Collections : [University of Michigan William L. Clements Library]

The York ship log contains daily entries chronicling the packet boat's journeys between the United States and Great Britain between 1825 and 1828.

The York ship log contains daily entries chronicling the packet boat's journeys between the United States and Great Britain between 1825 and 1828. The first entry, dated March 19, 1825, marks the beginning of the ship's regular service between New York City and London, under the command of William Baker. Approximately 50 pages cover the boat's travels along this route, with daily entries recording wind direction, weather conditions, and notable events on board. On July 4, 1825, the author wrote about a celebration in honor of Independence Day, when the merchant ship fired a salute. The entries he made in port often relate to the loading of cargo or passengers. In January 1826, the York received a new captain, Nash de Cost, and began sailing between New York City and Liverpool; the remainder of the volume covers the ship's journeys along this route. The author's remarks focused on seamanship, weather, and activities in port, though several entries from October 1826 reflect the difficulty of keeping the sailors onboard; some were reported to be "on shore without liberty" throughout the period. The last entry, on June 24, 1828, noted that the York was moored at Prince's Dock in Liverpool, ready to embark for the Atlantic crossing. The final 2 pages of the volume include accounts of provisions for the ship for the year 1828.

This collection is made up of 8 letters that William H. Long wrote to his sister and brother-in-law while teaching school and studying theology in New York, Connecticut, and Massachusetts in the mid-1840s.

This collection is made up of 8 letters that William H. Long wrote to his sister and brother-in-law while teaching school and studying theology in New York, Connecticut, and Massachusetts in the mid-1840s. He discussed his travels, future plans, studies, religious views, his opinions on the difficulty of finding good teachers for girls (December 9, 1845), and the price of postage (May 4-5, 1845). On one occasion, he mentioned a sermon by Henry Ward Beecher (May 4-5, 1845), and on another he reported a successful attempt to avoid paying a woman's fare during travel (April 30, 1846). In his February 27, 1849, letter he discusses his recent marriage to Lucia and the family's displeasure with him for not announcing it in advance. He also notes having preached twice for Dr. Beecher.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

The Vacation travel photograph album contains a mixture of approximately 260 commercial and amateur photographs documenting a series of vacations to California, a Lake Michigan cottage, Alaska, and Canada.

The Vacation travel photograph album contains a mixture of approximately 260 commercial and amateur photographs documenting a series of vacations to California, a Lake Michigan cottage, Alaska, and Canada. The album (18 x 30 cm) has black cloth covers with two rivets. California-related photographs include views of beach scenes at Santa Catalina and La Jolla; the Theosophical Society Homestead and Temple on Point Loma; a cutler at work at his donkey-drawn cart; crates of fruit at a railroad station; passengers stretching their legs beside a stationary train; and Mount Lowe Railway and Observatory. Other Western photographs include views of pueblos and adobe buildings in New Mexico Territory.

A series of approximately 70 photographs taken in 1902 show a summer sojourn at Pine Knot Cottage, Macatewa, on Lake Michigan and includes interior and exterior cottage views, beach scenes, sailing a small boat on the lake, and views of the Hotel Ottawa. One whimsical snapshot shows a man standing on his head while being photographed by a man and woman holding a box camera. Images of a traveling party to Alaska include views of the group onboard a steamer and making stops in southeast Alaska; a street view of Wrangell; Tlingit totem poles in Wrangell and Fort Tongass; and commercial photographs of a Greek Church interior and Indian River Park in Sitka.

Additional photographs show Lake Agnes and the Canadian Rockies; Washington Park in Springfield, Illinois; Wall Street, Trinity Church Cemetery, and Grant's Tomb in New York City; Mission San Jose and Mission Concepcion in San Antonio, Texas; and bison and black bears, including a photograph of two men feeding a bear off the back of a wooden cart.

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

This collection is made up of correspondence, diaries, and other items related to Nathan Tufts, a native of Massachusetts who served in the United States Army during World War I, and his future wife, Dorothy Day of Connecticut.

The Correspondence series (1.5 linear feet) comprises the bulk of the collection. Incoming letters to Nathan Tufts at the Taft School in Watertown, Connecticut, are dated as early as November 11, 1915. His correspondents included his mother, who wrote of life in New York City and Lawrence Park, New York, and Elbridge Stratton, a friend, who anticipated their matriculation at Yale. Dorothy Day received early letters from friends and family while she attended Miss Wheeler's School in Providence, Rhode Island. Friends and family continued to write letters until the late 1910s, and the Tufts received many letters of congratulation following their engagement around May 1918.

Tufts began corresponding with Day in the fall of 1916. He wrote about his experiences and activities at Yale and expressed his romantic feelings for her. After the declaration of war against Germany in April 1917, Tufts reported on his participation in drills and related activities for the Reserve Officers' Training Corps. He later described his training experiences at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. In Kentucky, he commented on the Central Officers' Training School, travels in the South, fellow soldiers, camp life, and kitchen duty. After the Armistice, Tufts anticipated his return to civilian life and his future with Day; he returned to Yale in 1919 and wrote about vacationing in Maine. His final telegram is dated February 21, 1920. Enclosures include a postcard showing the Rocky Broad River (November 3, 1918) and photographs of a military camp (October 18, 1918).

The couple's other wartime correspondents included Corporal Francis Harrison, who discussed his preparation for front-line duty in France in August 1918, and "Clark," a friend of Dorothy, who served at the Plattsburgh Barracks after September 1917. Clark discussed his training at the Reserve Officers Training Camp and his later service in the 302nd Machine Gun Battalion at Fitchburg, Massachusetts. In his letter of October 6, 1917, he described his unit's preparations for military exercises in trench warfare, and his expectation that the infantry would "sit in trenches and fire once in a while" in France.

The Diaries series contains two items. Dorothy Day kept a daily diary (unbound) between January 17, 1916, and August 16, 1919, writing mostly about her social life and her relationship with Nathan Tufts. She sometimes remarked on news, such as the results of the 1916 presidential election and the country's declaration of war against Germany. In 1918, she wrote about Tufts's military career; some of her entries from this period are constructed as letters to him. Day usually wrote daily entries on one side of each page, copying quotations, poetry, and other miscellany on the reverse side. A calling card, a printed advertisement, a flower, and a photograph are laid into her diary.

The Nathan Tufts diary covers much of his active-duty service at Camp Jackson, South Carolina, and Camp Zachary Taylor, Kentucky. From August 18, 1918-November 14, 1918, he wrote intermittent journal entries, often addressed to Day, about his daily routine at Camp Jackson, military training exercises, other soldiers, the good reputations of Yale students and alumni, and the end of the war. Journal entries by Day, apparently mailed to Tufts, are interspersed among his later entries; her final journal-letter is dated January 23, 1919. A military pass, United States Reserve Officers Training Corps patch, and newspaper clippings (often of poems) are pasted into the volume.

The School Papers series (9 items) pertains to Nathan Tufts's education at the Taft School and at Yale College's Sheffield Scientific School. A group of printed entrance exams for Yale College and its Sheffield Scientific School, dated June 1914 (1 item) and June 1915 (5 items) contain questions related to Latin, American history, ancient history, and trigonometry. A printed exam given by the college entrance examination board from June 19, 1916-June 24, 1916, contains questions about American history, the German language, and English literature. An exam requiring a translation of lines by Virgil is dated 1916. A bundle of examinations and school documents belonging to Nathan Tufts includes Yale College's semi-annual examination for June 1917, with questions in subjects such as physics, history, English, German, and Latin; a printed course timetable and list of professors and classrooms for Yale College freshman during the 1916-1917 term, with manuscript annotations by Nathan Tufts; and a typed military examination for Yale students, given on June 4, 1917 or 1918. The subjects of the military examination are hygiene, military law, topography, and field artillery regulations and drill.

The Photographs, Newspaper Clippings, and Ephemera series contains around 50 items, including visiting cards, invitations, Red Cross donation certificates, and a printed program. Many of the newspaper clippings contain jokes or brief articles about World War I. A group of photographs includes a framed portrait of a United States soldier, a negative, and several positive prints.

This collection is made up of letters that Timothy Dwight wrote to his son Benjamin, regarding Benjamin's experiences as a young physician in Philadelphia, Pennsylvania, in the early 19th century.

This collection is made up of 4 letters that Timothy Dwight wrote to his son Benjamin, regarding Benjamin's experiences as a young physician in Philadelphia, Pennsylvania, in the early 19th century. In a letter from New York dated January 21, 1801, Dwight expressed his satisfaction with his son's decision to live in Philadelphia and shared family news. His other three letters, written from New Haven, Connecticut, contain professional and personal advice, despite Dwight's admitted unfamiliarity with the medical profession, and brief remarks about religion. In his letter of December [7], 1801, Dwight advised his son to consult Dr. Benjamin Rush about his personal health.

The T. C. Connor journal contains daily entries about Connor's activities in New York and in Newark, New Jersey; political commentary; and an account of Connor's voyage to Cartagena, Colombia, from November 1825-July 1826. While at sea, he composed poetry about homesickness and natural phenomena.

The T. C. Connor journal (8" x 12.5") contains daily entries about Connor's activities in New York and in Newark, New Jersey; political commentary; and an account of Connor's voyage to Cartagena, Colombia, from October 1825-July 1826.

The cover reads "Connor's Journal," and a newspaper clipping about "Flags of the South American States" is attached to the volume's inside front cover. Connor began writing in the book on January 1, 1825, while in New York City. He reported the weather conditions, wind direction and, occasionally, his activities, which included frequent visits to friends and to the Colombian consul in the United States. He mentioned his work drawing up bills of lading for the schooner Tobacco Plant and joined the ship's crew for ceremonies celebrating its maiden voyage (January 5, 1825). Throughout early 1825, Connor traveled regularly between New York and "New Ark," and some of his entries from the period have lengthy writings about political and religious topics, such as Christian Universalism (January 23, 1825); St. Patrick's Day, Irish nationalism, and other contemporary independence movements (March 17, 1825); South American politics (June 2, 1825); relationships between European countries and the Americas (June 2, 1825); and the Greek War of Independence (June 5, 1825). Other topics include the 1825 presidential vote in the House of Representatives (February 15, 1825) and George Washington (July 4, 1825). Some references to Connor's acquaintances are made in a pictographic code.

Though Connor lost the journal during a visit to New York in October 1825, he later recovered the book, in which he described his voyage to Cartagena, Colombia, on the Tampico between November 21, 1825, and July 8, 1826. After leaving New York, he made daily notes about the weather conditions and waves and recorded the ship's position. While traveling, he composed 26 poems, usually pertaining to being away from home or marine life. The Tampico arrived at Cartagena on December 7, 1825, and Connor temporarily stopped keeping his journal between December 12, 1825, when he described the city, and June 18, 1826, when the Tampico embarked for the United States. His entry of June 27, 1826, has a map of the area around Acklins, in the Bahamas. After arriving at Staten Island on July 8, 1826, Connor wrote far less frequently. He mentioned trips to Cartagena, northern New York, and Niagara falls. The final entry is his announcement of the birth of Catherine Maria Connor on February 12, 1833.

• Colored pencil drawing of a "Colombian officer on the return from Peru 1820"
• Ink drawing of a "Colimbian Soldier from Peru" [sic]
• Ink portrait of "Capt. Wilkinson, of the Venezuela's" [sic]

This volume contains 16 laws (50 pages) adopted by the Society of Tammany (later Tammany Hall) of New York City between August 24, 1789, and December 7, 1795. The laws concern the organization's governance, including officers' roles, initiation rites, and other administrative matters.

This volume contains 16 laws (50 pages) adopted by the Society of Tammany (later Tammany Hall) of New York City between August 24, 1789, and December 7, 1795. The laws concern the organization's governance, including officers' roles, initiation rites, and other administrative matters. An unidentified owner used the first 2 pages to record financial accounts and related notes in 1859. The volume has the bookplate of Justin G. Turner.

Each of the book's 16 chapters consists of a law regulating a specific aspect of the society's governance, subdivided into multiple sections. Four chapters outline the duties of officers or branches, including the secretary, treasurer, judiciary branch, and committee of amusement. The laws establish each position's responsibilities, guidelines for the transition between incumbents, and termination of membership. The society's rituals, such as initiation rites, and the use of passwords and membership badges are also described. The Society of Tammany utilized Native American terminology to identify the highest members of the organization (who were referred to as "sachems" and "sagamores").

The Sophronia Osborn family papers consist of letters that Osborn wrote to her husband Elijah, a traveling dentist in Georgia and Alabama, and additional correspondence from the couple's friends and family members in Connecticut and New York.

The Sophronia Osborn family letters (30 items) pertain to Sophronia Woodward Osborn and her husband, Dr. Elijah Osborn, who lived in Georgia and Alabama in the 1830s and 1840s.

Sophronia Woodward Osborn wrote 14 letters to her husband, a traveling dentist, from September 22, 1832-October 24, 1841, while he worked in multiple Georgia towns and, less frequently, in Louisiana and Alabama. Her first 3 letters concern her visit to family members in Providence, Rhode Island, in the fall of 1832; she shared family news and discussed her plan to return to Georgia. In her remaining letters, she described everyday life and parenthood in Savannah and Augusta, Georgia, where she raised Charles and Isaac Osborn. Charles, she reported, occasionally had disciplinary problems and later attempted to learn the catechism. Sophronia lamented the recent death of a young child in her letter of July 7, 1837. Elijah Osborn's 2 letters to his wife largely relate to his work in Tuscaloosa, Alabama, and an unknown location; one includes a note for their daughter Gertrude. (December 19, 1844, and undated).

The remaining items include 13 personal letters to Sophronia and Elijah Osborn from numerous family members and friends, who reported on their lives in New York City and in various Connecticut towns. Sophronia's sister Lucia commented on her travels and her niece, Adeline R. Tingley, wrote about types of cloth. Other correspondents discussed their social lives and shared news of family members and acquaintances. The final item is a 2-page printed essay entitled "The Unity of the Spirit Evinced by Unity of Effort in the Cause of Christ" with a manuscript letter concerning religious topics.

This album contains photographs taken by the Philadelphia photographic business of Robert Newell & Son in the late 1860s. Images include views of Philadelphia buildings and street scenes; views of Cape May, New Jersey; a few scenes in New York City, studies of tableware; portraits; collages; groups of fire-fighters and equipment; and reproductions of paintings and engravings.

This album (35cm x 27cm, 50 pages) contains 163 images, including architectural views, landscape photographs, portraits, reproductions of paintings and engravings, objects, and commercial advertising displays. The volume, which contains an image of Robert Newell's photographic wagon, an advertising montage made up from images in the album, and an advertising montage for "R. Newell & Son, Artistic Business & Landscape Photographers," may have been used as a sample book for the Newell firm. Many of the photographs are dated in the 1860s, prior to the 1872 date that Robert's son Henry joined the business. The album was in an unbound and fragmented condition when acquired, later reassembled in Mylar sleeves with modern binding by the Clements. The page sequence is based on evidence of the original binding and the contents. Some images appear to have been removed from the album, including a portrait of Boston Corbett, the killer of John Wilkes Booth. Captions in pencil appear to have been added later, possibly by Robert or Henry Newell.

Many photographs are views of individual buildings and streets in Philadelphia including Independence Hall; the Philadelphia Mint; Girard Bank; the Arch Street Theater; plus other commercial buildings, churches, homes, and newly constructed residential areas. Items of interest include photographs of the procession of a visiting Japanese diplomatic delegation; the aftermath of a boiler explosion on Samson Street; canals and locks along the Schuylkill River; a high bridge under construction over a canal; an early oil well; images of commercial products and goods such as silver, cutlery, guns, and a display by importers Field, Langstroth & Co.

Photographic portraits include pictures of unidentified individuals, some likely actors and actresses; a reproduction of a painting of "Bishop Potter;" and a small full-length portrait of the bare-knuckle boxer John C. Heenan. The album also contains photographic montages of United States presidents and Civil War generals; a reproduction of a patriotic painting of George Washington welcoming Abraham Lincoln to heaven; a photograph of "Liberty Indignant" -- a patriotic tableau made up of a woman dressed as Liberty, with a portrait of Lincoln, a flag, and eagle.

The album contains reproductions of unidentified paintings, genre scenes, and engraved portraits. A view of the Fulton Bridge over Broadway may be the only New York City view in the album.

Of particular note are a picture of Robert Newell's photographic cart at Cape May, New Jersey, with a stereo camera visible; several images of vacationers, bathers, cottages, hotels, the railroad office, and an ice cream parlor at Cape May; a rare view of the interior of the Union Volunteer Refreshment Saloon in Philadelphia; a view of a crowd at the "rebel wigwam," the temporary convention hall built opposite Girard College for the first national political convention after the Civil War; and several pages of small images of Philadelphia fire-fighting companies and their equipment.

Of importance in the history of photography is a print from 1865 of what is believed to be the first experiment with indoor flash photography by J. C. Browne, showing a family group in a living room (Taft, pg.202).