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The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.

Fraternity for undergraduate students at the University of Michigan; financial records.

The record group consists of various financial records (ledgers, cash books, etc.) and one roll book. There are also yearbooks from the national fraternity entitled The Scroll of Phi Delta Theta.

Correspondent with the Detroit News, director of the Psychological Warfare Division, Supreme Headquarters, Allied Forces, during World War II. Scrapbooks with clippings of newspaper articles; copies of propaganda leaflets directed to German soldiers and civilians during the war; reports, correspondence with family, and printed matter relating to war-time service; and photographs.

The Russell Barnes papers span the years 1920-1978. The bulk of the material concerns the period 1941-1953, the years Barnes spent as foreign correspondent for the Detroit News and the three-year interval during which he served in the Office of War Information.

The collection consists primarily of scrapbooks of his news stories, OWT leaflets, collected propaganda, and letters which he sent to his wife Constance, and, less frequently, to his children, Jeannot (Lucie Jeanne) and Jamie (John James Ingalls) while overseas and in New York. The most detailed description of his professional activities can be found in the letters he wrote during the months at the OWI in New York. He discusses the OWI personnel, its reorganization and the conflict with the OSS. The letters from the OWI Cairo and Algiers contain lively discussions of local customs and the rigors of life there, but are constrained by war-time censorship and thus shed less light than might be expected on his role as PWB director. The letters written while he covered the U.N. sometimes reflect the tense atmosphere there and the pressure brought to bear upon newsmen to take a stand on the issues they report. Barnes also discusses the power struggle in the Detroit Foreign Policy Association.

Scrapbook and photo albums documenting Graham's life as student and athlete at the University of Michigan.

The Graham collection contains rich documentation of athletics and campus life in the first decade of the 20th century. The scrapbook contains clippings of newspaper accounts of football games and other athletic events; programs, posters, and tickets for musical, theatrical events and fraternity activities and variety of student memorabilia

The Photo album contains numerous pictures of the varsity team posed on campus and at pre-season training camp at Whitmore Lake and Ludington. The are many individual photos of players and coaches including Fielding Yost and Keene Fitzpatrick as well as a rare photo of the football training table. There are photos of baseball and track teams and athletes and of push ball and tug-of-war competition between classes. Campus social life documented in photos of J-Hop and other dances, fraternity houses and events, the campus "county fair" and other events including a minstrel show parade with cast members of a production of Uncle Tom's Cabin in which Graham played Little Eva. All of the images are carefully, often humorously, captioned by Graham. He always captioned photos of himself with a question mark.

The second photo album includes a few football images (duplicates of items in the first volume) and the appears to be images of Graham's family and friends.