Collections : [University of Michigan Bentley Historical Library]

Architectural firm founded by Gunnar Birkerts, headquartered in Bloomfield Hills, Michigan. Textual records, architectural and engineering drawings and photographs document fourteen of the firm's major buildings including the Federal Reserve Building (Minneapolis, MN), Corning Glass Museum (Corning, NY) and the University of Michigan Law School Library Addition.

The Gunnar Birkerts and Associates Collection offers researchers a rich perspective on the work of one of the masters of American modern architecture whose career spans the second half of the twentieth century and into the twenty-first. The initial accessions of Birkert's material encompassed 69 linear feet of the firm's textual records, which are associated with 14 of Birkerts' distinguished buildings, and 7158 original drawings and prints documenting the evolution of the architectural design process for each project. In 2008, the records and drawings of 74 more projects were included in the collection, bringing the total amount of textual material to 82 linear feet and the number of drawings to over 10,000. Altogether, these visual materials detail many of the expressive elements for which Birkerts' architecture is renowned, including his bold forms, simplification of detail, innovative selection of surface materials and dramatic use of indirect light. Although six of the buildings in the original collection of 14 projects are located in Michigan, along with the offices of the firm, nine other structures were built in New York, Indiana, Mississippi and Minnesota, testimony to the national scope of this architectural practice. The following buildings were selected for inclusion in the collection by Birkerts and Bentley Historical Library staff because they represent the significance, diversity and evolution of the architect's work:

1. Haley Funeral Home (1960-1961)
2. University Reformed Church (1960-1964)
3. Freeman Residence (1964-1966)
4. Lincoln Elementary School (1965-1967)
5. Tougaloo College Master Plan, Library and Dormitories (1965-1972)
6. Federal Reserve Bank of Minneapolis (1967-1973)
7. Duluth Public Library (1969-1980)
8. S.U.N.Y., Purchase, Dance Instructional Facility (1970-1976)
9. Corning Municipal Fire Station (1973-1974)
10. Calvary Baptist Church (1974-1977)
11. University of Michigan Law Library Addition (1974-1981)
12. Corning Museum of Glass (1976-1980)
13. Ferguson Residence (1980-1983)
14. St. Peter's Lutheran church (1981-1988)
15. Additional Projects (added in 2008)

The initial accessions Gunnar Birkerts and Associates Collection are arranged in 14 series, each of which contains the business records and architectural drawings for one building. The finding aid begins with a description of the narrative records in chronological order in each series. An item-level description of the architectural and engineering drawings follows, grouping drawings in folders according to design phases, as described above. The finding aid lists the titles of drawings, when they exist, as well as title bar information including original dates, revision dates, numeric sequencing and, in some cases, names of consulting engineers. A description of the medium and support of each drawing is also given.

The 2008 accession to the collection includes of documentation of 74 additional projects consisting of 3,000 drawings and 13 linear feet of textual materials and photographs. The documentation for these projects is generally not as extensive as for the fourteen in the original accessions and the finding aid does not describe them in as great detail. They have been grouped together as single series titled "Other Projects" and the individual projects are listed in alphabetical order by project title

One of the collection's greatest strengths is found in its emphasis on the architectural design process, offering researchers a broad, visual representation of the evolution of each building through the "Schematic Design," "Design Development" and "Construction Document" sequences. Because Gunnar Birkerts and Associates meticulously saved each drawing associated with the firm's projects, this collection provides an exceptional view of the daily design process, as solutions were sought which defined the architectural character and individuality of a structure. Each of the 14 buildings in the Gunnar Birkerts and Associates Collection is conceived as an individual series, which contains the textual and visual documents associated with the project. Within each of the 14 series, the architectural and engineering drawings are arranged chronologically by design phase, beginning with "Schematic Design," when the owner's program is analyzed and sketches are drawn to illustrate the scale and relationship of the project's components. Researchers interested in viewing the earliest conceptual drawings associated with each building are encouraged to consult the finding aid of the collateral Gunnar Birkerts Collection, which amasses the sketches by the architect's own hand for most of his projects. Digital images of 284 of these conceptual sketches can be seen online in the Bentley Historical Library Image Bank through Gunnar Birkerts, Conceptual Drawings. An understanding of the beginning stage of design for each building is best obtained by studying the conceptual and "Schematic Design" documents in both the Gunnar Birkerts and Associates Collection and the Gunnar Birkerts Collection.

The second "Design Development" stage in each building series includes more precise site plans, floor plans, elevations and sections which further define the dimensions, mechanical/electrical systems, building materials and architectural character of the project. This phase often ends with the production of artistic presentation drawings which are used to obtain the client's approval of the design. Although the collection contains a large majority of original sketches and drawings on tracing paper, vellum, linen and mylar, many blue-line and sepia prints have been retained in each series if they are substitutes for missing originals or if they are annotated and thus show the ongoing search for solutions in the evolution of the design process.

Each series in the collection also records the third "Construction Document" phase, during which the final working drawings are developed before being sent to contractors for bids. These drawings are the graphic representation of the written "Specifications," included in the textual records of every series. The "Construction Documents" for each building, which were often revised to show changes after construction began, may be of significant value to historic preservationists or future owners seeking to restore the building to its original condition or adapt it to a new use.

The Gunnar Birkerts and Associates Collection is also significant in its pairing of the visual documentation described above with the textual records of each building, which describe the decisions and actions of the firm during the design and construction process. Thus, scholars can read the program information, specifications, addenda and memoranda associated with the architectural drawings during each chronological stage of the building's design. Written contracts, correspondence, transmittals and field inspection reports further inform historians about the relationship between the firm and its clients, contractors, consulting engineers, landscape architects and sub-contractors, documenting in rich detail the business affairs of a nationally known architectural firm in the second half of the twentieth century. Of particular value within the narrative records of each building series is the "Architect's Conceptual Statement". These statements offer design and history students an opportunity to understand the interchange of objective and subjective influences on Mr. Birkerts' creative process and the solutions which define the architectural character of each building.

The Gunnar Birkerts and Associates Collection is also of exceptional value to scholars because it represents the end of the era of hand-drawn architectural documents. By the end of the twentieth century, many architects have begun to use the computer in the development of design and construction drawings. However, this collection of the original 14 buildings contains only drawings which show the flow of the creative process from the brain, through the hand, to the paper. Even drawings which are marked "void" are retained because, like annotated prints, they show the evolution of the design as the search for architectural solutions begins to define the building. Whereas the use of computer-aided design would undoubtedly delete many intermediary design drawings from a collection, this aggregation of hand-drawn documents shows the artistry and complexity of the creative process. The beauty of the architect's pencil line on delicate tracing paper, smooth vellum and opaque mylar is preserved here for future generations of scholars, just as its use in the late 1990s is being abandoned by many architects.

In 2015, Gunnar Birkerts donated a large collection of 7,840 color 35 mm slides, associated with the design and construction of 123 projects, documenting through photographs the work of his entire career. This additional collection is encompassed in the series titled, "Photographic Slides of Projects."

Chairman of the Center for Automotive Research (CAR) and previously Director of the University of Michigan’s Office of Automotive Transportation (OSAT). Collection documents Cole’s activities as the Director of OSAT and his consulting work.

The papers of David E. Cole document his activities as the Director of the Office for the Study of Transportation (OSAT) and his consulting work. This collection contains nine series: University of Michigan; Associations and Government; Company Files; Correspondence; Research; Speaking Engagements; Publications, Papers and Clippings; Topical Files; and Audio-Visual Material.

Professor of economics, University of Michigan, government official, and U.S. Ambassador to Italy. Correspondence, speeches, and memos, relating to Ackley's work as presidential adviser and member of President's Council of Economic Advisers during the Kennedy and Johnson administrations; reports and other papers, 1944-1945, concerning his work with U. S. Office of Price Administration; papers, 1950-1953, concerning his career as assistant director of U. S. Office of Price Stabilization; and miscellaneous research notes and University of Michigan course materials.

The Gardner Ackley papers document the career of one of the most influential economists of his time. As a researcher, teacher, and especially as an advisor to United States presidents and various government agencies Ackley helped formulate the direction of governmental economic policy. This collection reflects those activities. Ackley's papers arrived at the Bentley Library in four accessions: 1972 (boxes 1-23), 1988 (boxes 24-28), 2005 (boxes 29-36), and 2011 (boxes 37-38). Generally, papers from the first accession relate to his earlier career, those from the 1988 accession relate to his later career, and those from 2005 from all phases of his professional life. The 2011 accession consists mainly of photographs and other personal materials.

The collection is divided into twelve series: Office of Price Administration/Office of Price Stabilization files; President's Council of Economic Advisors files; University of Michigan files; Professional Correspondence; Meetings and Conferences; Speeches, Journal Articles, Letters to the Editor, Chronological correspondence, Clipping file, Columns and unpublished writings, US Ambassador to Italy, 1968-1969, Later career, and Personal: Photographs, Scrapbooks, etc.

A New York attorney originally based in Detroit. Abdeen Jabara is concerned with issues of the civil rights of Arab Americans, the effects of the September 11th terrorist attack - nationally and globally - and the contentious relationship between Arab and Israeli organizations. The Jabara papers pertain to various litigation procedures and case files, including those in Michigan, with the federal government, and those involving various humanitarian projects. In particular, Jabara challenged the practice of law enforcement agencies to collect information and maintain surveillance of Middle Eastern and North African (MENA) communities and Arab Americans. He was involved in a number of high-profile cases, for example, the murder trial of Sirhan Sirhan and the extradition case of Ziyād Abū ʻAyn (sometimes spelled Ziad Abu Ein or Ziad Abu Ain). Materials are organized into litigation and case files, as well as topical files pertaining to Arab American activism, organizational involvement, participation in the Middle East delegation of the National Lawyers Guild, and other pertinent global and national events highlighting Arabic issues.

The collection has been divided into four series: Litigation/Court Cases, Political and Cultural Activities, Publications, and Topical Files. The materials primarily document the types of legal and political battles and causes that Jabara has tackled throughout his career. A limited amount of material in the collection is in Arabic and French, mostly correspondence, press clippings, and newsletters, and is noted where possible in the contents list.

Researchers should note that, because of the interconnected nature of Jabara's legal, political, and cultural work, topics and materials might be found in multiple series.

Established as a separate unit of the university in 1946, the University of Michigan Museum of Art serves as a research and teaching facility for the university and surrounding communities. The record group documents the museum's exhibitions and installations of the permanent collection and complementary interpretive programming. Records include exhibition files; executive committee minutes and director's correspondence; photographs; publicity files; and material related to the Museum Practice Program.

The records of the University of Michigan Museum of Art document its exhibition program, administration and its educational function through the Museum Practice Program. The UMMA record group has been arranged into seven series: Exhibition Files, Executive Files, Photographs, Publicity, Museum Practice Program, Historical Background, and Docents. The records include correspondence, committee minutes, publicity material and photographs. Exhibit catalogs and other publications are described separately in the Museum of Art Publications finding aid.

The University of Michigan News and Information Services (NIS) acts as the University's media relations office, disseminating information about university programs, research, events, and faculty activities. This collection includes audiovisual recordings of press releases, news briefs distributed to television and radio stations, web-based podcasts and digital videos, and externally produced materials about the University and its activities. Additionally, researchers will find copies of University-produced media from the 1970s to the early 2000s in both audio and video formats.

The University of Michigan News and Information Services Audiovisual Materials contains sound and visual materials produced by the University of Michigan to share with the media as well as materials relevant to the promotion and image of the University. News and Information Services also publishes materials featuring achievements by scholars, recordings of speeches by invited speakers, and media appearances by or about University officials, programs, and scholars.

Records of University of Michigan office (and its predecessor administrative offices) responsible for external fund raising and development activities, including subject files of development officials Arthur Brandon, Lyle Nelson, and Michael Radock; staff files; and photographs.

The records of the Vice President for Development date from 1948 to the present and measure 39.5 linear feet. They reflect the basic concerns of the office for these four decades: preserving and improving the university's public image and planning major fundraising efforts. Unfortunately, both activities are incompletely documented. In the area of public relations the records tend to discuss how immediate problems will be dealt with, rather than overall conceptions of the university's image. The thought behind the innovative fundraising devices created or employed by the office is sometimes recorded through consultant reports, but in general is not well documented.

The manuscript records have been divided into two subgroups, one representing the records of the vice president (or senior staff person, for those years in which there was no vice presidency), the other containing records created by the development office. The Vice Presidents subgroup has been divided by the name of each person who has held the office: Arthur Brandon, Lyle Nelson, and Michael Radock. Researchers should note that since Nelson and Radock used their predecessor's files for some time before inaugurating their own records, the relationship between office tenure and file dates is not an exact one. The Development Office subgroup contains records of that office and its subsidiary units. Several accessions of Development Office records received in 1989 and 1990 have been grouped together as Development Office subgroup: 1989-1990 accessions.

Records of various officers of the Michigan Conference of the National Organization for Women collected by one-time state presidents Margot Duley-Morrow and Alicia Perez-Banuet. Presidential files of Duley-Morrow, Nan Frost-Welmers, Shirley Monson, Lynn Hierholzer, Gloria Woods, and Alicia Perez-Banuet; files of state chapter developer Rhonda Drinan, and Macomb County chapter president Doris Little; contain correspondence, newsletters, clippings, mass mailings, agendas and minutes, photographs, and other materials concerning the formal and personal aspects of this feminist organization. Topics covered include the Equal Rights Amendment, the Project for Equal Education Rights, Women's Assembly III, and other issues pertaining to women's rights.

The Michigan NOW record group includes administrative records, files of individual presidents, newsletters from local chapters, records of the Michigan NOW PAC (Political Action Committee), and topical files of subjects of interests to the Michigan Conference such as the ERA, educational equity, and abortion rights.

The organization of the collection is rather artificial, both because the documents were in extremely poor order upon their accession and because there is only the broadest unity to the collection's components. The records have been grouped under the name of the individual most responsible either for their creation or for their accumulation and preservation. There were two individuals primarily responsible for these records coming to the Bentley Library. They were Margot Duley-Morrow (two-term president, 1981-1983) who donated records in 1984 and Alicia Perez-Banuet (president, 1997-1998) who donated materials in three major accessions.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

Enid H. Galler, owner and founder of Voice Treasures, conducted and recorded oral histories of local Ann Arbor persons, primarily faculty members of the University of Michigan. This collection contains audiocassettes and digital materials of recordings, including interviews and talks, done by Galler as well as supplemental materials including transcripts.

The Galler papers date from 1987 through 2007. They are arranged by project and/ or school. Within each series, materials are arranged alphabetically by name of the interviewee. Materials for interviewees may include Interviews, Transcripts, and/or Supplemental materials. Interviews are the audio recordings of the interviews themselves, and may consist of several audiocassettes or digital materials. Transcript folders include typed transcripts of interviews and may also include an index of subjects discussed during the interview. Supplemental materials folders may contain correspondence, notes, interview questions, newspaper clippings, pictures, and other miscellaneous materials related to the interview.