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This volume contains accounts for the steamer Alice C. Price from March 1856 to January 1857, documenting expenses for ship upkeep, labor and wages, food, marketing, cartage, wharfage, freight, among others. The account book also includes documentation of passengers and various bills, with some summaries of costs for passage and meals "down" and "up" for unspecified trips. While very few places were named, "Pope's Creek," "Bluff's Point," and "Cone" [e.g. Coan] appear, situating the steamer in the Potomac River and Chesapeake Bay. The volume has a "Robert Bell Bookseller and Stationer, Alexandria, Va." label on the inside front cover.

This volume contains accounts for the steamer Alice C. Price from March 1856 to January 1857, documenting expenses for ship upkeep, labor and wages, food, marketing, cartage, wharfage, freight, among others. The account book also includes documentation of passengers and various bills, with some summaries of costs for passage and meals "down" and "up" for unspecified trips. While very few places were named, "Pope's Creek," "Bluff's Point," and "Cone" [e.g. Coan] appear, situating the steamer in the Potomac River and Chesapeake Bay. The volume has a "Robert Bell Bookseller and Stationer, Alexandria, Va." label on the inside front cover.

The Perry family photograph albums consist of a five-volume set of albums containing 208 albumen print photographs showing scenic and town views in the vicinity of Cumberland, Maryland.

The Perry family photograph albums consist of a five-volume set of albums containing 208 albumen print photographs showing scenic and town views in the vicinity of Cumberland, Maryland. The albums (each 18 x 27 cm) are half leather bound.

• Images of particular interest in this volume include street views (mostly of Washington Street) in Cumberland, Maryland; a bird's-eye view of Cumberland from Rose Hill Cemetery; views of the Chesapeake & views of the Chesapeake & Ohio Canal and Potomac River; interior views of St. Peter & Paul Church during Christmas of 1889; a view of the Old National Road (Cumberland Road); and a portrait of a Capuchin monk identified as "Brother Metard." Also of interest are three photographs depicting African Americans of Cumberland, including an image captioned "A moment of antebellum days" showing a black woman identified as "Mammy Daphne" conversing with a white woman identified as "Aunt Eliza Murdock"; an image captioned "Celebrities of Frog Eye, with pickaninnies in the gateway" showing two black men operating a horse-drawn wagon bearing a placard that reads "The Cumberland Baggage Delivery Transfer No 4" while a group of black girls looks on the background; and an image captioned "Our neighbors in Shanty Town" showing a black man with an amputated leg standing in front of a house while playing the banjo. Many but not all of the images bear contemporary inscribed captions. Some photographs are present in other volumes. Contemporary inscription on first page reads "Thornton Tayloe Perry."

• Images of particular interest in this volume include views of the Perry family mansion (formerly owned by the family of George Calmes) on the Cohongaronta islet; views of the Perry family cottage, home of Thomas J. Perry, and home of Henry Shriver on Washington Street; bird's-eye views of Cumberland; views of Cumberland Narrows, Wills Mountain, and Knobly Mountain; views of Rose Hill Cemetery and the Cemetery of St. Peter & Paul; a view of Baltimore Street after a flood; views of Cumberland's working class; an interior view of Emmanuel Church on Easter; a view of people watching a flood with the mansion on Cohongaronta in the background; and views of the "German Cemetery" including one photograph of two women praying at the crucifix shrine. Many but not all of the images bear contemporary inscribed captions. Some photographs are present in other volumes.

• Images of particular interest in this volume include views of the mansion on Cohongaronta and other residences; street scenes from Cumberland (mainly of Washington Street); and various landscape photographs. None of the images have captions. Some photographs are present in other volumes.

• Images of particular interest in this volume include views of the Perry family mansion on Cohongaronta; views of residences including the Perry family cottage, home of Thomas J. Perry, and a house built in 1790 by "Geo Dentone" near the site of Old Fort Cumberland; street scenes from Cumberland (mainly of Washington Street); views of Cumberland's working class; views of canal boats; and various landscape photographs. A number of images bear contemporary inscribed captions. Some photographs are present in other volumes. Contemporary inscription on first page reads "Thornton Tayloe Perry."

• Images of particular interest in this volume include views of Cumberland; views of churches; views of the National Road leading through the Cumberland Narrows; views of Rose Hill Cemetery; views of the Vale Farm homestead; a portrait of a woman mourning at Col. William Lynch Lamar's tombstone; street scenes from around Cumberland; views of the Perry family mansion on Cohongaronta; views of the West Virginia Central Rail Road bridge; views of residences; and various landscape photographs. All of the images bear contemporary inscribed captions. Some photographs are present in other volumes. Contemporary inscription on first page reads "Carroll Sprigg Christmas 1886."

This collection contains 7 items pertaining to the Potomac Company's administrative affairs in the late 18th century and to its efforts to create canals along unnavigable portions of the Potomac River.

This collection (7 items) contains correspondence and documents related to the work of the Potomac Company in the 1780s and 1790s, particularly regarding its administrative affairs.

James Rumsey's 3-page letter of September 6, 1785, describes the difficulties he encountered while working on the river, such as an insufficient number of tools and trouble paying laborers. In his letter of April 15, 1786, Abel Westfall proposed furnishing rations for the company's workmen. Other items are an order for the company's financiers to provide funds (March 2, 1786), William Weston's letter to Potomac Company president John Fitzgerald, providing notice that he had been authorized by the Schuylkill and Susquehanna Canal's managers to work for the Potomac Company (February 9, 1795), and documents from the company treasurer, authorizing John Fitzgerald to vote, or another man to vote on his behalf, at meetings (July 21, 1789, and July 1795). A partial letter from Isaac Briggs to Governor Thomas M. Randolph discusses a method of using cones to create map projections and mentions a projection by "Hamstead" (June 14, 1822).

The Thomas Caldwell Moore sketchbook is made up of twenty-two images on nineteen loose, encapsulated pages as well as the original cover boards and binding. The back of the original front cover board of the sketchbook includes the penciled inscription: "Sketch Book, New York -1865, T.C. Moore of Allegheny Arsenal Pittsburg, Pa." Three pages have images on both sides. The creator of the sketchbook has been identified as Thomas Caldwell Moore (1825-1886). The sketchbook contains pencil and watercolor landscape views of rivers, shorelines and towns from ca. 1865. Locations represented include the Shenandoah Valley, the Allegheny River, and New York City. One sketch (image #2), titled "U.S Rifle Factory on the Shennandoah" is likely to be Harpers Ferry Armory.

The Thomas Caldwell Moore sketchbook, housed in a blue tray case with gilt lettering on the spine, is made up of twenty-two images on nineteen loose, encapsulated, pages as well as the original cover boards and binding. Three pages have drawings on both sides. The back of the original front cover board of the sketchbook includes the penciled inscription: "Sketch Book, New York -1865, T.C. Moore of Allegheny Arsenal Pittsburg, Pa." The creator of the sketchbook has been identified as Thomas Caldwell Moore (1825-1886). While only two of the drawings are individually dated (both 1865), given that the date on the inside of the front cover matches the two dated sketches it can be assumed that the sketchbook contains pencil and watercolor landscape views of rivers, shorelines and towns from ca. 1865. Nine of the images include titles, many of which are in ink written over pencil, indicating the location the sketch depicts. Locations represented include the Shenandoah Valley, the Allegheny River, and New York City. One sketch (image #2), titled "U.S Rifle Factory on the Shennandoah," is likely to be Harpers Ferry Armory.