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Collection

Department of Postgraduate Medicine and Health Professions Education (University of Michigan) publications, 1928-1997

1.5 linear feet — 29 oversize volumes

Includes annual reports, bibliographies, bulletins, or course catalogs, directories, the journal Michigan Postgraduate Review, lectures, and schedules. Also contains publications from the Graduate Program of Medical and Biological Illustration.

The Department of Postgraduate Medicine and Health Professions Education Publications are divided into four series: Unit Publications, Sub-Unit Publications and Topical Publications, Chronological Brochures.

Collection

Graduate Program of Medical and Biological Illustration (University of Michigan) Records and Illustrations, 1902-1991, 1950-1985

24.3 linear feet — 11 oversize boxes — 1 oversize folder — 4 film reels (16 mm)

Online
This record group contains original artwork, administrative materials, and audiovisual materials produced by the University of Michigan Graduate Program of Medical and Biological Illustration. The records represent the work of approximately 35 medical illustrators spanning the years 1902-1991. The material documents the work of the faculty of the program and other prominent illustrators.

The records are arranged in to two basic categories: 2 general series concerning program administration, and 17 series related to specific illustrators. The 19 series are as follows: General/Background, Gerald P. Hodge Illustrations, Alfred P. Teoli Illustrations, Evelyn Erickson Sullivan Illustrations, Max Brödel Illustrations, Emily Perry Illustrations, Elton E. Hoff Illustrations, Ralph Sweet Illustrations, Jeanette Young Illustrations, Neil Hardy Illustrations, J. McLaughlin Illustrations, Mary Lou Cummings Illustrations, Rictor S. Lew Illustrations, Grant S. Lashbrook Illustrations, Stephen G. Gilbert Illustrations, Denis Lee Records and Illustrations, Miscellaneous Illustrations, Unidentified Illustrators, and Audiovisual Materials. A small selection of illustrations displaying a variety of artists' work, techniques, and subjects has been digitized. The materials in each artist's series are predominantly arranged as received from the donor.