas' re-written version of "La Tour de Nesle." There is also a fragment of Dumas' play, "Urbain Grandier," which was written with collaborator Auguste Maquet and was first performed at Dumas' Théâtre Historique on March 30, 1850.

A fragment of Jules Janin's "La Tour de Nesle" is also included in this series.

3.5 linear feet — (8 boxes and 2 portfolios) — Photographs in box 4. — Artworks and prints in box 4 and portfolio 1. — Clippings, pamphlets, and journal articles in box 4 and portfolio 2.

Algernon Charles Swinburne was an important Victorian poet and critic. The collection documents Swinburne's literary affairs and friendships, plus critical reactions to the poet. It consists of correspondence, writings, photographs, artworks, and printed material produced by Swinburne, his friends and associates, and present-day scholars. Over 200 pieces of holograph correspondence and manuscript material, over half of which is by Swinburne, are included. Also prominent is material by Theodore Watts-Dunton, Swinburne's friend and legal advisor.

This finding aid encompasses accessions of single manuscripts and small groups of manuscripts and other papers by or pertaining to Algernon Charles Swinburne, which the library has chosen to gather into one collection.

Much of the material in this collection forms part of the Kerr collection, formally titled the "Evelyn and Lowell Kerr Collection of Swinburne Books and Manuscripts in the Library of the University of Michigan." The Kerr collection was assembled by Lowell Kerr, a dedicated Swinburne collector. (See biographical entry.) In addition, Kerr worked for many years on the compilation of a descriptive catalog to the collection, which was, unfortunately, never completed. More information on arrangement of the Kerr collection can be found at the end of this section. All of the books from the Kerr collection, and many of the pamphlets, have been removed and cataloged separately.

The works and correspondence of Swinburne are well-represented here. Much of the selection of verse is fragmentary in nature--in some cases, leaves of a single work are spread across repositories; but Swinburne's prose pieces are notable in their completeness and number. Also showcased are the letters and works of important figures in the Pre-Raphaelite movement, as well as other literary luminaries of the day. The publishing interests of Swinburne and his circle are also detailed.

The collection is made up of six series: Works, Correspondence, The Swinburne Circle, Photographs and Art Images, Printed Material, and Swinburne Research and Collecting. Unless indicated otherwise in the contents list, items in the Works and Correspondence series are holograph works by Swinburne (or, rarely, in the hand of an amanuensis). Items in the Swinburne Circle series are letters or manuscripts in the hand of their respective authors, or their secretaries. In some cases, autograph material originally laid into books has been removed and added to the collection; in other cases, such items have been left in the books. Either way, a note to such effect has nearly always been made in the book's catalog record or in the contents list below. Moreover, for purchased material, copies of dealer descriptions often have been retained and may offer further details not included here.

A Note on the Kerr and Lang Numbers:

Since many of the pieces in this collection have already been cataloged individually, further details can often be found in the catalog records for those items. Furthermore, "Kerr numbers" have been assigned to many items. These numbers refer to entries in Lowell Kerr's catalog, in which he described the items that were originally from his collection. Along with library staff members, he continually updated and reworked the catalog up until his death. Library staff continued to revise the work through the 1980s, but it was never completed.

Although every effort has been made to respect the provenance of items from the Kerr collection, in some cases a Kerr number may have been assigned but is not noted in the finding aid. Researchers wishing for more information on items originally from the Kerr collection should consult the various drafts of the Kerr catalog, which are available in the Swinburne Research and Collecting series. The Kerr numbers in this finding aid refer to the most recent available draft of the Kerr catalog. The researcher should note that the Kerr catalog, while containing a wealth of information, is heavily anecdotal in nature, with a number of guessed-at facts and dates still in need of verification.

Cecil Lang, professor emeritus at the University of Virginia, is an eminent Swinburne scholar. Professor Lang is the author of the six-volume The Swinburne Letters (New Haven: Yale Univ. Press, 1959-1962). In this work, he assigns numbers to every item of Swinburne correspondence which he was able to locate, across repositories; thus, many items have both Kerr numbers and Lang numbers. Both numbers, where extant, are generally noted in the contents lists below.

Top 3 results in this collection — view all 356
Folder

Works

The Works series consists of poems, dramatic pieces, essays, and other writings by Swinburne. They are arranged alphabetically by title, or by first line when no title is supplied. Among the manuscripts are a portion of the early drama, Atalanta in Calydon, and annotated proofs of another early play, Chastelard. This series is particularly rich in essays by Swinburne.

4 Linear Feet (Two record center boxes and one flat folio)

During the 1930s, and possibly longer, John E. Pokorny was employed by Ford Motor Company as an assistant to Harry Bennett in personnel and security matters. Whether as part of his job or on his own time, Pokorny collected information on supposed subversive organizations in the Detroit, Michigan, area and, for Ford, investigated Communist infiltration oflabor unions. John Pokorny collected most of the materials in this collection to document supposed subversive activities in the Detroit area and in the United States in general. This collection largely reflects Pokorny's collecting practices and not his personal papers; hence, the collection is arranged similar to a subject file. The folders are arranged alphabetically by subject or name with most of the material dating from the 1930s. Most of the original folder titles have been maintained from Pokorny's original arrangement. News clippings comprise a majority of the contents of the collection and most of these are photocopies of the originals. The collection also contains printed materials (leaflets, brochures, flyers), some manuscript material, and a few photographs.

John Pokorny collected most of the materials in this collection to document supposed subversive activities in the Detroit area and in the United States in general. This collection largely reflects Pokorny's collecting practices and not his personal papers; hence, the collection is arranged similar to a subject file. The folders are arranged alphabetically by subject or name with most of the material dating from the 1930s. Most of the original folder titles have been maintained from Pokorny's original arrangement. News clippings comprise a majority of the contents of the collection and most of these are photocopies of the originals. The collection also contains printed materials (leaflets, brochures, flyers), some manuscript material, and a few photographs. In a few instances, cross-references have been made within the collection, e.g. between the National Labor Relations Board and Edward Burke. Any reference was indicated on a piece of8.5"xl4" paper in the front of the folder. There are possibly even more cross-references than are formally indicated; however, the subject matter and organizations represented in the collection overlap to a degree and it would be very difficult to make note of every instance. Therefore, one who is interested in a specific topic is advised to look through other folders that may be somewhat related. A case in point is the American Coalition. Although the group has a specific folder heading under Aliens (meaning immigrants), more papers originating from the group can be found in folders such as Govermnent - Legislation, Politics (I). There are some materials that deem a specific mention or more explanation. The folder on Civil Liberties contains flyers/leaflets, letters, meeting minutes from various groups, such as the Professional League for Civil Rights, Civil Rights League, National Federation for Constitutional Liberties, and the National Emergency Conference for Democratic Rights. Much of this relates to Detroit-based activities. The third folder on Communism contains 2 lists of suspected Communists in the Detroit area in 1932. Each is about 40 pages long. This folder also has correspondence from 1931 to 1933 to and from the hnmigration and Naturalization Service on the activities of "aliens" and suspected Communists. In his position in the Personnel Dept. for the Ford Motor Company, Pokorny received a number of letters from men seeking employment, often after having served in the military. These materials are located in the first and third folders for the Ford Motor Company. The folder Government - Court Bill contains information on the 1937 idea to increase the number of U.S. Supreme Court justices from nine to fifteen. The folder entitled "Military" relates mainly to the Michigan Military Area of the U.S. Army and the reserves. The Michigan United Auto Workers folder contains 6 photographs of individuals, although only two of them are identified. An additional variety of photographs can be found in Box 2. These depict: fires in Detroit (8); Niagara Falls; a photo of two unidentified men; the crashed plane of Major Resonatti, Italian Ace; John Philip Sousa's burial, March 10, 1932; a 1932 fire at the National Soldiers Home (Dayton, OH); and several copies of the installation of officers of the National Sojourners picturing Pokorny and other members. A newsprint copy of this last photograph can be found in the folder Pokorny Personal. This folder also contains correspondence from organizations with which he was involved, greeting cards, his Army commission certificates, and programs from events.

Top 3 results in this collection — view all 83