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The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances in the early 1860s. Emily Bellair was from Detroit.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances throughout the early 1860s. She received the book, whose decorative cover bears the title "Wreaths of Friendship," from W. E. Gentle, who inscribed a two-page letter proclaiming the pair's friendship. Family members also contributed autographs and poetry, including several poems dedicated specifically to Emily that explored themes of friendship and parting. Her brother, Albert F. R. Arndt, wrote a poem from Cairo, Illinois, after he had "gone off to the seat of War." (March 16, 1862). The final page contains a copy of "Auld Lang Syne," as well as several shorter poems that are darker in mood than the other verses.

• "Escape of Carrara"
• "Wreaths of Friendship," depicting a ship in a stormy sea
• "The Bird Trap"
• "The Bride"
• "Kishna"
• Unlabeled: A scene with a tree-lined pond

The Fairfield Goodwin papers consist of poems, essays and drawings created by a Union soldier from Michigan during the Civil War. Goodwin was part of the 1st Illinois Light Artillery (Taylor's Chicago Battery) at the outbreak of the Civil War and later joined the 8th Michigan Cavalry.

The Fairfield Goodwin papers (27 items) consist of poems, essays, and drawings created by a Union soldier from Michigan during the Civil War. While most of the items are undated, the identified items range from November 5, 1861, to September 20, 1862. Goodwin likely created many of these items while with the Chicago Battery and during his six-month convalescence, before he joined the 8th Michigan Cavalry in 1862.

The bulk of the items are sentimental or comical poems and essays with titles such as: Decay, Thoughts of Spring, Our March, Flowers, Friendship, My Mother's Voice, A Dream of Heaven, What is Pleasure?, The Lazy Club Song, and Minute Men. In these, Goodwin expressed feelings of longing and loneliness, as a soldier away from home. He also mentioned several notable military figures, including Jefferson Davis, General Beauregard, and Stephen Douglas.

Goodwin illustrated many of these poems and essays with pencil and color pencil drawings. He sketched pictures of birds, soldiers with beards, a horse, a cat, and a dog. Of particular interest is a full-page illustration of a union camp at Shiloh depicting men chopping wood, killing pigs and fowl, cooking, and reading, as well as cannon, felled trees, and tents. This drawing is colored with blue and orange details. Another recurring sketch is of the artist propped up in his sick bed. Some of the drawings are independent of essays, including pictures of a cannon, a man and woman under a flowering tree, Goodwin's home in Pontiac, Michigan, a "Missouri Rural Cotage," a picture of "Jeff Davis returning from war," portrayed with a large beard and lying on his back, and, finally, a picture of a man on a horse.

The Henry and Ruth Dyer Collection consists of prose, epigrams, and other writings in four volumes. The bulk is attributed to Henry Dyer, including three volumes of lyrical writing, pencil illustrations, and political cartoons on the Civil War and slavery. Henry Dyer cut Union patriotic cartoons from letterheads or envelopes and pasted them into one volume, adding additional illustrations or frames in his own hand. Many of Dyer's wartime poems were printed in the Daily Alta, a California newspaper, as "War Lyrics," under his pseudonym Henry Proverb. Ruth Dyer's "friendship album" contains over 30 entries by Abington, Massachusetts, family and friends on virtue, wisdom, proclamations of love, and friendship.

The Henry and Ruth Dyer Collection consists of prose, epigrams, and other writings in four volumes. The bulk is attributed to Henry Dyer, including three volumes of lyrical writing, pencil illustrations, and political cartoons on the Civil War and slavery. Henry Dyer cut Union patriotic cartoons from letterheads or envelopes and pasted them into one volume, adding additional illustrations or frames in his own hand. Many of Dyer's wartime poems were printed in the Daily Alta , a California newspaper, as "War Lyrics," under his pseudonym Henry Proverb. Ruth Dyer's "friendship album" contains over 30 entries by Abington, Massachusetts, family and friends on virtue, wisdom, proclamations of love, and friendship.

One faded, partly colored photograph of San Francisco in 1860 is affixed to the back pastedown of Henry Dyer's "War Lyrics" volume.

This collection is made up of correspondence, diaries, documents, ephemera, and other items related to Hilon A. Parker and other members of the Parker family. The papers reflect Hilon A. Parker's life in Plessis, New York; his service in the 10th New York Heavy Artillery Regiment during the Civil War; and his postwar work as a railroad engineer and administrator.

This collection (3 linear feet) is made up of correspondence, diaries, documents, ephemera, and other items related to Hilon A. Parker and other members of the Parker family. Materials pertain to Hilon A. Parker's life in Plessis, New York; his service in the 10th New York Heavy Artillery Regiment during the Civil War; and his postwar work as a railroad engineer and administrator.

The correspondence (464 items) consists mainly of personal letters written and received by Hilon A. Parker between the 1860s and early 1910s. During the Civil War, Hilon A. Parker and his brother Harvey exchanged letters and wrote to their parents about service in the Union Army. Hilon served in the 10th New York Artillery Regiment. Thirza Parker, Hilon and Harvey's sister, provided news from Plessis, New York, while her brothers were away. Much of the correspondence from the late 1860s consists of letters between Hilon A. Parker and Mary Cunningham, his future wife. Hilon described the scenery and his work for railroad companies in Iowa, and Mary wrote about her life in Copenhagen, New York. After their marriage, most of the correspondence is comprised of incoming letters to Hilon A. Parker from personal and professional acquaintances. Parker received many condolence letters following Mary's death in early 1892. Later items include content related to Native American schools and to Parker's career in the railroad industry. A few late items sent to Hilon's daughter Florence in 1911 and 1912 concern his estate.

A group of 36 pencil and colored drawings and 32 letters relate to students at the Rainy Mountain Boarding School on the Kiowa-Comanche-Apache reservation in western Oklahoma. Kiowa schoolchildren gave the drawings as thank you notes to Hilon Parker, general manager of the Rock Island Railway, for a train ride he arranged for them in 1899. The children's ledger drawings show teepees, traditional Native American costume, and animals such as horses and buffalo. The children sent 13 letters to Hilon A. Parker on May 5, 1899. The Kiowa correspondence and drawings are accompanied by a group of 19 letters by grade school children in Chicago, Illinois, to Florence Parker Luckenbill, Hilon A. Parker's daughter, around 1925. The Chicago children commented on the Kiowa drawings and letters.

The Hilon A. Parker diaries (31 items) form a continuous run from 1860 to 1911, with the exception of the years 1896 and 1903. His brief daily entries concern life in Plessis, New York, in the early 1860s; service in the 10th New York Heavy Artillery Regiment during the Civil War; and work for the Chicago, Rock Island & Pacific Railway Company. Lucinda Parker, Hilon's mother, kept 6 diaries covering the period from 1858-1865, excepting 1862. She commented on her daily activities and social life in Plessis, New York.

Hilon A. Parker made entries in a commonplace book from February 1863-August 1863 and in April 1866. The first section of the volume contains poems and brief essays composed at Fort Meigs in Washington, D.C. Many of the entries refer to military life and to the war. The later pages of the volume include diagrams of cannons, mathematics and physics notes, and definitions of military terms. Items glued into this section of the volume include a small paper flag and many clipped autographs.

The collection's military documents (39 items) include orders, passes, commissions, and other documents related to Hilon A. Parker's service in the 10th New York Artillery Regiment during the Civil War; one item pertains to his pension. Undated materials include a casualty list and a blank voucher form.

Nine account books belonging to Hilon's father Alpheus Parker span the years from 1853-1878. Some of the volumes pertain to Parker's accounts with specific banks. Hilon Parker's business papers contain 35 accounts, receipts, and other items related to his personal finances and to his work for the railroad industry; one item concerns his voter registration (October 19, 1888). Most of the later material, including contracts and other agreements, regard business agreements between railroad companies. Some of the accounts are written on stationery of the Chicago, Rock Island & Pacific Railway Company.

Mary Cunningham's Hungerford Collegiate Institute papers (40 items) include essays, poetry, report cards, and newspaper clippings related to Cunningham's studies at the institute in the mid-1860s. The papers include a manuscript magazine called The Nonpareil, edited by Mary Cunningham (Vol. 5, No. 8: November 18, 1863).

Approximately 80 speeches, addresses, and essays written by Hilon A. Parker pertain to the Civil War, the Republican Party, and Illinois politics. Parker also composed speeches and essays about the life of Abraham Lincoln and about Native Americans.

The Hilon A. Parker family papers include 8 photographs: an ambrotype image of several members of the Parker family posing outside of the Parker & Fairman storefront in Plessis, New York, and portraits of Derrinda Parker Tanner (tintype), Isaac L. Hitchcock (daguerreotype), Lucinda and Thirza Parker (daguerreotype), two unidentified women (ambrotypes), Hilon A. and Harvey M. Parker in military uniform (card photograph), and Hilon A. Parker as a grown man (photographic print).

A scrapbook contains newspaper clippings, ephemera, and other items related to the life of Hilon A. Parker. Many articles concern Civil War veterans' groups (the Englewood Union Veteran Club and the Grand Army of the Republic) and other topics related to the war, such as an article regarding a reunion of the 10th New York Heavy Artillery Regiment, the fate of John Brown's wife and sons, memorial poems, and a map of entrenchments around Petersburg, Virginia. Other groups of clippings concern Illinois politics, liquor laws, the railroad industry, and the life of Hilon A. Parker.

The papers include newspaper clippings (21 items), biographical notes and writings (18 items), a hand-sewn US flag made by Thirza Parker for Hilon Parker while he served in the Civil War, a silhouette made in Denver, Colorado, in 1903, and other items.

The Horatio Noyes collection is made up of letters and essays pertaining to Louisiana sugar plantations, life on the Wyoming frontier, travels through the South, the history of astronomy, and other subjects.

The Horatio Noyes collection is made up of 5 letters (28 pages) and 2 essays (70 pages). Noyes wrote a detailed letter to his son Charles in December 1871 about his travels in rural Louisiana, including his impressions of riverboat steamers and sugar plantations. A later draft (unsigned) describes the author's travels in Virginia and North Carolina, with a detailed description of Richmond and observations about Southern culture. Two unsigned letters from late 1879 and early 1880 describe a soldier's life on the Wyoming frontier, with Horatio Noyes's requests for the letters to be proofed and returned to him. Two lengthy essays concern the history of astronomy and contemporary astronomical knowledge, particularly about the Solar System. See the Detailed Box and Folder Listing for more information.

This collection is made up of typescripts of letters and other materials related to the Boullemet family of Mobile, Alabama. The bulk of the correspondence pertains to Milton H. Boullemet's service in the 3rd Alabama Infantry Regiment during the Civil War. The materials were transcribed by Aubrey Bartlett of San Francisco, California, a descendant.

This collection is made up of approximately 85 pages of typescripts related to the Boullemet family of Mobile, Alabama, particularly concerning the Civil War service of Milton H. Boullemet. Early items include a letter by bookseller Joe Morris of "Coventry," who noted the popularity of Uncle Tom's Cabin (September 24, 1853); a letter from Nash Buckley to his brother Harry about life in Sydney, Australia (November 26, 1853); and a letter Milton H. Boullemet wrote to his parents from the "S. M. Academy" (February 10, 1856). Other items include invitations, a receipt for a casket and embalming services (June 12, 1884), and a patriotic song, "The Southern Girl with Home Spun Dress" (set to "Bonnie Blue Flag").

The bulk of the materials relate to the Boullemet family's experiences during the Civil War. Milton H. Boullemet wrote letters to his parents and siblings while serving with the 3rd Alabama Infantry Regiment, Company E, in Virginia and North Carolina between April 1861 and June 1862. He reported his entry into Confederate service in a letter dated April 29, 1861, and discussed his decision to reenlist in the spring of 1862. Boullemet often described the conditions in Confederate camps and commented on the support the soldiers received from residents of Atlanta, Georgia, and Norfolk, Virginia. Though he seldom saw actions against Union forces, he mentioned a few skirmishes, expressed his confidence after early Confederate victories, reaffirmed his commitment to the cause after the fall of New Orleans, and shared a detailed description of the Battle of Hampton Roads (March 10, 1862).

Boullemet received a few letters from acquaintances and from family members in Mobile; those at home discussed economic difficulties, their commitment to the Confederate cause, and the city's preparations for an expected Union attack. Sallie Nimms, a Georgia resident whom Boullemet met while returning from a furlough, wrote about her support for the Confederacy and her admiration of Boullemet and other soldiers. Later items include condolence letters to the Boullemet family following Milton's death after the Battle of Malvern Hill and a pass for a 15-year-old slave named David to travel through Union-occupied New Orleans (March 24, 1863).

The materials were transcribed by Aubrey Bartlett of San Francisco, California, a descendant of the Boullemet family.

From about 1860 through at least the end of the Civil War, Samuel C. Taylor worked as a salesman for the Philadelphia clothing firm of Charles Stokes & Co. The 1863 portion of his journal contains almost daily entries between February and May, vividly describing his travels from Philadelphia to Memphis and social life in Memphis during the Civil War. The 1890 portion of the journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south.

The Taylor journal is a single, 3/4 leather-bound volume in two sequential parts, the first dated 1863, the second, 1890. The journal is probably a transcript made in 1890 or 1891 from the original, based on the style of binding and paper, and the continuity in handwriting and pen between the two dated parts. The 1863 portion, 260 pages long, takes the form of almost daily journal entries from the time of Taylor's departure from Philadelphia on February 16th, through his stay in Memphis, until his return to Philadelphia on May 16th, and is uniformly well written and interesting. It is a far more polished piece of writing than many journals, and may have been corrected or embellished at the time of its transcription. At its best, Taylor's prose has the feeling of Mark Twain's exuberant descriptions of life on the Mississippi, leavened with the cynical undercurrents of Melville's Confidence Man., and though it is brief, covering only a four months' residence, the journal is a valuable social record of life in wartime Memphis as seen by a person come to take advantage of the quick money to be made. Taylor has a preference for the "colorful" aspects of life in Memphis, and includes vivid descriptions of the shoddy accommodations, the venality and corruption, rampant violence and crime, and of soldiers, prostitutes, rebels, drunks and rowdies. Throughout, he displays an eye for the telling detail, a good sense of humor, and an unerring flair for making a good story out of difficult circumstances.

Among the several highlights in the journal is an excellent description of the steamboat trip to Memphis, during which a "Jewish" swindler/gambler managed to con his way out of several tight spots by his using his wits and his finesse with cards. Once in Memphis, Taylor provides memorable descriptions of the city in all its war-time depravity, and vivid accounts of long lines of ragged, worn-out soldiers marching in to town, of murder, robbery and charlatanism, of prostitutes and drunks shouting and shooting in the streets, and of the characters, like himself, who have descended on the city to turn a quick profit, legally or illegally. Taylor was somewhat less accomplished in his poetry, though his poem about life in Memphis during the war is an amusing, sarcastic look at the closet secessionists of the city, Memphis' cheerless, malattired women, crime, and the amusement he occasionally found, including listening to the "darkies" singing. One quatrain summarizes his attitudes well: "What an awfull place to live in / Now I'll stop or freighten you (sic) / Yet upon my word of honor / What I've written you is true" (p. 106).

Taylor's attitude toward Jews, synonymous with swindling merchants in his mind, and African-Americans is highly stereotyped. He is, however, somewhat sympathetic toward slaves and freedmen even as he is willing to have a laugh at their expense. In Memphis, he attended a religious service for freedmen delivered by a mulatto preacher named Revels. Taylor was genuinely moved by the sermon, and seems to have agreed with its message. He is also somewhat sympathetic with the "contrabands" he sees being trampled by Union soldiers, or boating up river, half-dressed and hungry to a mission in Missouri. In general, though, Taylor is inclined toward a cynical view of strangers, and is always on his guard for the cons and crooks that were abundant in Memphis.

The 1890 portion of the Taylor journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south. They include:

1. "Sketches from the South," (Chattanooga, April 3, 1890: p. 263-268)
2. "A Kentucky Wheelman," (Louisville, Ky., April 20, 1890: p. 269-271)
3. "A Hodoo Doctor" (Birmingham, Ala., April 30, 1890: p. 272-275)
4. "The Negro Drill Workers" (Memphis, Tenn., May 2, 1890: p. 276-279)
5. "The Georgia Cracker, The Alabama Razor Back" (Atlanta, Ga., May 10, 1890: p. 280-284)
6. "New Orleans, La." (May 20, 1890, New Orleans: p. 285-293)
7. "Pensacola, Florida" (September 20, 1890, Pensacola: p. 293-295)

These essays are the interesting products of a talented writer, who, though sympathetic observer of southern society, is nevertheless mired in the ingrained attitudes and prejudices of his day. In the first essay, Taylor discusses the phenotype of African-Americans and the several "clases or sets" that comprise the African-American community in the South, from the rich, to the merchants, mechanics, drill men, tramps and the "poor old uncle." "The hoodoo doctor" and "The Negro drill workers" are somewhat longer essays along the same lines, and are written as first hand experiences. In "A Kentucky wheelman" and "The Georgia cracker, the Alabama razorback," Taylor turns his eye to the poor white community in the deep South, and paints a dismal view of the state of their culture. Essays 3, 4, and 5 also include crude, pen and ink illustrations of the subjects of the essay.

This volume records the names and nativity of guests of the Shirley House (later the Missouri Hotel) in Fayette, Missouri, from June 1856-October 1858. Guests included members of at least three traveling circuses. Newspaper clippings are pasted into the first 10 pages, apparently over register entries.

This volume (around 280 pages) records the names and residence of guests of the Shirley House Hotel (later the Missouri Hotel) in Fayette, Missouri, from June 20, 1856-October 9, 1858. Many of the guests, whose names appear on approximately 270 pages of register entries, came from elsewhere in Missouri, though some traveled from other states and, on at least one occasion, from foreign countries such as Ireland. One note reports that a guest later went to jail (June 28, 1856), and another lists a guest's nativity as "no particular place" (July 6, 1857). Members of traveling circuses stayed at the hotel on three occasions: Herr Driesbach & Co. Menagerie & Circus of Brownsville, Ohio, visited on April 30, 1857; an unidentified group of performers visited on July 27, 1857; and the Spalding & Rogers North American Circus visited on May 6, 1858. The lengthy entry for Spalding & Rogers includes the names of performers, organized by profession, and ink illustrations of various types of performances, including a tightrope walker, monkeys, and men and women riding horses. Other visual material includes sketches of men and unidentified animals, and stylized lettering.

The volume's first 10 pages consist of pasted-in newspaper clippings (dated between 1866 as 1886) containing fiction stories, poetry, obituaries, and other articles of interest. A story about a "beautiful killer" is illustrated by an engraving of a woman about to stab a man, and a story about Grover Cleveland's marriage to Frances Folsom includes the couple's portraits. At least one poem commemorates Civil War soldiers.

This collection is made up of biographical sketches, narratives, and a poem about the Civil War experiences of several Union soldiers.

This collection (16 items) is made up of biographical sketches, narratives, and a poem about the Civil War experiences of several Union soldiers.

William D. T. Travis collected 13 Biographical Sketches and Letters about 11 Union soldiers and sailors, written in many hands. Some of the items are incomplete, and many are dated during the war; each is between 2 and 20 pages. The material primarily concerns the subjects' Civil War service, though some include details about pre-war activities. John Franklin Miller and John A. McClernand are represented by 2 items each, and the biography of Oliver O. Howard is signed by J. G. Blaine. One item is a narrative account of the 37th Indiana Infantry Regiment's participation in the Battle of Stones River, and the final item is a letter by a soldier stationed at Chattanooga, Tennessee, in December 1863.

The Writings series (4 items) contains prose and poetry about the Civil War. William D. T. Travis wrote a poem about the Battle of Belmont (November 12, 1861). The other, unattributed items pertain to the Union Army's actions at Murfreesboro, Tennessee, after the Battle of Stones River (2 pages); the strategic advantages of the Union capture of Chattanooga, Tennessee (2 pages); and the Civil War service of the 22nd Illinois Infantry Regiment.