Search

The Benjamin Gilbert letter book (219 pages) contains copies of 83 personal letters written by Sergeant Benjamin Gilbert during his service in the Revolutionary War (1780-1783). The letters provide a picture of a junior officer's perspective on the progress of the war.

The Benjamin Gilbert letter book (219 pages) contains copies of 83 personal letters written by Sergeant Benjamin Gilbert during his service in the Revolutionary War (1780-1783). The bulk of Gilbert's letters are to his father and other family member, living in his home town of Brookfield, Massachusetts. The letters provide a picture of a junior officer's outlook on the war.

Gilbert wrote these letters during his service in upper New Jersey in late 1780; during his stay at West Point in early 1781; and while fighting with the Marquis de Lafayette's troops at Trenton, New Jersey; Wilmington and Christiana, Delaware; Elkton and Annapolis, Maryland; and Yorktown, Virginia. He wrote the letters dated 1782-1783 from West Point and Continental Village, New York, where the army awaited the withdrawal of Carleton's forces from New York. Gilbert discussed Arnold's treason; the revolt of the Pennsylvania Line; the burning of Manchester, Virginia; southern hospitality; the exhilaration of the impending triumph at Yorktown; widespread desertion of Hessians during the evacuation of New York; and severe shortages of pay, food, and clothing. Throughout the volume, Gilbert wrote reflective comments on the progress of the war.

Several letters concern personal matters. Four are love letters, two to an anonymous recipient (October 14, 1780, October 19, 1780) and two that relate to a paternity claim made by a Patience Converse, with whom he was romantically involved (September 30, 1782 and March 24, 1783). Family news and personal finances are mentioned frequently throughout the volume.

For an annotated transcription of the letterbook, with a comprehensive index, see: Winding Down: the Revolutionary War Letters of Lieutenant Benjamin Gilbert of Massachusetts, 1780-1783

The Grace collection consists of two manuscripts: "The Sea," an ecclectic compilation of a child's stories on nautical themes, and the Log of the Sea Wren, which includes narratives of Kenneth Grace's summer time cruises in Chesapeake Bay aboard the boats Sea Wren and Sea Bird.

The Log of the Sea Wren includes narratives of Kenneth Grace's summer time "cruises" in Chesapeake Bay aboard the boats Sea Wren and Sea Bird, 1910-1914. The entries map out Grace's activities during August 1910, June 1912, June and July 1913, and June and July 1914, and include accounts of sailing, camping, and, on occasion, staying ashore. Although nothing further is known about Grace, the duration of these cruises suggest that the "log" was kept during his summer vacations.

Among other points of interest in the log are a description of Sharp's Island and the ruins of its failed resort hotel, accompanied by Grace's hand-drawn map. The log also includes a real-photo postcard of a young boy, possibly Grace.

"The Sea," written earlier than the Log, is an ecclectic compilation of a child's stories on nautical themes, including sailing, work in ports, shipwrecks, and salvage operations. Some of the stories may have been copied from newspapers or magazines, but others bear the marks of having been written by, or altered by Grace. The most interesting features of the manuscript are the charming pencil illustrations of sailing vessels and sea life, and three highly imaginative maps done in water color. The authorship of the manuscript is based on the presence of Kenneth Grace's name on page 43 and elsewhere.

The Smith College, Hampton, Va., area and Connecticut photographs consist of approximately 300 photographs in 1 album and 1 folder. Images include photographs of Smith College as well as scenes from Connecticut and southeastern Virginia.

The Smith College, Hampton, Va., area and Connecticut photographs consist of approximately 300 photographs in 1 album and 1 folder. Images include photographs of Smith College as well as scenes from Connecticut and southeastern Virginia. Smith College photographs include dorm room interiors, women on campus, and a college basketball game. Connecticut scenes show a Connecticut River ferry, women boating and swimming in Bantam Lake, and St. Margaret's School in Waterbury, Connecticut. Also depicted are buildings at Hampton Institute in Virginia, a variety of boats and warships, likely on the Chesapeake Bay, winter fishing, "oyster canoes" (skipjacks) and men unloading crabs at the factory. Other Virginia photographs show buildings in pre-restoration Williamsburg and rural life, possibly in the Williamsburg area, with rundown shacks, African Americans, ox-drawn carts, and a group of African American school children. Views from unidentified locales include rural scenes, streams and country roads, beaches, dwellings, family life photos with children in a variety of settings, posed Grecian tableaux, and a studio portrait of a man dressed in Native American clothing holding a la crosse ball and stick. Additional photographs include Jamestown church ruins, Deerfield Memorial Hall with several interior views, 7 photographs of interior rooms in an unidentified house, and canal views, possibly of the Dismal Swamp Canal.

Identified individuals include: Grace Collins Lathrop, Sue Boss, Sue Gardner, Alice Bishop, Fanny Coit, Emma Kelsey, Arthur Eggleston, Percy Eggleston, Henrietta Spear, Nellie Spear, Theodate Pope, Ethel Fiefield, and Mary Lewis.

The album is half bound in burgundy leather and is stored in a three part wrap with green cloth spine

The Thomas Smith collection includes a disbound sketchbook of eighteen watercolors and six drawings depicting scenes in the northeastern United States and Canada made between 1820-1826 as well as three letters written by Smith between 1820-1822.

The Thomas Smith collection includes a disbound sketchbook of eighteen watercolors and six drawings depicting scenes in the northeastern United States and Canada made approximately between 1820-1826 as well as three letters written by Smith between 1820-1822.

The Visual Materials series contains eighteen watercolors and six drawings from a disbound sketchbook that depict scenes in the Eastern United States and Canada. While the watercolors and drawings themselves contain no exact information on their precise dates of creation, there is one unfinished pencil sketch of Fort Niagara that shows architectural features that were only in place from 1818 to 1823. Additionally, two pages contain watermarks in the paper that read "Turkey Mills J. Whatman 1818," while an inscription on the inside of the detached front cover also reads: "Thomas Smith. American Sketches 1820 to 1826." Smith is known to have made one trip to New York in the late spring and summer of 1820 and also returned from another trip there in the fall of 1821. Although presumably an amateur artist, Smith showed an uncanny eye for accurate detail, a keen ability to depict the scale of landscapes, and a vivid sense of color and light.

• 1) [Unidentified building] (fragment on oval sheet; pen and ink)
• 2) [Portrait of unidentified man] (fragment; pencil)
• 3) Point - Entrance of Chaudiere (pen and ink)
• 4) Palmetto trees East side Sullivan's Isld. South Carol,,a
• 5) Wappoo, Cooper River, S. Carolina
• 6) [Niagara Falls]
• 7) River Delaware. Fort Gaines to the left, to the right Fort Mifflin
• 8) [Presumed to be Delaware River]
• 9) Unfinished
• 10) [Niagara from the American side]
• 11) [Estuary with a Rowing Boat]
• 12) [The Mouth of the Niagara River at Fort George, Ontario] (pencil)
• 13) [Quay on an Estuary]
• 14) [Thousand Islands, Ganaoque (near Kingston), Ontario]
• 15) Cohos Falls, Mohawk River
• 16) [Niagara Gorge from Goat Island]
• 17) [Hudson River landscape]
• 18) Entrance of the Patapsco River into Chesapeake Bay near Baltimore Maryland
• 19) New York Harbor
• 20) [Queenston Heights - looking down the Niagara River towards Lake Ontario]
• 21) [New York Harbor]
• 22) [Town on an Estuary] (pencil)
• 23) [Niagara Falls from below]
• 24) [Landscape with a Waterfall] (pencil)

The Correspondence series contains three letters written by Thomas Smith to family members. The first letter, dated April 1820, is addressed to Smith's sister Eliza Elizabeth "Betsey" Smith (1802-1876) and bemoans her general lack of communication before discussing differences between American and English women, mentioning acquaintances including a "Mr. Lucas" and a "Mr. and Mrs. Maxwell", and describing events related to the wedding of a "considerable" rice planter and "Miss Lucas...now Mrs. Cordes" that took place in Charleston, South Carolina in March. This was likely the wedding of James Jameison Cordes (1798-1867) and Mary Lucas (1802-1873). Smith also makes reference to a bridesmaid named "Miss McLeod...a lady of large fortune worth as these things are estimated in S Carola: 300 negroes" while stating that "negro servants" accompanied the wedding party on horseback on their way to Middleburgh plantation. The second letter, also dated April 1820, is addressed to Smith's brother Joseph Smith VI (1800-1876) and contains a description of deer hunting conducted in the "American mode" in which several concealed hunting stands were occupied "100 to 150 yards apart" before "the negroes are sent with the hounds to drive the swamps or ponds where the deer generally conceal themselves." Smith elaborates on an unsuccessful hunting trip led by a planter named "Mr. Bryan" in which the party consisted of "Mr. Bryan, Mr. Lucas, Mr. Cordes, Mr. Hume & myself, with 2 negro slaves, all on horseback" during which Smith and Mr. Hume managed to become briefly lost in the woods. Also included are mentions of various wildlife encountered in the countryside, references to regional flora Smith intends to procure seeds of, and a description of typical South Carolinian cuisine had for breakfast, lunch, and dinner during different times of year. The third letter, dated February-March 1822 and partially written from aboard the steamship Robert Fulton while in the Gulf of Mexico, is addressed to Betsey (now "Mrs. Alfred H.") at "Messr: Jos. Hardcastle & Sons London." Betsey married Alfred Hardcastle (1791-1842) in 1821. This letter describes Smith's return to Charleston in Novemeber of 1821 following a trip to New York, spending the Christmas holiday period at Mr. Lucas's plantation, a four-day excursion in Havana, Cuba, made during the present voyage while en route from New Orleans to Charleston, and avoiding a close encounter with a "suspicious looking Schooner" off the Cape of Florida.