Collections : [University of Michigan William L. Clements Library]

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

The Auguste Hervieu watercolors consist of seven watercolor illustrations attributed to French painter and book illustrator Auguste Hervieu.

The Auguste Hervieu watercolors consist of seven watercolor illustrations attributed to French painter and book illustrator Auguste Hervieu. These illustrations are not known to have been used in any publication(s), and while it is unclear what publication(s) they were originally associated with it is possible that many were produced in relation to Hervieu’s collaboration with Frances M. Trollope during their travels together in the United States of America in the late 1820s. A number of items feature inscribed titles in an unidentified hand.

• [Boy with hogs] - a young barefoot boy wearing tattered clothing wields a stick while opening the door to a hog corral.
• “Love among the Quakers” - a Quaker man and woman stoically sit near each other while cupid is sat between them. Both the woman and cupid have their eyes closed while the man looks straight ahead.
• [Fourth of July event] - a tough looking well-dressed young man who has taken his hat off while extending a hand (possibly signifying that he is a ticket-taker) poses near an open stone archway leading to a courtyard occupied by soldiers in uniform listening to a man giving a speech. The stone wall next to the young man bears several inscriptions including “Order of Celebration of the 4th July,” “502 Hog,” “Declaration of Independence,” and a partially illegible inscription reading “Tales ? ? Slaves’.”
• “The Village Politicians” - two men and one woman holding a child observe a sign that reads “Reportie - Black List.”
• “Love among the Negroes” - a well-dressed African American couple sit closely next to each other on a park bench while cupid covertly observes their romantic interaction with a smile. The man can be seen using a monocle to intimately examine a miniature portrait kept in the woman’s locket while she uses a fan to partially cover her face. A white waiter carrying a wine bottle and wine glasses also looks on from the background.
• “A Philadelphia Exquisite” - a well-dressed African American man stands carrying a hat in one hand while holding a stick monocle to his eye in the other.
• “The sad reality on arrival” - view showing the interior of a house with a group of people (possibly the Trollope family). At the center of the room there is a comically large fire that appears to have been fueled by furniture that was hewn in desperation while several leaks are shown pouring through the roof. The woman at left can be seen holding an umbrella.

The collection consists of five journals and one memoir that document Quaker missionary John Parrish’s travels throughout Pennsylvania, New York, Michigan, and Ohio from 1773 to 1793, during a treaty negotiations between the U.S. government and the Six Nations Iroquois.

The Parrish journals consist of six volumes that document relations with several Native American tribes during and following the Revolutionary War (1775-1783). He was present during the creation of a series of treaties that attempted to end the conflicts over land ownership, such as the Newtown Point Treaty of 1791 and another treaty negotiated at Sandusky, Ohio, in 1793. Parrish’s journals provide a great deal of insight into the often hostile and tenuous relationship between White people and Native Americans, while at the same time giving an idea of what daily life was like for men and women residing in these much contested territories.

Written during the late 18th century, the five journals are dated 1791 (1) and 1793 (4). The sixth item in the collection is a memoir that describes events occurring in 1773, yet appears to be written much later, possibly as early as 1790. Parrish traveled through Ohio, Pennsylvania, New York, and Michigan and encountered many different Native American groups. The tribes with whom he had the most contact were the Shawnee, the Wyandot, the Seneca, the Stockbridge, the Chippewa, the Delaware, the Tuscarora, the Miami, and the Oneida. He also encounters many Native Americans who belong to the Moravian sect. Many of these tribes were part of the Six Nations Iroquois present at the treaty councils.

Each journal varies considerably in content, yet all contain very detailed descriptions. The memoir, which describes events occurring in 1773, documents Parrish’s journey to Newcomers Town in Ohio to meet with members of the Delaware tribe, most importantly Captain White Eyes and Chief Netawattwaleman. Traveling with fellow Quakers Lebulon Heston and John Lacy, the men embarked on the journey primarily as missionaries. Despite their intentions, however, the men become embroiled in the political volatility of the time. On his way to Newcomers Town, Parrish encountered Chief Logan (1725-1780), a Native American of the Mingo tribe, whose family was killed in what is known as the “Yellow Creek Massacre.” Logan, who delivered a speech referred to as “Logan’s Lament,” is quoted by Thomas Jefferson in his Notes on the State of Virginia and likewise verbatim in Parrish’s memoir. In addition to the Delaware tribe, Parrish also met members of the Shawnee and Wyandot tribes. The memoir is thought to have been written sometime after 1773, the earliest possible year date being 1790, given Parrish’s reference to historical information occurring after this time, such as the “Yellow Creek Massacre,” Dunmore’s War, and Thomas Jefferson as Secretary of State.

Parrish’s 1791 journal serves as a description of the Treaty of Newtown Point and the events leading up to it. Originally the council was to take place at Painted Post in New York, but was changed to Newtown Point due to the low water levels of the Tioga River. Over 600 Native Americans were present for the treaty, and Parrish faithfully records sentiments expressed regarding attitudes towards White people and land ownership. He was especially careful to document several interviews and speeches of prominent Native American leaders, such as the Stockbridge chief Hendricks, Pater of the Onieda tribe, the Seneca chief Red Jacket, and a chief named Cayasuter. In addition to describing Native American customs, attitudes, and the events that transpired during the council, the issue of alcoholism among the tribes proved to be a chief concern for Parrish. Consequently, he asked Col. Pickering to cease the distribution of whiskey at the council fearing that it was hindering the negotiation process while simultaneously making the Native Americans vulnerable and easily exploitable.

Ultimately the Newtown Point council was unsuccessful, and the three volumes dated 1793 relate another attempt by Pickering to secure peace with the tribes. Although the Six Nations had agreed with Pickering’s terms, the western tribes were still rebellious and discontented. This necessitated the scheduling of yet another council to form a treaty. In the first volume Parrish -- accompanied by Beverly Randolph, John Elliot, Joseph Moore, and Pickering -- traveled to Detroit as a point from which they could easily meet with several tribes, while being close to Sandusky on Lake Erie -- the site of the upcoming council. Parrish noted that the tribes insisted on Ohio as the eastern boundary for their lands, remaining persistent in their demand despite the abundance of gifts that Pickering bestowed upon them. The second volume is mainly a discussion of Native American customs and the problem of slavery, especially the multitude of white captives. The narrative of Parrish's departure from Detroit to attend the council appears at the end of the second and beginning of the third volume. This treaty too failed, the tribes rejecting Pickering’s gifts in lieu of the restoration of their lands. At the end of the third volume, Cornplanter (1750-1836) -- chief of the Seneca -- delivered a moving speech to President Washington on the selling of their lands. Parrish related how Cornplanter demanded of Washington, “Brothers of our Fathers where is the place which you have reserved for us to lie down upon?....all the Lands we have been speaking of belong to the Six Nations no part of it ever belonged to the King of England and he could not give it up to you” (1793, No. 3, p. 11, 13). The latter replied and a brief exchange ensued.

Parrish’s last journal entitled “Some Notes on Indian Affairs,” which also dates to 1793, seems to have been written after returning home from Detroit and Sandusky. Much of the information recorded serves as a summary of some of his work described in the previous journals, as well as commentary on the situation of the tribes. He discussed in particular the Gnadenhütten massacre. This massacre, carried out by Lt. Col. David Williamson (1749-1814) and 160 of his militiamen on March 8, 1782 near Gnadenhütten, Ohio, left approximately 96 Moravian Indians dead. Parrish deplored this and other crimes committed against the tribes.

Parrish wrote intelligently and clearly, alternating between descriptions of events and his personal thoughts. His religious beliefs figured prominently in his attitudes and opinions, and they informed his desire for social justice for Native Americans, as well as for African American slaves. Present in all these journals is his sympathy for the human suffering he encountered, which he hoped to see eradicated. These journals thus prove to be not only rich in historical information, but also detailed in the accounts of Parrish's quest for a more peaceful coexistence between whites and Native Americans.

The William Rohrer papers contain letters that friends and family members sent to Rohrer while he served in the United States Army during World War II. Rohrer's correspondents discussed family and social news and commented on topics such as rationing, the military, and a Philadelphia transportation strike.

The William Rohrer papers (59 items) contain 45 letters that friends and family members sent to Rohrer while he served in the United States Army during World War II. Other items include a postcard, 7 pamphlets, and a news article.

The bulk of the collection is comprised of Rohrer's incoming correspondence from acquaintances and family members such as his wife, a sister, and a niece. His wife Florrie wrote about their daughter Eileen and about her social life in Westmont, New Jersey. On one occasion, she mentioned an African American woman she had hired to do some work (August 9, 1944). She occasionally interacted with Florence Madjeska, the Rohrers' acquaintance, and both women commented on the health of Florence's husband, Joe Masjeska, a member of the United States Navy. Joan Withers, the Rohrers' niece, wrote letters to her uncle about her daily life; she jokingly indicated that the envelopes she sent contained love letters or "sweetheart" letters. On June 14, 1945, Eileen Rohrer (through her mother) sent her father an unsigned Father's Day card. Hazel C. Southwick, an occasional correspondent, wrote to Rohrer about their mutual interest in collecting military patches, and others shared religious or philosophical reflections. Many wrote about Rohrer's military service, rating, and possible furloughs.

A few letters pertain to current events, such as the Philadelphia transportation strike of August 1944. In separate letters dated August 2, 1944, James A. Perdikis and Bernadette Cleary mentioned fighting between African Americans and whites, damage to buildings in African American neighborhoods, white workers' refusal to work alongside African Americans, the declaration of martial law, and the possibility of military intervention. Cleary also discussed the black market for gasoline (August 23, 1944), and Betty Sherrane described cigarette rationing policies (April 6, 1945). Later correspondents included discharged servicemen who had served with Rohrer. The postcard has a painting of a bridge over a canal in Venice, Italy.

Other items include a humorous mock army memorandum with advice for soldiers adapting to civilian life in the United States after serving in Europe and copies of 3 religious pamphlets by Daniel A. Lord (5 items). The pamphlets, published by The Queen's Work, encourage Catholics to abstain from alcohol and "dirty stories." Two additional pamphlets intended for soldiers pertain to fatigue and sexual health. The collection also has an undated article about the use of an Austrian factory to winterize American vehicles and 4 wartime ration books issued to members of the Woudenberg family of Grand Rapids, Michigan.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The album (40 x 28 cm) has black paper covers and 305 pages, 14 of which do not contain any photographs. The photographs are generally arranged in chronological sequence and depict loading the Liberty Bell onto parade floats and train cars, celebratory parades, gathered crowds, and individuals and groups posing with the Liberty Bell. Numerous pictures include captions referencing the locations in which they were taken. The album also contains two small maps, each showing one of the routes of the cross-county trips that the Liberty Bell took, as well as landscape photographs of scenes in the western United States. Notable persons photographed with the Liberty Bell include Thomas Edison, members of the Daughters of the American Revolution, and groups of Native Americans in Cayuse, Oregon. Landscapes pictured include views of Wyoming, Pulpit Rock, Bear River Canyon, Mount Shasta, Shasta Springs, Horseshoe Curve, Royal Gorge, the Rockies, Salt Lake, and Feather River Canyon.

The Laura Page Butcher photograph album contains photographs, newspaper clippings, and ephemera pertaining to Butcher's leisure activities and travels in the United States, Europe, and North Africa in the late 19th and early 20th centuries.

The Laura Page Butcher photograph album (27cm x 37cm) contains around 350 photographs with newspaper clippings and printed ephemera pertaining to Butcher's career as an artist, her leisure activities, and her travels in the United States, Europe, and North Africa from June 1897-June 1903. The photographs include single prints, cyanotypes, and individual prints assembled into panoramas. Most of the photographs are original snapshots, with professionally portraits and some commercially produced views included. The album has been reconstructed and re-bound; the original cover, with the title "Photographs" printed on the front, is housed separately. Some quotations and captions, usually providing a location and date, are written directly onto the album pages or onto photographs.

Most photographs are informal and studio portraits of men and women, pictures of women enjoying leisure activities, exterior and interior shots of mansions and hotels, and views of natural and urban scenery from Butcher's vacations and international travels. Portrait subjects include Laura Page Butcher, her traveling companions, artist friends, and a large formal wedding party. Groups of women are shown painting, riding horses, driving carriages, swimming in an indoor pool, and golfing. Butcher's travel photographs from Paris, France; Funchal, Madeira; Granada, Spain; Algiers, Algeria; and Alexandria and Cairo, Egypt, focus on urban scenery, landmarks, and local populations. Included are the Eiffel Tower, Alhambra, the Great Sphinx, and Giza pyramids. Timeless examples of tourists photographed at Giza in Egypt appear. Photographs of Paris include the Exposition Universelle of 1900. Butcher's return to the United States on the steamship St. Louis is documented with several dramatic seascapes. Many images of leisure activities taken along the eastern shore of the United States. Other images of note show the parade for the dedication of the Fairmount Park, Philadelphia Washington Monument in 1897, an American soldier in uniform taken in Manila, Philippines; one colored photomechanical print shows a group of people in Algiers surrounding a ritual activity or performance. Also of note is a panorama of a bull fight given by Spanish prisoners of war held on Seavy's Island, Maine, with William Jean Howells identified as a spectator.

The album also includes newspaper clippings and ephemera items. The clippings are primarily society page items about the activities of Laura Page Butcher and her siblings, such as the family's vacations in West Virginia, Laura's winter in France, and Alice Tyson Butcher's wedding. Quotations often pertain to art, among other subjects.

Of particular note are the photographs, notes, and ephemera related to Butcher's art career. Images appear of young women in artists' smocks with palettes, in life classes, sketching outdoors at the Shinnecock School, in a Paris atelier and other unidentified studios. An interest in James McNeill Whistler is revealed by the inscriptions quoting Whistler's "Ten O'Clock" lecture, a copy of the butterfly monograph of Whistler, and comment on Whistler's work transcribed from the periodical "The Trimmed Lamp" appearing on pages five and ten, and Whistler antidotes in clippings elsewhere in the album. Material related to Butcher's participation in the exposition of the Société Nationale des Beaux Arts at the Grand Palais, including her letter of admission, is on page 19.

These two volumes contain records of job seekers that hired the Keystone Employment Bureau of Philadelphia to connect them with opportunities. Proprietor Charles Bradley kept this documentation. Each entry contains one or more of the following types of information: source of the client, address or contact information, age, rudimentary physical description, personality, impression, job experience, type of requested work, type of work not wanted by individuals, desired wage, race, ethnicity, nationality, Christian affiliation, desired geographical location of the job, whether or not the client paid, and other remarks.

These two volumes contain records of job seekers that hired the Keystone Employment Bureau of Philadelphia to connect them with opportunities. Proprietor Charles Bradley kept this documentation. Each entry contains one or more of the following types of information: source of the client, address or contact information, age, rudimentary physical description, personality, impression, job experience, type of requested work, type of work not wanted by individuals, desired wage, race, ethnicity, nationality, Christian affiliation, desired geographical location of the job, whether or not the client paid, and other remarks.

Source of Client: Rarely, Bradley would note the names of persons or institutions (like the Christian Association) who referred the job seeker to him or whether they saw his advertising. Some women appear to have been homeless and others specifically noted that they came from foster homes. Each entry includes an address or means of contacting the client.

Women's Age, Physical Descriptions, Personality/Impressions: Terms used by Bradley include young, not young, middle age, oldish, steady, splendid, nice looking, fair haired, tall, settled, green horn, experienced, competent, reliable, willing, good, extra good, affable, strong, stout, neat, tidy, and more.

Men's Age, Physical Descriptions, Personality/Impressions: Terms used by Bradley include young, neat, strong, tall, athletic, willing, honest looking, smooth faced, and others.

Job Experience: Bradley would add "exper" (experienced) to many entries, but occasionally specified the individual's type of work background. Some examples include florist, farmer, cook, "can cook anything that ever was cooked," hotel, dressmaker, gardener, horse tending, mill worker, "handy with tools," cafe, one "Fresco Painter," and others. At times, he also noted if the job seeker had references.

Women's Types of Work Requested: "G.H.W." (general housework), cook, kitchen helper, waitress, chambermaid, "anything useful," "work of any kind," "Institution work," child's nurse or attendant, renting rooms, hotel, linen rooms, laundry, washing, ironing, milk dealer employee, restaurant, "1st class place," "housekeeping for a widower," shoe store, and others.

Men's Types of Work Requested: Bartender, "waiterman," "elevator," coachman, watchman, and gate tender.

Types of Work Not Wanted by Individuals: Examples include "no washing," "not too heavy work," "housework where there is no washing or ironing," "anything but head cook," and "anything except waiterman cooking or milking."

Wages: Rarely, applicants stated the wages they hoped to receive. For women, the ranges mentioned were between $2.00 and $5.00 per week; for men, the ranges were $7.00 to $10.00 per week.

Race, Ethnicity, Nationality: Terms used by Bradley include colored/col'd, German, Pennsylvania Dutch, Irish, Swedish, Polish, Scotch, English, and "American."

Christian Affiliation: Bradley frequently noted "Prot" (Protestant) or "Cath" (Catholic) as part of the descriptions of persons seeking employment.

Desired Geographical Situations: The various locations desired by clients included country, city, seashore, mountains, Atlantic City, "prefer city," "would go out on a farm," "no objection to country," "small farm," "not out of town," and others.

Additional Notes: Other qualifications, desires, and remarks include notes such as "speaks good English," "speaks German," wants to be able to go home at night, wants Sunday's off, "has sore finger," "deaf" (May 27, 1898), wants to work for "American women," marital status, child dependents, one married woman with her husband out of work, and more.

This volume contains manuscript and printed programs of concerts presented by the Matinee Musical Club of Philadelphia, Pennsylvania, between 1894 and 1905.

This volume contains manuscript and printed programs of concerts presented by the Matinee Musical Club of Philadelphia, Pennsylvania, between 1894 and 1905. Pages 1-137 are comprised primarily of manuscript concert programs dated December 7, 1894-April 4, [1899], written directly into the volume. Additional programs dated as late as 1905 are sporadically laid or pasted into the remaining pages. Most of the concerts had a theme based around a composer (or composers), musical form, or other criteria; at least one performance focused on works by female composers. Performers, usually women, are often listed alongside the names of the pieces performed. The volume's printed programs pertain to individual concerts and to concert seasons; the seasonal programs include lists of themes for upcoming shows and, occasionally, rules for club membership. Some manuscript lists of committee members are written directly into the volume.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The album (31 x 26 cm) begins with the birth of May Marguerite Brown in October or November, 1888, and focuses on the subsequent visits of relatives and neighbors, including the Mayers, Crosby M. Wright, and Aunt Ellen Smedley. Images include family group portraits, exterior and interior views of the large family home at 63rd and Median Streets, winter scenes at nearby parks, and views of the neighboring homes of John Bell, Mr. Hess, and Jacob Jones. Other photographs depict Brown family visits to Ellen Smedley at "Bala" in Bryn Mawr (Pennsylvania), to Norwalk (Ohio), and a fishing trip to Waterville (New Hampshire). Also included are views of mill clerk F. A. Reinstein in his office, and industrial buildings from 33rd and Walnut Streets in Philadelphia (possibly the family textile mills).