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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Sarah R. Parry autograph book contains prose and poetic contributions from Parry's friends and cousins, who wrote about topics such as friendship, religion, and beauty.

The Sarah R. Parry autograph album contains 17 poems and 3 prose contributions by Parry's friends and cousins. Some of the original poems are dedicated to Parry, and an entry by "Juvenis" uses the first letters of her first name and surname in an acrostic poem. Most of the entries concern friendship, though others often pertain to religious topics such as faith and the afterlife. The entry by S. C. Demuth, which is a copied poem entitled "Beauty Transient," is accompanied by a pencil drawing of a young woman. Contributors often dated their entries in the Quaker style and wrote from places such as Lancaster County, Muskingum, and Zanesville, Ohio. Very brief pencil notes mention Martha T. Amos and Josephine P. Amos.

• Delaware Water Gap
• Catskill Mountains
• Weehawken
• Sawkill Falls
• Fort Putnam