Collections : [University of Michigan William L. Clements Library]

The Benjamin Brown collection is made up of correspondence, documents, and artifacts related to the showman's career as a circus owner in the early 1800s. Many of the letters relate to his journey to Egypt between 1838 and 1840, as he attempted to procure giraffes for an American menagerie company; to his other travels; and to the contemporary American circus industry.

The Benjamin Brown collection is made up of correspondence, documents, and artifacts related to the showman's career as a circus owner in the early 1800s.

Letters, documents, and printed materials concern Brown's early ventures as a show owner, including correspondence and financial records pertaining to his travels in the Caribbean and to the northeast coast of South America in the early 1830s. These materials document the difficulties of transporting exotic animals by sea, the type of equipment necessary to run a circus, and other logistical issues.

A later group of letters and documents reflects Brown's experiences in Egypt, where he traveled as an agent of the June, Titus, Angevine & Company, attempting to purchase giraffes. Many of these letters are from Stebbins B. June, who was also in Egypt at the time, and several items relate to George R. Gliddon, United States consul in Cairo. Brown's friend Gerard Crane wrote about Brown's business affairs in New York, and frequently reported the increasingly frail health of Brown's father. Benjamin Brown received a letter from P. T. Barnum, who asked him to find a pair of fortune tellers for Barnum's museum. He also inquired about locating a pony small enough to accommodate his performer Tom Thumb (June 29, 1843). While in London, Brown frequently received letters from his sister, Eudocia Brown Noyes, who wrote of the Brown family farm and provided other news from Somers, New York.

The collection includes playbills and broadsides advertising Brown's circus; Brown's marriage license (March 20, 1841); a pencil sketch of Brown; two passports; and three fragments of an Arabic-language scroll, offering protection to the bearer. Later material includes newspaper clippings from 1879, 1880, and 1931, on Brown's life and career, as well as an audio tape of an interview with his grandson, Benjamin Brown.

Box 2 of the collection includes correspondence, documents, printed items, photographs, and audio recordings related to the history of Benjamin Brown, the circus, and Somers, New York. Principally organized around the career and research of Carrie Brown Rorer (1903-1969), President of the Somers Historical Society and Benjamin F. Brown's great-grandaughter, the material provides insight into public history, memory, and research on the circus. Included is a typed document, "Circus History: Recollections by Benjamin Brown (1877-1962) as told to Carrie Brown Roher, (1903-1969), who was one of his three daughters," which details memories of Benjamin F. Brown and family stories about him.

• Two shoes, [1800s]
• Burnoose, [1800s]
• Black circus jacket, [1800s]
• Pipe stem and bowl
• Two rocks
• Fragments from an ostrich eggshell
• Canopic jar lid
• Two small boxes
• Ushabti figure
• Harpocrates figure

The Egyptian figures may date to around 600 BCE.

The Bleecker Houston papers consist of papers and photographs which pertain to Houston's service in the Women's Army Auxiliary Corps during World War II.

The Bleecker Houston papers consist of 90 items all of which pertain to her service in the Women's Army (Auxiliary) Corps during World War II. The collection consists of 49 photographs, four photograph negatives, 32 military papers, and five miscellaneous items. The photographs include five of Bleecker Houston herself, four military photographs (including an encampment, a photo of a group of soldiers, red cross vehicle, and a prop plane), 12 photographs of Douglas MacArthur and several other officials, three photographs of the signing of the surrender of Japan, four scenic photos taken in London, and 18 photographs (of photographs) of the sinking of the Bismarck.

Houston's military papers contain 15 documents pertaining to her duties and five documents regarding her training and enlistment in the WAAC. Sergio Osmana and Douglas MacArthur authored 5 documents to the people of the Philippines to provide assurance and to induce a fighting spirit. In a General Order, MacArthur expresses his appreciation to his troops, staff, and the Philippine people. Two documents pertain to Houston's son, John Thomas Simmons Jr., and one pertains to John T. Simmons.

In addition, the collection includes a manuscript piece of sheet music "Women's Army Corps," a certificate of appreciation from St. Mary's County Commission for Women, and two V-mail political cartoons from John Simmons to Houston. The five miscellaneous items include three newspaper clippings related to Bleecker Houston, and two pieces of Japanese currency used by the military.

This collection is made up of diaries, correspondence, documents, scrapbooks, photo albums, negatives, yearbooks, awards, artifacts, and regalia of career U.S. Navy officer David Nash. Much of the content relates to Lieutenant Nash's naval career and his time as a prisoner of war in the Pacific during World War II.

This collection is made up of diaries, correspondence, documents, scrapbooks, photo albums, negatives, yearbooks, awards, artifacts, and regalia of career U.S. Navy officer David Nash. Much of the content relates to Lieutenant Nash's naval career and his time as a prisoner of war in the Pacific during World War II.

The Diaries include two volumes (380 pages) by David Nash, detailing his experiences as a prisoner of war for over three and a half years during World War II. These are illustrated copies made after the war from original diaries and notes (one of his shipmates buried the first portion of the original diary in a 5-gallon tin can on Luzon in order to recover it later). Lieut. Nash's almost daily entries reveal his activities, health, mentality and moods, plus information on the activity around him and any rumors or gossip. Most entries conclude with a note to his "darlings," his wife Honoria and daughter Julie. Detailed illustrations of the prison camps and ships appear throughout the diaries. Nash also included relevant drawings in the margins (guards, a shower, turkey dinner, himself reading, playing cards, etc.).

The first diary is an alphabet-sectioned ledger with 300 lined pages, covering December 1, 1941, to May 29, 1944. It also contains lists of USS Mindanao personnel and occupants of Barrack #9 Camp. The diary opens with two watercolor maps of the China Sea entitled "Cruise of U.S.S. Mindanao, 1941" and "Corregidor and Vicinity, 1942." David Nash described his time on Mindanao, stationed at Corregidor during its surrender and capture by the Japanese forces, and as a prisoner of war at Bilibid Prison, Cabanatuan, USAFFE Camp 91st Division, a second time at Bilibid Prison, and the Davao Penal Colony.

The second diary has 80 lined pages and spans October 13, 1944, to October 10, 1944. This volume continues Nash's account of life as a prisoner of war. He described his experiences on the hell ship Oryoku Maru, at Hoten Camp in Mukden, Manchuria, and during the camp's liberation on August 19, 1945.

The Naval Documents, Correspondence and Articles series contains letters, reports, newspaper clippings, personal notes, awards, an illustration, and ephemera relating to David Nash's naval career and POWs in general; the bulk of which ranges between 1934 and 2005. A portion of the documents in this series relate to the family of a fellow naval officer named Heisinger.

• USS Hornet files: Nash's correspondence requesting aircraft reports, aircraft action reports from the Hornet's carrier air group 11 bombing the hell ships Nash was held on, and Hornet Club ephemera, 1944-1945, 1972-2000.
• Prisoner of War files: Nash's postwar correspondence with a fellow POW, who wrote on the band and entertainers at one of Nash's camps. Other papers include reports on how to survive as a prisoner of war, healthcare for survivors, articles relating to prisoners of war, pamphlets on American Japanese internment camps and the misuse of the term 'internment,' and Nash's personal notes, 1972-2008.
• Heisinger files: Correspondence between the Heisinger family and David Nash, printed materials relating to World War II, official Navy photographs, and personal photographs.
• Awards and Commendations: Awards given to David Nash by the Navy and the President of the United States and correspondence upon his retirement from the Navy.
• Illustration of USS Mindanao
• Map of a Western Pacific Cruise and a pin-up.

The Scrapbooks series consists of two scrapbooks.

• [Personal Moments, 1928-1948]. This scrapbook tracks David and Honoria's life from high school until 1948. Much of it focuses on David Nash's career and his time as a prisoner of war. It contains photographs, newspaper clippings, letters, awards, telegrams, and ephemera, with captions or notes on most pages. Of particular note are letters and telegrams to Honoria Nash from the Navy informing her on her husband's status as missing and later as prisoner of war.
• "Scrapbook, Hong Kong 1939-Dec. 1964." This scrapbook primarily traces David Nash's naval career through photographs, newspaper clippings, invitations, and ephemera from 1939 to 1964. It includes a few references to his wife Honoria's volunteer work and his daughter Julie's engagement.

The Photographs series contains four photo albums and many negatives.

Subseries: Photo Albums

• "Aug. 1939 to 1941 En Route and at Hong Kong." This album consists of personal photographs from David and Honoria's honeymoon in the Grand Canyon in 1939, their travels to Hong Kong by way of San Francisco and Honolulu, life in Hong Kong up until the evacuation of dependents in 1940 and his assignment on USS Mindanao in 1941. Other locations photographed include Kowloon, Shameen, Canton, and New Territories. Each page is captioned with a date and/or description. Also included in this album is an envelope with duplicates and a telegram to David Nash's father informing him that his son's name was on a list of personnel at Camp Hoten in Mukden, Manchuria.
• [Navy Photos, 1952-1960]. This album contains 40 photographs from 1952 to 1960, highlighting various events in David Nash's career, changes in command, reunions, an inspection trip, and naval ceremonies. It also includes individual and group portraits with fellow officers and staff. Some photographs include descriptions and dates.
• [Navy Photos, 1960-1961, 1966]. This album is comprised of U.S. Navy photographs, largely from the period of David Nash's Naval Intelligence posting. Additional images include aerial photographs, Navy ships, two postcards from 1966, a Navy certificate, and an envelope containing miscellaneous negatives and photographs. Many of the photographs include notes with names and descriptions.
• "Navy 1959-1965." This album consists of personal photographs from David Nash's Navy assignments. The three primary groupings include "Corregidor & Ft. Hughes 1959," "Comdesron 5 Deployment 1960," and "District Intelligence Officer 1961-65." Locations featured are Thailand (including Bangkok), Singapore, Saigon, Philippine Islands, Hong Kong, and California. Most photographs include notes on locations and names.

Subseries: Negatives. This subseries contains negatives from photographs of wide-ranging dates and topics, all related to David Nash's personal life and career.

The Yearbooks series contains four Lucky Bag United States Naval Academy yearbooks from 1932, 1933, 1934, and a 50 Year Rendezvous USNA-1935 anniversary yearbook.

The Artifacts and Regalia series contains objects from David Nash's career including his desk name plate, two plaques, a naval uniform belt, a bronze star, dog tags, and various other uniform accessories (ribbons, medals, pins, buttons, etc.).

This collection is comprised largely of the World War II letters of United States Army Air Forces Lieutenant Donald R. Caird (of Southeast Michigan) to Margaret I. MacDonell (of Phoenix, Arizona). Lieut. Caird's correspondence spans his Army Air Forces flight and instrument training at bases in Texas, Arizona, and California, 1943-1944; and his services as a pilot instructor at Merced, California, and Lincoln, Nebraska, from 1944 to 1945. His letters include information about work and everyday life on base, but primarily focus on his courtship with Margaret MacDonell, their marriage on December 7, 1943, the birth of their first son, and other aspects of their relationship, household, and newly forming family.

This collection is comprised largely of the World War II letters of United States Army Air Forces Lieutenant Donald R. Caird (of Southeast Michigan) to Margaret MacDonell (of Phoenix, Arizona). Lieut. Caird's correspondence spans his Army Air Forces flight and instrument training at bases in Texas, Arizona, and California, 1943-1944; and his services as a pilot instructor at Merced, California, and Lincoln, Nebraska, from 1944 to 1945.

Correspondence Series: In his letters, Donald Caird commented on his training, on the flying students, his own instructional methods, his administrators ("the brass"), weather conditions that had an effect on flying, his quarters, clothing and laundry, frustration with changing instructional requirements, vehicles and transportation, the GI Bill (March 22, [1945]), playing golf, bowling, and watching basketball and football games.

The most prevalent content in the Caird's correspondence pertains to his courtship with Margaret I. MacDonell, their marriage, the birth of their first son, and other aspects of their relationship, household, and newly forming family. He wrote about attending mass and confessional; planning before their December 1943 wedding; anticipating the birth of "shack rat"/"Roscoe" (i.e. Donald Caird) in November 1944; discussing Margaret's pregnancy, health, and medical treatments; working with real estate agents to find a house for Margaret and Roscoe near his Air Forces bases; wondering and reflecting on Roscoe's growth; trying to help manage finances; and planning for furloughs. He frequently discussed the next times he would be able to connect with Margaret. A small number of other correspondents contributed to the collection, including, for example, a couple of letters from Donald R. Caird's mother Ella Caird, enclosed in his letters of January 1944, and a letter from Dr. D. H. Moulton of Chico, California, on Margaret Caird's physical condition and pregnancy (June 13, [1944]).

A selection of Lieut. Caird's letters bear illustrated, printed letterheads, including those of the Hotel Tioga, Merced, California, "The Gateway to Yosemite"; "GARDNER FIELD", California (June 13, [1944]); and "New HOTEL OAKS", Chico, California (summer 1944).

Documents Series: The six partially printed documents contain records of Donald R. Caird's training at Thunderbird Field II, near Phoenix, Arizona, with aircraft types (all Stearman Aircraft Company PT-17s), flight times, and instructor names, December 8, 1942-January 19, 1943.

Printed Items Series: The printed items include five invitations/announcements/memorials, three newspaper clippings, and one printed pamphlet. The announcements include an invitation to the ordination of Rev. Alfred P. Caird (1915-1980) at Saint Basil's Church, Toronto, Ontario, September 29, 1941, along with a smaller announcement card for Rev. Caird's "First Solemn Mass" at Detroit, Michigan, October 5, 1941. The announcements/memorials include three variant printings memorializing Ella C. Caird following her death on July 5, 1962 (William Sullivan & Son Funeral Home, Royal Oak, Michigan). The three undated (World War II era) newspaper clippings regard the marriage of Dorothy Rohrbacher to Ted Levandowski, the birth of Donald Caird on November 21, [1944], and a pictorial announcement about the newly organized Ria Club Alumnae (including Margaret McDonell in a group portrait). The collection's single pamphlet is: Steve Caird, et al.The Greatest Generation: Caird Stories Volume 2 . Artifact Uprising, [21st Century].

This collection contains 21 letters and 1 document related to the family of Luke Drury of Grafton, Massachusetts. Most of the correspondence pertains to finances and business affairs. The collection also contains a legal document between John Drury, Henry Wight, and a Massachusetts Native American tribe, as well as 2 Drury family histories written in the late 20th century.

This collection contains 21 letters and 1 document related to the family of Luke Drury of Grafton, Massachusetts. Luke Drury received 11 letters from his son John, a merchant in Bristol, Rhode Island, between 1786 and 1790; 4 letters from his son Thomas, who lived in Providence, Rhode Island; and 2 letters from an acquaintance, Samuel Wardwell. John Drury also wrote 4 letters to his brothers Aldon and Thomas. Most letters pertain to finances and business affairs. The collection also contains a legal document between John Drury, Henry Wight, and a Massachusetts Native American tribe, as well as 2 Drury family histories written in the late 20th century.

John Drury's letters to his father mainly concern his financial and business interests in Bristol, Rhode Island, often related to Caribbean trade; his letter of December 22, 1786, discusses paper currency. John Drury wrote 2 letters to his brother Aldon, advising him to focus on his education, and 2 letters to his brother Thomas, extending an invitation to live with him and attend school in Bristol. In a document dated March 22, 1790, John Drury and Henry Wight appointed Luke Drury their attorney in a monetary dispute with the "Trustees of the Asnomisco Indian Tribe" [the Hassanamisco Nipmuc] over debts owed by James Thomas, a member of the tribe by intermarriage.

Luke Drury also received 2 letters from Samuel Wardwell and 4 letters from his son Thomas, who reported on his finances and discussed his life in Providence, Rhode Island, where he intended to study navigation and lunar observation. The collection also contains 2 bound family histories compiled by Cuma Drury Schofield: My Drury Family (1987) and My Mother's Brown Family (1990).

The Bridgman "autobiography" consists of a typescript of a long series of letters sent by Edward P. Bridgman to a cousin, which form a continuous, sometimes rambling narrative of Bridgman's life from the time he travelled to Kansas in 1856 through the end of the Civil War.

The Bridgman "autobiography" consists of a typescript of a long series of letters sent by Edward P. Bridgman to a cousin (?), Sidney, between June 10th, 1894 and April 9th, 1895. The letters were transcribed by another relative, Frank, and form a continuous, sometimes rambling narrative of Bridgman's life from the time he traveled to Kansas in 1856 through the end of the Civil War.

Written retrospectively, almost 30 years after the end of the war, many of the details of Bridgman's service have been lost, yet he manages to display a strong, if somewhat selective memory for anecdotes and for the emotions of the events that remained in his dreams for so many years. "As I look over some of my army letters," he wrote, "and Bowen's history [of the regiment], march after march and camp after camp are an utter blank to me. But the terrible battle scenes are stamped vividly in my recollection; they can never be forgotten" (p. 42). A fine writer with a gentle sense of humor, Bridgman's letters offer an interesting insight into the way that selective memory and time shaped veterans' experiences of the Civil War. The battles, numerous as they were, form the focus of the narrative, but the suffering faces of the dead and wounded and the small pranks he played assume almost equal prominence.

Bridgman's descriptions of the battles in which he was engaged tend to be somewhat generalized, but the emotional impact of these events clearly remained strong with him. His descriptions of the costly capture of Marye's Heights during the Chancellorsville Campaign, of the battle of Chancellorsville itself, and of the Wilderness and Spotsylvania Campaigns are noteworthy. Always, his letters make for engrossing reading, whether he is writing about wormy hardtack, lice, making beds, drinking tainted water from the mouth of a dead mule, or doing battle. Because he served intermittently, unofficially, as a nurse and surgeon for his regiment, Bridgman also provides several brief, but powerful accounts of medical care, the wounded and the dead.

This collection is made up of military documents, photographs, and ephemera related to Lieutenant Elizabeth Bonney van den Bosch's service in the United States Navy and Naval Reserve during and after World War II.

The Documents series (15 items) contains official military records from Bonney's service in the United States Navy and Naval Reserve. They relate to her training at the United States Naval Reserve Midshipmen's School at Smith College and the Naval Training School at Mount Holyoke College; her promotions to ensign and lieutenant; and her formal resignation from the naval reserve in 1951. Also included are an identification card verifying her active duty in the United States Navy and certificates acknowledging her military participation in World War II.

Photographs (11 items) include black-and-white portraits of Elizabeth Bonney and other women in naval uniforms. Govert van den Bosch sent Bonney pictures portraying soldiers and a military funeral from his service in Indonesia with the Royal Netherlands Marines.

The Printed Materials series (6 items) consists of commencement programs for the United States Naval Reserve Midshipmen's School and the Naval Training School for communications, a commemorative book with photographs of navy officers in training at the Midshipmen's School, and a page from the Sundial with humorous cartoons and quips. Two items form 2002 are a printed poem dedicated to the memory of Elizabeth Bonney van den Bosch and her obituary from the Ann Arbor News.

This collection is made up of correspondence, soldiers' newsletters, and other items related to Emanuel Levy's service in the United States Army Signal Corps during World War II and his involvement in veterans' reunions. Levy corresponded with family members and friends in Brooklyn, New York, while serving in in the United States and the Pacific Theater from 1941-1943; he later received updates from fellow veterans. The collection also includes Levy's war reminiscences, and sheet music and manuscripts of Levy's musical comedy, Hey Mister Satan (1942).

This collection is made up of correspondence, soldiers' newsletters, and other items related to Emanuel Levy's service in the United States Army Signal Corps during World War II, and to his involvement in veterans' reunions.

The Correspondence series (244 items) contains Emanuel Levy's incoming and outgoing correspondence from January 1941 to June 1943, and a single letter written in September 1945. "Manny" received letters from family members and friends in Brooklyn, New York, who discussed the family news and, less frequently, politics and the war. His correspondents included women named Muriel, Evelyn, Alberta, and Frances. In his letters and postcards, Levy commented on his experiences at Camp Upton, New York; Camp Shelby, Mississippi; Camp Beale, California; Camp Butner, North Carolina; other bases; and in Hawaii and the Pacific Theater, where he was stationed for most of 1942. He described his life on base immediately prior to the Pearl Harbor attack, discussed finances and allotments, and responded to news from his family's letters to him. He occasionally used stationery from the Jewish Welfare Board, USO, and various military installations.

The Military Transmissions and Communications series (8 items) consists of official communications sent during World War II, primarily related to the signal corps and the Pacific Theater. The series includes Irving Strobing's transmission reporting the surrender of Corregidor (May 4, 1942) and a separate order to stop American vessels bound for Corregidor, a communication from Franklin D. Roosevelt to the United States Army forces in the Philippines (beginning "Personal from the President to Lt Gen Wainwright…"), and an undated notice of the German surrender.

The Reunions and Postwar Papers series (94 items) includes materials related to reunions of the 303rd Signal Operation Battalion, the history of the unit, and Emanuel Levy's involvement with veterans' organizations. The 303rd Signal Operation Battalion held reunions from 1947-1993. Items include Emanuel Levy's postwar correspondence with fellow veterans, invitations, address lists, newspaper clippings, and ephemeral materials. Several incoming letters to Levy inform him of fellow veterans' postwar lives and deaths.

The Writings series (8 items) pertains to Emanuel Levy's service in the United States Army Signal Corps during World War II. Three personal reminiscences, written sometime after the war, recount his work for the 101st Signal Operation Battalion and 303rd Signal Operation Battalion in the United States, the Pacific, and Europe during and just after the war, with details about military communications operations, his movements, and specific incidents. One item is a list of the posts where Levy served between April 1941 and September 1945. The series contains an article that Levy submitted to Harper's Magazine in 1957 ("Two Ugly Beasties") and typescripts and manuscript sheet music for Levy's musical, "Hey Mister Satan," written with George H. Johnston and C. W. Erdenbrecher.

The Printed Items series (20 unique items) contains multiple copies of soldiers' newsletters. The Burpee, by the 303rd Signal Operation Battalion, related news of the battalion's activities while at Camp Crowder, Missouri, and in Sunnyvale, California (August 5, 1943-November 18, 1943). The Taylor Maid chronicled events onboard the General Harry Taylor at the close of the war in the Pacific; the series holds a marquee "War Ends" issue (August 15, 1945) and a signed souvenir issue (August 18, 1945). Other items are a copy of The Message, a professional newspaper produced in Camp Crowder, Missouri (September 9, 1943), and a published volume, 303rd Signal Operation Battalion: An Informal Unofficial History, April 17, 1943-February 25, 1946. The publication is a unit history comprised of photographs and essays by several of its members and a unit roster.

Three World War II-era newspaper clippings pertain to Emanuel Levy's promotion to master sergeant, a Women's Army Corps member's visit to her dying soldier son, and the 303rd Signal Operation Battalion's service in Europe, including participation in the Battle of the Bulge.

The Florence Romaine collection is comprised of correspondence, documents, genealogies, photographs, scrapbooks, and newspaper clippings related to the Brossard, Draper, and Smith families throughout the 19th and 20th centuries and to the acting career of Florence Smith Romaine.

The Florence Romaine collection (1 linear foot) is comprised of correspondence, documents, genealogies, photographs, scrapbooks, and newspaper clippings related to the Brossard, Draper, and Smith families throughout the 19th and 20th centuries and to the acting career of Florence Smith Romaine.

The Correspondence series (59 items) contains personal letters between members of the Brossard, Draper, and Smith families; many are written in French. Most of the material is dated from 1843-1907; the collection also includes 3 early letters to members of the Brossard family, as well as postcards that Florence Smith Romaine wrote to Grace Maxwell from 1962-1963. The series includes letters to Claude Ferdinand de Brossard from various correspondents; to Ferdinand de Brossard and Jenny de Brossard Draper from their mother, Elizabeth de Brossard; to Elizabeth Brossard from her sister-in-law, Julie de Brossard; to Jenny de Brossard Draper from Seth Enos Smith; and to Florence Smith Romaine from her mother, Jenny Draper Smith, and grandmother, Jenny de Brossard Draper. Other items include 6 letters to C. C. Randall.

The Writings series consists of 3 items by Florence Smith Romaine: a rumination on night written around 1905, a play entitled "The Silver Bell of Hat-Shep-Sut's Cat," and Whistling Bill, a children's book published in 1937.

Documents are divided into three subseries: Legal Documents (7 items), Business Documents (3 items), and Awards and Diplomas (2 items). Legal documents include birth certificates, marriage certificates, and passports related to Claude and Elisabeth Brossard and their descendants, as well as a copy of Florence Smith Romaine's will. Business documents are related to Brossard family accounts. The award and diploma concern Jenny Draper's academic achievements at the Chegaray Institute and a Brossard family member's receipt of the Fleur de Lys.

The Photographs series has two subseries: Photograph Album and Loose Photographs. The photograph album (26 pages) contains 104 cartes-de-visite and tintype studio portraits, including portraits of members of the Brossard, Draper, and Smith families. Two pages from a photograph album of the Romaine family are housed separately. Loose photographs (32 items), including 2 cased items (one housed in the Graphics Division), mostly show Florence Romaine in theatrical costumes; several photographs show members of the Smith and Draper families.

Two Scrapbooks contain newspaper clippings, programs, notes, and other items regarding Florence Romaine's acting career, as well as articles, children's stories, and puzzles that she wrote for The Christian Science Monitor in 1924 and 1925. The Newspaper Clippings (3 items) concern the career of Worthington L. Romaine and the deaths of Seth and Seth E. Smith.

Genealogies and Family Histories consist of a pamphlet about the descendants of Henry and Elizabeth Smith, including Seth Enos Smith and Florence Smith Romaine; manuscript and typed notes pertaining to the Draper and Stull families and to the life of Florence Romaine; and pages from Thomas Waln-Morgan Draper's 1892 genealogy The Drapers in America.

Miscellaneous Items and Fragments (17 items) include notes and poetry (in French), 2 invitations, a copy of a recommendation letter for Father Marie-Joseph de Geramb to the governor of Cairo, and a promotional pamphlet for "Florence May Smith."

The Harms papers consist of manuscript material, graphics, ephemera and books relating to George W. and Marguerite Harms during the mid 20th century, particularly relating to George's service in the Pacific Theatre in World War II.

The Harms papers consist of manuscript material, graphics, ephemera and books relating to George W. and Marguerite Harms during the mid 20th century, particularly relating to George's service in the Pacific Theater in World War II.

The manuscript documents in the Harms papers provide an official record of George Harms' service with the Marines during the Second World War. The manuscript material is sparse, consisting of his service record and a small number of miscellaneous documents, but the collection includes a number of photographs taken by Harms and his friends while in the Pacific that provide a personal perspective on the war. The most touching -- and most difficult -- items in the collection are a photograph of a soldier's children taken from a Japanese soldier killed on Okinawa, a picture of Harms and Okinawan children saved from committing suicide when the Americans captured the island, and an image recording Japanese atrocities on Guam, 1944.

Equally interesting are George Harms' pre-war photograph albums, one documenting in the national championship year he enjoyed with his American Legion team, 1936, and another recording a trip to New York City in the late 1930s.