Collections : [Central Michigan University Clarke Historical Library]

This collection includes correspondence, track blueprints, various schedules, financial accounts, and other materials.

The collection originally was in small packets of related materials which accounts for overlapping chronological sequences. It is organized by format, location, and date into Correspondence, some with Track Blueprints, Movements of Trains, Track Schedules, and various Financial Account Books, 1846-1960.

The collection consists of Schock's recording business correspondence and the actual recordings, mostly of Mount Pleasant area businesses, organizations, people and schools.

This collection consists of Schock’s recording business correspondence, documenting arrangements and ideas for recorded interviews, commercials, dance recitals, and musical recordings, mostly of Mount Pleasant people, businesses, schools, and organizations, and Central Michigan University faculty and students musical productions, 1991-1997, and undated. Included are paper business correspondence, notes, drafts of scripts, as well as informational materials about the businesses and organizations (1 cubic ft.), and the master and draft cassette recordings (in 6 cassette storage boxes). The Mary McGuire School cassettes document activities school teachers and students pursued after receiving a unique state grant. Hash marks in folder descriptions indicate illegible words written on the cassettes.

The David Schock 2021 addition, 1989, 2021, and undated, consists of various videos Schock contributed to with and without the help of Central Michigan University (CMU). Box 8 contains all health-related videos with majority focusing on HIV/AIDS awareness and a few focusing on various systems of the body. Box 9 includes education-related videos, such as a series titled Problem Solving Students, a series from the National Council for Accreditation of Teacher Education videos, and other educational resources. Boxes 10 and 11 house videos filmed in collaboration with the Office of Highway Safety Planning (OHSP) that feature multiple public service announcements (PSAs) and Roll Call videos. Box 12 features raw footage of Schock’s documentary Road to Andersonville. Included with this are interviews for the documentary. Box 13 contains miscellaneous film that do not fit into a clear category. Some examples of this are VHS tapes about quail egg hatching, sculptures, and music.

Box 14 contains materials related to Justice Elizabeth Weaver. Schock helped write Justice Weaver’s book, a copy of which is separately cataloged in the Clarke. Also included are correspondence and interview release forms and Thelma South Schaibly’s 1994 publication of short stories to teach children morals and the meaning of life.

A few folder titles require further description, which we received from the Donor in April 2021. NGS is the abbreviation for the National Geographic Society. Schock created a video for them about geographic education with Mike Libbee of the CMU Geography Department. PDS is likely in collaboration with OHSP. The Hospice Experience documented hospice in Mount Pleasant. The Audition Crashes were stock footage of crashes for the OHSP projects, for example Life’s a Wreck, a film about physics concepts.

The addition is organized by topic, format, and chronological order.

Boxes 8-13 are each 1 cubic foot boxes and Box 14 is .5 cubic foot.

Researchers may also be interested in his personal papers collection, other recordings, and the papers of Elizabeth A. Weaver, which are separately housed and cataloged in the Clarke.

Copyright Note: Copyright is complicated for this collection. CMU holds the copyright for materials used in programs for the CMU Education Materials Center, including interviews from the early 1990s with young people infected with AIDS. The copyright for the Interfaith Ministries immigrant labor tapes, used for final appeals, is held by the Interfaith Ministries, Schock holds the copyright for the Road to Andersonville documentary material, regarding ceremonies held for Michigan Native Americans buried at Andersonville Prison in Andersonville, Georgia.

Permission/Release forms: The only interview permission/release form in the collection is for an interview with one of Elizabeth A. Weaver’s relatives (see Box 14).

The collection includes Enders' research papers documenting the Ku Klux Klan, mostly the Michigan Klan. Papers include demographics, articles he wrote or published, articles (copies) from various sources, membership cards, photographic materials, and memorabilia.

The papers consists mostly of demographics and articles about the Michigan Klan, including chapters for Cal’s intended book; newspaper articles copied from microfilm and lists of the articles from Michigan and Klan newspapers; and membership information cards. The cards are disorganized and may contain census or local election information, marital status, type of employment, children, and address information. There is a nice variety of black and white and colored photographs and slides of Michigan Klan parades, meetings, a funeral, and the Chicora KKK quilt with members names embroidered on it. Also included are a sheeted figurine and Klan publications, including songbooks and copied articles about the Klan in Indiana and the U.S.

Most of the collection has been photocopied onto acid-free paper.

The collection is unique and valuable for the research of white supremacists in Michigan. It is particularly valuable for the study of average Michiganders, including men and women who joined the Klan up to 1924. There is substantial documentation of the activities of local Klans.

The problems leading to the failures of the 1924 attempt to elect a Detroit mayor and ban private schools are well documented, as are the financial problems and the high profile murders committed by Klan officials.

More Lewis D. Capen material may be found in the Ku Klux Klan (Mecosta County, Mich.) collection and the Independent Order of Odd Fellows. Millbrook Level Lodge No. 219 (Millbrook, Mich.) organizational records.

The collection includes papers, volumes, photographic materials, keys, and blueprints. The focus of the collection is Michigan ferries and the Ann Arbor Railroad Company ferries, but other ferries and boats are also documented, as well as railroads, towns, related topics, and people.

The papers are divided into two main series: Captain Bacon’s personal materials (approximately .5 cubic foot), and Ferries, Ferry-Related Materials (the rest of the collection).

Captain Bacon’s personal materials include mostly correspondence about ferries, shipping, shipping history, his dismissal, Benzie Area Historical Museum, his membership cards, photographs, and legal documents.

The Ferries and Ferry Related Materials include employment agreements and memorandum between company employees and the company, usually the Ann Arbor Railroad Company related to ferries; Ann Arbor Boat Company organizational records, 1916-1958; photographs, blueprints, correspondence, certificates of inspection and enrollment, sales records, reconstruction records, licenses, financial records, casualty records, log books, marine shop time books, keys, specifications for parts, mostly propellers, oil and lubrication books, and other materials documenting numerous ferries including the Ann Arbor No. 1, No. 2, No. 3, No. 4, No. 5, No. 6, No. 7, Arthur K. Atkinson (originally Ann Arbor No. 6), Badger, City of Midland 41, City of Green Bay, City of Milwaukee, Viking (originally Ann Arbor No. 7), Wabash (originally City of Green Bay), and the Grand Haven; Ann Arbor Railroad Company organizational records re: trains and ferries, 1895-1992, undated; Benzie Area Historical Museum and Historical Society materials; Correspondence from Superintendents of Steamships; information on various railroads, ship building companies; information on Benzie, Elberta, and Frankfort, Michigan; Information Bacon was going to include or not include in his book; various I.C.C. (Interstate Commerce Commission) dockets, decisions, and applications concerning railroads and car ferries; Michigan-Wisconsin Transportation Company materials; related court cases, particularly about abandonment of the ferries or parts of railways; materials documenting Michigan and other railroad reorganization or rationalization plans; various annual reports; newspaper clippings (copies) of many ferries, railroads, and related topics; numerous reports; job information, lists of positions and duties. Other materials document (somewhat) unions, such as BRAC (Brotherhood of Railway and Airline Clerks); administration units, and officers, such as the Association of Maritime Officers.

Besides I.C.C. and railroad plans railroads are also documented in stock certificates, passes, calendars, tariffs, and other materials. Specific railroads well documented in the collection include the Ann Arbor Railroad Company, Chesapeake and Ohio Railway Company/ Chessie System, and the Detroit, Toledo, and Ironton Railroad Company. Other railroad companies for which at least one item is found in the collection include: Escanaba and Lake Superior, Grand Truck Western, Green Bay and Minnesota, Manistee and North-East, Manistique and Lake Superior, and Pere Marquette, and Conrail.

Photographic materials includes photographs, negatives, postcards, and slides, and is comprised of three main subgroups, railroads, ships (ferries and other boats, ships), and lumbering. The Ships section is by far the largest portion of photographs focusing mainly on car ferries. Car Ferries across Michigan are featured, notably the: Ann Arbor Car Ferry 1-7, Arthur K. Atkinson, the Badger, Viking, Ludington Car Ferry, Sparta, and several from Wisconsin. The collection is extensive and covers the time period between 1880s to the early 2000s. Many of these images were in acidic photograph albums or scrapbooks from which they were removed. There are also some oversized photographic materials. Slides are found in Box #25. Lumbering is documented solely through photographs, 1899-1915, undated.

Oversized materials include various car ferry records, photographs, some maps showing railroad property and lines, and blueprints (9 Oversized folders), as well as other materials. The blueprints are mainly ferry propellers, shafts, valves, deck arrangements, and other parts. The blueprints are housed in a map cabinet due to their size.

Ferry keys are found in two small boxes (Boxes #23-24).

In Box 15, item 1, the license for Art Frederickson is really unusual. Art was an Ann Arbor captain who was well known on the lakes. He and his wife, Lucy, wrote several books on the car ferries and sold shipwreck maps in the 1960s-1970s. Their collection was sold to the Institute for Great Lakes Research (now the Historical Collections of the Great Lakes) at BGSU. Seven books about ferries, trains, ships, and shipwrecks by Arthur C. Frederickson are separately cataloged and in the Clarke’s book collection.

In Box 15 the last item, Development and Design of Lake MI Car Ferries, Paper Presented, 1948, by Art Zuehlke, who was the man at Manitowoc Shipbuilding. There is a memorial to him at the Wisconsin Maritime Museum. The Manitowoc Shipbuilding Collection is at the museum.

Spelling Note: There were inconsistencies in the collection as to how car ferries or carferries are spelled, as well as Michigan, Mich., or MI, and the way company names are abbreviated. These inconsistencies were continued in the Box and Folder listing. If Bacon titled a folder with an acronym, such as BRAC, that is how it is presented here, with a note to explain what BRAC is. Sometimes vessels were listed as M/V or M.V. (motor vessel) or S.S. or S/S (steam ship) and sometimes not.

Processing Note: Approximately 18 cubic ft. of duplicates, materials that were fragile, acidic, or moldy, and had to be photocopied, materials that included social security numbers, any materials of investigations and grievances of ferry employees, Bacon’s personal bills, medication directions, and any reading, blank, or peripheral materials were withdrawn from the collection. In addition, a large number of publications 121 items were separately cataloged as books, manuals, or serials, and added to the Clarke publications collection.

Allergy Note: Please note that some of the materials have a musty smell to them, especially most of the oversized volumes. Researchers with allergies should use these materials with care.

The collection includes biographical materials, minutes, correspondence, reports of shipments, sales, and prices for the Michigan State Millers Association, published freight rates for various railroads, and a train schedule.

The collection consists mostly of published railroad tariff rates, 1897-1916 (scattered, 10 folders). The tariffs, particularly those for grain and grain products, were probably collected by Voigt for the Association’s reference purposes. Also, there are records of the Association which document when Voigt served as the Association’s Michigan representative to its national organizational meetings, 1895-1898 (3 folders). Also included are biographical materials on Voigt and information on the Voigt House, 1906, 2000 (1 folder).

The collection consists mainly of material Professor Loeb presented to the Art Department Committee in order to earn tenure and be promoted; her Subject Files; her Vita; and copies of some of her publications.

The collection consists of material Professor Loeb presented to the Art Department Committee for Re-appointment, Tenure and Promotion in order to earn tenure and be promoted. This information includes Student Opinion Surveys (SOS), examples of her publications, presentations, syllabi, and other supporting documentation, 1980-2001 (Scattered) approximately .75 cubic ft.; her Subject Files, 1981-2000 (Scattered) approximately .5 cubic ft., on a variety of Art Department, Women’s Studies, and other university topics, committees, and events; and her Vita and copies of some of her publications, 1 folder, 2007.

This is the only collection of a professor’s papers from the CMU Art Department in the Clarke. Some of the Invitations/Exhibits, 1981 are the only surviving examples of information about art shows by university art professors or students.

Processing Note: General information in the collection about CMU departments was withdrawn from the collection and filed in the CMU vertical file.

This collection, 1927-2000, and updated, contain biographical materials, books, poems, letters, photographs, cassette tapes, poetry serials and monographs, some of which are from or focus on Indigenous poets and poetry, indigenous newspapers in which he published his poetry, indigenous reading materials, and a few objects.

This collection, 1927-2000, and updated, contain biographical materials, books, poems, letters, photographs, cassette tapes, poetry serials and monographs, some of which are from or focus on Indigenous poets and poetry, indigenous newspapers in which he published his poetry, indigenous reading materials, and a few objects. The collection is organized by size, series, and then alphabetically and chronologically. Overall the collection is in very good physical condition, except for the newspapers which are acidic. All the boxes are .5 cubic foot letter size, except for Box 4 which is a .25 cubic foot letter-size box and Box 5 which is a .25 cubic foot legal-size box.

The majority of Boxes 1-5 consists of letters from Carroll Arnett to various people. Three folders contain letters to other poets including J.D. Whitney (1940-), Linda Hogan (1947-) who in 2023 was the Chickasaw Nation’s Writer in Residence, and Peter Blue Cloud or Aroniawenrate (1933-2011), of the Turtle Clan of Mohawk Nation. There are folders with letters from Arnett’s time at Knox College and Central Michigan University (CMU), which includes his request for a sabbatical and promotion. There is also a substantial number of letters between Arnett and his main publisher, (The) Elizabeth Press. There are folders with poems and publications written by Arnett including: La Dene, Someone in Another Place, and Thematic Structure in Keats’s Endymion. There are three folders of notes written by Arnett about the American Indian Movement (AIM), the Michigan Civil Rights Commission Report, and Wounded Knee. There are photographs of Arnett. There is a folder of documents and notes while Arnett was on the CMU President’s Advisory Committee that investigated the “Chippewas” as the University Symbol. There are two folders of Arnett’s association with the National Right to Work Legal Defense Foundation, a nonprofit organization that seeks to advance right to work laws in the U.S. Arnett brought a court case against CMU and the Michigan Education Association, which is documented in the collection. There is also a folder containing a racist letter that was sent to Arnett while he was teaching at CMU that contains cruel racist language.

Box 4 contains folders that are not entirely related to Arnett but are Indigenous reading materials that Arnett collected. There are two folders with educational materials on the Cherokee language. There is a folder of materials from AIM. There are also materials from Dennis Banks who visited CMU in 1973, including a photograph.

Box 5 is legal-size (.25 cubic foot) box containing three folders with objects including: an AIM pin, AIM bumper stickers, and Arnett’s glasses and case.

Boxes 6-9 consists mainly of publications in which he published his poetry, including serials as well as a few journals or books he edited or which were dedicated or inscribed to him, and poetry and indigenous newspapers. Indigenous reading materials, poetry in serials or monographs, are also included. Most of these materials are in English, but some are in Cherokee and Dutch. Issues of indigenous-generated or focused newspapers and general poetry newspapers, all but one of which contains one or more poems by Arnett, complete the collection. The newspapers are mainly in English but also include poetry and other information in Mohawk, Shawnee, and Cherokee.

Processing Note:

During processing 5.5 feet of materials were withdrawn, including duplicates, miscellaneous letters, blanks, reading materials, out-of-scope material, and duplicate and/or miscellaneous publications.

Numerous books and periodical titles donated with the collection were separately cataloged, both examples of Arnett’s writing and editing, and materials written by other indigenous writers. The Clarke also has publications by Arnett that preceded the donation of this collection. Titles in boxes 6-9 were originally going to be separately cataloged, but due to resources it was eventually decided to add them to this collection.

Carroll Arnett’s suitcase, a powder horn, and an Oklahoma state flag were transferred to the CMU Museum of Cultural and Natural History.

The collection consists mostly of letters from Post to/from his family and friends during World War II, photographs, and biographical materials.

The collection is organized alphabetically by topic: Biographical Materials, Letters (in chronological order), Miscellaneous, and Photographs.

The collection consists mainly of letters. There are 68 letters handwritten by Albert Post to his children, wife, in-laws, and other relatives, dating from April 1944 through March 1945. Four of his letters, dated June 24, August 29, and September 5 and 11, 1944, were censored by officials. Most of them were written on onion skin paper. Another nine letters from family members and friends are also included, as is Albert’s telegram to Leila of June 15, 1944. All of the letters are in excellent physical condition. After the Box and Folder Listing, researchers will find a detailed Collection Inventory detailing the contents of each letter, as well as the author, addressee, dates, etc. to facilitate use of the collection. The letters are organized in chronological order.

The rest of the collection consists of one folder each of Biographical Materials (Albert’s birth certificate, business card, the letter Leila received from the Secretary of the U.S. Navy declaring Albert officially dead in 1946, information about the U.S.S. Halligan and its crew, and other materials,), 1916-2005 (Scattered). Photographs in the collection are of Albert Post either alone or with his immediate family. There is also a photograph of Albert and Leila with her parents, Maria and Milton Williams, and a formal studio group portrait of Leila and the children. All of the photographs are dated or from 1944 to 1945. A few Miscellaneous Materials in the collection, a newspaper clipping, undated, of Art Jackson, a famous hunter, which Albert carried in his pocket until he went to war, and Albert’s train ticket stub to California [1944].

Albert’s letters were saved by Leila. In the 1960s, she distributed some of the letters to her children, notably those letters written just to Darrel to him and letters with interesting parts about Sharron Lei to her. When Leila’s house burned in 1981, the family thought all the letters still in the home had been destroyed. However, after Leila died in 1999, Sharron Lei found a cache of letters in a two-pound chocolate box in the garage, with the pearl ring Albert bought for his wife, as described in his letter of August 21, 1944.

Sharron Lei was so young when Albert died that she has no memory of him. She only knows him from stories family members told and his letters. Her research at the National Archives concerning Albert and the history of the U.S.S. Halligan, provided her family with Albert’s official death date for the first time.

Sharron Lei and Darrel donated letters in their possession, which are extremely precious to them, as well as some of their family photographs and biographical materials to the Clarke in December 2005. This is all that they have of their Father. Additional materials from the National Archives were provided by Sharron Lei and their Father’s favorite newspaper clipping on Art Jackson by Darrel.

Many of Albert’s letters survived time, moves to various homes, and a fire. Those that survived are in excellent physical condition and provide an in-depth, personal biography of their author. Albert was an articulate writer and wrote in a legible, cursive hand, occasionally being creative in his spelling. His letters are highly emotional, sad, lonely, and full of loving concern for his family. It is obvious that he adored his family. His loneliness and despair when mail was not delivered for sometimes up to two months at a time, is palpable and painful to the reader.

Today, World War II veteran are viewed as the greatest of the great, as super heroes, and perhaps at times the younger generations may think they were devoid of human frailties. These letters plainly document Albert’s very human pain and, indeed, agony he endured when physically separated from his family. He missed watching his children grow up, and his longed both physically and emotionally, for his beloved wife. Albert’s letters are also full of his hopes, dreams, future plans, and concerns for his wife and children, particularly Darrel, and his in-laws. Albert repeatedly wrote how he cried when he read and received letters and sometimes got so emotional he had to stop reading and go for a walk or into an empty part of the ship to compose himself. He also wrote that other proud shipmates got together after receiving letters to brag about their children and show off pictures of their beloved wives and children. Albert wrote mostly about his family, but there are many references to life in Gladwin, farming, hunting, fishing, relatives, and neighbors. He missed home cooking, particularly pies and cakes, hated naval chow beans, and longed for mail and photographs from his family, whom he thought about constantly, even in his sleep.

Besides his duties aboard ship and writing letters, Albert spent time developing his artistic side. He wrote a poem “Phantasma, found between two letters dated August 29, 1944, to his wife about his physical and emotional longing of a man for his wife when separated by war, clearly based on his feelings for Leila. He also sketched quite a bit from magazines. At the top of his letter dated March 1, 1945, Albert sketched an outline of a mother holding a baby from a magazine, and filled it in with his interpretation of how he thought Leila looked holding Sharron Lei.

This collection is wonderful for documenting the individual in war, a Michigan man who served in World War II while he loved and missed his family. It is also excellent for documenting the sometimes difficult and lonely lives that women and families endured while the men went to war and the necessary role that letters and photographs played in helping soldiers and sailors endure the stresses and strains of war.

Catholic Daughters of America. Sacred Heart Court No. 1332 Organizational records, 1951-2009, and undated, include mostly membership records, meeting minutes, related reports, and historical documentation.

CDA No. 1332’s organizational Records, 1951-2009, and undated, include mostly membership records, meeting minutes, related reports, and historical documentation. The history folder and the Historical Book, scrapbook materials, include the by-laws and constitution, and documents the organization’s history. The second volume of meeting minutes, reports, 1962-1975, suffers from some scotch tape acid stains. The collection is organized alphabetically and chronologically.

The collection contains, biographical materials, mortgage, personal correspondence, and poetry.

The collection consists mainly of poetry Cecilia wrote and collected correspondence she received from family and friends. Biographical materials include copies of census records documenting her life and a mortgage.