Collections : [University of Michigan History of Art Visual Resources Collection]

The Asian Scrolls collection is comprised of 56 facsimile handscrolls and books of Japanese and Chinese origin. The scrolls depict landscapes and animals, as well as scenes from famous works and stories. Among the scrolls are also examples of the calligraphy of famous artists, such as Kobo-Daishi. The originals were created throughout the Tang, Sung, and Ming dynasties.

The Asian Scrolls collection is composed of 56 facsimile handscrolls and books of Japanese and Chinese origin. The scrolls depict landscapes, animals, and scenes from famous works and stories. Among the scrolls are examples of the calligraphy of famous artists, such as Kobo-Daishi. The original scrolls were created throughout the Tang, Sung, and Ming dynasties. This collection contains copies of the Japanese work “Ippen Shomin Ekotoba” and “Letter to Saicho” and the Chinese work “Admonitions of the Instructress of the Ladies in the Palace." As these scrolls are reproductions, the originals are housed in other institutions such as the British Museum, Beijing’s Palace Museum, and Honolulu’s Academy of Arts. Four of the scrolls are of Chinese artwork but have been reproduced by the Japanese, and therefore, the artist’s names have been translated differently.

Mixed within the collection is a series of approximately five books. The leaves of the books are connected in an alternating format, creating an accordion style book. While many of the books contain artwork depicting scenes of natures and scenes from famous works, one book contains photographs of bronze Chinese objects. The photographs have titles but the book is untitled.

The Afghanistan Archaeological Remains Photograph collection contains photographs, postcards, drawings, and pages of text for an exhibition about Dr. Richard Edward’s Bamiyan photographs of 1968. Most photographs depict archaeological remains from the Begram and Hadda regions of Afghanistan, along with photographs of artifacts from the Kabul Museum. The objects represented in these photographs include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels, made from materials such as glass, stucco, ivory, bronze, schist, and limestone. The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

The Afghanistan Archaeological Remains Photograph collection is composed of approximately 1250 photographs, depicting Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. The photographs were largely taken by Dr. Suresh Vasant while other photographers included Dr. Richard Edrwards, Dr. Walter Spink, Dr. John M. Rosenfield, and Horst P. Schastok. Dr. Richard Edwards took his photographs of Bamiyan in 1968, while the others were likely taken by Dr. Suresh Vasant in 1971. There are approximately 64 photographs and 23 postcards from other institutions. Archaeological remains from the Hadda and Begram regions of Afghanistan comprise the majority of the collection, although there are many photographs of the Bamiyan (approx. 119 photographs) and Fauladi (25 photographs) regions, and of objects from the regions Mundigak (approx. 34 photographs), Fondukistan (approx. 23 photographs) and Surkh Kotal (approx. 38 photographs). The photographs highlight objects made of stucco, terracotta, glass, ivory, stone, and schist, and include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels. General views of archaeological sites such as Bamiyan and Fauladi are also depicted in the photographs.The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

The Kozo Sasaki collection is comprised of approximately 3,185 images of Asian artwork. The images are a compilation of slides and black & white photographs taken by Dr. Kozo Sasaki. The artwork ranges from the Momoyama period (1573-1603) to the Taisho period (1912-1926).

The Kozo Sasaki collection contains 3,033 slides and 152 black & white photographs taken by Dr. Kozo Sasaki himself. The slides and photographs depict Asian artwork, primarily Japanese, ranging from the late 16th century to the early 20th century and cover the Momoyama (1573-1603) to Taisho periods (1912-1926). The majority of the images are Edo period paintings and hanging scrolls. Many of the slides were taken of art in situ. Also included in the collection are images of sculptures, ceramics, mandalas, woodblock prints, sketches, illustrations, decorative arts, and photographs of temples. A set of twelve Japanese handscrolls are captured in a series of 152 black & white photographs.

The archive contains 81 black & white albumen silver prints depicting colonial Indian architectural monuments (mosques, tombs, and palaces). Most of the photos include the photographer’s name, print number, and image description at the print’s bottom right corner. However, approximately 37 of the photos are unattributed. All but one print are mounted on board and include hand written identifications describing the image in English.

The Bourne and Shepherd Indian Mounted Prints collection contains 81 mounted albumen photographs taken by the members of the Bourne and Shepherd partnership during the latter half of the 19th century in India. The photographs depict architectural monuments throughout India, including mosques, tombs, and palaces.

The archive contains 53 collodion prints depicting Egyptian architectural monuments (mosques, tombs, and palaces). Most of the photos include the photographer’s name, print number, and image description at the print’s bottom right corner. All but one print are mounted on board and include hand written identifications describing the image in English or French.

The Egyptian Mounted Prints collection contains approximately 53 mounted collodion prints depicting Egyptian and Middle Eastern architectural monuments from the 19th century. While the earliest trends in Egyptian photography depict ancient Egyptian architecture, this collection focuses on the Islamic and Coptic religious architecture of Cairo, produced by photographers active from the 1870-1890s. The photographs were taken by three prominent photography studios, the Maison Bonfils (5 photos), Adelphoi Zangaki (C. & G. Zangaki) (1 photo), and G. Lékégian & cie (48 photos). The photos primarily depict Egyptian architecture in mosques and gateways within Cairo. The collection includes approximately 8 photos which depict daily life in Cairo. Finally the collection includes two photos taken of furniture and decorations located in museums.

The collection consists of approximately 900 negatives depicting the art and architecture of Latin American countries, including Peru, Argentina, Brazil, Bolivia, Columbia, Mexico and Cuba. The negatives were the product of Dr. Wethey's research focus on Latin American art and architecture starting in the 1940's.

The collection consists of approximately 900 negatives depicting the art and architecture of Latin American countries, including Peru, Argentina, Brazil, Bolivia, Columbia, Mexico and Cuba. The negatives were the product of Dr. Wethey's research focus on Latin American art and architecture starting in the 1940's. The majority of the collection focuses on the art and architecture of Peru, with a secondary focus on Argentina, especially religious architecture, including altars, facades, cloisters, naves, and chapels. The some of the Peruvian art is from the Cuzco school. Many of the negatives have been photographed from books. The artwork includes the work of Jose Clemente Orozco, Diego Rivera, Frida Kahlo, Prilidiano Pueyrredón, Benito Quinquela Martín, and many others.

The collection was rehoused but the original negative sleeves were preserved, complete with the original description. The information written on the original envelopes was transferred to the new sleeves and recorded in an inventory, which is available upon request. The original sleeves are housed in the last two boxes of the collection.

The Marianna Shreve Simpson Islamic Manuscripts Collection is comprised of Dr. Simpson's notes on Islamic manuscripts from around the world. The collection contains approximately 5,455 digitized pages of her notes pertaining to about 610 Islamic manuscripts from around the world. This manuscript collection spans the history of the Islamic book between 1300 and 1600 CE.

The Marianna Shreve Simpson Islamic Manuscript Collection is comprised of approximately 5,455 digitized pages of Dr. Simpson's notes on about 610 manuscripts. The collection also contains approximately 4,800 unprocessed images, which Dr. Simpson collected during her research. Simpson's collection spans the history of Islamic book art and pays particular attention of illustrated manuscripts from 1300 and 1600 CE. Dr. Shreve Simpson created a documentation template which she used during her research with each manuscript. The template allowed her to create a detailed record of the titles of each manuscript, names of calligraphers, painters, patrons, date and places of production, and dimensions of each folio or text block, as well as additional descriptive details. Her notes span 4 decades of research in libraries, museums, and private collections. The Marianna Shreve Simpson Islamic Manuscript Collection is part of the Islamic Art Archive Collection.

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The Saint George Image Collection of Cornelia Steketee Hulst contains one hundred fifty-four (154) pictures mounted on heavy gray cardboard. Cornelia Steketee Hulst collected images of Saint George while researching her book St. George of Cappadocia in Legend and History. Few of the pictures include attributions with the artwork’s title, date, or artist’s name.

The Saint George Image Collection of Cornelia Steketee Hulst is a compilation of approximately 154 images depicting Saint George through a variety of mediums, including statues, paintings, political cartoons, and others collected throughout the early 20th century. The collection contains photographs and ephemera that have been mounted on heavy cardboard.

The paintings series includes photographs of paintings, altar pieces, and frescoes. While the sculptures series contains photographs of free-standing statues depicting St. George.

The architecture series contains photographs of the facades of buildings into which Saint George is incorporated. A set of photographs depicting Saint George within stain glass windows is included in the architecture series. The prints series includes engravings and etchings found in books but also political cartoons. The realia series contains stamps and drawings of medallions upon which Saint George is depicted. A series of postcards depicting Saint George in statues, artwork, and architecture are included in the ephemera series.

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The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The collection focuses mostly in European architecture and painting. The majority of the postcards are blank, but some do include correspondence.

The Roberta Keniston Postcard Collection contains six boxes of postcards and other visual ephemera from the 20th century. The boxes are first organized by donor, and then very broadly divided by the type of architecture or artwork depicted on the postcards. These subdivisions are arranged by geographic region, media, and/or subject of the work shown on the postcard.

The majority of items in this collection are postcards dating from 1900-1918, which was during the “golden age” of postcard collecting, lasting from about 1895 to 1915. Other items, including photographs, souvenir photo books, greeting cards, and exhibition announcements in this collection were published throughout the 20th century. Correspondence to and from History of Art faculty and staff appear on some of the postcards.

The Romanesque Archive is a collection of approximately 5,600 black-and-white photographs depicting Romanesque architecture and monuments primarily in France, but the archive does include photographs of monuments in Spain, Italy, and Israel, as well.

The Romanesque Archive is a collection of approximately 5,600 black-and-white photographs depicting Romanesque architecture and monuments primarily in France, but the archive does include photographs from Spain, Italy, and Israel. Each print is labeled with the city, the name of the monument, and the location of the specific feature on the monument, and the name of the photographer. The majority of the photographs in the collection were taken by James Austin, the photographer based in Cambridge, England, during the 1970's and 1980's. The collection concentrates on important but little studied monuments such as Cluny Abbey, Vezelay Abbey, Saint-Denis basilica, Moissac Abbey's cloisters, the cloisters of the Jacobin Church of Toulouse, and the church of Saint-Trophime in Arles, France. The collection is strong in the monuments of Burgundy and southwestern France.

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