Collections : [University of Michigan William L. Clements Library]

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

Many of the photographs present in this collection appear to have once been part of an album or scrapbook which may have been compiled and captioned by Underhill, Jr.’s sister, Marguerite Allare Underhill Goetz (1895-1970). Images of interest include views of numerous movie theaters, street scenes, and landscapes in various locations in Pennsylvania, Kentucky, North Carolina, Tennessee, Maryland, Virginia, West Virginia, and Washington, D.C; photos of P-2 projector equipment manufactured for RCA by General Electric; snapshots of Underhill, Jr. and family members including his parents, wife, and daughter taken in various locations during work-related travels; photos of movie theater managers John M. Bernardi (Roxy Theatre, Williamsport, Pennsylvania) and Paul O. Klingler (Rialto Theatre, Lewiston, Pennsylvania); a portrait of Harold Graffius, projectionist for the Rowland Theatre in Phillipsburg, Pennsylvania; and pictures of several theatre organists.

Additional items include Underhill, Jr.’s projected service schedule beginning June 1, 1935; his service schedule for the month of July 1931; a list of films reviewed by Box Office for the year 1933; an undated letter from Rialto Theatre manager Paul O. Klingler regarding an unknown article that had originally been attached; a letter from Ike Benny of Pastime Theatre in Lewiston requesting Underhill, Jr.’s help regarding equipment issues dated October 9 1930; a letter from W. K. Glodfelter regarding an upcoming local meeting of the International Alliance of Theatrical Stage Employees dated November 9 1931; and a broadside advertising the Rivoli Theatre of Johnstown, Pennsylvania ; posters advertising the McVeytown Theatre in McVeytown, Pennsylvania; an issue of the Charleroi Mail advertising the opening of the 1935 fall film season at the Menlo Theatre in Charleroi, Pennsylvania.

The Wilbur Wright Airfield photograph album contains 250 images taken by Corporal J. O. McDonnell that mainly document military activities at Wilbur Wright Airfield in Ohio during World War I.

The album (18 x 28.5 cm) is string-bound and has black leather covers with "Photographs" stamped in gold on the front and black paper pages. Images are sequentially numbered in white pencil. Contents primarily cover a range of aviation training activities and other operational aspects of Wilbur Wright Airfield. Various training aircraft are documented in detail; the majority were Curtiss JN-4s, known as “Jennys,” but the base also had some DeHaviland DH-4s. Numerous views of planes are included, showing them on the ground, in the air, and operating in all seasonal conditions. Several crash landings are also documented, with most of the wrecks appearing to be “nose-overs” (planes flipping forward upon landing) rather than high-speed crashes into the ground.

In addition to pilot training, Cpl. McDonnell also documented aspects of daily life at the base including hangars, mechanics shops, fabrication areas, and barracks. Photographs include shots of military personnel working on planes, lounging in barracks, and searching for wreckage. Also present are photographs of visitors to the base (including actress Pearl White and possibly other cast members of Pearl of the Army), the New York Times airplane, experimental plane designs (such as a dual engine biplane and innovative wing shapes), and two images showcasing the newly developed Brock Automatic Aeroplane Camera designed for aerial surveillance. Cpl. McDonnell himself may possibly appear in photograph no. 69 posing with a young woman in front of an airplane.

Other locations besides Wilbur Wright Airfield are represented in the album, including storefront views and street scenes in Mineola, New York, which may possibly have been McDonnell’s hometown. Also present are four portraits of Theodore Roosevelt giving a speech in 1917 at a racetrack in Mineola, seven images of Washington, D.C., landmarks (including four directional views taken from the top of the Washington Monument), a view of the Tijuana Fair, the Horton Plaza fountain at the Panama-California Exposition in San Diego, and six aerial photographs showing an unidentified coastal city (likely San Diego) and several ships.

Other photographs produced by Cpl. McDonnell for official U.S. Army purposes differ from those found in this album in terms of their size, content, quality of composition, and attention to staging. It is likely that he took photographs for official (and sometimes classified) purposes in his role as base photographer while also taking his own personal snapshots, the latter of which are what appears to be compiled in this album.

This notebook (241 pages) contains medicinal recipes as well as instructions for making other health, beauty, and household products. It contains several newspaper clippings and paper inserts, including one letter by Pierre Du Bois.

The entries are arranged alphabetically, with tabs marking each letter. The volume bears a torn origin label of Piccadilly, "...chester" on inside front cover. Concoctions include beauty lotion, cordials, kola koka, blood purifier, and cures for St. Vitus's Dance, anemia, and dandruff. Also present are tinctures, salves, ointments, cures, and preventatives. A few agricultural items respect calf drench and a substance for ewes after lambing. Some newspaper clippings respect aquarium cement and curry powder. Additional paper inserts include various formulas, a letter from Pierre to his father, and basic Spanish phrases on a sheet with the Venezuelan Consulate (Baltimore) letterhead.

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915.

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915. The collection is mainly composed of 10 x 15 cm silver platinum, platinotype, and gelatin silver prints as well as 15 x 20.5 cm cyanotypes. A couple of manuscript notes are also present. Much of the focus is on eastern Massachusetts, centering on Wheeler’s hometown of Worcester. Photographs show residential architecture from the 17th century, unidentified colonial homes, and contemporary architecture from Wheeler's day and age. Many of the historical structures documented here were in danger of vanishing during Wheeler's lifetime, and many have long since been destroyed. Other photographs show natural landscapes, noteworthy trees, country roads, parks, public and educational buildings, farms, monuments, bridges, milestones, and gravestones as well as images of famous paintings, engravings, and lithographs. Also included are a small number of images related to Washington, D.C., Maine, and New Hampshire. Wheeler likely took the vast majority of these photographs, though there are several instances where he credited the original sources of certain images. The collection materials were removed from the original album volumes they were stored in and have been rehoused in three 3-ring binder albums and three flat boxes. Most photographs also have original reference numbers that were used by Wheeler to organize the collection.

In addition to this finding aid, the Clements Library has created the Henry M. Wheeler Photoprint Collection Inventory. This inventory lists items according to volume/box location and includes references to specific page/mat numbers, image descriptions (most of which are derived from captions originally inscribed by Wheeler on photograph versos), and photographic formats.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast. The album (18 x 27 cm) is half bound in brown leather with brown cloth boards. Washington, D.C.-related views include the White House with an interior ballroom, the Washington Monument, the Teasury Building, the U.S. Capitol, the Smithsonian Castle (with the Capitol in the background), and the Senate and House chambers. Camping-related images include photographs of a wooded lakeside area showing campers hiking, boating, painting, fishing, playing guitar, reading, and contemplating the scenery. In one view of a tent encampment in a grove of trees, a table is set for a meal, and a man stands beside a camera on a tripod. Several people from the camping trip are shown in various other settings: in a back garden, in front of a frame house with fencing, and in several Victorian-style interior rooms. Additional photographs show the Maplewood Hotel in Bethlehem, New Hampshire, and a boardwalk (possibly in Atlantic City, New Jersey).

This collection contains correspondence that Jewish Private J. Walter Feigenbaum received from his sister, Jeanette, and mother, Rose, while he served with the United States Army during World War II. The women, who lived in Washington, D.C., wrote of the domestic political situation prior to the 1944 presidential election, shared their opinions on developments in the war, and provided news of family friends.

This collection (24 items) contains correspondence that Jewish Private Jacob Walter Feigenbaum received from his sister and mother while he served with the United States Army during World War II. Jeanette Feigenbaum, Walter's sister, wrote most of the letters, often with brief notes from her mother Rose, who sometimes sent letters of her own (frequently in the same envelopes). The women discussed numerous political and personal topics, often related to the 1944 presidential election and domestic politics. Jeanette frequently expressed her frustrations with the political landscape, including her skepticism about Harry Truman, reaction to the Dewey campaign's tactics, and views on legislation related to the military. She commented on the progress of the war in Europe, reports of German atrocities against the citizens of Warsaw, Poland (August 30, 1944), and the political situation in Nazi Germany, including the failed plot to assassinate Hitler (July 21, 1944, and July 23, 1944). Her letters also mention Zionist newspapers, contain references to Jewish holidays, and discuss Jewish nationalism (September 5, 1944). Rose's letters focus more prominently on social news of family members and friends.

Each letter is accompanied by an envelope bearing a colored illustration of a soldier eager to receive mail. The soldiers depicted include jeep drivers, paratroopers, and machine gunners, and the envelopes belong to the same artistic series. Many of the letters also feature patriotic letterheads or watermarks, and two from September 1944 have panels from the cartoon "Private Buck," drawn by Clyde Lewis (September 5 and September 14, 1944).

This collection is made up of letters that brothers Edward K. Burdette, Jr. ("Ken"), and Huddleston York Burdette ("York") wrote to their parents during their service in the United States military during World War II. Ken served in the army and York served in the coast guard. Each wrote primarily about their everyday experiences and upcoming assignments.

This collection is made up of letters that brothers Edward K. Burdette, Jr. ("Ken"), and Huddleston York Burdette ("York") wrote to their parents during their service in the United States military during World War II. Ken served in the army and York served in the coast guard. Each wrote primarily about their everyday experiences and upcoming assignments.

Ken Burdette wrote the first 5 letters ([June 2, 1942]-August 2, 1943), often commenting on his various instructional assignments and personal news. In his first letter, he asked his father for an opinion on his girlfriend Mary, whom he later married. After his wedding, he occasionally referred to domestic affairs, such as the couple's search for housing near Washington, D.C., and the high cost of living there (September 11, 1942). He also mentioned Mary's sightseeing in New York City (August 2, 1943). In one later letter, which encloses a memorandum with a religious joke, he discussed an upcoming cross-country train trip from San Francisco to Augusta, Georgia (January 25, 1945).

York Burdette wrote 7 letters to his parents from [September 13, 1945]-[October 29, 1945], primarily about life in the coast guard, his friends, and finances. He trained at the United States Coast Guard Training Station in St. Augustine, Florida, and served near New Orleans, Louisiana, and Pensacola, Florida. While in Louisiana, he often took leave in New Orleans, though he found it difficult to enjoy the city on a limited budget ([November 13, 1943]). In his final letter, he wrote of the various ships in port for the Navy Day celebrations.

The William H. Sherzer Hawaii photograph album contains approximately 320 images documenting a cross-country car camping trip beginning at Michigan State Normal College professor William H. Sherzer's home in Ypsilanti, Michigan, to California, and then by ship to Hawaii.

The William H. Sherzer Hawaii photograph album contains approximately 320 images documenting a cross-country car camping trip beginning at Michigan State Normal College professor William H. Sherzer's home in Ypsilanti, Michigan, to California, and then by ship to Hawaii. The album (29 x 20 cm) has woven grass covers, black paper pages, and includes numerous handwritten captions. Photographs of the American Southwest and California include views of natural features and rock formations in New Mexico, Arizona (including cliff dwellings near Roosevelt), and the Mojave Desert; the Grand Canyon; and Lick Observatory. The traveling party appear to have had their vehicle shipped to Hawaii along with them. Hawaii-related images include views of buildings and streets in Waikiki and Honolulu; the interior of a cottage; rice harvesting; scenic views of Kauai, Waimea, Mo'okini Heiau, Puna, Kohala, and the lava fields of volcanic regions; the steamships Wilhelmina and Matsonia; and a photograph of Elizabeth Lahilahi Webb outside the Bishop Museum in Honolulu. Additional images include scenes from a trip to Alexandria, Arlington, and Mount Vernon in Virginia as well as Washington, D.C., mainly consisting of views of tourist attractions as well as a visit to Sherzer's sister Dr. Jane Sherzer.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia. The album (21 x 28 cm) has brown suede covers stamped with a U.S. Army design and is bound with string. Most photographs include manuscript captions on versos. Images include photographs of training activities including bayonet drills, hand-to-hand combat, digging trenches, and practicing maneuvers; Basil M. Stevens standing at the front of African American guard troops; and individual portraits of officers in uniform, autographed and inscribed to Basil M. Stevens. Additional photographs taken in Washington, D.C., show Stevens with military officers and his wife, Helen.

The John D. Bagley photograph albums consist of three photograph albums created by John DuCharme Bagley IV of the Bagley family of Detroit, Michigan.

The John D. Bagley photograph albums consist of three photograph albums belonging to John DuCharme Bagley IV of the Bagley family of Detroit, Michigan.

The photograph albums document the life of John DuCharme Bagley IV over a period of twenty years or so. Bagley IV was clearly an enthusiastic amateur photographer who enjoyed documenting his family and friends. The photos in all three albums are snapshot-sized and mostly taken outdoors. While the earliest album (Volume I) is extensively captioned, the other two are not.

Volume 1:

The first volume (14 x 30 cm) includes images taken between 1903 and 1905, including numerous photographs taken during a Bagley family trip to Europe. Bagley IV was a teenager at the time. Identified family members documented in this album include his older sister Frances, younger brother Phil, parents John N. and Esther, and an “Aunt Frankie” who was likely Esther’s sister. This trip appears to have lasted several months, perhaps the better part of an entire year. Locations visited included the German Alps, Naples, Rome, Pompeii, Lake Lucerne, Amsterdam, and London. The family’s return to New York by steamship is also represented. The remainder of this album documents experiences on Woodcote Farm in Ionia, Michigan, as well as family life in Detroit and outdoor summer activities at Long Lake in Grand Traverse County, Michigan.

Volume 2:

The second volume (20.5 x 30.5 cm) contains material compiled during World War I and afterwards. Views of the U.S. Naval Academy and of Washington D.C. are included, and Bagley IV is shown in many images wearing a naval uniform. Several warships (including what appears to be the USS Pennsylvania, commissioned in 1916) are pictured from afar throughout the album. One series of snapshots shows an Armistice celebration taking place at an unidentified location. Several pages showcase scenic views taken during a train journey through an unidentified mountainous region. The bulk of the remaining pictures in this album consist of portraits of family and friends posing informally in urban, domestic, and rural settings. Bagley IV appears regularly, usually in a business suit, and in a couple of cases he can be seen standing next to a Bagley & Co. company vehicle. Also present is a large loose photo that shows John J. Bagley’s birthplace in Medina, New York, which was photographed in 1895.

Volume 3:

The third volume (20.5 x 30.5 cm) contains numerous photographs taken during visits to New Mexico and Colorado in 1908 as well as Oregon in 1909. Images in the New Mexico section highlight operations and personnel of the Maxwell Irrigated Land Company. Bagley IV’s younger brother Phil may have been involved with this company. While it is not entirely clear which photos were taken in Colorado, numerous images of logging operations and logging camps were most likely taken in Oregon. Also present are personal photos showing Bagley IV and his wife Mary visiting forests and beaches. The final section of the album includes photos of Bagley IV in a navy uniform and views of the U.S. Naval Academy at Annapolis, Maryland.

The Portland, Washington, D.C. photograph album contains 74 interior and exterior photographs of The Portland apartment building in Washington, D.C. from 1900 to 1903.

The Portland, Washington, D.C. photograph album contains 74 interior and exterior photographs of The Portland apartment building in Washington, D.C. from 1900 to 1903. Most photographs have handwritten notation stating date, location, or subject matter. Exterior images show The Portland and Thomas Circle from various viewpoints. Interior images show various rooms in an apartment; the parlor, bedrooms, dining room, and den. Many of these images appear to include family members, friends and neighbors. The last photograph is of a woman near the shore in Marblehead, Massachusetts.

The album is 14.5 x 12 cm with red artificial leather covers.

This collection contains 31 letters, telegrams, photographs, and documents related to Benjamin Stark's service in the United States Army during the Spanish-American War and the Philippine-American War.

This collection contains 31 letters, telegrams, photographs, and documents related to Benjamin Stark's service in the United States Army during the Spanish-American War and the Philippine-American War. Stark wrote 2 letters to "Daisy" from an army camp in Fredericksburg, Virginia, in June and July 1898, while awaiting departure for Puerto Rico or Cuba. One document pertains to the estate of Benjamin Stark, Sr., and the appointment of William M. Stark as its administrator (November 25, 1898).

From November 17, 1898-April 20, 1899, Benjamin Stark, Jr., wrote 8 letters to his siblings from Manzanillo, Cuba, where he was stationed with the 4th Volunteer Infantry Regiment ("Immunes"). He discussed various aspects of military life, shared news of other soldiers, and described his duties while filling in for a promoted quartermaster. In the summer of 1899, Stark lived in Washington, D.C., where he attempted to reconcile his debts and other financial affairs. During this time he sent his sister a cedar chest made of wood from an old Spanish fort in Cuba. A telegram ordering Stark to report to the 31st Volunteer Infantry (July 13, 1899) is present, as is a copy of Stark's telegraphed acceptance of the commission. In letters from Fort Thomas, Kentucky, and Presidio, California, Stark described camp life and mentioned the difficulty of transporting horses from the United States to the Philippines.

Stark's remaining 9 letters (February 10, 1900-April 2, 1902) pertain to his service in the Philippines, where he reported on local customs, the possibility of active combat, and his surroundings. Though he had an opportunity to return home in the spring of 1901, Stark decided to remain in the Philippines, where he became superintendent of a military prison and farm at San Ramon. He described the farm, which included two mills.

The collection's 4 photographs depict United States soldiers in uniform, ca. 1898-1902, and an unidentified military encampment.

This volume contains Louise Fitz's description of her trip from Boston, Massachusetts, to the World's Columbian Exposition in Chicago, Illinois, and to Niagara Falls in May 1893. In Chicago, she and her traveling companions visited the major exhibit halls, state and international buildings, and the Midway Plaisance. Photographs and travel ephemera are laid into the volume.

This volume (121 pages) contains Louise Fitz's description of her trip from Boston, Massachusetts, to the World's Columbian Exposition in Chicago, Illinois, and to Niagara Falls in May 1893. Between pages 5-97, Fitz wrote journal entries about her daily sightseeing activities on every other page; the opposite pages contain photographs and ephemera related to her travels. The final pages contain laid-in commercial photographs of Washington, D.C., and personal photographs of Trenton Falls in upstate New York.

Fitz's journal entries recount most of her trip, from the time she left Boston on May 17, 1893, to her visit to Niagara Falls on May 26, 1893. While in Chicago, she and her companions frequented the World's Columbian Exposition; she described multiple visits to the grounds and specific exhibits in the larger halls, noting the use of electric lighting and appliances. Fitz commented on her visits to state and international buildings, the Midway Plaisance, and a local museum. After departing Chicago, Fitz traveled by train to Niagara Falls. Fitz placed commercial photographs on the pages facing her journal entries. The images are primarily views of the exposition's major exhibit halls. Other items pasted or laid into the volume include a printed map of the fairgrounds and surroundings, newspaper clippings, a used ticket book and ticket stubs, a program from a musical concert, advertisements, and artificial flowers. A letter from a representative at the exposition's Massachusetts State Building provides the text of inscriptions on the Transportation Building and the "Golden Door" (August 31, 1893).

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California. Photographs show Crawford Notch and Mt. Washington in New Hampshire; the American Falls of Niagara in winter; the Erie Canal in Lockport, N.Y.; landmarks and monuments in Washington, D.C. and Arlington, Va.; and 6 views of Lake George, N.Y. by Seneca Ray Stoddard, including the steamboat Horicon and the Sagamore Hotel. Florida photographs, some signed by photographer B.F. Upton, include Castillo de San Marcos; street scenes and a former slave market in St. Augustine; Harriet Beecher Stowe's house and family in Jacksonville; and African Americans standing near a log home and in a field of cotton. California scenes show the beach and town of Monterey, Cliff House in San Francisco, and 16 views of the Yosemite Valley. Two large albumen prints show Summit Station of the Central Pacific Railroad near Soda Springs, Calif., and gateway to the Garden of the Gods, Colorado, with ink stamp on verso: C.R. Savage, Art Bazaar, Salt Lake City, Utah. Additional photographs include botanical views, tourist attractions in Scotland, Paris, and other western European locations, and photographs of artworks.

The album is half bound leather with brown boards and is stored in a blue box.

The M. E. N. and Ida Mott Howell collection contains correspondence related to Myron Emory Nimrod Howell and his wife, Ida Amelia Mott. It consists mainly of Howell's letters to his wife about his life and work in Saint Cloud, Minnesota, and in Pontiac and Saginaw, Michigan, from 1872-1873. Other correspondence pertains to Howell and Mott genealogy.

The M. E. N. and Ida Mott Howell collection (16 items) contains correspondence related to Myron Emory Nimrod Howell and his wife, Ida Amelia Mott. Howell wrote 12 letters to his wife from October 2, 1872-November 6, 1873, while traveling from their home in Washington, D.C., to Saint Cloud, Minnesota, and to Michigan; Ida Mott Howell remained in Washington with their daughter, Libbie. Howell commented on his travels to Pittsburgh, Pennsylvania (October 2, 1872), and Saint Paul, Minnesota (October 12, 1872), and later provided updates about his life in Saint Cloud (6 letters, October 18, 1872-July 2, 1873). He mentioned his work for the Saint Cloud Press and sometimes commented on recent elections and his acquaintances. Howell's letters also reflect his increasingly poor finances and his desire for his wife and daughter to join him in Minnesota.

After leaving Saint Cloud, Howell wrote from Saint Paul, Minnesota (August 24, 1873); Pontiac, Michigan (September 13, 1873, and October 8, 1873); and Saginaw, Michigan (November 6, 1873). In Saint Paul, Governor-elect Cushman K. Davis, a classmate from the University of Michigan, advised Howell to purchase a newspaper. In his letters from Michigan, Howell discussed the burial and legacy of his recently deceased father and his attempt to sell lands that Howell still owned in Minnesota. Howell's letter of October 8, 1873, is written on the back of a printed page from "A Mother Saved."

The remaining 4 items include a letter that Howell wrote to his daughter Libbie from Washington, D.C., during his wife and daughter's trip to visit family in Alburgh, Vermont (July 23, 1878); a letter from S. S. Marshall of McLeansboro, Illinois, to Ida Mott Howell (April 28, 1879); and 2 letters about the Howell and Mott families' genealogy. Ida Mott Howell received a letter from her brother, Henry Mott, about their grandfather Joseph Mott and their ability to claim descent from a Revolutionary War veteran (March 14, 1897). M. E. N. Howell received the final letter from an aunt in Minneapolis, Minnesota, who provided information about Howell's grandfather and other Howell and Mott ancestors (January 31, 1917).

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

Commissary Sergeant Daniel E. Hedden kept this diary (62 pages) while serving with the 6th Ohio Cavalry Regiment between October 1, 1862, and July 28, 1863. He described life in camp, discussed military movements and developments in the war, and reflected on his visits home and his relationship with a woman named Emma.

Commissary Sergeant Daniel E. Hedden kept this diary (62 pages) while serving with the 6th Ohio Cavalry Regiment between October 1, 1862, and July 28, 1863. He described life in camp, discussed military movements and developments in the war, and reflected on his visits home and his relationship with a woman named Emma.

Hedden began his diary in Centreville, Virginia, on October 1, 1862, and stated his intention to maintain an account of his time in the Union Army. He wrote regularly for the next several days, and afterward composed entries sporadically until July 28, 1863, just before the completion of his military service. The diary includes entries from Chantilly, Virginia; Washington Creek, Virginia; Farmington, Ohio; Potomac Station, Virginia; Washington, D. C.; and other locations. Hedden commented on aspects of military and camp life, such as food, accommodations, and his relationships with other soldiers (including his brother Robert, an officer). On multiple occasions, Hedden mentioned rumors or news respecting the war, movements of the Union and Confederate armies, and his thoughts on political matters. He spent several days on furlough in late October 1862, and wrote a brief account of his travels through Virginia, Pennsylvania, and Ohio, as he made his way to his home in Farmington, Ohio. Daniel Hedden also wrote about his feelings for a woman named Emma, though he later broke off the relationship.

In his first entry, Hedden reported seeing a group of four slaves and two white children pretending to skirmish, reflected on the institution of slavery, and considered the role of the war in the "death struggle" over slavery (pages 6-8, October 1, 1862). He also related an incident of a soldier who sustained a concussion in an accident and suffered memory loss (pages 53-54, January 7, 1863).

The Albert Davis papers contain letters written by Civil War soldier Albert Davis, of the 15th Massachusetts Regiment, Co. G. Davis described his regiment's roles in the battles of Ball’s Bluff, White Oak Swamp, Gettysburg, Bristoe Station, Spotsylvania, Cold Harbor, and Petersburg.

The Albert Davis papers consist of 97 letters written by Civil War soldier Albert Davis of the 15th Massachusetts Regiment, Co. G, 3 letters written by his friends and family, one allotment receipt, his military discharge papers, and a photo of Albert Davis.

Albert Davis wrote letters while stationed with the Union army in Virginia, Maryland, and Washington, between August 1861 and June 1864. Of the letters, Davis sent 83 to his widowed mother and 14 to his teenage sister, Angeline, both living in Upton, Massachusetts. The collection also holds one letter from Albert's mother to his sister (June 30, 1864), a letter from R. W. Ellis to Angeline Leland Davis (March 5, 1864), and a letter from W. I. Scandlin to Albert Davis (July 2, 1874).

Albert's letters document his participation as a soldier in the 15th Massachusetts Regiment from the beginning of the regiment’s formation in July 1861, until its dissolution after the battle of Petersburg (June 22, 1864), when all but eight men and one officer were killed or captured. In the early letters, Davis described his initial training near Worcester, Massachusetts. At first, he enjoyed soldiering, and sent home souvenirs: a piece of wood from the Harper's Ferry Bridge (October 6, 1861), and a piece of cotton from the breastworks at Yorktown (May 24, 1862). He wrote of snowballing a barge while on picket duty (January 4, 1862), and of picking wild blackberries during the fighting at Malvern Hills (August 2, 1862). Upon seeing the Monitor anchored among other boats at Hampton, Virginia, he wrote "it dont look as though it could take a Canal boat" (April 2, 1862). Many of his letters mentioned food, either what he was eating or what he would like to receive from home (cheese, tea, molasses, catsup, preserves, baked goods, chocolate, and checkerberry extract). On August 2, 1862, he sent a recipe for pudding made from hardtack. By December 1863, his feelings about soldiering had changed and he became determined not to reenlist. He was irritated by the "bounty men" who fought for money rather than patriotism (March 9, 1863; August 6, 1863). He witnessed several military executions (September 4, 1863; April 26, 1864). Davis also described his six months spent in hospitals and convalescent camps, and his part in the battles of Antietam, Cold Harbor, Gettysburg, and Bristoe Station.

His letters describing the Battle of Gettysburg are of particular interest not just for their accounts of the battle (July 4, 17, and 27, 1863), but also for his corrections of inaccuracies in the newspaper coverage of the battle (August 13 and 21, 1863). On May 14, 1864, Davis wrote from "mud hole near Spotsylvania Court House" and stated that the battle was "the hardest fight of the War." A few weeks later, on June 6, 1864, he wrote from the battlefield at Cold Harbor that "we are about sick of making Charges [--] we are not successful in one half of them and the loss on the retreat is great...there is some wounded men that are a lying between the lines that have laid there for three days and have not had a bit of care perhaps not a drop of water."

• October 22, 1861
• October 29, 1861
• November 6, 1861
• November 16, 1861
• November 17, 1861
• November 26, 1861
• May 6, 1862
• November 2, [1862]