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Collection

Elzada U. Clover papers, 1938-1944

0.2 linear feet — 1 oversize folder — 2 film reels (16 mm)

Online
Curator of the University of Michigan Botanical Gardens and professor in the Department of Botany; journals, films, photographs, plant list, and drawings of plant habitats from the 1938 Nevill's Colorado River Expedition and following travels in 1939; also articles written about the expedition.

The Elzada Clover collection consists almost entirely of material relating to the 1938 Nevill's Colorado River Expedition. Included are Clover's journals, motion pictures of the trip, photographs, plant list, and drawings of plant habitats both from the 1938 Expedition and from later travels in 1939. There are also articles written about the expedition.

In 2009, DVD use copies were made of the motion pictures.

Collection

Native American collection, 1688-1921

0.25 linear feet

The Native American collection contains miscellaneous letters and documents concerning Native American Indians in the United States, Canada, and the West Indies, and their interactions with British and American settlers.

The Native American collection is comprised of approximately 125 miscellaneous letters and documents concerning Native American Indians in the United States, Canada, and the West Indies, and their interactions with British and American settlers (1689-1921). Topics range from land agreements, legal issues, treaties, descriptions of travel through Indian Territory, Indian uprisings and conflicts, Indian captivities, prisoners of war, Indian enslavement, and interactions with Quaker and Moravian missionaries. Tribes include the Cherokee, Choctaw, Chickasaw, Cree, Iroquois, Ojibwa, Oneida, Ottawa, Kickapoo, Seneca, Shawnee, Sioux, among others, and concern activities in Canada, New England, the Midwest, the South, and the western frontier. Also present are items written in Cherokee, Mohawk, and Ojibwa.

Collection

Rhoda B. Stoker diary, 1920-1935 (majority within 1924, 1933, 1935)

1 volume

This diary contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935.

This diary (1 volume) contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935. The volume, comprised of two ruled spiral notebooks bound together with yarn, contains around 170 pages of material: the first 46 pages (recto) are numbered 1-[46], and the remaining pages (verso) are numbered [47-183].

Stoker's narrative (pages 1-[46]) recounts the trip she took with her son Edwin and "Aunt Clara King" from August 4, 1935-August 20, 1935. The family traveled by car from their home in Salt Lake City, Utah, to Vancouver, British Columbia, and followed the Pacific Coast south to Los Angeles, California. On their return journey, they drove from Los Angeles to Salt Lake City via the Mojave Desert and Las Vegas, Nevada. Stoker recorded details about the group's experiences and expenses, including the names of restaurants they visited, the car's odometer reading, and the amount and cost of gasoline they purchased; she combined all trip expenses at the end of her account (p. [46]). Stoker described the scenery and cities they visited, including San Francisco and Los Angeles, and discussed traveling by car ferry.

Stoker pasted photographs and postcards into her diary, sometimes including descriptions of photos she intended to add. Most images have captions, which include information about the location, date, and photographer. The pictures depict the Stoker family, their companions, and scenery from trips to the Pacific Coast in the summers of 1933 and 1935, including the family's lodgings, redwood trees, bridges, steamers, car ferries, military boats and submarines, and the family's car. One series of photographs depicts animals (prepared with taxidermy) at Golden Gate Park in San Francisco. Painted postcards and postcard sets show cities such as Tijuana, Mexico; San Diego, California; Portland, Oregon; Seattle, Washington; and Victoria, British Columbia, as well as scenes from California's Pacific coastline.

Collection

Whittemore Family Papers, 1817-1978

5 linear feet — 1 oversize volume — 1 oversize folder

Gideon O. Whittemore family of Pontiac and Tawas City, Michigan. Business and personal correspondence of Whittemore, his wife, their son James O. Whittemore, and other members of the Whittemore, Mack, and Abram Mathews families; also business and legal documents, sermons, photographs, and miscellaneous papers, covering family matters, Tawas City, Michigan (which the family founded), lumbering, journey of the Mormons across the United States and settlement in Salt Lake City, Utah, University of Michigan and its branches, and family genealogy.

The papers date from 1817 to 1978, and include correspondence, business papers, deeds, genealogical materials, photographs and other papers of Gideon O. Whittemore, his wife, their son James Olin Whittemore and other member of the Whittemore, Mack, Harlow, and Abram Mathews families. Letters of Temperance Mack and Almira Covey document in part the journey of the Mormons across the United States and settlement in Salt Lake City. Other papers relate to activities in Tawas City (which the family founded), lumbering interests, and other business matters. A portion of the papers of James Olin Whittemore pertain to his activities as a student at the University of Michigan, class of 1846.

The Whittemore family collection has been arranged into the following series: Correspondence; Other Family papers; Genealogical records; Temperance Mack letters and related; Individual Whittemore family members; Photographs; and Business and professional ledgers and daybooks.

Collection

William A. Lewis photograph collection, ca. 1850s-1980s

approximately 1,530 items in 12 boxes

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

Series I: General Subjects
  • Airships (11)
  • Bridges (69)
  • Civil War I--stereographs (91)
  • Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
  • Disasters (49)
  • Expositions (24)
  • Industry & Labor (89)
  • Miscellaneous (23)
  • Portraits (109)
  • Railroads (62)
  • Ships (80)
  • War (30)
Series II: Views, U.S.
  • Alaska (47)
  • Arizona (3)
  • California (20)
  • Colorado (2)
  • Dakota (4)
  • District of Columbia (50)
  • Florida (2)
  • Hawaii (1)
  • Illinois (17)
  • Iowa (2)
  • Maine (8)
  • Maryland (27)
  • Massachusetts (20)
  • Michigan (31)
  • Missouri (3)
  • New Hampshire (10)
  • New York (116)
  • Ohio (2)
  • Oregon (2)
  • Pennsylvania (16)
  • Tennessee (1)
  • Texas (1)
  • Vermont (3)
  • Utah (3)
  • Virginia (6)
  • Washington (1)
  • West Virginia (1)
  • Wisconsin (2)
  • Wyoming (2)
  • Unidentified locations (35)
Series III: Views, Foreign
  • Austria (5)
  • Belgium (6)
  • Brazil (1)
  • Canada (3)
  • Cuba (5)
  • Czechoslovakia (1)
  • Egypt (5)
  • England (21)
  • France (43)
  • Germany (14)
  • Greece (1)
  • India (2)
  • Ireland (4)
  • Italy (22)
  • Japan (3)
  • Mexico (1)
  • Miscellaneous (31)
  • Monaco (4)
  • Netherlands (1)
  • Norway (3)
  • Palestine (5)
  • Panama (41)
  • Puerto Rico (3)
  • Scotland (10)
  • Spain (2)
  • Sweden (2)
  • Switzerland (9)
  • Turkey (1)
Series IV: Objects
  • Keystone Alaska and Panama views, set box (1)
  • Stereoscope (1)
Items of particular interest include:
  • Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
  • Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
  • Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
  • Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
  • Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
  • Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
  • Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
  • Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
  • Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
  • Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
  • A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
  • A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
  • Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)