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The American Council for Southern Asian Art (ACSAA) Slide Distribution Collection produced color slides of Southern Asian art and architecture for teaching art history. The ACSAA Color Slide Distribution Project created and distributed 166 sets of original and duplicate 35 mm slides between 1974 and 2006. The VRC holds copies of approximately 148 of these sets.

The American Council for Southern Asian Art (ACSAA) Slide Distribution Collection produced color slides of Southern Asian art and architecture for teaching art history. The ACSAA Color Distribution Project created and distributed 166 sets of original and duplicate 35 mm slides between 1974 and 2006. The VRC holds copies of approximately 148 of these complete sets. The sets contain about 100 slides each, with a total of more than 14,800 slides. The sets highlight various types of art, including Buddhist, Hindu, Jain, Mughal, Himalayan, Baroque, Sri Lankan, and Southeast Asian. ACSAA and the University of Michigan partnered with ArtStor and approximately 12,000 images are now available online. Additional images are available through the VRC, as well.

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This collection consists of 19 letters that Janie Grant wrote to her husband, Major J. A. C. Grant of the Gordon Highlanders, while living in Perth, Scotland, in August 1945. She discussed her efforts to meet him at London and Edinburgh following his upcoming discharge, anticipated their future life together, and complained of conflicts with family members.

This collection consists of 19 letters Janie Grant wrote to her husband, Major J. A. C. Grant of the Gordon Highlanders, while living in Perth, Scotland. She wrote letters almost daily between August 13 and August 31, usually 3 or 4 pages long, and discussed aspects of the couple's anticipated reunion and postwar domestic life.

Janie wrote 4 letters while traveling between Perth and Edinburgh by train, one from Edinburgh (August), one while on vacation at Lochearnhead (August 19), and the remainder from Perth. Though she most frequently focused on domestic and family affairs, on August 15 she commented on the end of the war, expressing her uncertainty about the future. Many letters concern Janie's attempts to meet her husband in either London or Edinburgh following his anticipated discharge in late September, including her difficulty securing hotel reservations. Other letters regard plans for their future, such as their attempts to find a temporary home, her desire to secure a servant for a cottage they planned to rent (August 23), and her future role as a housewife. She also mentioned the possibility of traveling to Ceylon (now Sri Lanka), and reported her frustrations and conflicts with family members.

Janie frequently wrote about her social life, shopping trips, dental and other health issues, female friends, and her efforts to dispose of letters from former lovers and male friends. By late August, she was anticipating a visit with her husband in Edinburgh around September 21.

Career foreign service officer from Tecumseh, Michigan. Correspondence, memoranda, and other papers concerning diplomatic assignments in Nepal, 1947, the Republic of South Africa, 1961-1965, and Argentina, Morocco, Burma, and Ceylon; and related photographs.

The Joseph Satterthwaite papers consist of correspondence, memoranda, and other papers concerning diplomatic assignments in Nepal, 1947, the Republic of South Africa, 1961-1965, and Argentina, Morocco, Burma, and Ceylon; and related photographs. The papers have been arranged into the following series: Personal/Biographical; Correspondence; Diplomatic Career; Miscellaneous; and Photographs.

Rup Chand was associated with the University of Michigan for over forty years as a collector and labeler of plant and bird specimens from India, Iran, Afghanistan, Tibet, and other parts of the Middle East and South Asia. The collection documents his travels and his work as a collector of plant and bird specimens, his association with Walter Koelz, collector of plants for the University of Michigan. The collection includes biographical information; correspondence; journals for the period 1934-1994 documenting his travels and specimen collecting; and photographs and slides of South Asia and the Middle East, and of his life and travels in the United States.

The Rup Chand Papers document Chand's travels and collection of plant and bird specimens throughout India, Tibet, Persia, Afghanistan, and other areas in South Asia and the Middle East in the 1930s and 1940s, and his life after immigrating to the United States in 1956. The Papers have been divided into four series: Biographical and Miscellaneous Material, Correspondence, Journals, and Photographs and Slides.

The Southeast Asia Art Foundation (SAAF) Archive is composed of approximately 200,000 photographs of Southeast Asia artwork compiled by John Adams Thierry during the latter half of the 20th century. The photos are drawn from approximately 30 different sources, sculptures, or monuments throughout Southeastern Asia that have since been vandalized, damaged, insensitively stored, or destroyed.

Southeast Asia Art Foundation (SAAF) Archive is composed of about 200,000 photographs drawn from at least 30 different sources, including 10,000 photos from sites in Cambodia, Java, and Thailand, 1,100 aerial photos of unexplored archaeological sites, and approximately 3,000 photos from leading art dealers. The collection is housed in a series of black binders and is broken down into 1149 binders of images of objects from various regions and object types, 114 binders with museums' holdings and dealers’ photographs, 24 binders of aerial photographs, 2 binders that contain microfiche, and 3 boxes of photographs. Many of the photos depict sculptures or monuments that have since been vandalized, damaged, insensitively stored, or destroyed. Some of the sculptures have also been sold into private collections and are no longer accessible to the public. The photographs of Yves Coffin, a former French diplomat to Cambodia, are now considered one of the best collections of Cham and Khmer architecture and sculpture. Most of the aerial photographs of Thailand in the mid-1950's came from William-Hunt. Some of the microfiche in the collection came from the National Research Centre of Archaeology on Indonesia from 1901 to 1956, while more microfiche was contributed by the Kern Institute, University of Leiden. In addition to the approximately 100,000 photographs and slides, materials also came from an expedition to Java, which sent Patrick Young to photograph the Buddhist monument of Borobudur. The Department of the History of Art at the University of Michigan organized the expedition, which was partially funded by Southeast Asia Art Foundation and its trustee, John A. Thierry.

The collection also contains vast documentation about the legacy of the artwork and the archive itself, including work from leading scholars such as Carol Stratton, Sarah M. Bekker, A.B. Griswold, and Miriam McNair Scott. John Adams Thierry's research and additional articles are incorporated in the collection.

The photo archive is part of the Southeast Asia Art Foundation Archive, which is now housed in three locations within the University of Michigan. The University of Michigan-Museum of Art houses Thierry's collection of 19 sculptures, while the University of Michigan Library houses Thierry's personal library of books on Southeast Asian Art, many of which are rare or difficult to find.

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The Southeast Asian Art Archive is composed of seven collections, including the Southeast Asia Art Foundation Archive (SAAF), the Breezewood Collection, the Ajanta Caves Collection, the Walter Spink Indian Caves Collection, the Walter Spink Collection, the Borobudur Collection, and the American Council for Southeast Asian Art (ACSAA) Collection. The collection contains photographs and slides of Southeast Asian monuments, sculptures, Indian rock-cut architecture, and more.

The Southeast Asian Art Archive is composed of seven smaller collections, including the Southeast Asia Art Foundation Archive, the Breezewood Collection, the Ajanta Caves Collection, the Walter Spink Indian Caves Collection, the Walter Spink Collection, the Borobudur Collection, and the American Council for Southeast Asian Art Collection (ACSAA). The Southeast Asia Art Foundation Archive contains photographs, collected by John Adams Thierry, that document sculptures, monuments, and archaeological sites in Cambodia, Java, and Thailand. Many of these sculptures and monuments were vandalized, damaged, insensitively restored, or destroyed. The Breezewood Collection focuses on the art and architecture of Thailand, but also includes examples of sculptures, decorative arts, ceramics, and paintings from Burma, Cambodia, India, and Indonesia. The Ajanta Caves Collection contains the research work of Walter Spink and photographically documents 29 of the 31 rock-cut caves. The photographs range from panoramic views of the Ajanta complex to detailed photographs of the façades, porches, courts, shrines, and interiors. The Walter Spink Indian Caves Collection further documents the research of Walter Spink by looking at rock-cut architecture of other caves throughout India, including Aurangabad, Badami, Bagh, Bedse, Bhaja, Elephanta, Ellora, Kanheri, and others. The Walter Spink Collection contains additional research of the rock-cut architecture of temples, shrines, and monuments throughout India. The Borobudur Collection documents the Buddhist monument of Borobudur, found in Central Java, in detail. The last collection is the American Council for Southern Asian Art (ACSAA) Slide Distribution Collection. This collection contains a wide array of materials depicting Southern Asian art and architecture.