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Established by students in 1896, the University of Michigan Band had its first salaried director in 1915. The William Revelli era (1935-1971) brought the Band to prominence as the marching, concert, and symphony bands toured and performed extensively, including a tour of Eastern Europe and the Soviet Union by the Symphony band in 1961, the Jazz Band's 1965 tour of Latin American, and the Symphony Band 2011 tour of China. Records include scrapbooks of band activities (including photographs); bound volumes ("Blue Books"), 1936-present, containing band formations, newsletters, and announcements of band activities, also topical files relating to band tours and concerts. The Marching Band is best documented, although concert band, symphony band, and related ensembles are represented.

The University of Michigan Band records are divided into eight series: Tours and Concerts, Yearbooks, Photographs and Posters, Audio-Visual Material, Band Books ("Blue Books"), Scrapbooks, Publications, and Director's Records. The majority of the records consist of bound volumes of band formations, announcements, and publications, and oversized scrapbooks of band activities. Additional material includes topical files documenting tours and performances. The bulk of the documentation pertains to the Marching Band.

Frederick Moncrieff worked as an editor, writer, photographer, and manager for the University of Michigan News and Information Services between 1946 and 1966. He accompanied the University of Michigan Symphony Band on its 1961 tour of the Soviet Union and the Near East. The majority of the collection is materials relating to this tour. Other items pertain to historic buildings in Ann Arbor and Camp Michigania

The Frederick E. Moncrieff papers primarily document Moncrieff's work with the University of Michigan. These papers are divided into three series: University of Michigan Band Tour Papers; Other Materials; and Audiovisual Materials.

Jimmie Howard Reynolds (1925-2013) was a band director from Louisiana who taught and directed music programs at the high school and collegiate level. During the 1970/1971 academic year, Reynolds took a sabbatical leave from his position as Director of Bands at Louisiana Polytechnic University to serve as a graduate assistant under Dr. William D. Revelli during his final year as Director of Bands at the University of Michigan. Reynolds kept a journal of rehearsals and performances from that time and wrote extensively about the pedagogical practices Revelli employed as Director. This diary is a digital transcription of the entire diary as written, prepared by Reynolds' son, Dr. Patrick Allen Reynolds, in 2021.

The Jimmie Howard Reynolds diary, titled "Rehearsals with WRD", was maintained by Reynolds during the 1970-1971 academic year at the University of Michigan. Reynolds was a graduate student assistant for William D. Revelli during his last year as Director of Bands. The diary held by the Bentley Historical Library is a transcription, prepared and edited by Reynold's son, Dr. Patrick Reynolds, in 2021. Dr. Reynolds transcribed the diary as written, with minor changes to punctuation and grammar to aid in clarity. Dr. Reynolds also added some additional information to the text, usually to clarify names, dates, or events as written about by his father; these additions are added in brackets.

While Reynolds and Revelli maintained a close professional relationship for forty years, the diary documents criticisms Reynolds had of Revelli's conducting and pedagogy. In some entries, names have been removed by Dr. Reynolds to avoid embarrassment on behalf of the performers. A full note regarding Dr. Reynolds' transcription work is included in the digital file.

Music, theatre, and dance education unit of the University of Michigan. Also represented in this collection are its predecessor organizations, the Ann Arbor School of Music and the University School of Music, and its departments. Includes records of students and instructors, correspondence, topical files, and materials related to student and faculty performance groups. Archived versions of the School's websites provide additional documentation of academic programs, research, events, people, and policies.

The School of Music, Theatre, & Dance (University of Michigan) records document music education in Ann Arbor and the University of Michigan and student and faculty musical production beginning in 1885. The records include student ledgers listing names, tuition, and instructors; correspondence and clippings, 1924-1953, concerning the University Band, including correspondence of William D. Revelli; files relating to musical programs, particularly the Michigan Singers' Spring Tour, the Union Opera, and Musket productions; minutes of the executive committee and faculty; and digitized audio and video recordings of performances, including performances at the Interlochen Center for the Arts, by the Michigan Youth Ensembles, and other groups associated with the School of Music, Theatre & Dance. Also included are files associated the Department of Dance and Department of Theatre and Drama.

1. Topical Files -- Boxes 1-5, 25-30, 35-41, online
2. Student Ledgers -- Volumes 1-7
3. Dean's Files -- Boxes 6-8, 30-31
4. Faculty Records -- Boxes 9-24
5. Donor Files -- Box 31
6. Executive Committee -- Boxes 32, 34
7. Department of Dance -- Boxes 44-46, online
8. Department of Theatre and Dance -- Box 33
9. Archived Website -- online
10. Audio recordings (original audiotapes and digital recordings) -- Boxes 42-43, online
11. Video recordings -- online

Organized in 1879 to "cultivate the public taste for music," the Society sponsors concert series, opera, dance and theater performances at the University of Michigan. The records consist of director's files of Albert A. Stanley, Charles A. Sink, Gail Rector, and Kenneth Fischer; include correspondence relating to performances and management of the Society; ledgers and account books, board of directors minutes and packets; files concerning the Choral Union, the University of Michigan School of Music, the Henry S. Frieze Memorial Organ Fund, and Hill Auditorium; also visual materials and audiotapes of Board meetings.

The records of the University Musical Society document its founding in 1879, governance and administrative restructuring through the years, its activities sponsoring musical, dance and theatrical performances on campus, and its role in music and arts education. The records include directors' correspondence files, board of directors minutes, ledgers and financial records, photographs, sound recordings and videotapes.

Intellectually, the records are organized into eight series: Directors' Correspondence, Financial records, Historical file, Board of Directors, Committees, Topical File, Contracts, Photographs, President's Correspondence, Staff Files, Executive Directors' Files, and Motion Pictures (film, videotape and digital materials).

The records were received in several major and numerous small accessions and the physical arrangement of the records (the order in which they are arranged in boxes/folders) reflects this. In this finding aid, the records are described in term of their intellectual organization regardless of the particular accession in which they were received. As a result, the box number order in which the descriptions are displayed in the contents list will not always be consecutive.

Conductor of bands and professor of wind instruments at the University of Michigan. The series in the collection include: Biographical/Personal information; Correspondence, 1921-1994; University of Michigan Activities (primarily relating to performances and tours of the Marching Band and the Symphony Band); Other Professional Activities (relating to Band Conductors Conferences and band clinics, and including files of Revelli's writings and musical compositions); Visual Materials; and Sound Recordings.

The William D. Revelli Papers provide unique possibilities for research on the history of teaching at the University of Michigan. The Revelli papers, covering the years 1960-1992, are arranged into six record series: Biographical/Personal; Correspondence; University of Michigan Activities; Other Professional Activities; Visual Materials; and Audio Cassettes.