Collections : [University of Michigan Bentley Historical Library]

Ann Arbor, Michigan photographer. Photographs of foreign students attending the University of Michigan.

This collection consists of photographs of foreign students attending the University of Michigan in classroom, study and laboratory settings.

Member of the U.S. Polar Bear Expedition in Archangel, Russia; collection includes digitized photographs from Decoration Day ceremonies at White Chapel Cemetery in Troy, Mich. and notes from Flack's copy of The History of the American Expedition Fighting the Bolsheviki.

The Robert Bruce Flack papers consist of a two series, Photographs and Annotations.

The Photographs series contains digitized images of Robert Bruce Flack with fellow veterans and family members at Decoration Day events at White Chapel Cemetery in Troy, Mich. in the early 1950s. These include several images of Flack and family members in front of the cemetery's Polar Bear Monument, which was sculpted by Leon Hermant.

The Annotations series contains digital images of notes made by Flack in his copy of The History of the American Expedition Fighting the Bolsheviki (1920). These annotations provide details on Flack's service as a machine gunner on the Kodish and Railroad Fronts from December 1918 through April 1919.

The collection consists of promotional photographs of skiing and other winter recreational activities in the West Branch, Michigan area.

Photos of student and faculty activities, research, the campus, athletics, and individuals, used in University publications.

Richard K. Beardsley was a professor of anthropology at the University of Michigan from 1947 to 1978 who served several terms as the director of the Center for Japanese Studies. The papers document his anthropological fieldwork in Japan, Spain, and California, and include research and field notes, interviews, questionnaires and surveys in English and Japanese, photographs, and a small amount of correspondence.

The Richard K. Beardsley Papers document Beardsley's anthropological fieldwork in Japan, Spain, and California, and include research and field notes, questionnaires, interviews, photographs, and a small amount of correspondence. The papers consist of three series: Topical Files, Research Files, and Photographs.

In-house architectural office of the University of Michigan. Records include project files for new University buildings, and additions to, and alterations of, existing structures; include files for Ann Arbor, Dearborn and Flint sites and off-campus projects with documentation for numerous medical-related buildings; contain minutes, correspondence with University officials, architects and contractors; photographs, brochures and conference notes; also data sheets relating to specific building projects, including cost, size, names of architects and contractors, and construction period.

The records of the University Architect's Office consist of twenty (20) linear feet and three oversize volumes. Records include correspondence, meeting minutes, reports, architectural drawings, and photographs spanning the years from 1950 to 1989. The records document the numerous construction and renovation projects undertaken by the university on the Ann Arbor campus as well as on the Dearborn and Flint campuses. The materials are arranged in two series: University Architects and University Buildings Files. The bulk of the records are comprised of building files

There are three oversize volumes of photographs regarding the Administration Building (LS&A Building), Mary Butler Markley Hall, and the Outpatient Clinic of the University Hospital, which have been removed to an oversize location.

Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Photographs of the Musgrove Evans House.

Photographs of the Musgrove Evans House, Tecumseh, Michigan.

Group portraits of pastor, with various groups of members and visitors, inside and outside the church building.