Collections

Academics for Affirmative Action and Social Justice (AAASJ), a multi-racial coalition of University of Michigan students, faculty and staff, was established in response to the lawsuits filed in 1997 challenging the university's admissions practices. AAASJ supported affirmative action and protested inequality through education, debates and rallies. The record group contains correspondence, newsletters, and essays.

The records of Academics for Affirmative Action and Social Justice (AAASJ) cover the period 1997-2000, and contain administrative information about the organization such as correspondence, records of events, newsletters, and statements.

The bulk of the collection consists of correspondence (including printouts of email) between the founders of AAASJ, Nadia Kim and Tom Guglielmo, and members of the organization. Most of the correspondence contains details regarding meetings, events and news related to affirmative action. The record group also contains information regarding events sponsored by AAASJ like debates and rallies.

AAASJ published a newsletter titled Veritas, with information about affirmative action and the organization's position on the University of Michigan's admissions policies. The record group contains newsletters covering the period 1998-1999. A VHS videotape of the panel session It's All About Mike is also include in this collection. The session, which took place on January 27, 2000, was a debate about affirmative action between members of AAASJ and the Michigan Review.

Organization of women faculty members established to exchange information about their status as faculty women and to investigate and resolve issues of special concern. records include history, awards files, correspondence, minutes, topical files, photographs, and video and sound recordings.

The records of the Academic Women's Caucus (AWC) provide an almost complete history of the AWC from its origins to the present, although the materials documenting the years 1972-1974 are not particularly strong. Many of the early records are from the co-chair Aline Soules. The records do provide valuable documentation of the general concerns of women faculty members at a major research university.

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area.

Spiritualist medium and writer Achsa W. Sprague maintained this diary between 1855 and 1857 while touring on a lecture circuit around Connecticut, Vermont, New Hampshire, Massachusetts, Maine, Rhode Island, Pennsylvania, and New York. She recorded her daily experiences, travels, and work lecturing and conducting medium trances.

Sprague began writing in Hartford, Connecticut, with commentary about her decision to keep the diary and brief reflections about being healed by "Spirit Agency" and taking up the work of "a Public Speaking Medium" (pages 1-2). She referenced her former confinement due to poor health several times in the volume (pages 8-9; 59; 76-77; 128). Sprague expressed gratitude about spirits' intervention and her ability to convene with them. For example, she wrote, "This is the most beautiful part of my mediumship, that which others do not see, that which is never spoken, but which is felt in every fibre of my soul giving a richness to life which it never had before, & a tinge of Heaven to light my path where all before was dim & shadowy. A blessing to me physically, mentally, morally, intellectually & spiritually have been these Spirits Manifestations." (pages 14-15).

Throughout the diary, Sprague noted the locations of her lectures, attendance, and the crowd's reception. She visited major cities, such as Hartford, Boston, Troy, and Philadelphia, but principally travelled between mid-sized and smaller locales. Occasionally Sprague remarked on the influence of the spirit upon her during her public meetings (pages 6-7). She attended smaller events, too, like a gathering of some twenty people, including Samuel Colt and William H. Burleigh, who met at 11:30 p.m. (page 11), or a private examination of Gerrit Smith's wife (page 14). She noted meeting one-on-one with other mediums to manifest spirits together (page 16) and included thoughts on other "Public Mediums" (page 23).

While touring, Sprague noted anti-Spiritualist lecturers and sentiments (pages 67-66; 83; 116; 149-50; 168-169), but she also wrote of preachers from Christian denominations who were open to Spiritualism or invited her to join them in their churches (page 145). Sprague recorded logistical details of her work, such as travel, housing, and securing sites for her lectures.

Sprague commented on social and professional visits with individuals active in Spiritualist circles, including Sementha Mettler (page 4); Lottie Beebe, a woman who "is said while under the Influence to give beautiful specimens of poetry & sometimes has other manifestations" (page 11); and "Sleeping Lucy" Cooke (page 54), among others. She described other mediums' techniques, like Mettler's "psychometriz[ation]," where she read people's characters based on their handwriting (page 17), or a detailed description of a "physical manifestation" (pages 109-111). Sprague referenced other mediums who used spirit influence to produce poetry, paintings, and drawings (pages 87; 107-108; 162), and she attended a Spiritualist convention at South Royalton, Vermont (pages 146-147).

At times her entries provide insight into some of her critiques about Spiritualism. She referred several times to her support for "practical Spiritualism (page 79), and she took issue with "the thoroughly scientific or business men who become believers & advocates of this Philosophy; with all their knowledge, make not half as good actors, either as Lecturers or as practical doers, as many who have been less known in the world" (page 23). In another entry she rejected arguments connecting Spiritualism and Free Love (page 100).

Sprague wrote about being invited to funerals (pages 33-36; 114-115), attending to the dying (pages 85-86; 154-155), and speaking with the bereaved (pages 72-73). She also reflected on the death of her own family members and her belief in their role as Guardian Angels (pages 62-63). She recorded her feelings about the impact her mediumship could effect on those facing death and grief, writing, "I have been with the wretched & suffering, but I have tried to sooth their agony, I have heard many a tale of a broken heart, but I have striven to bind them, & give them the balm of consolation, I have stood by the bedside of the dying, & have watched when the breath went out & left even the forms I loved so well cold, still & silent, but I knew they did not die, that they only bloomed for a higher Sphere..." (page 158)

Several passages reflect her authorship, such as working on an article for the New England Spiritualist, decisions to write under a pen-name for a local Vermont newspaper, noticing some of her pieces were being reprinted, meeting with individuals active in Spiritualist publishing networks, and other mentions of publication (pages 53-55; 64; 74; 87; 92-93; 98-99; 102; 106; 140). Periodically, Sprague noted texts she was reading, both works of literature and those relating to Spiritualism, and she was particularly delighted while staying with a family who appreciated reading "Shelley, Tennyson, Lowell &c... But now that the weather is pleasant again I find that I am public property, & shall be obliged in a great degree to bid good bye to the quiet happiness of listening to the poets & enter into the realities of life. Well it is right to mingle in lifes realities. I Thank God for the beautiful inspirations I have listened to, but more still, for the beautiful inspirations that come to me at morn, at noon, at night from unsung poets & philosophers, even the Angel Messengers He sends. And more, still more, that it is given me to mingle with the realities of life & give them forth to the suffering children of humanity. And as far as my imperfect nature will allow me, to carry the teachings out in my own every day life, & bring them into its practicalities" (page 174). Throughout the diary she wrote introspectively about being of service, using her time profitably, and living up to her higher purpose.

Sprague's interest in social reform is also documented in the volume, in visits to the Hartford "Asylum for educating the Deaf & Dumb" (page 3), concern for the poor (pages 18-21; 49; 55; 79; 119; 140; 162; 164-7; 169-70), women's rights (pages 37-39), and prisons (pages 104-105; 170-1; 176-8). She met Lucretia Mott at a women's antislavery meeting (page 175).

Descriptions of daily life include commentary on weather and nature as well as her health and that of her family, revealing Sprague's interest in various medicinal practices such as magnetism (pages 4 and 162) and healing mediums (pages 28 and 160). While at home with her parents in Vermont, she wrote of social visits, her parents' living situation, and local requests for her to speak, including at a wedding where "A song through me from the Spirit Land concluded the services" (page 43). While on her lecture circuit, she also commented on cities she visited. For example, in Hartford she visited the "Charter Oak" and Lydia H. Sigourney's former residence (pages 4-6); in Salem, Massachusetts, she commented on how the history of the witch trials was handled in the community (page 121). She wrote of meeting a Shaker woman in Cambridge, Massachusetts, (page 122) and seeing Edwin Forrest perform in Providence (page 173). While in Philadelphia, she toured local landmarks, attended Quaker meetings and Catholic services, and visited the Academy of Fine Arts with Samuel Sartain (135). After trying to see Benjamin Franklin's burial spot, she lamented the high walls surrounding it and concluded, "There is too great a tendency in the human mind to seek the grave of the mighty dead & follow them no further" (page 138).

The diary bears pencil marks of a later hand, possibly that of Leonard Twynham indicating passages for publication. The latter portion of the volume was used by Lloyd N. Josselyn as an account book between 1880 and 1908, likely while farming in the Plymouth, Vermont, area. He documented expenditures mostly for household goods and clothing, animal care, foodstuffs, agricultural labor, taxes, digging graves and purchase of headstone, house and vehicle upkeep, etc.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume. Volume 1 (28cm x 19cm), bound in black cloth with the title "Photographs" on the front, has 48 photographs in windows and one loose item laid in. Volume 2 (23cm x 30cm), bound in thick padded boards covered in dark leather, has 72 photographs in windows and four loose items laid in. This album has a brass clasp with a wheel that increases or decreases the tension of the clasp. Volume 3 (40cm x 30cm), bound in thick padded boards covered in brown leather with two brass clasps, has 99 photographs in windows. At least one card is a lithograph and two cards are hand-colored.

Each of the albums contains portraits of well-known actors and actresses, including both studio portraits and pictures taken in costume in front of painted scenery, sometimes with props. Pictures of men, women, and children are present, with portraits taken both facing the camera and in profile, and some subjects are represented by more than one image. Many types of costume are depicted, such as contemporary and historic formal dress, military dress, Middle Eastern dress, and Elizabethan dress. Some of the photographs show gender cross dressing. Props are most often swords or canes, though some subjects posed with musical instruments such as violins, a piano, and a lute. The majority of the actors and actresses across all three volumes are identified either on the backs of cards, on the albums' pages, or in inventories (housed with the first two volumes).

The Cosner papers document the experience of a middle-aged Union soldier serving with the 21st Ohio Infantry during the Civil War.

Cosner's letters reflect his rather unusual position as a middle-aged soldier. Sixteen of the 18 letters in the collection were written to his wife, Ann B. Cosner, and the other two were addressed to his daughter, Martha, one in 1880. Cosner's handwriting suggests that he was not an experienced letter-writer, nor are his descriptive skills well developed, seldom advancing beyond straightforward comments and never at length. Cosner's letters, however, do reflect the attitudes of many pious, honest soldiers trying to live a Christian life in the middle of a seemingly godless war, and, unusually, display an open reticence about entering combat.

The Pickel papers contain nine letters written by Adam H. Pickel to his parents in Phoenixville and one written to a sister during his enlistment in the 68th Pennsylvania Infantry during the Civil War. His letters provide interesting commentary on the war; in particular, he strongly refuted the rumor that General Joseph Hooker was drunk at the battle of Chancellorville.

The Pickel papers contain nine letters written by Adam H. Pickel to his parents in Phoenixville and one written to a sister. This correspondence suggests that Pickel had received a good education and had more than a minor talent as a writer. It is clear, however, that there are numerous letters no longer present with collection, including, apparently, the letters in which Pickel described his experiences in battle.

Pickel's surviving letters nevertheless provide some interesting commentary on the war. In particular, his letters regarding Chancellorsville, even though they lack a thorough description of the battle, provide a strong feeling of the horror of that engagement. Further, he argues vehemently that, rumors aside, Joe Hooker was not drunk at Chancellorsville. Pickel claims to have seen the General perhaps 20 times during the battle, and that he exhibited no obvious signs of inebriation. He admitted, however, to Hooker's well-known fondness for whiskey. Also worth noting is Pickel's critical response in support of a Dr. Oberholzer, who wrote a letter to hometown newspaper, the Daily Phoenix, pointing out how poorly run the Army was.

University of Michigan student, producer of the documentary videotape, "Keeping in Mind" about three faculty members forced to leave the University of Michigan because of alleged affiliations with the Communist Party. Includes production files; copy of videotape "Keeping in Mind"; and videotapes of interviews with the three accused faculty, Chandler Davis, Clement Markert, and Mark Nickerson, and interviews with other university faculty and administrators and researchers of the period, notably David Bohr, Elizabeth Douvan, Harlan Hatcher, Marvin Niehuss, and Ellen Schrecker.

The Adam Kulakow Papers and Visual Materials consist of materials which Kulakow generated while producing the documentary Keeping in Mind, an exploration of the effects of McCarthyism on The University of Michigan in the 1950s. The documentary was Kulakow's undergraduate senior honors thesis at the University of Michigan. It focuses on three University of Michigan faculty members (Dr. Chandler Davis, Dr. Clement Markert, and Dr. Mark Nickerson) who were called before the House UnAmerican Activities Committee in 1954 to testify regarding their alleged affiliations with the Communist Party and examines subsequent actions taken by the University. Kulakow's work was funded by the University of Michigan, College of Literature, Science, and the Arts; the Bentley Historical Library; and the Leo Burnett Scholarship. The documentary premiered on the University of Michigan Ann Arbor campus on April 18, 1989. At the premier, the film was shown and afterwards the events on which it focused were discussed by the three professors, who had traveled to Ann Arbor for the event.

The collection is comprised of two U-matic videotape copies of the documentary itself (one of which is an archival master copy, not for research use) and one VHS copy of the documentary (to be used for making copies only); U-matic videotapes of interesting interviews conducted by Kulakow and his production crew with historians and University of Michigan faculty and administrators; and one folder of handwritten Kulakow notes and interview transcripts. In addition to the Kulakow collection, the researcher is advised to consult the Bentley Historical Library manuscript card catalog for other collections which pertain to the incidents documented in Keeping in Mind.

Adam Ludewig, an Alpena, Michigan, bookseller's clerk in his early 20s, recorded information about his activities, interactions, and the weather in this pre-printed daily Excelsior diary. He provided very brief notes on his work in the store; documentation of church and Sunday school attendance; remarks on letters, notes, and visits by young women; the books he read; painting lessons; and other subjects. He frequently abbreviated names and other words, occasionally wrote sentences with old German script, and sometimes encoded words with pigpen cyphers.

Adam Ludewig, an Alpena, Michigan, bookseller's clerk in his early 20s, recorded information about his activities, interactions, and the weather in this pre-printed daily Excelsior diary. He provided very brief notes on his work in the store ("All well / Busy in Store"); documentation of church and Sunday school attendance; and mentions of letters, notes, and visits by young women—with occasional afterthoughts such as "poor girl is to have a tooth pulled this morning" or "I do not know what to do. Time will be my best support." He noted the books he read, from "Titcomb's Letters to Young People, Single and Married" to Goethe's "The Sorrow of Young Werther." He painted and studied French. Ludewig frequently abbreviated names and other words, occasionally wrote sentences with old German script, and sometimes encoded words with pigpen cyphers. Seven small pen and ink drawings are scattered within the volume.

Civic and other organizational work mentioned in the diary include financial support for the German Aid Society and the Arbeiterverein, and attendance at evening Masonic Lodge meetings (identified in the diary only as drawings of oblong squares in quotation marks). He became Secretary and noted that he paid $1.00 for life insurance from the Masons (for $1,500 coverage).

Adam R. Barr of Conestoga Township, Pennsylvania, created this mathematics exercise book or cipher book of mathematical operations, rules and theorems, and example problems. Sections labeled with calligraphic lettering include the Single Rule of 3, Double Rule of 3, Simple Interest, Insurance, Commission, Barter, Fellowship, Exchange, Vulgar Fractions, Decimal Fractions, and others.

Adam R. Barr of Conestoga Township, Pennsylvania, created this mathematics exercise book or cipher book of mathematical operations, rules and theorems, and example problems. Sections labeled with calligraphic lettering include the Single Rule of 3, Double Rule of 3, Simple Interest, Insurance, Commission, Barter, Fellowship, Exchange, Vulgar Fractions, Decimal Fractions, and others.

The collection includes the Owsley family papers, both personal and business, of Ada, her siblings and their families, her parents, grandparents, and other relatives.

The collection includes the family papers of all of Ada’s relatives who are named above and her papers, 1856-1945. She also collected children’s art and display materials, 1950-1960 and undated (Boxes 3-7). Most of the materials document Ionia, Michigan, business records, including accounts of Angelo E. Tower when he was postmaster of Ionia, 1886-1890; Tower and Thompson Lumber Company, ledger and legal papers, 1868-1882; Webber Block (housing) papers, 1929-1936; Webber and Wilson (George W. Webber and H. J. Wilson’s mercantile business) ledger, 1866-1867; and Webber Road Construction Company, 1921-1937. There are also some legal records regarding the Topinabee Hotel, 1931, which was on Mullet Lake, near Cheboygan, Michigan. Unidentified land records are filed at the end of Box 2, and children’s art is housed in flat boxes 3-7.