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Ezra T. Doughty's diary entries pertain to his experiences onboard the USS St. Louis and USS Grampus during the ships' voyages in the Caribbean and Gulf of Mexico in 1832 and 1833. Doughty, a midshipman who became sailing master of the Grampus in December 1832, recorded detailed descriptions of Haiti; Veracruz, Mexico; and Havana, Cuba, and reflected on several aspects of navy life.

Ezra T. Doughty's diary entries (63 pages) pertain to his experiences onboard the USS St. Louis and USS Grampus during the ships' voyages in the Caribbean and Gulf of Mexico in 1832 and 1833. Doughty, a midshipman who became sailing master of the Grampus in December 1832, recorded detailed descriptions of Haiti; Veracruz, Mexico; and Havana, Cuba. The first page of the volume contains an incomplete description of the Grampus, including measurements of the schooner's masts, decks, hold, and ballast.

Doughty began his diary on October 9, 1832, while in port at New York onboard the St. Louis. He anticipated the ship's upcoming journey to the West Indies and complained that the ship would be carrying a significant number of officers bound for other vessels. He wrote semi-regular entries about his experiences on the St. Louis until December 3, 1832, in which he commented on party politics and the Andrew Jackson administration, scenery and nautical animals, his personal history, women, Commodore John D. Henley, and a theological discussion with a shipmate. On October 11, 1832, he quoted lines from a poem by Thomas Moore, "As Slow Our Ship." Two entries have descriptions of deaths at sea: a sea burial (October 13, 1832) and a failed attempt to rescue a crewman who had fallen overboard (November 13, 1832). In these entries, Doughty also reflected upon death in general and upon his feelings after watching a man drown. While traveling off the coast of Hispaniola, he composed an extensive description of Haiti, including notes on its history, governance, people (particularly with regard to slavery and race), customs, and coastline (November 13, 1832; November 23, 1832). Along the southern coast of Cuba, Doughty noticed the contrast between Spanish planters' villas and their slaves' huts (December 1, 1832).

The St. Louis arrived at Pensacola in early December 1832, and Doughty accompanied a fowl-hunting party on at least one occasion while in port. On December 11, 1832, he accepted a transfer to the schooner Grampus, on which he served as sailing master. Doughty also noted recent animosity between the United States Navy and the Mexican government, prompted by the ship's previous capture of suspected pirates sailing under the Mexican flag (December 11, 1832). On one occasion, Doughty was a member of a party that unsuccessfully attempted to recover a man who had gone overboard (December 24, 1832). He composed lengthy descriptions of Veracruz, Mexico (December 27, 1832, and January 1, 1833), and Havana, Cuba (January 11, 1833, and January 20, 1833). In Mexico, he recorded the effects of recent military operations, his opinions about Mexicans, and the history of Spanish rule. In Havana, he mentioned the local inhabitants and markets, and the United States's possible interest in owning Cuba, Havana Harbor, and Morro Castle. Later, he commented on workers on "Thompson's Island" (now Key West, Florida), the efforts of "wreckers" to assist ships stranded on nearby reefs, and the work of naturalist John James Audubon (January 20, 1833). By January 14, the Grampus had embarked for Norfolk, Virginia, and Doughty's entries of mid- to late February 1833 and March 1833 pertain to his social activities in Norfolk and his thoughts on nautical careers. His final entry is dated March 14, 1833.

An unattributed journal entry (3 pages) is dated December 20, 1859, with an additional heading made for the following day. The entry pertains to the first day of a transatlantic voyage on the Fortunata, commenting on encounters with fellow passengers (often British) and expressing anticipation for exploring tombs in "Nubia." A piece of heavy linen is tied over the book's covers, and the front cover bears the ink title "Amphibiology."

This collection is made up of correspondence and writings pertaining to English politician John Russell, 1st Earl Russell. The bulk of the materials consists of Russell's incoming and outgoing correspondence and essays; many items concern British history and government, Irish history, European history, and religion.

This collection (1.5 linear feet) contains correspondence and writings pertaining to English politician John Russell, 1st Earl Russell.

The Correspondence series (138 items) is made up of incoming and outgoing letters of John Russell, and a small number of items between other individuals. Early correspondence includes personal letters that Russell wrote to his father, the Duke of Bedford, in the early 19th century, and a copied extract from a letter to Princess Charlotte regarding the British constitution (March 5, 1812). Much of the correspondence pertains to political issues and religion, including a lengthy draft letter by John Russell about the Reform Bill of 1832 ([1831], approximately 100 pages). Some of the later letters mention William Ewart Gladstone. One group of undated items specifically regard Ireland.

The Writings series (approximately 150 items) contains essays, fragments of essays, speeches, and notes. Most items pertain to British politics and politicians, British and European history, and religion. The series includes essays about Charles James Fox, Warren Hastings, Thomas Moore, the reform of corporations, literature, the peerage, and photographs.

Documents (approximately 8 items) include a travel pass for British citizen Thomas Adams, authorized by John Russell; an item addressed to Queen Victoria concerning the Church of Scotland; a list of members of the peerage and information about their titles; and a document about the membership of Parliament under Prime Minister William Lamb, Viscount Melbourne.

The manuscript County Information Book contains demographic information about England's counties, including each county's number of residents and number of representatives in Parliament.

Miscellaneous items include manuscript notes and lists concerning political topics, religion, and other subjects.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"