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Environmental, population control, and immigration reform advocate; organization and litigation files relating to his various interests and activities; includes correspondence, legal documents, memos, topical files, and miscellaneous photographs.

The papers of Dr. John Tanton consist of materials documenting his work as a political and environmental activist from 1960 through the 2000s. The portion of the collection open without restriction is divided into the following series: Personal/Biographical; Population and Immigration Organizations and Issues; Conservation Organizations and Issues; Topical Files and Activities; Correspondence; Politics and Government; and Social Issues. The portion of the collection closed to research until 2035 includes the continuation of several series: Correspondence; Personal/Biographical; Population and Immigration Organizations and Issues; Conservation Organizations and Issues; and one new series, Public Interest Organizations and Issues.

Dexter, Michigan, collector of materials relating to the history of railroading in Michigan. Correspondence, subject files, printed matter and photographs; contain material concerning the Ann Arbor Railroad, the Grand Trunk Western Railroad, the Manistee and Northeastern Railway Company, the Michigan Central Railroad, the Pere Marquette Railroad, and Ephraim Shay.

The Stoner collection contains about 3,600 photographs and negatives collected by Stoner, relating primarily to Michigan railroads. The collection also contains related manuscript materials.

Stoner's major collecting interests were in the Ann Arbor, Grand Trunk Western, and Pere Marquette Railroads and their predecessors, and in logging railroads, especially Ephraim Shay's railroad and others using Shay locomotives. Along with these lines, the collection contains photos of dozens of other railroads, not all in Michigan.

The photographs most commonly depict locomotives, often with their crews posed beside. Other common subjects are railroad stations (exteriors only), train wrecks, trains in motion, logging operations, carferries, railroad bridges, the Detroit-Windsor railroad tunnel, and street railroads.

Dozens of Michigan cities and towns and a number of places in other states are represented in the collection. Places depicted most often in the photos include Ann Arbor, Cadillac, Detroit, Durand, Frankfort, Harbor Springs, and Howell, Michigan, and Windsor, Ontario.

The collection is organized into seven series: Classified photos, Unclassified photos, Albums, Unclassified negatives, Papers, Classified negatives, and Duplicate material.

Appended to this finding aid are two indexes, one for railroads and company names, the other for subjects. The indexes contain references to all items in the Classified photos, Unclassified photos, Albums, and Unclassified negatives series.

The index to railroads and company names indexes logging and industrial companies that operated railroads, as well as railroad lines themselves. It does not index locomotive manufacturers, nor does it index the names of railroad museums where some of the photos were taken.

The index to subjects indexes place names and topical subjects. It does not index the term "locomotives" since the majority of the photos in the collection would be indexed under that heading. Place names are indexed if the photo includes a view of some part of the place or of some event at the place. Close-up views of locomotives that do not show any background are not indexed by place, even if the description of the photo identifies where it was taken.

The Penrod/Hiawatha Company collection is mainly comprised of postcards, although some supplemental photographic items directed toward tourists is also included. The postcards, numbering more than 5,000, primarily are of the Michigan landscape and its towns and cities, covering every region of the state. Typical postcard themes dominate, particularly natural scenery, outdoor recreation, and shopping districts. The postcards date from the 1950s through the opening decades of the twenty-first century, although very few display copyright dates. The collection is divided into the following series.

1. Non-Postcard Items (calendars, brochures, booklets): Box 1
2. Non-Penrod/Hiawatha Postcards: Box 2
3. Penrod/Hiawatha Postcards, 1970s-1990s: Boxes 2-5
4. Penrod/Hiawatha Postcards, mid- to late 1990s: Boxes 5-6
5. Penrod/Hiawatha Postcards, late 1990s-2000): Boxes 6-7
6. Penrod/Hiawatha Postcards, 2001-2004: Box 8
7. Penrod/Hiawatha Postcards, 2005-2014: Box 9
8. Oversize and miscellaneous: Box 10

As batches of postcards are received every years, it was decided to arrange the items in blocks of time according to the date of their accession. Thus for the researcher interested in a specific city, it will be necessary to examine the listing for each of the series.

Athlete and football coach at the University of Michigan. Correspondence, scrapbooks, photographs, and other materials relating to University athletics, especially football.

The Bennie G. Oosterbaan collection documents his career as athlete and coach at the University of Michigan, especially his time as head football coach. The collection is comprised of the following series: Correspondence; Papers collected from different period of his career; Miscellaneous; Scrapbooks; and Photographs. The collection relates to his career at the University of Michigan, especially as football coach.

Organization of Michigan photographers; collected copyprints of historical images.

The collection consists of copyprints (with some negatives) of historical images collected by members of the Michigan Photographers Society. The photographs are arranged alphabetically by name of city where the collector lived. This is followed by descriptions of the images. The strength of the collection is for its visual documentation of various Michigan cities, including street scenes, businesses, private residences, views of ships, railroads, lumbering activities, and local customs.

Professor of architecture at the University of Michigan; includes correspondence, professional organizational activities files, documentation, photographs, and architectural drawings accumulated during his work with the Michigan Historic Buildings Survey

The Emil Lorch papers are valuable for their documentation of the career of this important architectural educator and for that material about Michigan architecture and historic structures that Lorch accumulated in the course of his professional study and organizational involvement. The collection includes extensive correspondence with many of the country's leading architects, most notably members of the "Chicago School," and architectural educators, and manuscript and photographic documentation resulting from Lorch's involvement with the Michigan Historic Buildings Survey and various restoration projects, including Mackinac Island.

The William H. Lee papers are primarily comprised of correspondence and documents relating to Lee’s service with the 8th Missouri Cavalry and the 3rd Arkansas Cavalry, Union Army. A few items document his family life and career after the war.

The William Lee papers contain 57 items spanning from 1862 to 1955, including 49 letters and 8 documents. The earliest items in the collection are 16 letters written by Lee to family members during his service in the 8th Missouri Cavalry and the 3rd Arkansas Cavalry. In his letters of this period, Lee gave detailed accounts of marches, battles, and skirmishes and shared his opinions on several political subjects. His letter of September 11, 1862, contains an account of the Battle of Prairie Grove: “…we marched up on the right wing of our army & in two hours after our artillery commenced firing the day was ours. This is given up by all to be the hardest fought battle of the west & the most decisive.” Lee’s descriptions were frequently accompanied by numerical counts of forces and casualties.

Also of interest is Lee’s perspective on the conflict between North and South, which he expressed in several letters to his mother. Despite residing in Arkansas at the outbreak of the war, Lee strongly identified with the North, and his sentiments seemed to deepen over the course of the war. He expressed deep anger at Southerners (April 22, 1863) stating, “…if every one of them were today occupying a tract of land 6 by 3 feet under the sod I think they would have their Southern Rights…” He also cheered the changes to the Arkansas Constitution forbidding slavery and Confederate “brushwacking” (January 30, 1864). After his February 4, 1865, honorable discharge, the theme of Lee’s letters quickly turned to the courtship of his future wife, Mary, whom he calls “Mollie.” Included in the collection are six invitations to from Lee to “Miss Mollie,” and a letter written on the morning of their wedding day, April 18, 1865, expressing his wish for “a quiet family thing of it.”

Later letters document Lee’s business travels and family life. A letter from Mary to her mother (January 26, 1876) gives substantial information on the Lee children, the adjustment to living in Tennessee (“the society is not of the best”), and the difficulty of finding a school. The 20th-century letters mainly document efforts to put up a new gravestone for Abner Lee, William Lee’s grandfather.

The “Documents” series contains a variety of materials, including Lee’s army discharge papers, a brief autobiography with clippings on William and Mary Lee, and three photos, one of which may portray Lee as an elderly man.

Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

Photographs, contact prints, and glass negatives collected by Mrs. Robert Jensen.

The collection consists of photographs, contact prints, and glass negatives relating to miscellaneous topics, including ice cutting and storage at Mackinaw City, Michigan, and logging and other activities at or near Harbor Springs and Haring, Michigan. There are also some photographs of railroads, ships, and a lighthouse.

Mayor of Charlevoix, Michigan, editor and publisher of the Charlevoix Courier 1890-1920, secretary of the state lodge of the Knights of Pythias. Includes correspondence and miscellaneous papers relating to the Knights of Pythias; and Civil War reminiscences and letters of his father, Carlos Hampton, surgeon with the Michigan 4th Infantry; and his mother's account of her Civil War experiences in Hunt County, Texas.

The Will Hampton papers consist of correspondence, poetry, speeches, and historical reminiscences of Will Hampton as well as poetry and reminiscences of his mother Cornelia C. Hampton and correspondence of his father Carlos D. Hampton relating to his service in the Civil War. The collection is arranged in three series: Cornelia C. Hampton, Carlos D. Hampton and Will E. Hampton.