Collections

This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

Vice chairman of the Democratic Party State Central Committee, primarily during the gubernatorial administration of G. Mennen Williams. Office files concerning party conventions, election issues, and the work of the state central committee, particularly the role of women in the party and the Women for Humphrey organization during the election of 1968; and scrapbooks and photographs.

The Hart papers consist almost entirely of files created in her capacity as Democratic vice chairman and as member of the Democratic party 17th congressional district. The files have been maintained in their original order by topic. National Democratic Conventions; State Democratic Conventions; Election Campaigns; State Central Committee General; State Central Committee Women's Activities; Jefferson-Jackson Day Dinner; Topical Files; Conferences; Program Service; Correspondence; Memoranda; and Scrapbooks and Photographs.

Papers include correspondence, photographs, including a diary and photographs of Foochow, China, 1899-1901, a biography of Michigan poet Will Carleton, and other materials.

The collection includes personal correspondence between Thompson and William R. Longstreet, a bookkeeper and religious leader in Saginaw, Michigan, 1891-1895, concerning the nursing of patients, social and religious affairs, a trip to New York, in 1892, and welfare work of the Jefferson Avenue Epwarth League. There is also a diary of Isabelle Longstreet, describing her missionary work in China, June 1899-October, 1901 and a brief biography of Will Carleton (1845-1912), a notable Michigan poet.

This collection contains 15 letters related to Adeline Chase Hart and Matthew Hart of Goshen, Connecticut. The Harts received 12 letters from family members and acquaintances between 1850 and 1859, and Adeline wrote 3 letters to Matthew while he sought gold in California in the early 1850s. The letters concern topics such as religious conversion, family health, local news, and Adeline's widowhood. The collection also includes a deed for land in Sullivan County, New Hampshire.

This collection (16 items) contains 15 letters related to Adeline Chase Hart and Matthew Hart of Goshen, Connecticut. The Harts received 12 letters from family members and acquaintances between 1850 and 1859, and Adeline wrote 3 letters to Matthew while he sought gold in California in the early 1850s. The letters concern topics such as religious conversion, family health, local news, and Adeline's widowhood. The collection also contains a deed between Dorothy Gilman and Emerson Gilman for land in Sullivan County, New Hampshire (April 1, 1837), witnessed by 2 members of the Chase family.

Adeline and Matthew Hart received 12 letters from their parents, siblings, and acquaintances, mostly from Connecticut and from Elmira, New York. Correspondents commented on family and local news, such as health issues, marriages, and funerals; Adeline's sister Lucy wrote about her visit to Hartford, Connecticut, and described a painting she viewed at City Hall (July 16, 1850). Letters from the Chase family often included contributions from several family members. Adeline Hart wrote 3 letters to her husband from October 19, 1850-December 19, 1851, pertaining to her health, their children, and her finances. Several letters in the collection concern religious revivals and conversions, including Adeline's description of her recent conversion to Christianity (October 19, 1850), Lucy Chase's affirmation that the family had become Millerites (February 5, 1851), and Reuben Chase's mention of "spirit rappers" (March 25, 1853).

Following Matthew Hart's death around early 1853, Adeline Hart received a condolence letter and 2 later personal letters from William K. Vaughan, an acquaintance in Big Flats, New York. Matthew Hart's brother, A. P. Hart, also reflected on Matthew's death (March 6, 1853). Another relative, H. E. Cooke, provided a description of her new home (April 29, 1853). Other later letters concern Hattie A. Hart's work teaching at a school and her intention to attend college (August 22, 1857), as well as property in Elmira, New York (October 24, 1859).

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

Visual material includes one press photograph by Ed Walston of Adlai Ewing Stevenson II with President Dwight D. Eisenhower and Secretary of State John Foster Dulles, and one woodblock print of Adlai E. Stevenson II by Jacob Steinhardt.

Please see the box and folder listing below for more details about each item in the collection.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

Electrical engineer; professional papers relating to his career at Westinghouse.

The Dudley papers include correspondence, lectures, biographical information, and other records pertaining to his career at Westinghouse.

Adrian, Michigan is the county seat of Lenawee County and is in Michigan's 7th congressional district. Photographs relating to life and activities in Adrian, Michigan.

This collection consists of photographs relating to life and activities in Adrian, Michigan, chiefly composite photos of buildings, residences, and street views.

The advertising competition at the University of Michigan was created to promote students' interests in the growing field of advertising. The contest was administered by Fred Newton Scott of the Department of Rhetoric at the University of Michigan and anonymously sponsored by W. K. Kellogg. The collection consists of entries submitted by University of Michigan students in the years 1914 through 1917.

Because of the loose submission guidelines, competition entries came in a variety of formats. Within the typed pages of an essay there could exist, for example, hand-drawn illustrations of a sample advertisement, promotional booklets for a specific company or industry, newspaper clippings, or hand-drawn charts and graphs. Some entries contain a small envelope, in which is located the true identity of the entrant as well as his or her honor statement. Some entries were sent via letter to Professor Scott.

The records are divided into 4 main series based on the categories of the competition: Plans for Advertising Campaign, Drawings for Advertisement, Advertising Copy, and Essays. The folders contain one entry each and are arranged alphabetically by entry title. This collection may not contain every submission to the contest over its four-year run. There exist, in this collection, one entry from 1914, four from 1915, seven from 1916, and six from 1917. Because many of the entries were a composite of multiple submission categories, some did not clearly fit the established categories.

Any distinctions given to an entry are noted in parentheses after the title of the entry. First- and second-place prizes were awarded all four years, with the exception of 1916; in that year the judge of the competition felt that there was no clear second-place winner but did assign an honorable mention and awarded $50 to one entry instead.

Affirmations Lesbian/Gay Community Center was established in 1989 to serve as a resource to lesbian, gay, bisexual and transgender individuals in the greater Detroit area. The records consist of meeting minutes, correspondence, and written records pertaining to Affirmations’ fundraising, programming, membership and advocacy activities. Select events are also documented by photographs.

This collection reflects the operational and planning activities for Affirmations Lesbian/Gay Community Center. It is divided into nine series: Background, Governance, Administration, Grants and Fundraising, Programming, Membership and Volunteers, Advocacy, Publicity, and Photographs. The majority of the collection has been arranged alphabetically by topic and chronologically within files.

Newsletters, brochures, reports and other material published by the University of Michigan office responsible for overseeing campus-wide affirmative action programs and policies.

The Publications of the Affirmative Action Office measures 3 linear feet and covers the period from 1973 to 1994. The subgroup is divided into two series: Unit Publications and Sub-Unit Publications.

Unit Publications include Minority Student Reports, Reports to the Regents and a complete run of the newsletter In the Affirmative.

Sub-Unit Publications consist of materials produced by units within the Affirmative Action Office. These include the Council for Disability Concerns and the Study Committee on the Status of Lesbians and Gay Men.

Records of the administrative office responsible for developing and coordinating affirmative action programs for women, minorities and disabled faculty, staff, and students. Documentation includes topical files, minutes, reports, photographs and audio and video tapes. This record group also includes records of the Commission for Minority Affairs and the Commission for Women.

The records of the Affirmative Action Office span 1969 - 1993 and document the activities of the office and its predecessors, and provide information about affirmative action programs at the university and the status of minority, women, the disabled and other groups on campus. The records have come to the library in a number of accessions.

The Affirmative Action Office record group is organized into five subgroups: Affirmative Action Office, 1969 - 1993; Commission for Minority Affairs, 1971 - 1980; Commission for Women, 1970 - 1985; Council for Minority Concerns, 1979 - 1983; and Advisory Committee on Affirmative Action Programs, 1977 - 1986. The Affirmative Action Office subgroup includes records created or acquired by the Office. The other subgroups represent various university units that were merged into or whose function were taken over by the Affirmative Action Office.

The Afghanistan Archaeological Remains Photograph collection contains photographs, postcards, drawings, and pages of text for an exhibition about Dr. Richard Edward’s Bamiyan photographs of 1968. Most photographs depict archaeological remains from the Begram and Hadda regions of Afghanistan, along with photographs of artifacts from the Kabul Museum. The objects represented in these photographs include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels, made from materials such as glass, stucco, ivory, bronze, schist, and limestone. The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

The Afghanistan Archaeological Remains Photograph collection is composed of approximately 1250 photographs, depicting Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. The photographs were largely taken by Dr. Suresh Vasant while other photographers included Dr. Richard Edrwards, Dr. Walter Spink, Dr. John M. Rosenfield, and Horst P. Schastok. Dr. Richard Edwards took his photographs of Bamiyan in 1968, while the others were likely taken by Dr. Suresh Vasant in 1971. There are approximately 64 photographs and 23 postcards from other institutions. Archaeological remains from the Hadda and Begram regions of Afghanistan comprise the majority of the collection, although there are many photographs of the Bamiyan (approx. 119 photographs) and Fauladi (25 photographs) regions, and of objects from the regions Mundigak (approx. 34 photographs), Fondukistan (approx. 23 photographs) and Surkh Kotal (approx. 38 photographs). The photographs highlight objects made of stucco, terracotta, glass, ivory, stone, and schist, and include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels. General views of archaeological sites such as Bamiyan and Fauladi are also depicted in the photographs.The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

Papers of University of Michigan Professor of Political Science and Faculty Member, Institute for Social Research. Contains correspondence, grants and topical files.

The collection is divided into three series: Grants (1.1 linear feet), Topical (1.2 linear feet), and Correspondence (.7 linear feet). All relate primarily to Organski's prolific research in the areas of political science, foreign affairs, political demography spanning three decades and dozens of international topics.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

The Civilian Conservation Corps (CCC), signed into law by President Franklin D. Roosevelt in 1933, was a federal unemployment relief program designed to put single young men to work during the Great Depression. The CCC employed over 2.5 million men between 1933 and 1942, including 250,000 African Americans, who served in segregated companies. This collection is comprised of 60 photographs, 48 photographic negatives, and digitized images of CCC African American enrollees assigned to work in Michigan companies, including Company 670, Camp Bitely, Company 2695, Camp Free Soil, and and Camp Wahalla.

The collection is comprised of images of the Civilian Conservation Corps African American enrollees from 1933 to 1939. Materials were received by the Bentley in 2016 and in 2018.

The 2016 acquisition includes portrait-style photographs of predominantly unidentified men, assigned to work in Michigan company/camps including Company 670, Camp Bitely, project F-22 and Company 2695, Camp Free Soil, most likely, project F-7.

The title of each photograph was taken from the photograph's inscription, when applicable. All photographs titled "unidentified" had no identifying information, but may have been labeled with a date. After the photographs were digitized and became available online, some of the people depicted on the photographs have been identified by the public.

In 2018, Ray Lyons Jr. donated additional materials that were collected by his father, Ray Lyons Sr., a former member of the CCC. Mr. Lyons Jr. donated additional 30 photographs, 48 negative images, and a small number of clippings to the collection. The images depict African American members of the CCC at a number of locations, including Camp Bitely, Camp Free Soil, and Camp Walhalla. The pictures also document CCC projects such as the building of a Fire Lookout Tower, the clearing of fields and woods, and the construction of a stump fence.

Organization established in 1993 to research, collect, preserve and exhibit cultural and historical materials relating to the life and work of African Americans in Washtenaw County, Michigan. Record book, folder, and a scrapbook containing minutes, program files, correspondence, financial records, by-laws, publications, and clippings.

Record book containing minutes, program files, newsletters, correspondence, financial records, and constitution and by-laws; also scrapbook of clippings, programs, brochures, and other informational items.

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering.

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering. The volume (12.5 x 18 cm) is bound with blue paper and staples. Sample styles range from simple to intricate, with some including beveling, embossing, or silk borders. Most feature chromolithographic color, floral imagery, and animals. Different type settings available to a customer are also advertised.

Agnes B. Laidlaw described her daily activities in New York City from February 11, 1896, to June 20, 1896, in her diary. She frequently discussed her love of painting, social life, and thoughts about romantic love.

In her diary (125 pages), Agnes B. Laidlaw described her daily activities in New York City from February 11, 1896, to June 20, 1896. She composed daily entries between February 11 and June 7, and one additional entry on June 20. Laidlaw lived in Manhattan's Upper West Side, where she attended dinner parties, dances, and other events. She commented on her acquaintances, which included both men and women, and recorded her thoughts about romantic relationships and love (such as her discomfort with second marriages, June 6, 1896, pp. 121-122). On March 9, she recalled meeting a man on a streetcar, to whom she found herself instantly attracted (pp. 30-31). Laidlaw wrote about her fondness for painting and her attendance at French classes. Her social activities included visits to restaurants, concerts, and other performances. On one occasion, she hosted a dinner party, and her diary includes a diagram of attendees' positions at a table (May 14, pp. 87-89). The first 2 pages contain reminiscences about Laidlaw's childhood.

Nurses' aide in the nursery of University Hospital, Ann Arbor, Michigan (1931-1956). Diaries describing daily life and work activities.

Diaries describing daily events, work activities, church attendance, weather.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

Anarchist, social worker, friend of J. A. Labadie, and first curator of the Labadie Collection. Comprise administrative files of the Labadie Collection which she combined and intermingled with personal correspondence, memoirs, and research notes.

The Agnes Inglis Papers are comprised of a variety of materials including her correspondence, research notes, writings, scrapbooks, and her work at the Labadie Collection. The bulk of these papers range from 1924 to 1952, the years during which she served as curator of the Labadie Collection.

These papers hold significance in several respects. First, Agnes Inglis held an important place within the radical movement (anarchism, communism, socialism, etc.) in Southeastern Michigan during the first half of the 20th century, and was particularly active in the anti-conscription campaigns and the subsequent deportation of radicals surrounding the first World War. Her connections within this movement were extensive, and her papers reflect insider knowledge of the events, activities and especially of the individuals of the Left during her lifetime. Also, these papers essentially document the Labadie Collection itself. Because she was the initial and sole curator for the Collection for its first three decades in the University of Michigan libraries, her papers hold extensive information on the Collection's history. Finally, Inglis was an extremely historically minded individual and saw great value in documenting the facts and her impressions of the many people, organizations and events she came to know.

The Agnes Inglis Papers are separated into three series: Corresponsence, with Individual and Corporate subseries; Writings, with Autobiographical, Creative and Theoretical and Notes and Research subseries; and Scrapbooks.

It should also be noted here that during her time as curator of the Labadie Collection, Inglis constructed a card catalog filled with references and biographical and historical notes on the individuals, groups and events of the radical movement. Labadie staff should be consulted if one wishes to view this catalog.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

Agnes and Henry Leeds arrived in Curaçao in October 1842, where they hoped to relieve Henry's ailing health. In her letters to her aunt, Agnes Leeds described Curaçao, their hotel, and local residents. She requested news of her children, who were in Johnson's care, and mentioned her intention to send a black doll to her daughter Agnes. Jane C. Covert wrote to Agnes in January 1843 to express her sympathy for the family's situation. She reported on the Leeds children, and noted that Agnes's son Henry believed that his mother sent the black doll "to be a servant to the other ones."

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. As Smith and a companion had traveled south to restore their health, he commented on Southern life, African Americans, and fellow Northern travelers.

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. Smith discussed his health and the health of his companion, "Sands," and reported on fellow Northerners, particularly in Aiken, South Carolina. He described his experiences on an Atlantic Ocean steamer from New York City to Savannah, Georgia, and on a river steamer from Savannah to Augusta, Georgia. He also mentioned aspects of Southern life such as the weather and food, recorded encounters with black Southerners, and noted white Southerners' attitude toward the United States government and, more specifically, northern politicians. See the Detailed Box and Folder Listing for more information.

The prints are illustrative of significant moments in the history of Michigan from pre-history to World War II.

The A. & H. Jenkins collection is made up of incoming correspondence to this Baltimore, Maryland, furniture manufacturing/undertaking firm, headed by Anthony H. and Henry W. Jenkins. These letters contain requests for contracts and details about prices, bills, and accounts for various types of furniture.

The A. & H. Jenkins collection is made up of 10 incoming letters (1847-1851) to this Baltimore, Maryland, furniture making/undertaking firm (headed by Anthony H. and Henry W. Jenkins). The correspondence contains requests for contracts and details about prices, bills, and accounts for various types of furniture. The collection offers some insight into the business' clientele, such as their particular furniture needs and specifications about materials and design, their geographical locations (from as far away as Charlestown, Virginia), and various circumstances respecting bills and overdue payments.

Short excerpts from two letters illustrate content. One regards delayed payment from a Charlestown, Virginia, Episcopal Church for a desk and pulpit: "The loss of our beautiful church with all its furniture has been a distressing dispensation to us & compelled us to delay, longer than we desired … " (May 7, 1849). Another, from Revered E. C. McGuire at Fredericksburg, Virginia, provides specifications for the construction of a table ($25.00) and chairs ($24.00 each) made with "crimson plush" rather than "crimson damask" (January 29, 1849).

The author of this journal, entitled "Journal de mon Voyage dans les Etats Unis D'Amerique" (34 pages), recorded his or her experiences while traveling from Montréal, Québec, to the eastern United States in the summer of 1816. The journey included visits to New York, Philadelphia, Baltimore, and Washington, D.C.

The author of this journal, entitled Journal de mon Voyage dans les Etats Unis D'Amerique (34 pages), recorded his or her experiences while traveling from Montréal, Québec, to the eastern United States in the summer of 1816. The author left Montréal on June 28, 1816, and boarded a steamboat on the Richelieu River the following morning. After traveling through New York, Pennsylvania, and Maryland by steamboat and stagecoach until mid-July, the writer reached Washington, D.C. The journal records a visit to Samuel Hughes at his Mount Pleasant estate near Havre de Grace, Maryland, on July 11, 1816 (pp. 24-25), as well as the author's experiences in and architectural observations about Albany, New York; New York, New York; Philadelphia, Pennsylvania; Baltimore, Maryland; and Washington, D.C. From July 24, 1816-August 5, 1816, the author made brief entries about the return voyage to Canada. The final 2 pages include additional manuscript notes.

AIDS Partnership Michigan is a Detroit-based organization that provides education about HIV/AIDS and also provides services for those affected by HIV. The organization was formed in 1996 through a merger between Wellness Networks, Inc. (founded 1983) and AIDS Care Connection (founded 1989). The record group is comprised mainly of board meeting minutes of Wellness Networks, Inc., but also included are annual reports, financial reports and educational pamphlets of AIDS Partnership Michigan and Wellness Networks, Inc.

The Ajanta Caves collection is composed of approximately 2,500 black-and-white photographs of the Ajanta caves in Maharashtra, India. The photographs depict 29 of the 31 rock-cut caves within the Ajanta complex taken by Dr. Walter Spink during the course of his research in the latter half of the 20th century.

The Ajanta Caves collection is composed of approximately 2,500 black-and-white photographs of the Ajanta caves. The photographs depict 29 of the 31 rock-cut caves within the Ajanta complex and were taken by Dr. Walter Spink during the course of his research in the latter half of the 20th century. The prints depict panoramic views of the complex, as well as detailed photographs of the façade, porch, court, and interiors of each cave. The prints of the interiors capture plasters, shrines, and detailed carvings within the caves.

The collection documents the activities of the Aladdin Company and its founding family, the Sovereigns, from 1907 until 1989. The Aladdin Company was a manufacturer of catalog "kit homes" in Bay City, MI second in sales volume only to Sears Roebuck & Company. The collection includes company records, sales records (including building projects as part of WWI and WWII war efforts), Aladdin Company advertising materials, order and construction information, and personal records of various members of the Sovereign family - including the court records of the William Sovereign v. Mary Sovereign divorce case.

Mold Alert: Virtually the entire collection suffered from mold and mildew infestations, and in some cases water and mold had damaged items beyond repair. Most, but not all, of the collection has also been fumigated. Researchers should use the collection with care.

The Aladdin Company records, approximately 350 cubic feet, were discovered in a very disorganized state in 1994 in an abandoned Bay City warehouse. V Only the films, architectural drawings and plans had remained largely intact and in their original filing order. Most of the company’s other records had become disorganized. A few records were found in file cabinets while others were in rolling vaults, the combinations for which had been lost. Boxes of material lay scattered in various locations, and much paper simply had come to rest on the floor.

Because of the condition the records were found in, most of the collection’s order has been imposed upon the records. The collection is generally organized according to record type or major functions within the company. In addition, some miscellaneous groups of material have been placed at the end of the collection.

The collection is organized into eleven series: Corporate, Financial, Advertising, Order Department, Construction, Shipping Bills, Suppliers Transit & Mill Sites, Sovereign Family, Photographs and Films, Books and Magazines, and Miscellaneous. Detailed description of each series is found below.

The collection includes incorporation papers, directors’ meeting minutes, contracts, stock records and other basic corporate information, office manuals and procedures, studies, financial statements, appraisals, inventories, payroll, catalogs, advertising material, publications, art work, floor and construction plans, orders, billing lists, invoices, mailing lists, price bills, real estate records, personal records of the Sovereign family (including court records), photographs, films, magazines, and books.

Researchers may also be interested in the Addition to the Aladdin Collection and separately cataloged publications by and about Aladdin kit homes in the Clarke Historical Library.

How to prove that your house is an Aladdin kit home:

Researchers trying to prove that they own an Aladdin kit home, should begin their research in the Aladdin Small Order Log Books, 1914-1981. If you know which year your house was built, begin with the volume/s for that year and search for the last name of the first owner. If you cannot find the owner’s name, that means a carpenter or a man who owned a construction company ordered the house for the owner. You will need to review each entry in that volume searching for any entries ordered in the same style and in the same town or city as your house. To determine the style, look at an Aladdin catalog for the year when your house was purchased. Many styles remained the same in the catalogs over decades. Once you locate your home in the Order Log Book, note the Customer Order Number. This important number will take you to a specific Customer Order Form somewhere in another subseries, Customer Order Forms, 1914-1918, Boxes 93-154. Each Customer Order Form provides detailed information about the home ordered including style, cost, options selected and any custom changes, name of person who ordered it, to whom it will be shipped, and date.

If you are uncertain as to which year your house was built, there are two possible ways to proceed. One is to take an estimated guess, based on style and family lore, and review some Aladdin catalogs from that period and hope you find a house that looks like yours. Then search in the Log Books within that time period for homes in the style and location that matches yours. Another approach is to check the chain of title from when you bought or inherited your house. That should list the earliest owner, verifying the date of construction, unless your house was not the first built on the property

Aladdin Small Order Log Books, 1914-1981, 3 cubic feet (in 3 boxes, #90-92):

Aladdin Small Order Log Books, 1914-1981, function as indexes of those who ordered Aladdin buildings, mostly houses, and direct researchers to specific Customer Order Forms, pages which describe each building in detail as ordered. The Small Order Books is a subseries of records in Series #4 Order Department. Immediately after the Log Books in Series 4 are the Customer Order Forms, 1914-1981, 62 cubic feet (in 62 boxes, #93-154).

Aladdin Small Order Log Books: Description:

The Log Books are both volumes and loose pages. The majority are volumes with information written by hand, in penmanship. Typed information is only found in loose pages which could be fed through a typewriter.

Log Books may have information for one or more years in them. Some Log Books overlap with other Log Books. From the 1950s forward there are always more than one volume/year.

Most log books simply have dates on the cover, others have titles written on, taped on, or printed on the covers such as Order Book, Orders, Record, Order Number Book, etc. Sometimes other forms of volumes were used by Aladdin agents, for example phone number and address books. In order to distinguish one volume from another when the Log Books have no title and there is more than one volume for the year, information such as color of cover or size is noted in the folder label, or Volume I or II was added to the folder label and on the log book’s first page in pencil by Archivist Marian Matyn in 2022 prior to their being digitized.

Aladdin Small Order Log Books: Organization:

Log Books are organized chronologically by year in the boxes. Information within each Log Book is organized chronologically by year ordered and then alphabetically only by first letter of the surname of the person who ordered an Aladdin building. The list of names is in the chronological order in which people purchased homes, so the order numbers are in numerical, although not consecutive, order within each alphabetical run.

Aladdin Small Order Log Books: Information Within them:

Each Log Book contains the following information for each order: date of order, name of a person who ordered the building or house, and Order Number. Additional information often includes house style, for example Pilgrim #2, and address of purchaser at the time of purchase. The address is usually the address to which the house kit was shipped by rail, which might be closer to the carpenter or construction company than the house site. Sometimes the mailing address of the owner is included. Miscellaneous notes may be included for such things order changes or cancellations. These notes were added after the order was recorded and are always handwritten, even on typed pages.

Aladdin Small Order Log Books: Physical Condition:

Like the rest of the collection, the series pages all suffer from some degree of mold and were fumigated. Researchers should use the original materials with care. The log books are in overall fair physical condition. Many volumes have damaged or loose spines, pages, and covers. The pages also suffer from acidification and dirtiness. Some pages have edge damage.

Series Description:

The first series of records has been labeled Corporate and Administrative (boxes 1-12). The Corporate records form the core legal records of the company. They include incorporation papers, directors’ meeting minutes, contracts, stock records and other basic corporate information.

Within the Administrative records are found material relating to the firm drawn together from various locations in the warehouse. It is almost certain that the material placed in this series was originally located in several distinct files. Office manuals and procedures found in this series do much to reveal how Aladdin’s records may have originally looked and various aspects concerning the structure of the company. Detailed folders exist for a number of government and industrial projects (see related plans in Construction series). Various self-studies, particularly the 1961 problem report, are helpful in giving an idea of how the firm viewed its challenges during its final years. Also of interest are the “Co-operator” files of 1913-1922. Sovereign family lore claims that the firm’s founders placed great emphasis on the comments of this Massachusetts customer and often gave much credit to her for helping them “think through” the business.

The information contained in the Financial series (boxes 13-34) provides a fairly complete picture, both in summary and detail, of the financial condition of the company. The Financial series records cover the year 1910-1984, thus they present a very complete chronological picture of the firm’s finances. The annual financial statements summarize the detailed information contained in the much more specific general journal and other financial books. These are followed by appraisals and inventories. Also included in this series is payroll and other employee-related information, although non-financial employee information is found in the Corporate and Administrative series.

For many researchers, the Advertising series (boxes 35-63) will prove particularly important. It has been divided into three sub series: Material re. Advertising and Its Effectiveness, Direct Mail, and Art Work and Floor Plans. Material re. Advertising and Its Effectiveness represented ads placed in magazines across the country that invariably invited readers to send in their name and address to receive a catalog. Aladdin was very proud of the fact that it relied exclusively on this device to develop its catalog mailing list. Much of the series is composed of “source reports,” which analyze the effectiveness of advertisements placed in various publications.

The heart of the company’s advertising was its annual catalog, which is found in the Direct Mail sub-series. Follow-up advertising material, which has been filed with the catalogs, was sent out according to a pre-determined schedule. Although the amount of the follow-up, and in some cases pre-catalog mailings, varied year by year, Aladdin was generally very aggressive in both announcing that the annual catalog was coming and in following up with notes telling customers about the “lost opportunities” and higher prices they would face unless they ordered their new home “immediately.”

Early in the company’s history, Aladdin published several periodicals extolling their products and relating stories about the “Aladdin family” (composed of anyone who purchased an Aladdin home). Incomplete runs of these publications, including the Wedge (1913-1916), the Aladdin Magazine (1916-1918), and Aladdin’s Weekly (1919-1920), are placed at the end of the Direct Mail sub-series.

Also found under the Direct Mail sub-series are the Industrial Catalogs published by Aladdin the 1920s and aimed at corporations interested in group purchases. Housed with these catalogs are also some additional sales material aimed at corporate purchases, price lists, and a few floor plans and other miscellaneous related material.

The Art Work and Floor Plans contains the art work, a few photographic images, and catalog floor plans that were prepared primarily for the annual sales catalog, although some art prepared for other advertising is also found here. Many additional photographs used in the annual catalog are found in the Photographic series.

The Order Department series (boxes 64-153) consists largely of three sub-series: Mailing Lists, Price Bills, and Orders.

Mailing Lists is an extensive group of three by five cards giving the addresses of catalog recipients. Found only for the final few years of the company’s existence, they nevertheless give some idea of the scope of the firm’s mailings.

Price Bills were assembled to calculate the actual cost of each product to the company. Pricing was obviously critical to the company’s success. To monitor costs, each house model received a price bill, which detailed the cost of all materials therein. These records were arranged in alphabetical order by model name. Several alphabets were created, some covering one year while others covered a more extended period of time. Also in this sub-series is pricing information about “specifications” and “options and allowances.” “Specifications” were colored sheets that listed the standard features in a particular house model. “Options,” better or additional items on an order, added to the price of the house. “Allowances” were omissions of standard features which lowered the price of the house.

Most price bills, specifications, options and allowances date from 1940 or later. Price lists are fairly complete beginning in 1934, with a few earlier ones. Unit price lists are generic lists of materials, apparently for use in pricing the various house models.

Orders are a voluminous sub-series that records information regarding each home purchased from the firm. Orders are accessible in two ways. Alphabetical indexes arranged by customer name give access to order forms taken from 1914 until the company’s closing. Beginning in 1949, there are also some indexes by order number.

The order forms themselves are arranged numerically by order number. For practical purposes, however, this represents a chronological arrangement, since orders were given the next available number as they were received. Order forms are the heart of the company’s sales records. They contain information regarding the name and mailing address of the purchases, the model purchases, specifications such as color of interior paint, stain, or roofing shingles, options or allowances the customer requested, and any special instructions or orders.

Researchers seeking information about specific houses should be aware that order forms do not usually include information about where the house was erected. For most of its history, Aladdin shipped houses to a railroad station specified by the purchaser. The purchaser was responsible for moving the material from the railroad station to the construction site. Thus the order form usually includes only the railroad station to which the house was shipped. The mailing address given is that of the purchaser at the time of purchase. Obviously, most individuals would not erect a new house at the same mailing address as where they were living prior to buying a new house. Thus the order forms, by themselves, cannot be used to confirm that a specific structure is, in fact, an Aladdin home.

Sample order forms and instructional notes are contained in the folders in the first order form box. Most order forms received with the collection were in bound, water damaged volumes, necessitating copying order forms and disposing of the originals. A few forms (probably no more than six) could not be separated from the covers and were lost. Even in these cases, it is likely that a record of each order survives in the order indexes.

The Construction series (boxes 154-235) is, like the Administrative series, an artificial gathering of architectural drawings and other construction-related items that likely once made up several files. Although it is composed of many sub-series, the three most significant components of Construction are the Plans for Catalog Models, Plans for Special Orders and Plans for Government and Industrial Projects.

Plans for Catalog Models were organized alphabetically by house model name. Most date from 1947 or later and the series is nearly comprehensive for the post-World War II period of the company. The sub-series consists largely of pencil and ink drawing on mylar (which could be copied onto diazo prints or blueprints and a few sepia prints). All print types are housed together. A full set of plans might include ten sheets or more. Often, numerous plans were done for a house model. Sometimes these changes represented updating of the model to meet changing consumer tastes while in other cases the alternates reflected modifications needed to accommodate various options such as brick veneer, “reverse” plan, or panelized construction. “Filing plans” were usually three plan sheets submitted to the local building inspector for approval. Filing plans are often included with other plans but sometimes are not well identified.

Plans for Special Orders represent orders from individuals sufficiently different from the company’s basic existing house models to require a unique set of drawings rather than an “options” list. Special plans seem to have begun ca. 1940, but most of those which survive date form the 1960s to 1982. The content of the Special Plans sub-series is essentially identical to that found in the Plans.

The Government and Industrial Projects sub-series includes projects for the U.S. government or its allies in World Wars I, II, and the Korean War, or for companies doing essential war work. Most of the projects date from the Second World War but plans exist for three large World War I projects: Fort Snelling, Minnesota; Fort Myer, Virginia; and the Austin Motor Company; Birmingham, England (housing). The Government and Industrial Projects sub-series includes drawings for many, but not all, of the projects listed in the Administrative series. The discrepancy between this sub-series and the Administrative series was created because, according to a former draftsman for Aladdin (1947-1954), the firm disposed of many drawings from the World War II era. Bunk houses and huts sold to industrial concerns are listed in the order logbooks as well as in the Government and Industrial sub-series.

Also housed in the Construction series is the Local Developments, Real Estates and Rentals sub-series. This sub-series primarily documents the real estate speculation of Otto Sovereign in the Bay City area. It includes records of the Bay City Homebuilders Company (ca. 1916-1937, scattered), and the Bay City Commercial Reality Company (ca. 1923-1942), the Lenox Park subdivision (1916-1942), and other real estate firms.

Also found in the Construction series are Suppliers’ Invoices sub-series. These were sampled and include records from 1957-1958 (incomplete), 1965, 1974-1975 (1974 incomplete), and 1980-1981. Discarded were the invoices from 1966-1974, 1976-1979. No invoices dated before 1957-1958 were received.

The Shipping Bills series contains shipping bills, which were standard lists of materials in each house model. A copy was sent to the customer with the house shipment. These were continuously updated to reflect modifications in construction and are usually dated. Shipping Bills series covers the years 1939-1982. They are arranged in alphabetical order by house model name. A random sample of special order shipping bills was retained with the remainder discarded.

The Suppliers, Transit and Mill Sites series is largely concerned with sources of materials and shipping houses to customers. There is also some correspondence concerning potential mill sites and suppliers.

The Sovereign Family series consists primarily of non-Aladdin business records, correspondence, litigation and information regarding the Saginaw Bay Yacht Club. Business records found in this series primarily document the real estate speculation of Otto Sovereign in the Bay City area. It includes records of the Bay City Homebuilders Company (ca. 1916-1937, scattered), the Bay City Commercial Realty Company (ca. 1923-1942), the Lenox Park subdivision (1916-2942) and other real estate firms.

The correspondence is predominately to and from William J. Sovereign, covering the period 1944-1963. It includes personal material, business correspondence other than Aladdin, and information regarding charitable activities. Also found in the series is the court record of Sovereign family litigation in the case of William F. Sovereign vs. Mary K. Sovereign. Finally there is documentation regarding the Bay City Yacht Club (now the Saginaw Bay Yacht Club). Both William J. and Otto E. Sovereign were prominent members of the club.

The Photographs and Films series primarily includes photographs of Aladdin house models, government and industrial buildings, the Aladdin mill and related activities, as well as photographs of completed houses (and some construction series) sent in by owners. Likewise, the films document the Aladdin building method and the 1949 Wonder House. There are also photographs of Aladdin Company functions and Sovereign family members. Much of this material compliments information found in the Advertising series.

Books and Magazines series includes competitors’ catalogs: Hodgson Houses, 1918 and 1933; Bennett Homes, 1928; Sears Roebuck Millwork [c.1922]; and Gunnison [U.S. Steel] Homes, 1954. This series also includes a book and several articles about readi-cut and prefabricated housing.

There are an approximately 80 linear feet of additional Aladdin materials that are unprocessed and awaiting fumigation as of July 8, 2010.

The collection consists mostly of personal Sovereign family materials rather than Aladdin company records. Formats include paper, photographs, negatives, slides, films, oversized scrapbooks, blueprints, homework, some business records, and court and legal documents. MOLD/ALLERGY ALERT: Please note that the collection was treated in spring 2012 for mildew and mold and then deacidified. Some of the materials retain an unpleasant odor. Researchers with allergies should be careful when using the collection.

MOLD/ALLERGY ALERT: Please note that the collection was treated in spring 2012 for mildew and mold and then deacidified. Some of the materials retain an unpleasant odor. Researchers with allergies should be careful when using the collection.

Aladdin Company is organized by size and then into the following sub-series, which are organized alphabetically and chronologically:

Aladdin Advertising, 1920-1969, and undated, in 1 box, 1 Oversized folder (.25 cubic ft.). This is advertising about Aladdin products. Oversized items include a Dog and house drawing with text,“I, too own an Aladdin…”, undated, and “Good houses never grow old”, undated.

Aladdin Business Dealing, which includes business agreements, correspondence, reports, employee records and photographs, 1918-1980, and undated, in 2 boxes, 1 Oversized folder (1 cubic ft.).

Aladdin-Founders of Aladdin, 1911-1975, undated, which consists mostly of Will J. Sovereign’s journals, 1927-1963, a few of these are Will F. Sovereign’s diaries. The series also includes photographs, legal correspondence, accounts, death information, stock certificates, and other certificates and information about the founders, in 4 boxes (3.25 cubic ft.). There is correspondence from “Nig” (Nigel) a friend in Box 6. Of special interest is “Transcript to Lewis, Edmond, and Watkins vs. United States, Filed February 1923,” a transcript to a court case regarding the theft of founder of the Aladdin Company, Will J. Sovereign’s yacht, the “Aladdin,” by rum runners from Canada during Prohibition.

Aladdin Housing, 1911-1983, undated, which documents some of the houses Aladdin sold, customer communications, and 1826 McKinley House, in a variety of formats including memorabilia (a tool belt and Aladdin lamp), various photographic materials, articles in 2 boxes (.75 cubic ft.).

Aladdin Miscellaneous, 1921-1989, undated, with manuals, articles, and reports from Hattiesburg, Mississippi, Bay City, Michigan, Portland, Oregon, and Wilmington, North Carolina in 2 boxes (.75).

Aladdin Oil [business interests], 1927-1972, and undated in 2 boxes (.75 cubic ft.) including photographic materials, advertising, legal records, information on the Roscommon Well and Pere Marquette Railway Company.

The Divorce Case, 1951-1970, and undated in 3 boxes (2.25 cubic ft.). The series, documenting the very long, acrimonious divorce case between Mary and Will F. Sovereign which resulted in Michigan’s No Fault Divorce Law, is notable for the amount and types of information. This series contains a vast amount of spy and detective information in regards to the two parties involved in the case, transcripts from the detectives’ notes and from recorded phone calls, photographs, lawyer correspondence and memoirs, and court documents.

Family papers are organized by size and subdivided by names of the creator, and include:

Billy Sovereign Papers, consists of Awards and Certificates and photographic materials, 1955-1958, and undated, in 1 box (.5 cubic ft.). Of interest here is “Billy’s College Career, 1966, 1971,” which includes notes and homework from Central Michigan University. See Sovereign Youth/Academic and Divorce Case series for more information on Billy.

Jeanette Lempke Sovereign Papers, 1916-1980, and undated, in 2 boxes (.75 cubic ft.). Her papers include photographs, articles, awards and various certificates about her career, material documenting her marriage, crash, death [not from the crash], and estate.

Sally Sovereign Papers, 1928-1970, and undated, in 2 boxes (.75 cubic ft.). Her papers include correspondence to/from Sally, photographs, and miscellaneous.

Will F. Sovereign Papers, 1922-1981, and undated, in 1 box (.5 cubic ft.) include business and personal correspondence, including personal correspondence from someone named “Tiny”, 1972-1976, accounts, awards and certificates, and photographs.

Will F. Sovereign War/Military Papers, 1941-1947, and 1957, and undated, in 2 boxes (.75 cubic ft.) include a diary, correspondence, photographic material, government and military documents, propaganda, and a diary, 1942-1943. Will tried several times to enlist and eventually served in 553rd Army Air Force Base unit from July 15, 1944 to January 24, 1946.

Sovereign Youth/ Academic, 1906-1971 (scattered), and undated, in 2 boxes (.75 cubic ft.) includes homework, certificates, degrees, birthday information, childhood letters and memorabilia, awards, and information on the academic careers of Billy, Sally, and Will F.

There are seven Oversized folders, the contents of Advertising, Business Dealing, and Family papers are described in the series description above.

The last three Oversized folders include various types of architectural records. See the Box and Folder Listing for more detail. Folder #5 is Miscellaneous, 1909-1952 (scattered) and undated, and includes company charts, plans for furniture and Aladdin home parts, and various properties. Folders 6 and 7 consist mostly of blue-line prints of houses, notably Residence for Mr. and Mrs. W.F. Sovereign, Bay City, the yacht “Aladdin”, and land plots in Bay City, Midland, and Saginaw, Michigan.

Oversized volumes. Four of these oversized volumes are acidic scrapbooks about the company and family, three are dated 1929, and one is dated 1929-1932. The two others oversized volumes include a lovely, published, undated volume entitled Industrial Housing in a velvet cover (in box), and a business volume entitled Cars Forwarded which documents the shipping of Aladdin products in railroad cars, 1937-1941.

Other formats include films and slides. There are eleven films, #1 is of Aladdin ranch homes being built, undated; #2 is of a St. Patrick's day parade in Bay City, 1959; and #3-11 are of an air show at James Clements Airport, Bay City, 1972. Also, there is a slide box of slides on Aladdin finished products, a mill building, church construction, and family, mostly Billy Sovereign (See Box Listing for more detail.)

The Rudolph papers include scripts, articles and clippings, publicity and press materials, books, photographs, artifacts/realia, audio and moving image materials, posters, awards, and branded crew garments and caps from many of Alan Rudolph's projects. Photographer Joyce Rudolph is represented by hundreds of professional and personal slides and photographs, including many candid on-set shots.

The collection consists of professional and personal correspondence, assorted clippings, film festival awards and memorabilia, and scripts and production documents related to Alan Rudolph's filmmaking career, spanning his early work in Riot (1969), through 2002's The Secret Lives of Dentists. Also included are a plethora of documents from various unproduced projects. In the Artifacts and Graphics series are a small selection of props from Rudolph's films, most notably The Moderns, along with an assortment of film cast and crew branded gear, including caps, shirts, and jackets, movie posters, and a representation of some of the numerous awards won by the Rudolphs.

A small sub-series of material devoted to friend and mentor, Robert Altman, consists of articles and reviews, assorted programs, and, most notably, photographs taken by Joyce Rudolph.

Joyce Rudolph is represented by hundreds of her professional and sought-after on-set photographs, company stills, and candid shots, all taken during the filming of projects by Alan Rudolph and a wide variety of other notable filmmakers.

A series of Audio and Moving Image material consists of several VHS tapes, several movie video disks as well as two soundtracks. The Artwork series contains an assortment of drawings and paintings, most likely created by Alan Rudolph, along with two large acrylic paintings used as props in The Moderns.

Alan B. Howes was professor of English at the University of Michigan from 1955 to 2001. He was involved in the formation of several unique programs, such as the NDEA Summer Institute for English Teachers, the New England Literature Program, and the Professional Semester. This collection includes correspondence, material from Howes' teaching career and involvement with these programs, and an assortment of Howes' writings.

The Alan B. Howes Papers document Howes' career in teaching, primarily his many years as professor of English at the University of Michigan, and his involvement in programs such as the NDEA Summer Institute for English Teachers, the Professional Semester, and the New England Literature Program (NELP). The records are arranged into nine series: Biographical, Correspondence, Course Materials The Michigan English Teacher, NDEA Summer Institute for English Teachers, New England Literature Program, Photos, Professional Semester, and Projects and Papers.

Alan Campbell , American actor and screenwriter, wrote, with his wife Dorothy Parker, screenplays for Hollywood studios during the 1930s. The collection contains the correspondence and writings of Alan Campbell and Dorothy Parker. Included is World War II correspondence, scripts, screenplays, fragments of several short stories, a play, as well as typescripts of pieces by some of Campbell and Parker's contemporaries.

The Alan Campbell and Dorothy Parker Collection consists of four series, Correspondence, Financial Papers, Writings and Miscellaneous. The Collection contains correspondence and writings of Alan Campbell and Dorothy Parker. Included is correspondence from Campbell to Parker, written during World War II; several letters from Zeppo Marx; and a few letters from Leland Hayward and Rosalie Stewart, with many references to other celebrities. Also included is a portion of the Campbell-Parker collaboration on the screenplay A Star is Born, written with Robert Carson. Campbell’s writings include the script for Told to the Children while Parker is represented by fragments of several short stories and her play The Coast of Illyria. The collection also includes typescripts of pieces written by contemporaries of Campbell and Parker, including Stephen Vincent Benét, Elliott Nugent, John O’Hara, Robert Penn Warren, and Sagittarius (aka Olga Katzin).

Alan Abrams is a Detroit-based press agent/public relations consultant in the music business; publicist for Motown Record Corporation, 1964-1966, later with Stax Records, 1967-1968. The collection consists of press releases, clippings, publicity material, scrapbooks containing press coverage of the recording artists that he represented, including the Supremes, photographs, and his writings about Motown, Otis Redding, and Florence Ballard.

The Al Abrams collection contains scrapbooks, correspondence, press releases, photographs, and memoirs detailing Abrams' work as a publicist and press agent for Detroit's Motown and for Stax Records in Memphis. The collection is valuable for its documentation of Motown in the period of the early to mid-1960s when this Detroit company was beginning its great string of record successes. Abrams was a great collector of press and other materials about the artists who worked for Motown and Stax-Volt.

The Abrams collection measures two linear feet and four oversize volumes whose contents have been foldered. The collection has been arranged into the following series: Motown Record Company, Stax Record Company, Al Abrams Associates, Miscellaneous, Visual Materials, and Scrapbooks.

Newspapers and clippings relating to historical Michigan events and motion pictures.

Alan G. Billings was a set designer and professor at the University of Michigan. The collection includes painted set renderings from productions staged at the University of Michigan during his tenure.

The Alan G. Billings collection consists of set renderings painted by Billings while he was a professor at the University of Michigan. These renderings include both depictions of the sets, and depictions of certain aspects of production staging and costume design. The renderings are organized roughly by size, and thereunder alphabetically by title. Most set renderings also include information on where the production was staged.

Professor of law at the University of Michigan. Papers include correspondence, speeches, and conference files largely concerning his interest in gift and estate tax law.

The papers of Alan Polasky divide themselves into six series: Biographical, Correspondence, Professional affiliations, Speeches, Subject files and Material relating to the University of Michigan.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century.

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century. The author, who signed himself "Will," wrote the three letters to his brother Sam, from Fort Wrangle, Alaska (now Wrangell). Will's letters relate to life in Alaska during the early days of its settlement, with a particular focus on employment and on local Indians. Will, who owned a boat and fished for salmon, described his work and provided a picture of his life in the sparsely settled country. He focused on several aspects of life in Alaska, including the natural terrain and his encounters with local Indians, whom he believed to be immoral: "[in] some cases when the squaws are broke they are mighty glad to put in a night with a fellow & get two bits or some beans & bacon in the morning" (February 16, 1889). Will also repeatedly discussed the salmon industry and employment, including his occupation assisting the local marshal.

The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

Administrative assistant to George Romney, governor of Michigan and U. S. Secretary of Housing and Urban Development. papers include correspondence, personnel reports, memoranda, and background files concerning Applegate's work as Romney's aide and speech writer.

The papers document Applegate's close working relationship with George Romney in his campaign for the presidency, as staff member in the Department of Housing and Urban Development, and as one of his staff at the National Center for Voluntary Action.

The collection has been divided into six series: Chronological, 1963-1972; Background Files, 1963-1973; U.S. Department of Housing and Urban Affairs, 1969-1972; National Center for Voluntary Action, 1969-1973; Voluntary Action Background Files, 1969-1973; and European Trip, 1970. The researcher should note that the great value of the Applegate papers is as a supplement to the various series in the George Romney collection. The researcher is urged to begin with the inventories to the Romney papers before turning to the Applegate papers.

Professor of music and director of the University Musical Society at University of Michigan. Correspondence, articles, lectures, speeches, autobiography, and photographs.

The Stanley collection consists mainly of manuscripts of his articles, lectures, and speeches on musical topics. There is, in addition, Stanley's research material, including musical notes and analyses, notes intended to accompany illustrations of musical instruments found in the Stearns Collection of Musical Instruments at the University of Michigan, and scrapbooks containing concert programs featuring Stanley and his work. Stanley's autobiography, "Echoes of a busy life or reminiscences of a professor emeritus" is a valuable source of personal information.

Detroit clergyman who took the name Jaramogi Abebe Agyeman, founder of the Shrine of the Black Madonna, and advocate of the program and philosophy of the Black Christian Nationalist movement. The collection has been divided into four series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, and the files of the Shrine of the Black Madonna National Office.

The collection contains correspondence, sermons, and writings of Albert B. Cleage, Jr. (his name would later be changed to Jaramogi Abebe Agyeman); records of the shrine of the Black Madonna; papers of individuals within the church who assisted Cleage; and records of the National Office of the Shrine.

The collection has been divided into seven series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, the files of the Shrine of the Black Madonna National Office, Sound Recordings, Photographs, and Miscellaneous.

Detroit, Michigan clergyman, pastor at St. Mark's Presbyterian Church, which later became Central Congregational Church. In the 1960s, Cleage and his congregation began restructuring the church's rituals, programs, and theology to conform to the Black Christian Nationalist philosophy. In 1970, the church was renamed the Shrine of the Black Madonna. The collection contains correspondence, sermons, and writings of Albert B. Cleage, Jr. (his name would later be changed to Jaramogi Abebe Agyeman); records of the shrine of the Black Madonna; papers of individuals within the church who assisted Cleage; and records of the National Office of the Shrine.

The collection has been divided into four series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, and the files of the Shrine of the Black Madonna National Office.

Albert Brown Hale, a shoemaker and factory foreman from West Newbury and Haverhill, Massachusetts, kept these 13 diaries between 1894 and 1931. He regularly recorded daily events, such as his work experiences, social life, and family news.

Albert Brown Hale, a shoemaker and factory foreman from West Newbury and Haverhill, Massachusetts, kept these 13 diaries between 1894 and 1931. He regularly recorded daily events, such as his work experiences, social life, and family news.

Each diary is a pre-printed daily diary: the 1894 volume is "The Standard Diary;" the remaining volumes (1912-1931) were published by the Pfister & Vogel Company. Hale wrote lengthy entries each day, describing the day's events, and inserted important names, places, subjects, and events in block letters for emphasis. Hale's writing details his activities, particularly his shoemaking work, routine manual tasks, and his social life. Throughout 1894, he kept a record of the number and types of shoes he made each day. Hale frequently called on friends, attended community events, and traveled around Massachusetts. Many entries reflect his involvement with Haverhill's local Masonic Lodge. In his later diaries, he reported some of his son's activities. Though Hale focused primarily on his personal experiences, he occasionally wrote brief lines about important news events, such as developments during World War I and United States presidential elections.

College administrator; correspondence, newspaper clippings, and printed materials.

The Jacobs papers consist of correspondence, clippings, and speeches from his career as law professor and college administrator. Most of the papers are of a personal nature and provide little documentation of his activities at either Columbia, University of Denver, or Trinity College. The address series is valuable for its discussions of higher education from the 1940s to the 1960s.

The Albert Davis papers contain letters written by Civil War soldier Albert Davis, of the 15th Massachusetts Regiment, Co. G. Davis described his regiment's roles in the battles of Ball’s Bluff, White Oak Swamp, Gettysburg, Bristoe Station, Spotsylvania, Cold Harbor, and Petersburg.

The Albert Davis papers consist of 97 letters written by Civil War soldier Albert Davis of the 15th Massachusetts Regiment, Co. G, 3 letters written by his friends and family, one allotment receipt, his military discharge papers, and a photo of Albert Davis.

Albert Davis wrote letters while stationed with the Union army in Virginia, Maryland, and Washington, between August 1861 and June 1864. Of the letters, Davis sent 83 to his widowed mother and 14 to his teenage sister, Angeline, both living in Upton, Massachusetts. The collection also holds one letter from Albert's mother to his sister (June 30, 1864), a letter from R. W. Ellis to Angeline Leland Davis (March 5, 1864), and a letter from W. I. Scandlin to Albert Davis (July 2, 1874).

Albert's letters document his participation as a soldier in the 15th Massachusetts Regiment from the beginning of the regiment’s formation in July 1861, until its dissolution after the battle of Petersburg (June 22, 1864), when all but eight men and one officer were killed or captured. In the early letters, Davis described his initial training near Worcester, Massachusetts. At first, he enjoyed soldiering, and sent home souvenirs: a piece of wood from the Harper's Ferry Bridge (October 6, 1861), and a piece of cotton from the breastworks at Yorktown (May 24, 1862). He wrote of snowballing a barge while on picket duty (January 4, 1862), and of picking wild blackberries during the fighting at Malvern Hills (August 2, 1862). Upon seeing the Monitor anchored among other boats at Hampton, Virginia, he wrote "it dont look as though it could take a Canal boat" (April 2, 1862). Many of his letters mentioned food, either what he was eating or what he would like to receive from home (cheese, tea, molasses, catsup, preserves, baked goods, chocolate, and checkerberry extract). On August 2, 1862, he sent a recipe for pudding made from hardtack. By December 1863, his feelings about soldiering had changed and he became determined not to reenlist. He was irritated by the "bounty men" who fought for money rather than patriotism (March 9, 1863; August 6, 1863). He witnessed several military executions (September 4, 1863; April 26, 1864). Davis also described his six months spent in hospitals and convalescent camps, and his part in the battles of Antietam, Cold Harbor, Gettysburg, and Bristoe Station.

His letters describing the Battle of Gettysburg are of particular interest not just for their accounts of the battle (July 4, 17, and 27, 1863), but also for his corrections of inaccuracies in the newspaper coverage of the battle (August 13 and 21, 1863). On May 14, 1864, Davis wrote from "mud hole near Spotsylvania Court House" and stated that the battle was "the hardest fight of the War." A few weeks later, on June 6, 1864, he wrote from the battlefield at Cold Harbor that "we are about sick of making Charges [--] we are not successful in one half of them and the loss on the retreat is great...there is some wounded men that are a lying between the lines that have laid there for three days and have not had a bit of care perhaps not a drop of water."

• October 22, 1861
• October 29, 1861
• November 6, 1861
• November 16, 1861
• November 17, 1861
• November 26, 1861
• May 6, 1862
• November 2, [1862]

Manchester Township, Washtenaw County, Michigan, farmer. Material concerning farming activities, English's work with the Southern Washtenaw Farmers' Club, local Democratic Party affairs, his work as clerk of the Iron Creek (Manchester Township) Free Will Baptist Church; correspondence; miscellaneous account books of family members, notebooks containing reference information, and reports of the overseer of highways for Manchester Township; and photographs. Correspondence includes a letter from Thomas English of West Virginia, who was formerly an enslaved person. The collection also includes a diary of Lucy English, Albert D. English's sister.

The English collection documents different phases of his life and provides the researcher with material for the study of Manchester, Michigan between 1880 and 1910. In addition to correspondence, the collection includes notebooks containing the newspaper columns on local affairs which English wrote for several county newspapers. There are also 18 "Ready Reference Books" containing lists of local, state, and national political candidates and office holders, Manchester property owners, lists of school teachers and graduates, church leaders, as well as other information gleaned from almanacs and newspapers over the years. Included are also several farm journals of Albert English and his father Benjamin English, and a personal diary and a scrapbook of Albert's sister Lucy English (in marriage, Lucy Simmons). Much of the correspondence files concerns the Free Will Baptist Church. Correspondence includes one letter from Thomas English of West Virginia, a formerly enslaved person, whom Albert English apparently contacted in regard to the family genealogy. There is no record of continued correspondence on this subject.