Collections : [University of Michigan William L. Clements Library]

This collection contains 8 letters written to Marcia Coffing Holley and her husband, Alexander Hamilton Holley, by Maria Coffing, Marcia's sister, as well as 1 from Marcia to her brother, Joshua B. Coffing. Most of the letters relate to women's education in the mid-1830s. The collection includes a description of Maria Coffing's experiences at Grove Hall School in New Haven, Connecticut.

This collection contains 8 letters written to Marcia Coffing Holley and her husband, Alexander Hamilton Holley, by Maria Coffing, Marcia's sister, as well as 1 from Marcia to her brother, Joshua B. Coffing. Marcia wrote to her brother from Grove Hall School on February 25, 1834, while he was at Yale, and shared her vision of him poring over his coursework, armed with a copy of Webster's Dictionary and the speeches of Daniel Webster. Maria Coffing wrote the remaining 8 letters, including 6 to her sister and 2 to her brother-in-law, the future governor of Connecticut, and filled them with news of her life at Grove Hall School in New Haven, Connecticut. Maria attended school throughout the summer and fall of 1836, and shared details of her coursework and instructors; she enjoyed her time there and hoped to attend college lectures in the future.

This collection is made up of correspondence, legal documents, financial records, maps, and ephemera related to the descendants and extended family of Dr. Joseph Cole of Sharon, Connecticut; Auburn, New York; and Albion, New York. Among many represented subjects are the educational and social lives of women in New York during the early 1800s, legal aspects of land ownership and estate administration, and land along Long Pond in Rome, Maine.

This collection is made up of correspondence, legal documents, financial records, maps, and ephemera related to the descendants and extended family of Dr. Joseph Cole of Sharon, Connecticut; Auburn, New York; and Albion, New York.

The collection's correspondence includes letters from the children and other descendants of Dr. Joseph Cole of Sharon, Connecticut, and Auburn, New York, between 1817 and 1942. Most of the early letters in the collection are addressed to sisters Laura Altie and Mary Parsons Cole from female friends in New York. Several correspondents, including Mary Ann Kellogg and Chloe Hyde, were students at Troy Female Seminary in Troy, New York, in the 1820s and 1830s. Kellogg provided a detailed description of the school before its main building was constructed (June 24, 1821), and Chloe Hyde later shared information about her coursework and the lives of fellow students. Other acquaintances told the sisters of their religious and social lives in different areas of New York, including Lanesborough, Buffalo, and Albany.

Almeron and Dan Cole received letters from friends, family, and business acquaintances, including their brother-in-law, Hiram Foote Mather. These include 7 letters by Frances M. Elliott, who wrote Dan, her future husband, in 1835 and 1836 about her life in Scottsville, New York, and her anticipation of their upcoming marriage. Letters from the 1840s to mid-1860s are most frequently addressed to the Cole brothers and to their brother-in-law, Hiram Foote Mather, about business affairs. Many regard legal matters in Niles and Grand Rapids, Michigan.

After the mid-1860s, much of the correspondence is composed of personal and business letters between David Hyde Mather, his brother-in-law George McClure Welles, and his brothers Joseph and John Mather, who moved out West in the late 1800s. Mather also received many personal letters from his niece, Harriet Prentiss Welles, during her time as postmistress of Great Bend, Kansas, who discussed her personal finances and loans. The papers also contain some of Daniel H. Cole's business correspondence. Other correspondence from this period includes letters between George McClure Welles and Lewis Hunt about Harriet Prentiss Welles's share of Almeron Cole's estate, and personal correspondence addressed to Mary Jane Cole of Albion, New York. She received letters from many female acquaintances and a series from her cousin, D. Williams Patterson, tracing the genealogy of the Hyde family to the mid-18th century.

A selection of letters from the 20th century relate to Marston Taylor Bogert, Morrison McMath, and Lizette Harrison. Between 1912 and the 1920s, Bogert corresponded with several people in Maine, regarding property along Long Pond near Rome, Maine. Other letters relate to the family of Morrison H. McMath, a lawyer from Rochester, New York. A late series of letters by Elizabeth ("Lizette") P. Harrison of Portland, Oregon, to Ada Howe Kent of California, reflects her financial troubles and emotional state during the early years of the Great Depression.

Legal documents include papers relating to the Newton and North Hempstead Plank Road Company; New York Supreme Court Cases heard between 1848 and 1894; estate administration papers; and financial documents and records. The Cole family papers contain documents concerning taxes paid on land holdings in Rome, Maine, in the early 20th century, including property held by Edward F. Bragg in Belgrade, Maine.

Materials relating to education include six checks from the 1860s made out to Phipps' U. Seminary, a 1906 report card for a student at the United States Naval Academy, and an undated "Report Book" containing two essays. An assortment of ephemeral items and manuscript maps of Marston T. Bogert's property along Long Pond in Rome, Maine, also appear in the collection.

The Cole family papers also contain essays, notes, and poetry. Items of note include an 1850s manuscript response of the County of Orleans, New York, to recent actions of slaveholding states, calling for attendance at a Republican Party convention in Syracuse; a 1925 essay entitled "The Beginnings of Modern Spiritualism in and Near Rochester," by Adelbert Cronised; a lengthy typed travelogue of India; and an essay on the history of the Isthmus of Panama and the Panama Canal.

During the mid-19th century, A. A. Coleman was a judge and well-respected planter in the black belt of west-central Alabama. W. S. Stuart, possibly a son-in-law to Coleman, was a physician, planter, and slave holder living in Monticello, Miss., southeast of Vicksburg. After the Civil War, both he and Coleman returned to farming, and Coleman may have engaged in a mercantile partnership. The Coleman-Stuart Papers consists of twenty-nine items, mostly bits of correspondence and other manuscripts of A.A. Coleman and W.S. Stuart.

The Coleman-Stuart Papers consists of twenty-nine items, mostly bits of correspondence and other manuscripts of A.A. Coleman and W.S. Stuart. The public addresses in the collection, probably written by Coleman, reflect the local prominence of the speaker, as does his Colonel's commission in the 40th Alabama Infantry.

The items in the collection span half a century, and although there is little continuity in the correspondence, many individual items are of interest. Stuart discusses crop values, arrangements for selling slaves, and the Locofocos (#2), and in the post-war period, he discusses the difficulties of adjusting to free labor in Louisiana (#23). Coleman's correspondence includes a letter written by Eli Shorter, brother of the Alabama governor, discussing state politics in 1861 (#11) and another letter asking Coleman to discharge a young soldier (#12). A letter written by E. Simpson provides a lengthy and imaginative attack on the "Black Republicans" (#7), and there are important resolutions of support for the Nashville Convention favoring the extension of slavery into the territories (#6) and what appears to be a Democratic Party address lambasting abolitionism, while supporting the Union (#8).

This collection contains one letter, one circular advertisement, and three sketches related to James H. McFarlane's desire to have the St. Louis artistic firm Collins & Chambers design promotional posters for Cassie and Victoria Foster, the "Fairy Sisters."

This collection contains one letter, one circular advertisement, and three sketches related to James H. McFarlane's desire to have the St. Louis artistic firm Collins & Chambers design promotional posters for Cassie and Victoria Foster, the "Fairy Sisters." A printed advertising circular and manuscript letter, both dated October 16, 1872, provide the firm's credentials for creating "Show Paintings," including a list of similar performers recently depicted and the rates charged for various poster sizes. These are accompanied by three undated pencil drawings of possible poster designs; two claim that the sisters are the smallest people in the world, and other simply refers to them as part of "The Wonders of the World." Though one design is particularly heavy on text, all three depict the sisters, with two using normal-sized adults for comparative purposes, and seem to be located in an idyllic environment, possibly near a pond. Text on two of the posters gives the girls' ages as 10 and 3, and their weight as 12 pounds and 6 pounds, respectively.

The Collins family papers consist of personal correspondence between several members of the Collins family of New Haven, Connecticut, and Westfield, Massachusetts, in the early to mid-1800s. Correspondence between Cynthia Painter Collins and her husband Simeon reflects his career as a bookseller in Boston and Philadelphia, and letters between a range of friends and family members document life in New England during the antebellum era. Reverend Sylvester Graham wrote one letter offering medical advice to Cynthia Painter Collins.

The Collins family papers (197 items) consist of personal correspondence between several members of the Collins family of New Haven, Connecticut, and Westfield, Massachusetts, in the early to mid-1800s. Much of the collection is comprised of the correspondence of Cynthia Painter Collins, primarily written between herself, her husband Simeon, and several of her children between 1829 and 1855; other early correspondence includes several letters to her brother, Alexis Painter. Many of the letters concentrate on family and social news. For example, Cynthia Collins wrote one letter to her mother proudly declaring her religious beliefs (December 12, 1829), and Simeon Collins frequently reported on his experiences selling books in Boston and Philadelphia. While in Boston, he became acquainted with Reverend Sylvester Graham (1794-1851). Collins occasionally attended Graham's lectures, sold Graham's books, and solicited medical advice for Cynthia, which Graham provided in a letter dated March 24, 1837. Simeon mentioned other aspects of the Grahamite movement and his bookselling career. In one letter, he described a visit to 2 Philadelphia schools for African Americans (December 23, 1840).

Other correspondence from this period includes several letters from Cynthia Collins to Alexis Painter, as well as a series of letters she exchanged with her son David. In her letters to David, she voiced her concerns about her son Thomas, who contemplated moving west to seek gold in California and wished for his brother to join him (December 12, 1848). David's letters contain occasional reports on his business affairs.

Much of the later correspondence (1856-1863) is comprised of incoming letters to Anna Maria Collins, Cynthia and Simeon's daughter, from acquaintances updating her on their families and social lives in New England. Though most of these letters pre-date the Civil War, Anna's friend Libbie wrote in June 1863 to report the arrest of a boarder for desertion.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Colonial Parson's notebook is a small bound volume of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741.

The Colonial Parson's notebook is a small bound volume (approximately 3.5"x4", 62 pages) of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741. Several of the notes were written in "East Windsor," [Connecticut]. The volume opens with thoughts about Thanksgiving Day 1713, and continues with a large number of short reflections, often accompanied by relevant Biblical verses. One of the notes is addressed "To young persons" [1741], and another is about church news. A later note mentions several people who wished to "Joyn with this Church," including an African American named "Job Elswth" [1741].

The Colorado photograph album contains photographic prints of towns, mines, scenery, and people in southwest Colorado, taken during the late 19th century.

This photograph album (21cm x 29cm) contains 25 photographic prints of towns, mines, scenery, and people in southwest Colorado. The first 18 photographs are identified on a printed list of captions enclosed in the volume, and the final seven, which are attributed to W. J. Carpenter of Telluride, Colorado, have captions and negative numbers handwritten on the negatives. The book's covers are wooden boards covered with a soft mohair-like padding; a deteriorated leather cover, now detached, is stamped with the title "Art Album." Each of the photographs shows a scene from southwest Colorado, including street-level and higher-vantage views of Telluride, Ouray, Silverton, the Sheridan Mine entrance, Marshall Basin, the San Miguel River, and numerous mountains. Burros, miners, and a group of Ute Indians are pictured, as well as a group of men in the process of branding cattle, a group of tourists (including women) on horseback, a group of men labeled "Dry Creek Cow Boys at Dinner," and the "highest suspension bridge in the world."

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This photograph album contains 19th-century carte-de-visite, photomechanical print, and tintype portraits of residents of Kent and Oakland Counties, Michigan.

This photograph album (14cm x 11cm) contains 18 cartes-de-visite, 4 halftone photomechanical prints, and 2 tintypes, which are portraits of residents of Kent and Oakland Counties, Michigan, taken during the 19th century. Most of the items are studio portraits of men, women, children, and infants. The halftone photomechanical prints are montages, including one portrait of a woman placed behind a drawn window. A number of the subjects are identified. A decorative design is embossed on the album's brown leather cover, and the title "Album" is stamped in gold on its spine; the volume also has a metal clasp.