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Collection

William Sargeant manuscript, Collectanea: Voyages and Travels, vol. 54, Undated [c. 1800-1810?]

407 pages (1 volume)

Volume 54 of William Sargeant's Collectanea consists of manuscript transcriptions of travel accounts and geographical and historical data about a number of foreign countries. These transcriptions are extracts of published materials from the 1780s and 1790s.

William Sargeant's Collectanea: Voyages and Travels, vol. 54 is a paper-bound notebook of 400 pages with a 7-page index of locations and sources. The volume is a commonplace book of Sargeant's manuscript transcriptions of passages from a number of published travel accounts and historical and geographical works, dated from the 1780s to the 1790s. The original authors of Sargeant’s transcriptions include men of renown, such as George Vancouver, Jean François Galaup de la Pérouse, and Thomas Pennant (see Controlled Access Terms for a detailed list of locations represented and the names of the authors from whom he copied).

Approximately a third of the notebook is a copy of parts of the "Voyages of La Pérouse." Jean François de Galaup, Comte de la Pérouse (1741-1788) led expeditions of scientists and geographers to locate the Northwest Passage from the Pacific. These three expeditions were described in the four volumes in French of "Voyages...", which was translated into English and published in 1788.

The volume does not include any indication of why Sargeant transcribed some passages versus others, or why he wrote them in this particular order. The passages discuss a variety of topics: vegetation, geological features, natural resources, climate, sea travel, and overland travel. He also transcribed material on the inhabitants' physical features, clothing, culture, agriculture, industry, and home construction.

A few of Sargeant’s transcriptions describe North America and North American people. Among them are details about the people of Port Mulgrave and "Port des Francais," Alaska (from Dixon and La Pérouse, respectively) and Monterey Bay, California (also from La Pérouse).

Collection

Seth Eastman Watercolors, ca. 1846-1858

12 watercolors

The Seth Eastman watercolors consist of 12 sketches produced by U.S. Army officer Seth Eastman.

The Seth Eastman watercolors consist of 12 sketches produced by U.S. Army officer Seth Eastman. Most of these works were likely created by Eastman between approximately 1849 and 1858, including many that were executed in relation to his work as illustrator for Henry Rowe Schoolcraft’s six-volume ethnographic survey Information respecting the history, condition and prospects of the Indian tribes of the United States, published between 1851 and 1857. Individual items measure up to 18 by 25 cm.

The following list includes titles (supplied titles appearing in brackets), content descriptions, and citations for engraved versions that appear in Schoolcraft’s survey:

“Pawnees Torturing a Female Captive”
  • Watercolor scene showing a naked Native American girl being tortured in front of a large group of Skiri Pawnee men, women, and children. This depiction is thought to have been based on accounts cited by Schoolcraft of the last known instance of the Skiri Pawnee Morning Star sacrificial ritual, ca. 1837/1838.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 6, Plate 6 (across from pg. 78)

“Emigrants Attacked by the Comanches”; Capt. S. Eastman U.S. Army Del.
  • Watercolor scene showing several Comanche warriors on horseback attacking a wagon train circle defended by men with rifles.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 2, Plate 33 (across from pg. 132)

“Mission Chapel of San José. Near San Antonio, Texas"; Capt. S. Eastman U.S. Army Delt.
  • Watercolor scene showing several Native American warriors (likely meant to be Comanche) on horseback outside of San José Mission Church.
  • Based on 1849 sketch by Eastman held by the Peabody Museum, Harvard University.

“Oneida Lake from the Original Site of the Oneida Stone, Oneida County, N.Y.”; S. Eastman U.S. Army Delt.
  • Watercolor view showing a Native American man smoking a pipe seated on the Oneida Stone overlooking terrain with Oneida Lake in the distance.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 5, Plate 23 (after pg. 152)

“Esopus Landing, Hudson River”; S. Eastman U.S. Army Delt.
  • Sepia ink wash view showing two Native Americans on rocks in foreground looking out over the Hudson River.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 3, Plate 19 (after pg. 74)

“Humboldt, California.”; S. Eastman from a sketch by G. Gibb (sic, George Gibbs)
  • Sepia ink wash view of Humboldt, California, ca. 1851 showing several buildings viewed from across a harbor. Copied by Eastman from original drawing by George Gibbs.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 3, Plate 43 (across from pg. 130)

“Pittsburgh in 1790”; Drawn by Capt. S. Eastman U.S. Army from the original, taken from the south side of the Monongahela by Lewis Brantz Esq.
  • Ink wash view of structures at Fort Pitt, Pennsylvania, ca. 1790. Copied by Eastman in 1851 from original drawing by Lewis Brantz, then in the possession of Brantz Mayer.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 3, Plate 32 (across from pg. 336)

“Mexican Antiquities”; S. Eastman U.S. Army
  • Sepia ink wash depiction of seven indigenous Mexican cultural artifacts. Drawn after engravings based on drawings by Brantz Mayer.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 6, Plate 40 (after pg. 590)

“Mexican Antiquities”; Drawn from the originals by Capt. S. Eastman U.S. Army
  • Sepia ink wash depiction of ten indigenous Mexican cultural artifacts. Eastman drew these objects direct from observation of materials held in the collection of Brantz Mayer.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 6, Plate 39 (after pg. 590)

“Indian Signatures”; Copied from the original by S. Eastman U.S. Army
  • Pen and ink drawing showing written names and totems of sixteen Ojibwa individuals including “Kimi-Ki-Chawgan,” “Kitche-pus-quegegan,” “Siginac,” “Apeche-caw-boway or Grand Blanc,” “Maw-manche-Cawtence,” Skaw-O-mut or Black Chief,” “Mieray or Walk in the Waters,” “Ray-y-Aron,” “Ane-me-quinee,” “Puck-e-Nence,” “Que-baw-que-gun,” “Puck-qua-Cawboway,” “Seken-ge-win,” “Many-to-quajick or Little Cedar,” “So-wa-quet,” “Macconce or Little Bear.” These signatures were claimed by Schoolcraft to have been copied from an invoice of Indian goods disbursed by General William Hull at Fort Detroit in 1809.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 2, Plate 56 (across from pg. 226)

[The American Surrender at Fort Shelby, Prairie du Chien, Wisconsin, July 20, 1814]
  • Watercolor view depicting American troops at Fort Shelby, Wisconsin, surrendering to the British on July 20th, 1814, during the War of 1812; likely executed by Eastman ca. 1846-1848.
  • Eastman was stationed at Fort Crawford (successor to Fort Shelby, which was destroyed by the British in May of 1815) after graduating from West Point in 1829 and possibly interacted with individuals who witnessed the surrender first-hand.

[Winter Scene at Fort Pembina, Later Part of North Dakota, ca. 1858]
  • Watercolor view of Fort Pembina, Dakota Territory, during winter showing buildings, tipis, and a dog sled.
  • Work is unsigned but bears clear similarities to other landscape scenes by Eastman.

Collection

David V. Tinder Collection of Michigan Photography, ca. 1845-1980

Approximately 113,000 photographs and 96 volumes

Online
The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

Collection

Starbird family papers, ca. 1845-1864

0.75 linear feet

Online
The Starbird family papers contain the incoming and outgoing correspondence of three of the Starbird siblings: Solomon and George, who served in the Civil War in the 127th New York Infantry and 1st New York Mounted Rifles respectively, and Marianne, who operated a struggling art school in New York City.

The Starbird family papers contain approximately 345 items, spanning ca. 1845 to 1864. The Correspondence series contains approximately 331 letters, arranged chronologically, with undated items at the end; the letters cover 1848 to 1864. Thirty letters in the collection predate the Civil War; these primarily concern the schooling and careers of the Starbird siblings, Marianne Starbird's health, social visits, religious observations, and various family matters. The bulk of the collection centers on the years 1862 to 1864, when Solomon and George served with the 127th New York Infantry and the 1st New York Mounted Rifles, respectively. George wrote to Marianne quite frequently during his service, at which time he was mainly stationed in Virginia and North Carolina. He participated in a number of skirmishes in southern Virginia, as well as the Siege of Suffolk, but otherwise did not see much heavy fighting. His outgoing letters, as well as those he received from fellow soldiers, are notable for their frankness about camp life and the war experience, as well as for their content regarding African Americans. Solomon Starbird wrote less frequently to his siblings, but produced very lengthy letters, which cover numerous topics, including the war camp activities, and duties.

The war-era letters open with a discussion of George's enlistment in the 1st New York Mounted Rifles, including his own rationale for enlisting (July 30, 1862). George's early letters primarily document his daily activities at Camp Dodge in Suffolk, Virginia, and a few skirmishes nearby. He frequently gave accounts of his participation in scouting parties and pickets, as well as his pastimes during quiet periods. Among the skirmishes in which he participated are one near Blackwater, Virginia (October 5, 1862); an attack by "bushwhackers" (December 28, 1862); and a skirmish at Providence Church (December 29, 1862) near Windsor, Virginia. He also gave a lengthy description of being fired on during a picket, when, at the same time, a sergeant was mortally wounded (January 15, 1863). In a letter of September 2, 1862, he described the capture of 112 Confederate prisoners on their way to Richmond, and noted that they were given coffee and generally treated well by their Union captors. He also mentioned the explosion of ordnance stored at Yorktown, Virginia, (December 17, 1863) and the search for a Confederate spy near Williamsburg (January 16, 1864).

George's letters are especially significant for the attention that they give to African Americans. He found himself in frequent proximity to slaves near Suffolk, Virginia, where he recorded their stories and noted the assistance that they provided to his company. On October 10, 1862, he recounted a conversation with the slave whom he paid to wash his clothes and cook sweet potatoes for him. The "old negro" told Starbird about his master, Nathaniel Redden, a member of the Congress of the Confederate States. Redden had left Suffolk, but tried to persuade his slaves to stay on his plantation by telling them that northerners would work them three times as hard as southerners and deny them food. According to the unnamed slave, Redden also told him, "Lincoln is going to take you to Cuba and sell you off to pay off his soldiers." In another letter, dated October 25, 1862, Starbird told his sister about a slave Tom, who "lays awake nights heaps worrying for fear the rebels have carried off his wife he left down in Carolina." Starbird also noted the work performed by contraband, such as building stables (January 15, 1863), and the assistance given to Union troops by African Americans, which included giving them corn and making them coffee (October 14, 1862).

George provided descriptions of camp life, including the soldiers' enjoyment of the barracks at Camp Suffolk, their roughhousing, and their heavy drinking. In a letter of January 1, 1863, he noted that the officers got "beastly drunk" and could barely stay on their horses; indeed, several had fallen and could not perform their duties later in the day. He also described a soldier who was nearly 60 years old and had dyed his hair and beard to appear young enough to enlist (February 9, 1863). Other topics covered in his letters include the lack of pay to the soldiers (January 18, 1863), his duties (which included compiling the monthly returns, November 5, 1863), and the hiring of substitutes (August 18, 1863). He also called his fellow soldiers a "Hard Crowd" and described their vicious brawls with one another (August 9, 1862).

George received correspondence from friends in other regiments. One man in particular, Jesse Kimball, who called himself "Barnes," wrote very frankly about the sex available to soldiers from white and black women. He mentioned rampant venereal disease (March 3, 1863), whores in Virginia (November 17, 1863), and sex with girls in his hometown (March 11, 1864).

Solomon Starbird wrote less frequently, but his letters tended to be long, rambling, and filled with details of camp life. On January 23, 1863, he wrote to Marianne concerning the lack of pay to soldiers and the slovenliness of the privates. In his letter of August 21, 1863, he described a military gathering on Folly Island and Union positions in South Carolina. In other letters he gave accounts of being fired on during picket duty (September 30, 1863) and Christmas celebrations in camp (December 22, 1863). A talented sketcher, he included in a letter of October 8, 1863, a penciled map of Cole's Island, South Carolina, labeled with the "old fort;" the 127th Regiment's camp; and the surrounding marshes.

Marianne's letters to her brothers are notable for their accounts of the administration of a struggling art school in New York City during the period. On March 8, 1863, she described her studio and enclosed a flier for the school. In another letter, she shared the necessity of supporting herself by painting portraits, though her greater talent lay in other areas (March 29, 1863). Her later letters reveal increasing health problems, and the difficulty of attracting pupils (February 22, 1864), as well as her attendance at a Sanitary Commission Fair in Brooklyn (February 7, 1864).

The Essays and Poetry series contains 14 essays and poems covering 92 pages. Marianne wrote many of these items, and submitted them in the 1840s to a Norridgewock, Maine, journal called the Social Repository. Of particular interest is an essay, likely written by Marianne, entitled "My School Days," which describes the small schoolhouse that she had attended as a girl. Also included are poems on the topics of love, autumn, the death of a mother, and friendship, and a piece by "C.B.E." entitled "The Mission of Woman." The latter defends the education and ambitions of women and notes that their rightful place in life is as "the equal, not the toy of men," but urges them to dismiss "the sneers, the prejudice, the conventionalities of the world."

Collection

Plympton (Mass.) First Parish petition, [ca. 1840s-1850s]

1 volume

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, etc." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, &c." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

Collection

George Edward Burr Scrapbook, ca. 1840s-1850s

1 volume

The George Edward Burr scrapbook contains over 130 labels for various alcoholic products, assorted clippings mainly related to facets of the alcohol industry, handwritten notes including recipes for alcoholic beverages, and several patent designs by Burr.

The George Edward Burr scrapbook contains over 130 labels for various alcoholic products, assorted clippings mainly related to facets of the alcohol industry, handwritten notes including recipes for alcoholic beverages, and several patent designs by Burr.

The scrapbook (33.5 x 21 cm) has marbled paper covers with "Spiritual Guide No. 1" written on the front and contains approximately 100 pages. Labels for an extensive array of different alcoholic products can be found pasted in between pgs. 1 and 52. The majority of labels are for various French wines and brandies, though other alcoholic products (predominately spirits) from the Netherlands, Spain, Germany, England, Italy, Jamaica, Switzerland, Mexico, and the United States are also represented. Of particular note are a number of labels for products imported by George Edward Burr into Mexico. While it remains unconfirmed, this may have been the same George Edward Burr who was involved with the management of the Pedrigal Mining Company in Mexico.

Other items of note include the following:
  • Clippings mainly related to various aspects of alcohol production such as the manufacture of syrups, vinegars, acids, the use of yeast, etc.; use of essential oils, extracts, bitters, sweeteners, etc.; clarifying, bottling, and barreling processes; and descriptions of various types of spirits such as Tuscaloosa whiskey, apple brandy, New York gin, Jamaica Rum, etc.
  • A set of clipped engravings illustrating the stages of bottling champagne
  • Handwritten recipes (including several credited to other individuals including B. A. Auger of New Orleans) for various alcoholic products including absinthe, Jamaica rum, Scotch whiskey, Curacao, pale ale, stout, Eau de Noix, and more. Recipes for non-alcoholic products such as colored inks, sealing waxes, salted meat, Duffield hams, toilet soap, candles, etc. are also included
  • Handwritten descriptions in English and Spanish for various patent designs by Burr including cylindrical candles, white wax, and yellow wax. The candle descriptions also contain illustrations
  • A hand-drawn diagram of a 150 gallon still
  • A tipped-in advertisement from 1856 for Dr. H. James's tincture made from cannabis indica that includes a recipe, description, and testimonials
  • Clippings and labels related to various patent medicines

Collection

Plympton (Mass.) First Parish petition, [ca. 1840s-1850s]

1 volume

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, etc." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, &c." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

Collection

Levi Hines papers, ca. 1839-1864

113 items

Levi Hines enlisted as a private in the 11th Vermont Infantry (later converted to the 1st Vermont Heavy Artillery) on December 10th, 1862. Seventy of the letters in this collection were written by Hines to his sister Maria, his brother Chester, and parents or other relatives while he was in the service. The remainder of the collection consists of letters from relatives to Hines, with the majority coming from Maria (8 letters), John (5), Chester (4), brother Joseph (7) and E.C. Fisk, who served with Hines in the 1st Vermont Heavy Artillery.

Levi Hines' letters are intimate in nature and provide access to an individual soldier's personal feelings. Seventy of the letters in this collection were written by Hines to his sister Maria, his brother Chester, and parents or other relatives while he was in the service. The remainder of the collection consists of letters from relatives to Hines, with the majority coming from Maria (9 letters), John (5), Chester (5), brother Joseph (7) and E.C. Fisk, who served with Hines in the 1st Vermont Heavy Artillery.

A notable letter in the collection is Hines' account of seeing Lincoln and his entourage in Washington. Hines writes that Lincoln "is a much better looking man than I I [sic] expected to see... There is something in his Eye and in his physiognomy, that denotes firmness decision impressing one with an idea that when he had once taken his course he would not be easily swayed from it..." (1863 August 7-15). Hines also provides an account of the raising of the statue of the Goddess of Liberty on top of the Capitol Building, an occasion upon which he fired the fourth of seven shots in celebration. In the garrison, he recounts the story of a scam run in camp by three men of Company K who bought watches on credit and then deserted (1864 March 4). Another letter includes a humorous account of lice infestation (1864 March 5). Other noteworthy subjects include: Hines' thoughts of home while looking at the night sky (1862 October), his feelings regarding the lines of graves of soldiers who died of disease, and his comments on guard duty or fetching water for the regiment.

Hines' four letters from the field were written while in the trenches at Cold Harbor and Petersburg. He writes of how soldiers become inured to the violence surrounding them and the constant crash of shells and whistling of shot over head. These letters afford insight into one soldier's reactions to intense conflict.

Collection

Pennsylvania Geography exercise book, [ca. 1831-1835]

1 volume

Written between 1831 and 1835, the Pennsylvania geography exercise book contains a series of school exercises about Pennsylvania, organized by county. Essays cover a diverse array of topics including the geography, architecture, and history of specific areas.

Written between 1831 and 1835, this volume contains a series of school exercises about the state of Pennsylvania, organized by county. Essays cover a diverse array of topics including the geography, architecture, and history of specific areas. Though the volume focuses on Pennsylvania at the county level, the cities of Germantown and Philadelphia are discussed at length. While writing about Germantown, the writer considers not only its history, but also the composition of its population, the religion of these settlers, relations with local Native Americans, natural geography, and its role in the American Revolution. The author treats Philadelphia in even more depth, devoting entire exercises to specific bridges and buildings (including the city's prisons, hospital, local British army barracks, poor houses, and the homes of notable residents such as William Penn and Robert Morris), "The Treaty Tree," foreign settlers, "The 'caves' of the first inhabitants," "Superstition and popular Credulity of the Early Inhabitants" (with a focus on the city's first Dutch and Swedish settlers), and its "Aborigines." Of particular interest is a lengthy discussion of William Penn and his history within the state. Together, the sections on Germantown and Philadelphia comprise roughly one-fourth of the volume.

The remainder of the book is devoted to exercises exploring Pennsylvania's various counties, as divided in the early 1830s (see below for a list of counties covered in the volume). The section on each county contains an initial introduction accompanied by a manuscript map (except in the case of Centre County) and at least one essay. These exercises are generally much shorter than those devoted to Philadelphia, and they focus primarily on geographic features such as rivers, hills or mountains, and soil. Other recurrent topics include roads or other improvements and (occasionally) larger towns or cities. Lancaster and Pittsburgh are among the settlements described in greater detail, though neither description matches the attention given to Germantown or Philadelphia. The exercise book provides a thorough, contemporary view of Pennsylvania in the early 19th century, from the established settlements on its Atlantic coast to the forests of its interior and its western boundaries.

Collection

Thomas Smith Collection, ca. 1820-1826

26 sketches, 3 letters

The Thomas Smith collection includes a disbound sketchbook of eighteen watercolors and six drawings depicting scenes in the northeastern United States and Canada made between 1820-1826 as well as three letters written by Smith between 1820-1822.

The Thomas Smith collection includes a disbound sketchbook of eighteen watercolors and six drawings depicting scenes in the northeastern United States and Canada made approximately between 1820-1826 as well as three letters written by Smith between 1820-1822.

The Visual Materials series contains eighteen watercolors and six drawings from a disbound sketchbook that depict scenes in the Eastern United States and Canada. While the watercolors and drawings themselves contain no exact information on their precise dates of creation, there is one unfinished pencil sketch of Fort Niagara that shows architectural features that were only in place from 1818 to 1823. Additionally, two pages contain watermarks in the paper that read "Turkey Mills J. Whatman 1818," while an inscription on the inside of the detached front cover also reads: "Thomas Smith. American Sketches 1820 to 1826." Smith is known to have made one trip to New York in the late spring and summer of 1820 and also returned from another trip there in the fall of 1821. Although presumably an amateur artist, Smith showed an uncanny eye for accurate detail, a keen ability to depict the scale of landscapes, and a vivid sense of color and light.

The following represents a complete list of illustrations present in the collection. Items lacking titles have been provided titles in brackets:
  • 1) [Unidentified building] (fragment on oval sheet; pen and ink)
  • 2) [Portrait of unidentified man] (fragment; pencil)
  • 3) Point - Entrance of Chaudiere (pen and ink)
  • 4) Palmetto trees East side Sullivan's Isld. South Carol,,a
  • 5) Wappoo, Cooper River, S. Carolina
  • 6) [Niagara Falls]
  • 7) River Delaware. Fort Gaines to the left, to the right Fort Mifflin
  • 8) [Presumed to be Delaware River]
  • 9) Unfinished
  • 10) [Niagara from the American side]
  • 11) [Estuary with a Rowing Boat]
  • 12) [The Mouth of the Niagara River at Fort George, Ontario] (pencil)
  • 13) [Quay on an Estuary]
  • 14) [Thousand Islands, Ganaoque (near Kingston), Ontario]
  • 15) Cohos Falls, Mohawk River
  • 16) [Niagara Gorge from Goat Island]
  • 17) [Hudson River landscape]
  • 18) Entrance of the Patapsco River into Chesapeake Bay near Baltimore Maryland
  • 19) New York Harbor
  • 20) [Queenston Heights - looking down the Niagara River towards Lake Ontario]
  • 21) [New York Harbor]
  • 22) [Town on an Estuary] (pencil)
  • 23) [Niagara Falls from below]
  • 24) [Landscape with a Waterfall] (pencil)

The Correspondence series contains three letters written by Thomas Smith to family members. The first letter, dated April 1820, is addressed to Smith's sister Eliza Elizabeth "Betsey" Smith (1802-1876) and bemoans her general lack of communication before discussing differences between American and English women, mentioning acquaintances including a "Mr. Lucas" and a "Mr. and Mrs. Maxwell", and describing events related to the wedding of a "considerable" rice planter and "Miss Lucas...now Mrs. Cordes" that took place in Charleston, South Carolina in March. This was likely the wedding of James Jameison Cordes (1798-1867) and Mary Lucas (1802-1873). Smith also makes reference to a bridesmaid named "Miss McLeod...a lady of large fortune worth as these things are estimated in S Carola: 300 negroes" while stating that "negro servants" accompanied the wedding party on horseback on their way to Middleburgh plantation. The second letter, also dated April 1820, is addressed to Smith's brother Joseph Smith VI (1800-1876) and contains a description of deer hunting conducted in the "American mode" in which several concealed hunting stands were occupied "100 to 150 yards apart" before "the negroes are sent with the hounds to drive the swamps or ponds where the deer generally conceal themselves." Smith elaborates on an unsuccessful hunting trip led by a planter named "Mr. Bryan" in which the party consisted of "Mr. Bryan, Mr. Lucas, Mr. Cordes, Mr. Hume & myself, with 2 negro slaves, all on horseback" during which Smith and Mr. Hume managed to become briefly lost in the woods. Also included are mentions of various wildlife encountered in the countryside, references to regional flora Smith intends to procure seeds of, and a description of typical South Carolinian cuisine had for breakfast, lunch, and dinner during different times of year. The third letter, dated February-March 1822 and partially written from aboard the steamship Robert Fulton while in the Gulf of Mexico, is addressed to Betsey (now "Mrs. Alfred H.") at "Messr: Jos. Hardcastle & Sons London." Betsey married Alfred Hardcastle (1791-1842) in 1821. This letter describes Smith's return to Charleston in Novemeber of 1821 following a trip to New York, spending the Christmas holiday period at Mr. Lucas's plantation, a four-day excursion in Havana, Cuba, made during the present voyage while en route from New Orleans to Charleston, and avoiding a close encounter with a "suspicious looking Schooner" off the Cape of Florida.