Collections : [University of Michigan William L. Clements Library]

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Grace D. Banker collection contains letters, photographs, and newspaper clippings written by or relating to Grace D. Banker, a telephone operator who served during World War I as part of the U.S. Army Signal Corps in Europe with the American Expeditionary Forces.

Banker sent two letters to Georgette Poulard, an American immigrant of French origin. On April 8, 1918, in French, Grace Banker informed her friend that she did not see any submarines on the voyage to France, described her appreciation for the French countryside, and gardens, and assured her that she did not carry a revolver as she was not in danger. On September 10, 1918, Banker wrote about the news of her father's death, the picturesque quality of her surroundings, and her current lodgings in a French home. Accompanying the letters are three empty envelopes addressed to Poulard, one containing a newspaper clipping about Banker's decoration and some plant material in a small envelope labelled "My Four and Five and six/leaf clovers/Georgette/Poulard."

The collection includes a silver gelatin portrait photograph of Grace Banker in uniform, mounted in a separated trifold photo mat. A contemporary newspaper clipping, "First Passaic Girl to join the Army," includes a newsprint reproduction of the portrait; it is pasted on the damaged mat.

Graflex Sees the War contains a series of 19 mounted gelatin silver prints taken by Allied military photographers in the European and Pacific theaters during World War II.

Graflex Sees the War contains a series of 19 mounted gelatin silver prints taken by Allied military photographers in the European and Pacific theaters during World War II. This collection consists of 19 gelatin silver prints from the fourth edition of the series in their original shipping container (43 x 53.5 cm). The mailing label on the reinforced cardboard container is addressed to the manager of the Rio Theater in Hammond, Indiana. The majority of the photographs depict scenes from the Pacific theater, yet there are images from France as well. All photographs appear to have been taken in 1944. Credit for most photographs is limited to the service branch that provided them, but three items credit individual photographers by name: Cpl. Angus Robertson, Sgt. Ferman H. Dixon, and Sgt. R. B. Opper. Every credit line also includes the phrase "Graflex-made."

Titles, photo credits, and descriptions of images in order of appearance are as follows: "Two Down, Beachhead to Go, Saipan" (U.S. Coast Guard) -- soldiers under fire advancing along a beach; "Shells Away--Guam" (U.S. Navy) -- battleship firing toward shore; "Plane to Pack Train--Burma" (U.S. Army Signal Corps) -- soldiers walking with mule train, transport planes on runway in background; "U.S.-equipped Free French Troops" (U.S. Army Signal Corps) -- soldiers firing from rocky ridge; "Mam'selle 'Welcomes' Nazi Prisoner" (U.S. Navy) -- woman kicking man in city street as crowd looks on; "Hide and Seek with Death, Saipan" (U.S. Marine Corps by Cpl. Angus Robertson) -- soldiers crouching behind tank; "Biak Bound" (U.S. Coast Guard) -- deck of transport ship with convoy in background; "Victory Symbols--Past and Present" (U.S. Army Signal Corps) -- French village square showing World War I monument and advancing American tank; "105mm Howitzers In Action, Guam" (U.S. Marine Corps) -- soldiers and artillery in tropical landscape; "Channel Transfer of Invasion Wounded" (U.S. Coast Guard) -- wounded soldiers (likely injured during the invasion of Saipan) on stretchers on boat deck; "Flame, Camera, Action--Guam" (U.S. Marine Corps) -- soldiers patrolling in battle-scarred jungle; "Alligators Attacking Peleliu" (U.S. Navy) -- fleet of amphibious landing craft; "House to House Fighting--St. Malo" (U.S. Army Signal Corps) -- American soldiers under fire in French village street; "Earmarked for Guam" (U.S. Navy) - ship deck lined with large artillery shells; "Beachhead Altar, Saipan (U.S. Marine Corps by Sgt. Ferman H. Dixon) -- priest in front of makeshift altar on hood of wrecked tank; "Pause for Prayer" (U.S. Army Signal Corps) -- soldiers with rifles sitting in cathedral; civilians praying at altar; "War is H---" (U.S. Coast Guard) -- four sailors showing haircuts that spell out "H-E-L-L"; "Thar She Blows, Saipan" (U.S. Marine Corps by Sgt. R. B. Opper) -- artillery shell exploding close behind two soldiers on battlefield.

This volume contains biographical information about members of the Grand Army of the Republic (G.A.R.) Post No. 228, which was named after Colonel John A. Koltes and located in Philadelphia, Pennsylvania. Biographical sketches include information about veterans' dates and places of birth, as well as details of their Civil War service, such as their dates of enrollment and discharge, unit numbers, and participation in battles.

This volume (382 pages, of which 186 are blank) contains biographical information of about 190 members of the Grand Army of the Republic Post No. 228, located in Philadelphia, Pennsylvania. Biographical sketches include information about veterans' dates and places of birth as well as details of their Civil War service, such as dates of enrollment and discharge, unit numbers, and participation in battles.

Louis [Bergdoll] presented the volume, entitled "Personal War Sketches," to the John A. Koltes Post (No. 228) in 1892. The information is entered in manuscript on previously printed pages, which include sections for general post information, individual biographies, burial records, and additional supplementary information. The pages are accompanied by printed illustrations that depict soldiers, cannons, navy ships, and other military paraphernalia.

The biographical sketches (pp. 7-196) are organized in rough order alphabetically by surname. Each printed page includes sections for information on the soldier's birthdate and birthplace, military experience, and Grand Army of the Republic membership. Most of the post's members were born in various regions of Germany and in Philadelphia, though others came from Denmark (1 member), England (1 member), France (1 member), New Jersey (1 member) South America (1 member), and Switzerland (3 members). Many of the soldiers served in the same companies and regiments; specific enlistment data is included for each man. Some entries include additional notes about soldiers' participation in major battles, wounds sustained, time as prisoners of war, and close friends in the military, as well as the most important aspect of each man's army service. Burial information for some soldiers also appears on pages 369-373, covering the years 1874-1901.

Items laid into the volume include preprinted sheets on which soldiers responded to questions about their military service and personal histories. Two birth certificates for Wilhelm Lanert West, who was born in Philadelphia, Pennsylvania, in 1902, are laid into the volume between pages 92 and 93; each is dated June 22, 1964.

The Great Britain. Army. Regiment of Foot, 10th orderly book (56 pages) contains military orders kept by an anonymous British officer while stationed at Boston from March 3 through April 25, 1775. The entries document the British army's activities during the months leading up the Battle of Lexington and Concord.

The Great Britain. Army. Regiment of Foot, 10th orderly book (56 pages) contains military orders kept by an anonymous British officer while stationed at Boston from March 3 through April 25, 1775. The entries document the British Army's activities during the months leading up to the battles at Lexington and Concord. Topics covered include regimental and brigade orders and information on desertions, courts martial, prisoners, deaths within the regiment, provisions and clothing, church attendance, promotions, regimental debts, picket duty assignments, exercises, and military drills. Entries also contain daily administrative information, such as the parole sign and assignments for on-duty commanding officers. Though the author was a member of the 10th Regiment of Foot, the orderly book also documents the 59th, 43rd, and 23rd regiments.

The volume contains little on the Lexington and Concord battles (April 19, 1775), though orders from April 19th through April 25th betray a heightened sense of security among the ranks in Boston. Entries from these dates contain instructions for troop readiness, for maintaining arms and artillery, and for preparing the military hospitals. On April 19th, the regiment received the following order: "The Troops in Town not to Straggle from their B[arracks] but to be Ready to turn out with their Arms, Ammunition, & Provisions the Moment they are Ordered" (page 48). The order of April 22, contains a statement on the conduct of Lord Percy's forces at Lexington and Concord (page 53), and the entry from April 24, orders a portion of the 10th regiment to reinforce the British lines (page 56).

This 84-page volume contains orders, muster rolls, and supplementary material concerning the operations of the British Army's 15th Regiment of Foot in June 1841.

This 84-page volume contains orders, muster rolls, and supplementary material concerning the operations of the British Army's 15th Regiment of Foot in June 1841. The volume originally belonged to an officer stationed with the regiment, and it contains 8 pages of orders issued by Lieutenant Colonel Lord Charles Wellesley in June 1841. Wellesley's orders pertain to the division of the regiment's companies into smaller squads, specify requirements for personnel records, and provide a list of drill movements to be performed by each squad. The orders are followed by a roster of members of the 2nd Squad of the regiment's 1st Company: a 22-page printed chart filled out in manuscript, followed by a 15-page roster with the same format, written entirely in manuscript. The roster includes information about each member of the unit, including his name, age at enlistment, height and weight, birthplace, trade, level of literacy, religion (Catholic or Protestant), and marital status; it also provides space for additional remarks, often used to record promotions, discharges, deaths, transfers, or the number and ages of children. The next 8 pages (bound into the volume) contain printed instructions for non-commissioned officers, including discussions of officers' duties, procedures and regulations concerning the formation of companies, and information about guards and barracks.

Other portions of the book record specific orders for the regiment to proceed to Fareham, blank handwritten grids for the names of men to be disciplined or promoted, and lists of duties for orderly sergeants and orderly corporals. The volume also contains a list of daily drill procedures, a diagram of a "Complete Kit laid out," and the light marching order.

The Greene Family Lake Winnipesaukee photograph album contains views of the Greene family's steam yacht on Lake Winnipesaukee, lakefront properties and lakeside scenery, pictures of people enjoying indoor and outdoor recreational activities, and formal portraits.

The Greene Family Lake Winnipesaukee photograph album (25cm x 30cm) contains 32 photographs taken on and around the New Hampshire lake in the late 19th century. Most prints are 24cm x 19cm, pasted one to a page, or 12cm x 19cm, pasted two to a page; one page has four prints, each 9cm x 12cm. The original covers are no longer extant.

A large steamboat, the Lady of the Lake, appears in one or two images. A small steamboat belonging to the Greene family, theMohawk, is shown on the water in numerous photographs, often with people relaxing on deck or waiting to board from a dock. The album contains many scenic views of lakeside properties, likely owned by the Greene family, including one of the Hotel Weirs. One boy posed by a tall flagpole with a large United States flag, erected next to a lakefront house, and one item shows a flock of ducks around a sign for Roxmont Mineral Spring, possibly part of the Hotel Weirs grounds. Some of the pictures are interior views of unidentified people relaxing in a parlor; in one photograph, a woman sits at the piano while a boy plays a horn and a man reads a newspaper from Boston, Massachusetts. J. A. Greene appears in at least two photographs; in one photograph he sits in a parlor with an unidentified woman and in another photograph he is shown with freshly caught fish along the lakeshore. Photographs of a hunting party beside a log cabin, fishing from a canoe, riding in a horse-drawn wagon, and posing by a dead deer are also included. The album has a formal group portrait of a man, woman, and young boy and a formal portrait of a young girl, all likely members of the Greene family. Two fanciful images show a person standing next to a florally decorated bicycle with a large umbrella attached and a staged scene of a tooth extraction set in a medical office. A second photograph of the same medical office shows a man writing at a desk.

A list of photographs is housed with the album.

The Greenwood family Christmas album, 1891 (13.25 x 23.5 cm) is a paper album containing 6 cyanotype photograph views of James and Marcellus Greenwoods' homes in La Crosse, Wisconsin, and two portraits.

The Greenwood family Christmas album, 1891 (13.25 x 23.5 cm) contains 6 cyanotypes in an album of cream textured paper, bound with a turquoise ribbon. "Christmas 1891." is written on the cover in blue ink.

The first page states "Dear Louise, Please accept this reminder of our family, with much love from Uncle James and Aunt Thankful."

The first photograph is a view of James and Thankful Greenwood's home in La Crosse, Wisconsin.

The second photograph is an interior view of the same house.

The third and fourth photographs are views of the interior and exterior of the home of Marcellus Greenwood.

The fifth cyanotype is of James Greenwood in front of a yeast cart.

The last image is of six children with play guns. Marcellus' young children George and Frederick Greenwood are present.

The Grenfell, Saskatchewan snapshot album (22.25 x 15.25 cm) contains 26 unidentified snapshot photographs and 1 index sheet. The contents are of landscapes, First Nations people and their campsites, village buildings, livestock, townspeople, and a locomotive.

The Grenfell, Saskatchewan snapshot album (22.25 x 15.25 cm) contains 26 snapshots and 1 index sheet. The title printed on the front cover reads "Scenes by the Way." The contents are of landscapes, First Nations people and their campsites, village buildings, livestock, townspeople, and a locomotive. A note written on the inside front cover indicates that this was a Christmas gift to a cousin, and a note below this includes information about the Grenfell railroad station. An index of captions is loose in an envelope within the album. The identified subjects in the album are referred to by their first names.

This collection consists of a commonplace book (approximately 50 pages) compiled by Ann Greene after 1790, and an account of a 44-day voyage John Grew and his family took from Liverpool to Boston in the summer of 1795. The 22-page travel diary also includes an 8-page copy of a letter Mary Grew, John Grew's mother, wrote to her family in England upon her arrival in Boston.

This collection consists of a commonplace book (approximately 50 pages) compiled by Ann Greene after 1790, and an account of a 44-day voyage John Grew and his family took from Liverpool to Boston in the summer of 1795. The 22-page travel diary also includes an 8-page copy of a letter Mary Grew, John Grew's mother, wrote to her family in England upon her arrival in Boston.

Ann Greene's commonplace book has two parts: 33 pages of transcribed poetry (24 poems) begin at the front cover, and 15 additional pages of personal reflections and letter drafts begin at the back cover. Much of the poetry was originally written by British authors whose work circulated widely in the eighteenth century, such as James Boswell, James Thomson, William Cowper, and Elizabeth Singer Rowe. Greene occasionally recorded the volume and page from which she transcribed poems. The other portion of the volume contains personal resolutions about making good use of one's time, interspersed with light-hearted notes about beaux or friends.

The travel diary records the Grew family's emigration from Birmingham England, to Boston, Massachusetts, in 1795. Daily entries, written between May 23 and July 8, 1795, detail several aspects of the voyage, such as the weather, passing ships, maritime wildlife, and the ship's progress. The diarist also mentioned an instance when another vessel mistook their ship for a French privateer, and the effects of a tumultuous storm.

The final 8 pages contain a copy of a letter Mary Coltman Grew (1756-1834) wrote to her mother in England from Boston, Massachusetts (July 24, 1795). She detailed her initial impressions of the city and of local customs. Among other topics, she reflected on the climate, housing, servants, dress, food, and religious customs. She also related an anecdote about Benjamin Franklin, who reportedly distributed printed cards to strangers in order to preempt any inquiries about him.