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Photographer from Ann Arbor, Michigan. Photographs (prints and negatives) of student demonstrations at the University of Michigan, draft card burnings and other anti-Vietnam War protests, of the riot at the 1968 Democratic National Convention in Chicago, Illinois, of appearances of John Cage, Lyndon Johnson, Timothy Leary, Eldridge Cleaver, John Sinclair, John Lennon, Stevie Wonder, and Gerald Ford in Ann Arbor, and a meeting of Ku Klux Klan in Dearborn, Michigan.

The collection contains prints and 35 mm negatives of photographs taken between 1964 and 1980. The photographs primarily document student protests and other student political activities at the University of Michigan, as well as some other campus activities, including political speakers and social and musical events. Some events outside of Ann Arbor are also documented, including the 1968 Democratic Convention in Chicago and a Ku Klux Klan meeting in Dearborn, Mich.

The photographs are arranged chronologically, and are described in the following list by topic and date. Some undated photographs are grouped at the end of the sequence. Although the bulk of the collection is made up of negatives, for most topics the collection also contains prints of selected frames. In some cases there are no prints, and in a few cases no negatives. The list indicates these cases.

Prints and negatives are filed in parallel sequences in the collection, both in the same order.

Student at the University of Michigan, collected materials relating to his interest in the radical causes and issues of the 1960s and 1970s.

The Bret Eynon collection consists of original and collected material relating to his interest in the radical causes and issues of the 1960s and 1970s. The files, arranged by topic, relate to the Black Action Movement (BAM) strike at the University of Michigan, John Sinclair, draft resistance, protests about the war in Vietnam, the Welfare Rights Organization, and feminism and the women's movement.

Transcripts of oral history project relating to the political and social protests of the 1950s and 1960s, in Ann Arbor, Michigan.

The collection consists of fifty transcripts of oral history interviews relating to political and social protests in Ann Arbor in the 1950s and 1960s. Topics of discussion in the interview include civil rights demonstrations, draft resistance and other opposition to the Vietnam War, feminism and the equal rights movement, alternative lifestyles, gay rights, the drug culture, student rights, and the influence of rock and roll music. The interviewees include Arnie Bachner, Larry Behnke, Frithjof Bergmann, Walter Blackwell, Barry Bluestone, Elise Boulding, Bunyan Bryant, Eric Chester, Tania Cordes, Jerry DeGrieck, Peter Dilorenzi, Richard Feldman, Miriam Flacks, Richard Flacks, Robben Wright Fleming, Madison James Foster, Barbara Fuller, Todd Gitlin, Gail Grigsby, Barbara Haber, William Haber, Tom Hayden, Larry Hunter, Edward James, Sharon Jeffrey, Ken Kelley, Walter Krasny, Diane Kohn, Howard Kohn, John Leggett, Richard Mann, Robert Meeropol, James G. Mellen, Fredrick L. Miller, Martha Prescod Norman, Beth Oglesby, Carl Oglesby, Marge Piercy, Genie Plamondon, Paul Potter, Randy Potts, Nais Raulet, Robert Ross, Ezra Rowry, Gayle Rubin, John Sinclair, Leni Sinclair, Eda Spielman, Milton Taube, Nancy Wechsler, and Marilyn Young.

Frank and Peggy Bach were involved with the counterculture in Detroit and Ann Arbor beginning in the 1960s as musicians, performers, graphic designers, promoters, and activists for area jazz, blues, and pop acts. Frank Bach was also involved in community organizations supporting housing and economic development activities in Detroit. The collection documents the Bach's numerous professional activities and organizations, groups, and individuals with whom they were associated, including Rainbow Corporation and Rainbow Multi-media, Allied Artists Association of America, Strata Associates, Detroit Jazz Center, Grande Graphics, Morda-Sinclair & Associates, and John Sinclair. Detroit community organizations documented in the collection include the Creekside Community Development Corporation, the Jefferson-Chalmers Citizens' District Council, and the Jefferson East Business Association.

The Frank and Peggy Bach collection consists of six series including Professional Ventures, Detroit Redevelopment, Arts and Culture, Newspaper Clippings, Visual Materials, and Audio Materials. These are in alphabetical order except for the Professional Ventures series, which follows its original chronological organization according to the Bachs' careers. The majority of the collection includes finished products of their graphic design and advertising careers and photographs of jazz musicians. Another substantial portion of the collection includes materials documenting the inner workings of Detroit community development organizations.

The Bachs are long-standing friends and business colleagues of John and Leni Sinclair. Therefore, the Bach collection closely compliments the John and Leni Sinclair Papers at the Bentley Historical Library, both containing extensive material regarding the 1960s and 1970s youth movement and later business ventures. Additional material about many topics within the Bach collection may be found with the Sinclair papers. Frank Bach was a journalist for the Sun, Fifth Estate, and Creem. Each of these publications is available for research at the Bentley Historical Library. Additional information about many topics within the Bach collection may be found with the Sinclair papers.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

Papers of Pun Plamondon, activist, writer, and journalist who in 1968 co-founded the White Panther Party with John Sinclair. Papers include material related to Plamondon's political activism in the late 1960s-early 1970s, material related to the White Panthers Party, the Rainbow People's Party, and Plamondon's relationship with John Sinclair, as wells as material related to law suits against Plamondon and his trials, most notably United States v. U.S. District Court for the Eastern District of Michigan, et al. and the State of Michigan v. Craig Blazier and Lawrence R. (Pun) Plamondon. Also material related to his autobiographical writings.

The Pun Plamondon papers mostly include material related to his political activism in the late 1960s-early 1970s, legal trials, and imprisonment.

The Alternative Press was a literary and artistic small press started in Detroit in 1969 by Ken and Ann Mikolowski. The press initially focused on publishing the work of Detroit artists and later became international in scope. The collection documents the press's management and publication processes, including those for its acclaimed subscription mailings, which contained poetry, bookmarks, bumper stickers, drawings, paintings, collages, and postcards.

The Alternative Press Records held by the University of Michigan Special Collections Library is the founders' full set of press records up until 1996. It contains items such as correspondence from poets, artists, and friends, manuscripts of poems and other writings, sketches, Christmas cards, event announcements, the press' printed products, subscription renewal requests and more. Records from all three operating locations of the press are included, although the records from business done from Grindstone City predominate.

The Alternative Press Records is divided into ten series: Artists and Poets: Correspondence, Writings and Ephemera; Business Records; Ephemera; Events and Organizations; Original Postcards; Printed Materials; Printing Process; Small Presses; 1996 accretion; and 2018 accretion. Records sorted by individual or organization (primarily Artists and Poets and Small Presses) are arranged in alphabetical order. Other series and subseries (primarily those containing correspondence, business records, artwork/writings, and event announcements) are arranged in chronological order to preserve evidence of the creative process and organizational decisionmaking.