Collections : [University of Michigan William L. Clements Library]

The David Selden papers contain correspondence from Selden, an American merchant in Liverpool, concerning business, the War of 1812, and conditions in Great Britain.

The David Selden letters consist of 10 letters from Selden to his parents, written between 1811 and 1819, in which he commented on business matters, the economic situation in Great Britain, and foreign relations, particularly the effects of the War of 1812 on shipping and trade. Selden wrote nine of the letters between January 1811 and January 1813. The correspondence begins with Selden's announcement of his safe arrival in Liverpool on January 1, 1811; in the same letter, he commented on the Non-Intercourse Act and expressed relief that all exports to England had not been forbidden. Two other letters from 1811 paint an increasingly bleak picture of the economic situation in England, with commerce "at a very low ebb" and rampant unemployment and theft, especially in Manchester (February 4, 1811).

Several letters written by Selden between 1812 and 1813 refer to the War of 1812, and offer the views of an expatriate with a strong financial stake in peace. In several letters, Selden commented on licensing and the odds of having his ships seized, and expressed his hope that British concessions would appease American "war maniacs" and bring an end to conflict (August 20, 1812). On November 27, 1812, he wrote to his parents, reporting that one of his ships, the Fanny, had gotten through to New York and expressed hope that the United States would not prosecute him for violation of the Non-Intercourse Act. He also made several references to Russell Brainerd, a friend and American prisoner of war on the H.M.S. Royal William, whose exchange he hoped to orchestrate.

Selden's letters also contain frequent references to international events, such as the Napoleonic Wars, and show Selden's particular interest in Russia, which he saw as a potential trading partner, though he criticized the country for its "cruelty and superstition," and its use of "white slaves" (November 27, 1812). Selden wrote the final letter in the collection, dated October 20, 1819, while in New York and stated that he was unsure of his future plans, and was considering a move to the American South.

The Black River Lumbering Photographs collection consists of 16 albumen prints depicting the Black River logging camp (presumably Alger, Smith & Company) in Alcona County, Michigan taken by an unknown photographer sometime ca. 1880. All of the photographs have penned captions written in the same handwriting. The collection includes images of camp buildings, the cutting, stripping and transport of logs by rail, water and horse drawn wagons, as well as images of lumbermen at work.

The Black River Lumbering Photographs collection consists of 16 albumen prints (24 x 19.15 cm) depicting the Black River logging camp (presumably Alger, Smith & Company) in Alcona County, Michigan taken by an unknown photographer sometime ca. 1880. The prints are individually pasted on 30.5 x 25.5 cm brown paper mounts. All of the photographs have penned captions written in the same handwriting on the back of the mount. The collection includes images of camp buildings, the cutting, stripping and transport of logs by rail, water and horse drawn wagons, as well as images of lumbermen at work. Of particular note is a photograph (#5) of what appears to be a married couple in front of their log-cabin home.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The collection contains 41 photographs of the British born actor, Owen Fawcett (1838-1904) and his family. It includes formal portraits of Owen Fawcett at various ages, as well as portraits of Mr. Fawcett in costume, some with other actors. The collection also contains formal portraits of families and children, most of which are photographs of Owen Fawcett's grandchildren; also included is a photograph of the Charles E. Hunter family given to Fawcett in 1894.

The collection contains 41 photographs of the British born actor, Owen Fawcett (1838-1904) and his family. It includes formal portraits of Owen Fawcett at various ages, as well as portraits of Fawcett in costume. The collection contains formal portraits of families and children, most of which are photographs of Owen Fawcett's grandchildren; also included is a photograph of the Charles E. Hunter family given to Fawcett in 1894. A loose bookplate of Fawcett's is also present in the collection.

• Two autographed portraits of Fawcett. (1, 2)
• Owen Fawcett, his wife, daughter, and grandchild in their backyard. (13)
• A late 19th century cabinet card enlargement of an earlier portrait of an unidentified young man (a member of the Fawcett family?); this portrait is housed in its original paper-wrapper. (16)
• Two portraits of Fawcett in costume as Colley Cibber. (26, 27)
• Three 1903 portraits of Fawcett in costume as Darby Keegan in the play Robert Emmett. This was Fawcett's last performing role before his retirement. (39-41)

This collection is made up of a letter, drawings, maps, and newspaper clippings related to David Wyrick's discovery of inscribed stones in a Native American burial mound near Newark, Ohio, in 1860.

This collection is made up of a letter, drawings, maps, and a newspaper clipping related to David Wyrick's discovery of inscribed stones in an Indian burial mound near Newark, Ohio, in 1860. The items were once bound together under the title "Hebrew Inscriptions alleged to have been dug up in Ohio, U.S.A." Wyrick wrote an 8-page letter to William Brockie, editor of The Sunderland Times, on September 8, 1860, about his archaeological exploits. He recounted his actions on June 29, 1860, the day of his discovery, describing the Newark burial mounds and the Hebrew-inscribed "Keystone" he discovered there. Wyrick addressed the possibility that he had been the victim of a hoax, but ultimately expressed his belief that the stone was a genuine ancient artifact, possibly a relic of one of the Lost Tribes of Israel. His letter also refers to the draining of a nearby artificial pond, the durability of the logs located on its floor, and the discovery of several skeletons in a burial mound.

Wyrick's letters contain references to enclosed drawings and maps (which are present in the collection). Four colored drawings include two- and three-dimensional views of each of the Keystone's four inscribed faces, a diagram of the burial mound where Wyrick unearthed the artifact, and a cross-section of a mound containing several skeletons. Three of the manuscript maps are overhead views of the Newark earthworks, including copies of maps by Caleb Atwater (1820) and Squier and Davis (1848), and Wyrick's own detailed map (1860). A final manuscript map is a view of an artificial lake near Utica, Ohio (undated). Some of the visual materials have lengthy captions written on the verso.

The final items in the Wyrick collection are two newspaper clippings published in The Sunderland Times on October 6, 1860, regarding the Wyrick excavation. One article reprints several lengthy quotations from Wyrick's letter to William Brockie, and the other contains translations of the stone's Hebrew inscriptions.

This volume, apparently kept by David Zerbe of Lancaster County, Pennsylvania, consists of physician's accounts for the purchase of medicines, ingredients, and supplies from 1861 to 1880.

This volume, apparently kept by David Zerbe of Lancaster County, Pennsylvania, consists of physician's accounts for the purchase of medicines, ingredients, and supplies from 1861 to 1880. The entries variously include quantities, items, prices, suppliers, and receipt information. The quantities were measured in drams, quarts, pints, vials, ounces, or by the dozen. A few items include alcohol, mace, yellow beeswax, peppermint oil, aqua ammonia, hemlock, raw linseed oil, Spanish saffron, quicksilver, lead (red, white), rhubarb, orange peel, and gum camphor.

This volume contains handwriting exercises produced by David Ziegler in German Schrift during the 19th century. The penmanship practice is in a blank book with a printed cover headed "Ships," with an illustration of ship and a short passage using sailing as a religious metaphor. "Stereotyped by L. Johnson of Philadelphia."

This volume contains handwriting exercises produced by David Ziegler in German Schrift during the 19th century. The penmanship practice is in a blank book with a printed cover headed "Ships," with an illustration of ship and a short passage using sailing as a religious metaphor. "Stereotyped by L. Johnson of Philadelphia."

Davis Castle's journals provide information on his service in the Signal Corps of the Army of the Potomac.

Davis Castle's journal provides limited information on his service in the Signal Corps of the Army of the Potomac. The document is made up of brief entries, at times illegible handwriting, and empty pages. Castle tended to report second hand information rather than his own experiences.

On the first "Memoranda" page following December 31, 1865, is a list of births in Davis Castle's immediate family. The pages dated November 1, 1864 and August 25, 1865 contain coded passages.

The Dayton Soldiers' Orphan School carte-de-visite album contains carte-de-visite and tintype portraits of children and adults associated with the Dayton Pennsylvania school, taken in the mid-1860s and early 1870s.

The Dayton Soldiers' Orphan School carte-de-visite album (15cm x 12cm) contains 34 carte-de-visite and 12 tintype portraits of children and adults taken from the mid-1860s to early 1870s. Six of the tintypes are mounted directly in the volume, and six are laid in. One of the tintypes has a thin stamped decorative metal frame. The photographs are formal studio portraits of boys, girls, and adults, photographed individually and in groups. Many of the photographs were taken by Dayton photographers, Hanna Glenn, E. Grinder, J.S. McIntire, and H. Pound. Some of the boys are shown wearing military jackets and caps, and a few items are hand-colored. The album's front cover, made of brown leather, has two roses in relief with green-painted stems and flowers made of a soft fabric. The volume's clasp is a metal ring.

This collection is made up of 4 letters that D. Bell, Jr., wrote to his parents in England while traveling in Canada during the summer of 1777. Bell discussed his uncomfortable transatlantic voyage, his leisure activities in North America, his relationship with a woman back home, and other subjects. His letters contain brief references to the colonial "Rebels" and to General John Burgoyne.

This collection is made up of 4 letters that D. Bell, Jr., wrote to his parents in England while traveling in Canada during the summer of 1777. Bell discussed his uncomfortable transatlantic voyage, his leisure activities in North America, his relationship with a woman back home, and other subjects. His letters contain brief references to the colonial "Rebels" and to General John Burgoyne. See the Detailed Box and Folder Listing for more information about each item.