Collections

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

Visual material includes one press photograph by Ed Walston of Adlai Ewing Stevenson II with President Dwight D. Eisenhower and Secretary of State John Foster Dulles, and one woodblock print of Adlai E. Stevenson II by Jacob Steinhardt.

Please see the box and folder listing below for more details about each item in the collection.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. As Smith and a companion had traveled south to restore their health, he commented on Southern life, African Americans, and fellow Northern travelers.

A. G. Smith wrote 9 letters to his sister, Mernie Smith Cone of Groton, Connecticut, while traveling to and living in Georgia and South Carolina from 1870-1871. Smith discussed his health and the health of his companion, "Sands," and reported on fellow Northerners, particularly in Aiken, South Carolina. He described his experiences on an Atlantic Ocean steamer from New York City to Savannah, Georgia, and on a river steamer from Savannah to Augusta, Georgia. He also mentioned aspects of Southern life such as the weather and food, recorded encounters with black Southerners, and noted white Southerners' attitude toward the United States government and, more specifically, northern politicians. See the Detailed Box and Folder Listing for more information.

The A. & H. Jenkins collection is made up of incoming correspondence to this Baltimore, Maryland, furniture manufacturing/undertaking firm, headed by Anthony H. and Henry W. Jenkins. These letters contain requests for contracts and details about prices, bills, and accounts for various types of furniture.

The A. & H. Jenkins collection is made up of 10 incoming letters (1847-1851) to this Baltimore, Maryland, furniture making/undertaking firm (headed by Anthony H. and Henry W. Jenkins). The correspondence contains requests for contracts and details about prices, bills, and accounts for various types of furniture. The collection offers some insight into the business' clientele, such as their particular furniture needs and specifications about materials and design, their geographical locations (from as far away as Charlestown, Virginia), and various circumstances respecting bills and overdue payments.

Short excerpts from two letters illustrate content. One regards delayed payment from a Charlestown, Virginia, Episcopal Church for a desk and pulpit: "The loss of our beautiful church with all its furniture has been a distressing dispensation to us & compelled us to delay, longer than we desired … " (May 7, 1849). Another, from Revered E. C. McGuire at Fredericksburg, Virginia, provides specifications for the construction of a table ($25.00) and chairs ($24.00 each) made with "crimson plush" rather than "crimson damask" (January 29, 1849).

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century.

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century. The author, who signed himself "Will," wrote the three letters to his brother Sam, from Fort Wrangle, Alaska (now Wrangell). Will's letters relate to life in Alaska during the early days of its settlement, with a particular focus on employment and on local Indians. Will, who owned a boat and fished for salmon, described his work and provided a picture of his life in the sparsely settled country. He focused on several aspects of life in Alaska, including the natural terrain and his encounters with local Indians, whom he believed to be immoral: "[in] some cases when the squaws are broke they are mighty glad to put in a night with a fellow & get two bits or some beans & bacon in the morning" (February 16, 1889). Will also repeatedly discussed the salmon industry and employment, including his occupation assisting the local marshal.

The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

Professor of music and director of the University Musical Society at University of Michigan. Correspondence, articles, lectures, speeches, autobiography, and photographs.

The Stanley collection consists mainly of manuscripts of his articles, lectures, and speeches on musical topics. There is, in addition, Stanley's research material, including musical notes and analyses, notes intended to accompany illustrations of musical instruments found in the Stearns Collection of Musical Instruments at the University of Michigan, and scrapbooks containing concert programs featuring Stanley and his work. Stanley's autobiography, "Echoes of a busy life or reminiscences of a professor emeritus" is a valuable source of personal information.

Albert Brown Hale, a shoemaker and factory foreman from West Newbury and Haverhill, Massachusetts, kept these 13 diaries between 1894 and 1931. He regularly recorded daily events, such as his work experiences, social life, and family news.

Albert Brown Hale, a shoemaker and factory foreman from West Newbury and Haverhill, Massachusetts, kept these 13 diaries between 1894 and 1931. He regularly recorded daily events, such as his work experiences, social life, and family news.

Each diary is a pre-printed daily diary: the 1894 volume is "The Standard Diary;" the remaining volumes (1912-1931) were published by the Pfister & Vogel Company. Hale wrote lengthy entries each day, describing the day's events, and inserted important names, places, subjects, and events in block letters for emphasis. Hale's writing details his activities, particularly his shoemaking work, routine manual tasks, and his social life. Throughout 1894, he kept a record of the number and types of shoes he made each day. Hale frequently called on friends, attended community events, and traveled around Massachusetts. Many entries reflect his involvement with Haverhill's local Masonic Lodge. In his later diaries, he reported some of his son's activities. Though Hale focused primarily on his personal experiences, he occasionally wrote brief lines about important news events, such as developments during World War I and United States presidential elections.

The Albert Davis papers contain letters written by Civil War soldier Albert Davis, of the 15th Massachusetts Regiment, Co. G. Davis described his regiment's roles in the battles of Ball’s Bluff, White Oak Swamp, Gettysburg, Bristoe Station, Spotsylvania, Cold Harbor, and Petersburg.

The Albert Davis papers consist of 97 letters written by Civil War soldier Albert Davis of the 15th Massachusetts Regiment, Co. G, 3 letters written by his friends and family, one allotment receipt, his military discharge papers, and a photo of Albert Davis.

Albert Davis wrote letters while stationed with the Union army in Virginia, Maryland, and Washington, between August 1861 and June 1864. Of the letters, Davis sent 83 to his widowed mother and 14 to his teenage sister, Angeline, both living in Upton, Massachusetts. The collection also holds one letter from Albert's mother to his sister (June 30, 1864), a letter from R. W. Ellis to Angeline Leland Davis (March 5, 1864), and a letter from W. I. Scandlin to Albert Davis (July 2, 1874).

Albert's letters document his participation as a soldier in the 15th Massachusetts Regiment from the beginning of the regiment’s formation in July 1861, until its dissolution after the battle of Petersburg (June 22, 1864), when all but eight men and one officer were killed or captured. In the early letters, Davis described his initial training near Worcester, Massachusetts. At first, he enjoyed soldiering, and sent home souvenirs: a piece of wood from the Harper's Ferry Bridge (October 6, 1861), and a piece of cotton from the breastworks at Yorktown (May 24, 1862). He wrote of snowballing a barge while on picket duty (January 4, 1862), and of picking wild blackberries during the fighting at Malvern Hills (August 2, 1862). Upon seeing the Monitor anchored among other boats at Hampton, Virginia, he wrote "it dont look as though it could take a Canal boat" (April 2, 1862). Many of his letters mentioned food, either what he was eating or what he would like to receive from home (cheese, tea, molasses, catsup, preserves, baked goods, chocolate, and checkerberry extract). On August 2, 1862, he sent a recipe for pudding made from hardtack. By December 1863, his feelings about soldiering had changed and he became determined not to reenlist. He was irritated by the "bounty men" who fought for money rather than patriotism (March 9, 1863; August 6, 1863). He witnessed several military executions (September 4, 1863; April 26, 1864). Davis also described his six months spent in hospitals and convalescent camps, and his part in the battles of Antietam, Cold Harbor, Gettysburg, and Bristoe Station.

His letters describing the Battle of Gettysburg are of particular interest not just for their accounts of the battle (July 4, 17, and 27, 1863), but also for his corrections of inaccuracies in the newspaper coverage of the battle (August 13 and 21, 1863). On May 14, 1864, Davis wrote from "mud hole near Spotsylvania Court House" and stated that the battle was "the hardest fight of the War." A few weeks later, on June 6, 1864, he wrote from the battlefield at Cold Harbor that "we are about sick of making Charges [--] we are not successful in one half of them and the loss on the retreat is great...there is some wounded men that are a lying between the lines that have laid there for three days and have not had a bit of care perhaps not a drop of water."

• October 22, 1861
• October 29, 1861
• November 6, 1861
• November 16, 1861
• November 17, 1861
• November 26, 1861
• May 6, 1862
• November 2, [1862]