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The Caspar Wistar Miller photograph albums contain approximately 172 photographs stored in two albums that document travels in the western United States, Alaska, and Europe by Philadelphia-area physician Caspar Wistar Miller during the late 19th-century.

Volume 1 (33.5 x 40 cm) has maroon and black leather covers with “Photographs” stamped in gold on the spine and contains 87 photographs related to Miller’s travels in the western United States and Alaska from May to August of 1888. Many images appear to include glass plate negative numbers. Traveling mostly by rail, Miller’s itinerary and layovers can be tracked from the photographs, almost all of which note the date and location. Miller appears to have held an interest in photos of valleys looking first in one direction (“up”) and then the other (“down”), and he also regularly sought out possibilities for bird’s-eye views of towns. The album opens with a photo of a cantilever bridge in Niagara, New York, before documenting Miller’s time in Pullman, Illinois, where he observed the railroad baron George Pullman’s newly built factory town. It is likely that Miller traveled in Pullman railroad cars during this journey. Subsequent images show scenes from Colorado, New Mexico, and California, where Miller spent a month photographing various towns and cities along the Pacific coast before heading into the Northwest. Included are images of the area surrounding the Las Vegas, New Mexico hot springs; street scenes, historic sites, and Native Americans in Santa Fe; and views of buildings, historic sites and natural scenery in Californian locations including Pasadena, Los Angeles, Santa Barbara, Yosemite, Monterrey (including views of the Hotel Del Monte), Santa Cruz, San Francisco, and the Lick Observatory on Mount Hamilton. Images related to the Northwest include a bird’s-eye view of Portland, Oregon, and a series of photographs of acrobats performing in Tacoma, Washington. Also present are a series of images taken in early July 1888 after Miller joined a few dozen other travelers on a three-week Alaskan cruise exploring inlets, harbors, and villages. Alaskan images include a group portrait of Tlingit women and infants; photos showing a grave totem and totem poles at Fort Wrangell; Tlingit men and women selling wares on a wharf in Juneau; views of Juneau and Sitka; a block house in Sitka; the face of Muir Glacier; a Tlingit camp at Pyramid Harbor; a group portrait of officers in command of the sidewheel steamship “Ancon”; and group portraits of fellow travelers posing with various Tinglit items including a chilkat blanket. A newspaper clipping regarding Alaskan totem poles is also included opposite one of the totem pole images. Photographs taken during Miller’s return home include scenes from Port Townsend, Washington; Yellowstone National Park; and Minnehaha Falls in Minnesota.

Volume 2 (28.5 x 39 cm) also has maroon and black leather covers and contains 85 photographs related to Miller’s European travels between May and August of 1892. The vast majority of these images are high-quality commercially-made photographic prints documenting typical tourist attraction subjects such as historic buildings, street scenes, cathedrals and churches, sculptures, and landscape views. Many of these images were likely produced from glass plate negatives that were originally created in the 1870s and 1880s. A small number of half-tone reproduction images clipped from printed sources are also present. Many of the commercially-produced images include captions within the photographs that provide site information and negative or series numbers, while some also contain blind stamps bearing photographer or studio names. The album begins with images of scenes in Le Havre and Paris, France; the two Le Havre-related photographs appear to have possibly been taken by Miller, while the Parisian views were all purchased from the gallery “A Jeanne D’Arc Paris 3, Place Rivoli, 3.” Most, if not all, of the remaining photographs in the album were also purchased by Miller. Subsequent images include views of sites, sculptures, and Alpine scenery in the Swiss locales of Geneva, Vevey, Montreux, La Tour-de-Peilz, Bern, Zurich, Fribourg, Thun, Oberhofen, Interlaken, and Lucerne. Other Swiss-related images include views of the Lauterbrunnen Valley; the Jungfrau; the Lion of Luzern monument; a wall tower and hotel in Zug; a man operating a dog-powered milk cart; and the Rheinfall. Austrian views include scenes from locations such as Innsbruck, Kufstein, and Rattenberg, while German destinations such as Lindau, Munich, Nuremburg, Heidelberg, Frankfurt am Main, Koblenz, and Cologne are also represented. The back-end of the album contains images from Brussels, Belgium, including another photograph of a dog-powered milk cart.

The Solomon G. Haven family papers contain the business and personal letters of Solomon Haven, a Buffalo, New York, lawyer and politician, as well as many letters concerning his wife, Harriet Newell Scott, and daughters Mary and Ida Haven.

The Solomon G. Haven family papers contain the business and personal letters of Solomon Haven, as well as many letters of his wife and daughters. The collection holds 185 letters.

The Solomon Haven Correspondence series consists of 103 letters written from Haven to James Smith, his law partner in Buffalo, New York; 33 letters to his wife; and several letters addressed to various political acquaintances. Most of the letters were written during the period of Haven's congressional career, with the heaviest concentration being from 1853 to 1856.

The letters to Smith contain scattered commentary on the Supreme Court, before which Haven argued three times, on Erie County politics, and on their legal practice in Buffalo. These also offer extensive commentary on New York state politics, including discussions of most of the major figures in the state at the time; references to the various intraparty factions; and discussion of the role of political newspapers during this period of political volatility. Of particular note is the detailed commentary on congressional politics surrounding the struggle over the Kansas-Nebraska Bill, the election of the Speaker of the House (1855-56), and a description of various party conventions in 1856, especially the Know Nothing convention in Philadelphia. By this time, Haven had become a fierce American Party supporter, a fiscal conservative, and an ardent critic of the political games being played by most of the Democratic, Whig, and Republican schemers in Washington and Albany. In a letter to his friend James Osborne Putnam (1818-1903), Haven wrote: "You ask for the Whig party. You would as yet ask in vain for any party here -- there is but little doing effective here for the future -- Cass and Douglass are playing high at the game of Weasel" (December 20, 1851).

Solomon’s letters to his wife Harriett (Hatty) were written between 1839 and 1858, and have an affectionate tone; their focus is largely on the many Washington, D.C., social events, such as parties, celebrations, balls, dinners, and other social/political gatherings, which he typically found tiresome. He was a regular guest for dinner at the White House. His letters relay information about who attended the parties, such as the wives of generals, congressmen, and the President, what the ladies’ were wearing and how they interacted with the men. An 1856 letter mentions the reaction of Elizabeth Spencer Cass (wife of lawyer and politician Lewis Cass) to the caning of Charles Sumner (1856).

The Mary and Ida Haven Correspondence series (39 items) documents two trips taken by Mary Haven to Europe. The first commenced sometime before December 1877 and ended in 1879. Mary spent her time primarily in Paris, leaving only for short excursions to Cannes, France, and Geneva, Switzerland. Her second trip began in June 1884, and lasted until sometime after August of the same year. This trip started with short visits to several cities in Germany and Switzerland, and, by August 29, 1884 (the last letter of her correspondence), she had returned to Paris.

Mary, also known as Ninnie, wrote her letters to her sisters, Ida and Antoinette, and to her mother, all of whom lived at the same address in Buffalo, New York. She traveled with other Americans including a traveler named “Puss,” who, as internal evidence suggests, is her husband, Charles Day. She often discussed her activities in Paris and the differences between life at home and life in Paris, her membership in an Art club, other social engagements, and her trips to other European countries. Her letters show, however, that she spent much of her time socializing with other Americans and British friends. While in Europe, she attended “English church.” As a member of an Art Club, Mary spent some of her time painting and taking art classes.

In two letters from Paris (April 29 and May 16, 1878), Mary wrote about attending the opening of the Exposition Universelle: she waited amidst hordes of other people and saw celebrities who passed near her, such as Queen Isabella and her daughter; the Prince of Wales; the Prince of Denmark; foreign ambassadors and generals of the French Army; and many others. Mary wrote a particularly interesting anecdote about a dressmaker, Madame Connelly from New York, who, in a state of drunkenness, told her that she purchased dresses and belts in France very cheaply and re-sold them in New York for an enormous profit (March 26, 1878). A letter from May 16, 1878, mentions the divorce of a woman whose husband cannot support her, possibly because he was an alcoholic. When traveling to Europe in 1884, Mary noted that writer Mariana Griswold Schuyler Van Rensselaer was on the same ship.

Seven incoming letters to Mary and a single miscellaneous item complete the series. Her sister Ida wrote two letters while she traveled abroad in Germany in the summer of 1880. At this time, Mary was living in New York. Alice Craven Jones, a family friend in Hampstead, London, wrote five letters in the 1890s. Alice offered hopes that her family would come to visit them overseas, offered condolences for the death of a loved one in 1890 (likely Mary’s sister, Antoinette), and related the news of Minnie Jones’ marriage to a lawyer by the name of Perks (1895). Finally, an 8-page unsigned letter to Ida Haven describes visits to small villages in Italy; the writer worked with the Red Cross and commented extensively on the manner, dress, and religion (Catholic) of the citizens.

Two items contain decorated letterheads: the letter from August, 24, 1879, has scenic pictures of famous locations on stationary from a hotel in Zurich, and an undated item (marked only July 15) features printed pictures of the buildings Sprudel-Colonnade and Muhlbrunn-Colonnade.

This album, compiled by Wilhelm Hasselbach in 1871, contains photographs of Chicago buildings before and after the Great Fire of 1871, as well as commercial illustrations of buildings and landmarks in Germany and Switzerland, and photographic portraits of women.

Wilhlem Hasselbach, a German druggist living in Chicago, Illinois, compiled this album (24cm x 20cm) in 1871 and 1872. The album has green pebbled leather covers and a title, "Scrap Book," appears in a stylized gold design on the front. Photographs and commercial illustrations are pasted directly onto the book's colored pages. Hasselbach first inscribed the volume in Chicago in November 1871; a second note on the same page (written in German) is dated in Munich on September 16, 1894. Three items are laid into the volume's front cover: a Christmas card from the Northern Trust Company with a colored illustration of Michigan Avenue, Chicago, as it appeared in 1870 (printed after 1871); a pamphlet, "Chicago Since 1837" by Gordon Best (1917); and a card from S. D. Childs & Company (undated).

The first group of items includes a printed advertisement for a meeting of Chicago citizens to be held on October 9, 1871, and a photograph of a collage of portraits of United States presidents. These are followed by 62 photographs showing Chicago buildings and street scenes before and after the Great Chicago Fire, including pictures of commercial and municipal structures, a factory, and churches. One page has a small manuscript map showing the location of Bodemann & Hasselbach's drugstore and several other businesses at the intersection of State Street and Harrison Street. The Chicago pictures are followed by groups of commercial engravings and other illustrations depicting prominent buildings and landmarks in Berlin, Germany; Dresden, Germany; Zurich, Switzerland; and other locales, as well as a painting of Germania and a photograph of a collage of small portraits of German royalty and generals arrayed on an iron cross (around 70 items total). The final items are clippings with a picture of a dog who survived under a pile of rubble for over a day during the Great Chicago Fire and an advertisement for a secure bank vault and safe deposit boxes. Nine portraits are pasted into the album's final pages, including one of a well-dressed man and eight of unidentified women.