Collections

William Montague Ferry served as missionary to Indians at Michilimackinac, Michigan for the United Foreign Missionary Society, 1822-1834 and as clergyman in Grand Haven, Michigan. William Montague Ferry, Jr. served in the 14th Michigan Infantry in the Civil War, as University of Michigan Regent and later moved to Park City, Utah where he was active in Democratic Party politics. Thomas W. Ferry served as congressman, 1865 to 1871, and as U.S. Senator from 1871 to 1883. Papers include correspondence describing missionary work of William M. Ferry, Sr., civil war letters of William M. Ferry, Jr., some political correspondence of Thomas W. Ferry, and letters of Amanda White Ferry, wife of William Sr.

The Ferry family collection consists of letters and typescripts of letters from William Montague Ferry and his wife Amanda White Ferry describing their trip from Ashfield, Massachusetts, to Mackinac Island and their missionary work among the Indians; letters, 1862-1901, of Colonel William M. Ferry, University of Michigan regent, particularly to his wife and other relatives while serving in the Fourteenth Michigan Infantry during the Civil War; speeches and letters from contemporary politicians to Thomas White Ferry, lumberman and U.S. Senator; and two scrapbooks of newspaper clippings on the Ferry family. Correspondents in the collection include: Susan B. Anthony, Henry P. Baldwin, Zachariah Chandler, Schuyler Colfax, William M. Evarts, Hamilton Fish, Rutherford B. Haye, Whitelaw Reid, and Elizabeth Cady Stanton

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

This collection consists of a copy of Woodworth's last will and testament, 1895; privately printed copy of pamphlet of his "Poems" (1900), and letter written upon his return to Grayling, 1901.

This volume largely consists of William N. Ames's logbook entries for the 369-ton whaleship Martha, Master Joseph Wheldon, January 14-March 25, 1838 (14 pages and fragments of pages). The Martha departed Hudson, New York, heading for the Indian Ocean with stops at Gough Island and Madagascar. The remainder of the volume is pages or fragments of pages for the ship Alexander Mansfield, 1832, including the poem "The Yankey Privatear" (4 pages); one letter fragment; and pages of additional accounting and poetry (9 pages).

This volume consists largely of William N. Ames's logbook entries for the 369-ton whaleship Martha, Master Joseph Wheldon, January 14-March 25, 1838 (14 pages and fragments of pages). The Martha departed Hudson, New York, heading for the Indian Ocean with stops at Gough Island and Madagascar. The remainder of the volume is pages or fragments of pages for the ship Alexander Mansfield, 1832, including the poem "The Yankey Privatear" (4 pages); one letter fragment; and pages of additional accounting and poetry (9 pages).

William Ames kept daily entries for the first three months of the Martha's voyage, documenting wind speed and direction, latitude and longitude, shipboard activities, and sightings of marine life. Multiple entries contain sightings of blackfish (pilot whales), finback whales, white whales, and birds. On single occasions, he mentioned seeing a dead whale, whales feeding, and porpoises. On March 6, 1838, he noted: "hard winds hard luck and No Whales is to hard Never mind we live in hopes of beter luck and more whales for the future."

The front pastedown bears six whale stamps, haphazardly applied (three tails and three bodies).

The Harman receipt book consists of accounts for clothing and supplies issued by Captain William Neel Harman of Co. F, 8th Virginia Cavalry.

The Harman receipt book consists of accounts for clothing and supplies issued by Capt. William Neel Harman of Co. F, 8th Virginia Cavalry. The first half of the volume contains receipts dated September 17, 1861, arranged alphabetically by recipient (presumably members of Harman's company). Most later receipts are dated December, 1861, though others are recorded as late as 1863. As much as anything, the value of the account book lies in providing (at least approximately) a muster roll for the company, and for partially documenting the quantity and costs of clothing and supplies to its soldiers.

Detroit contractor and businessman. Materials include drawings, photographs, and other materials depicting the Great Lakes Terminal Warehouse in Detroit, as well as other projects.

Drawings, photographs, and other materials depicting the Great Lakes Terminal Warehouse in Detroit and other projects.

Photos (1910) of construction project in Detroit for the Michigan Central railroad; photos of other projects including the Great Lakes Terminal Warehouse in Detroit.

The William N. Palmer photograph album contains 78 photographs of William Niles Palmer and friends taken in Massachusetts and Rhode Island from 1915 to 1916.

The William N. Palmer photograph album contains 78 photographs of William Niles Palmer and friends taken in Massachusetts and Rhode Island from 1915 to 1916. The album (16.5 x 11.5 cm) dates to about one year prior to Palmer’s enlistment in the U.S. Army during World War I. During this period Palmer went by Niles W. Palmer; "Niles W. Palmer/Company F 14th Regiment U.S. Railway Engineers/American Expeditionary Forces" is stamped on the front of the red album cover.

The album begins with images taken in Providence, Rhode Island. A group of young people, including Palmer, are documented travelling by train to or from East Douglas, Massachusetts. Members of the group are shown cutting trees, canoeing, shooting, camping, and picnicking among other recreational activities. Four images show the site of a freight train wreck in East Douglas, Massachusetts. Also of note is a humorous double-exposed photograph of Palmer appearing to be inside of a glass bottle. The album concludes with photographs taken in Rumford, Rhode Island. Each photograph in the album includes a typewritten caption indicating individuals, location, and content. Other specific locations that are represented include Arcade Woods, Bad Luck Pond, and Buttonwoods Beach. The most frequently named individuals include Alan W. Watson, Norman S. Watson, William J. Story, Ruth P. Smith, Selma C. Sandbeck, and Edith V. Sandbeck. The captions frequently refer to the group as, "ADOTs." The meaning behind this acronymic reference has not been identified.

Professor of Law at University of Michigan. Papers consist of a communication to University of Michigan Board of Regents requesting leave of absence; doctor's report on his health; and four volumes of notes for his law lectures.

The William P. Wells papers consist of a communication to University of Michigan Board of Regents requesting leave of absence; doctor's report on his health; and four volumes of notes for his law lectures.

This collection consists of four items written by William Parker Foulke of Philadelphia, Pennsylvania, around 1852 regarding operations of the Pennsylvania Colonization Society, including an interview with Frank J. Webb about African Americans' opinions on colonization.

This collection consists of four items written by William Parker Foulke of Philadelphia, Pennsylvania, around 1852 regarding operations of the Pennsylvania Colonization Society, including an interview with Frank J. Webb about African Americans' opinions on colonization.

Foulke wrote a four-page document recording Frank J. Webb's responses to queries posed to him at the Pennsylvania Colonization Society's rooms by Foulke and John Marsten, with Ralph R. Gurley and others present during the interview, "the object being to ascertain the best means of obtaining access to the minds of the Colored population of the U. States." Webb's responses center around African American objections to colonization. The collection also includes two letters by Foulke, written to W. O. Pethel and Captain John Marsten, respectively, about plans for hosting a lecture by Ralph R. Gurley. A two-page, undated document in Foulke's hand records notes about the Pennsylvania Colonization Society's policies and strategies.

This collection primarily consists of letters that William P. Curtis of Auburn, New York, wrote to his son, William B. Curtis of Prattsburgh, New York, about finances, local news, and family matters.

This collection consists of 50 letters that William P. Curtis of Auburn, New York, wrote to his son, William B. Curtis of Prattsburgh, New York, and 2 financial documents. Curtis wrote about his finances, often requesting that his son send money and acknowledging its receipt. In his letter of April 2, 1852, he discussed the possibility of building a new house and the estimated costs of its construction. Many of his letters contain news of family members, friends, and boarders. He commented on events such as a speech by Daniel Webster (June 3, 1851) and Fourth of July celebrations (July 5, 1852).

The collection's 2 financial records are an inventory of bonds and other notes pertaining to William P. Curtis (October 1, 1851) and a record of payments from William B. Curtis to Henry Curtis (August 24, 1860).