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This collection contains correspondence related to the family of Elizabeth Ellery Sedgwick Child, granddaughter of politician Theodore Sedgwick and wife of Harvard professor Francis James Child. The collection also includes several photographs and printed items.

This collection (1 linear foot) contains correspondence related to the family of Elizabeth Ellery Sedgwick Child, granddaughter of politician Theodore Sedgwick and wife of Harvard professor Francis James Child. The collection also includes several photographs and printed items.

The Correspondence series, which comprises the bulk of the collection, contains letters the Sedgwick family wrote to and received from family members and friends, as well as several poems. From 1826-1842, Robert Sedgwick, his wife Elizabeth, and their daughter Elizabeth ("Lizzie") corresponded with family members including Catherine Maria Sedgwick of Stockbridge and Lenox, Massachusetts, and Jane Minot Sedgwick of New York City. Most of the early correspondence pertains to the writers' social lives and family news, and to travel around New York, Massachusetts, and Pennsylvania. Catharine Maria Sedgwick also reported on acquaintances such as the actress and writer Fanny Kemble, whom she deemed "fated to suffer" (May 27, 1834), and the writer and social theorist Harriet Martineau (November 2, 1834).

The bulk of the remaining correspondence is dated 1855-1885 and pertains to the relationship between Lizzie Sedgwick and her husband, Frank James Child. Child wrote to Sedgwick from Cambridge, Massachusetts, and Paris, France, and received letters from Sedgwick and others. The couple's other correspondents included at least one writer in Italy who commented on their relationship and health, family news, and the Civil War. Postwar correspondence includes letters to Susan Ridley Sedgwick Butler. Three late postcards to Mrs. G. A. Stanger of Springfield, Massachusetts, concern her son Herb's experiences in Georgia while serving in the armed forces during World War I.

The Photographs series (5 items) contains 3 photographs of Helen Child (later Sargent), a photographic print of Elizabeth Sedgwick Child, and a photograph of the Child family's home in Cambridge, Massachusetts.

Printed Items (9 items) include a certificate regarding Francis Child's qualifications as an instructor of Greek at Harvard University (September 22, 1846), 2 illustrated Christmas cards (1881 and undated), a copy of the Boston Daily Advertiser (August 1, 1884), an obituary for Francis Child from The Nation (September 17, 1896), and copies of the poems "From My Arm-Chair" by Henry Wadsworth Longfellow and "The City of the Living" by Elizabeth Akers Allen. The series also includes a biography of Oliver Wendell Holmes that George B. Merrill presented to the Harvard Club of San Francisco on October 18, 1894, and an advertisement for the Massachusetts Association Opposed to the Further Extension of Suffrage to Women.

Grand Rapids, Michigan, architect and planner. Correspondence, writings, working files, and photographs for out-of-state and Michigan projects, primarily in Grand Rapids, Lansing, Flint, and East Lansing; professional materials relating to problems of urban planning, the design of department stores and shopping centers, his general interest in lighting designs, traffic patterns, and parking areas, and to his work with the Lake Michigan Region Planning Committee, the American Institute of Architects and the Michigan Society of Architects; also Welch family materials, including record, 1915-1925, of the Welch Manufacturing Company of Grand Rapids, Michigan.

The Welch papers include a small amount of biographical and personal material, but the bulk of the collection documents his work on architectural, design and planning projects in Michigan and across the country - many having to do with shopping malls, business districts and urban redevelopment. The collection is arranged in eight series: biographical materials; correspondence; personal, financial, and family materials; professional information files; Michigan project files; out-of-state project files; articles and speeches; and photographs.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)