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This journal contains Clarence G. Nicholson's recollections about his trip from Philadelphia, Pennsylvania, to Milwaukee, Wisconsin, and Chicago, Illinois, in September 1893. Nicholson described his daily activities during the journey west, in Milwaukee, and at the World's Columbian Exposition. The volume contains numerous commercial photographs, advertisements, and other items related to Nicholson's travels.

This journal (32cm x 27cm, 433 pages) contains Clarence G. Nicholson's recollections about his trip from Philadelphia, Pennsylvania, to Milwaukee, Wisconsin, and Chicago, Illinois, in September 1893. The narrative was written in 1894. Nicholson described his daily activities during the journey west, in Milwaukee, and at the World's Columbian Exposition. The volume contains numerous commercial photographs, advertisements, and other items related to Nicholson's travels. Nicholson's manuscript travel narrative occupies around 328 pages with ephemeral items pasted in. He wrote at length about the scenery during his railroad trip, often mentioning meals and accommodations. This first part of the volume includes watercolors, photographs, clippings, and advertisements depicting Pennsylvania scenery. While in Milwaukee, Nicholson and the other travelers visited breweries, art galleries, and other points of interest; he also wrote about the differences between the Midwest and the East Coast and about the city's artistic culture. Accompanying visual materials show Milwaukee buildings, examples of local beer bottles, and works of art. On September 23 or 24, the party split, with Nicholson and his father heading for Chicago, where they spent the next week.

Nicholson's recollections of his experiences at the World's Columbian Exposition comprise the bulk of the text, accompanied by a variety of illustrations. He describes in detail numerous state, international, and thematic buildings; exhibit halls and displays; sights along the Midway Plaisance; and the fairgrounds. He and his father also visited other areas of Chicago. Clippings, advertisements, and other ephemeral items are included throughout the volume, including numerous commercial photographs and illustrated views of the World's Columbian Exposition. Other items include exposition admission tickets, a menu, and a group of synthetic cords. Visual materials show the interiors and exteriors of large exhibit halls, state and international buildings, the Peristyle, the Ferris Wheel, and exhibits along the Midway Plaisance; a few photographs and prints show the grounds illuminated at night. The final pages of the journal contain Nicholson's thoughts upon leaving the exposition for the final time and a brief description of his return trip to Philadelphia.

The Covington family album contains formal studio portraits of members of the Covington family and other individuals taken in Pennsylvania, Delaware, and Maryland around the 1860s. The volume also includes two colored lithographs.

The Covington family carte-de-visite album (13cm x 16cm) contains 25 carte-de-visite and 7 tintype photographs of members of the Covington family and other individuals; an empty paper frame is laid into the volume. The formal studio portraits, which show men, women, and children, were taken in Philadelphia, Pennsylvania; Baltimore, Maryland; Wilmington, Delaware; and other locations around the 1860s. One man is shown with a cigar or similar object in his mouth. Two colored lithographs depict a young girl waking up on "Christmas Morning" and a yellow "Persian Rose." The album's brown leather cover has tooled geometric designs and two metal clasps.

Papers of Elizabeth Margaret Chandler, Abolitionist poet, and the Chandler family of Adrian, Michigan, and Pennsylvania, including Elizabeth's parents Thomas and Margaret Evans Chandler; Margaret's sisters Ruth Evans and Jane Howell; Elizabeth's brothers Thomas and William, and William's wife Sarah Taylor Chandler. Correspondence of Elizabeth and Thomas Chandler and Ruth Evans with family members in the East, Benjamin Lundy, and others, describing early settlement, agricultural conditions, and local and national anti-slavery movements; also family correspondence of Thomas and Margaret Chandler in Pennsylvania.

The Elizabeth Margaret Chandler collection includes both the papers of this abolitionist poet as well as papers of other members of the Chandler family of Pennsylvania and Lenawee County, Michigan. Represented in the collection are letters to/from Elizabeth's parents Thomas and Margaret Evans Chandler; Margaret's sisters Ruth Evans and Jane Howell; Elizabeth's brothers Thomas and William, and William's wife Sarah Taylor Chandler. Following 1830, much of the correspondence of Elizabeth and Thomas Chandler and Ruth Evans is with family members in the East, Benjamin Lundy, and others, describing their settlement in Lenawee County, agricultural conditions, and local and national anti-slavery movements. Other correspondents in the collection include William Bliss, Darius Comstock, Isaac Crary, Abi Evans, Jane Howell, Darius C. Jackson, Benjamin Lundy, William M. Sullivan and Matthew F. Whittier.

In all, there are twenty-two letters, 1830-1834, written to members of her family, from Elizabeth Margaret Chandler. The earliest letter, June 14, 1830, written from Philadelphia, discusses the advantages of emigrating to Michigan. The later letters are written from Hazelbank, a farm in Lenawee County, between Adrian and Tecumseh, where Elizabeth Chandler settled with her brother, Thomas Chandler, and her aunt, Ruth Evans. The letters describe the clearing of the land, the building of a log cabin and its furnishings, the planting of the first crops, and give an account of the district around the farm, its settlers (chiefly Quakers), its trade and agriculture, land and commodity prices. They contain scattered references to abolitionist activities, such as the boycott of slave-produced commodities, to the Black Hawk War in Illinois and Wisconsin, 1832, and to other current events. Fifteen letters, 1830-1835, on the same subjects, were written by Thomas Chandler and Ruth Evans; two letters, 1834, 1835, enclose copies of obituary notices on Elizabeth Chandler's death.

Also part of the collection are sixty letters, 1830-1842, written to Elizabeth and Thomas Chandler, and Ruth Evans, from Ruth Evans' sister, Jane Howell, Philadelphia, Pa. Several of these letters refer to slavery and to anti-slavery leaders, such as William Lloyd Garrison, Benjamin Lundy, Evan Lewis, and Charles C. Burleigh, coeditor with his brother, William Henry, of the abolitionist newspaper The Unionist; a few refer to the financial and mercantile disruption caused by President Andrew Jackson's monetary policy, resulting in the panic of 1837; two letters, 1835, mention the boundary dispute between the State of Ohio and Michigan Territory (the Toledo War); others refer to a controversy between the Hicksite Friends and the Orthodox Friends in New York, the danger of a cholera epidemic, Indian difficulties, the increase of settlers in Michigan Territory, and other contemporary topics; one letter, 1832, encloses a certification of Thomas Chandler's membership in the Society of Friends, and one letter, 1834, encloses a poem on the death of George Dillwyn (1738-1821), Society of Friends preacher.

Twenty-eight of the letters received by Elizabeth and Thomas Chandler and Ruth Evans in Michigan (1830-1852) were from other relatives and friends. Seven of these, 1831-38, were from Benjamin Lundy concerning a trip to Mexico, anti-slavery activities, and the first edition of Elizabeth Chandler's poems, which Lundy published in 1836; two letters, 1851, 1852, were from I. Prescott, publisher and bookseller of Salem, Ohio, discussing a republication of Elizabeth Chandler's poems; one, 1837, from Darius C. Jackson, delegate from Lenawee County to the Second Constitutional Convention of Assent, Ann Arbor, 1836, mentions the revision of Michigan laws, the Internal Improvement Bill, and the General Banking Laws Bill; one, 1837, from Isaac E. Crary, Michigan's first member of Congress acknowledges receipt of Thomas Chandler's petition against the Annexation of Texas, which Crary had presented to the House of Representatives; one, 1838, from William Bliss of Blissfield, lists the names of officers and members of the Anti-Slavery Society of Blissfield; one, 1839, from William L. Sullivan, Jackson, discusses Methodist anti-slavery meetings; one, 1838, describes the anti-abolitionist riots in Philadelphia, Pa., and the burning of Pennsylvania Hall, built in 1837 by anti-slavery societies for public meetings; three, 1837, are from Mathew Franklin Whittier (brother of John Greenleaf Whittier), Amesbury, Mass.

A calendar arranged by name of correspondent is available in the reading room card files.

Irish Quakers and compatriots of William Penn, the family of John Holme prospered in the new colony of Pennsylvania. The Holme family account book includes accounts of goods sold and services rendered to Philadelphia families in the 1680s and 1690s. Interspersed throughout are medicinal and food preparation receipts, mostly recorded in the 1740s, as well as copies of the laws of Pennsylvania, ca. 1685, the wills of Capt. Thomas Holme, 1695, and John Holme, Jr., and a poem and two religious songs.

The Holme account book is particularly heterogeneous in its construction. It includes accounts of goods sold and services rendered to Philadelphia families in the 1680s and 1690s. However, the accounts appear to have been kept by several different members of the family. These include records of the sale of shoes, gun powder, grain, cloth, nails, and many other goods. Interspersed throughout the accounts are pages of calculations, numerous medicinal receipts, and receipts for various food preparations (including a large number relating to wine), most of which appear to have been recorded in the 1740s, though some are earlier.

John Holme, Sr., also appears to have used the "account book" to copy the laws of Pennsylvania (copied ca.1685), and he or a later Holme recorded the wills of Capt. Thomas Holme (1695; William Penn's Surveyor General), and of one of the John Holmes, probably John Holme, Jr. Finally, a poem and two religious songs have been included, the former perhaps written by one of the Holmes. It is tempting to attribute the poem to John Holme, Sr., whose poetry is among the earliest recorded as having been written in the province (see Pennsylvania Magazine of History and Biography, vols. 3 and 20).

Medicinal receipts are indexed under the term "Receipts" while those for foods are indexed as "Cookery." Additional indexing (e.g. for type of food or medicine) is highly selective. Similarly, only the primary names are indexed for the accounts.

The Jacob Rohland pattern book is a collection of over 100 patterns for textile weaving. These reflect a range of popular folk designs, ranging from simple geometrical motifs to more complex representations of birds, houses, or flowers. Each pattern is accompanied by the tersest of notes in Rohland's hand, such as "diese gibt eine über aus schön arbeit."

The Jacob Rohland pattern book contains over 100 patterns for textile weaving. These reflect a range of popular folk designs, ranging from simple geometrical motifs to more complex representations of birds, houses, or flowers. Each pattern is accompanied by the tersest of notes in Rohland's hand, such as "diese gibt eine über aus schön arbeit."

The notes are written exclusively in old-script German, with the exception of an extremely brief note in a later hand written in Hebraic script.

Papers collected by Minnie C. M. Fay of Battle Creek, Michigan. Genealogical, and family records, and photographs.

The Minnie Fay collection consists of genealogical and family records, family photographs, and a diary, 1857-1858 probably of a Henry Chandler.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)