Collections : [University of Michigan William L. Clements Library]

The King family papers document the business activities of the King brothers, three of whom worked as traders with Russell & Company in China in the mid-19th century, and the subsequent institutionalization of William King.

The correspondence series contains 69 letters. The earliest are from William King to his brothers, while in China in the late 1840s. They mainly concern trade conducted by Russell & Co., and frequently contain figures and purchasing instructions. During early 1850s, King writes several letters from New York discussing stocks and business matters.

A major shift occurs in the mid-1860s, when the most frequent topic of correspondence becomes William King’s mental health. One letter, from N.P. Russell, urges David King, Jr., to make William “obedient…to the stronger will of others” or else face “a public disgrace” and “wreck of both mind and frame” (October 16, 1864). Letters document several unsuccessful attempts to keep King’s behavior in check, including instructions from a physician to King, prescribing a healthier lifestyle (July 21, 1865), but by July 1866, the King brothers were corresponding with the McLean Asylum, where William had already arrived.

The few letters between 1867 and 1895 reveal more about King’s condition, mentioning “delusive fancies,” “acts of violence,” and a belief that “other patients are here as spies upon him” (July 29, 1870). Reports from doctors and friends during this period document a gradual worsening of King’s health and faculties. No correspondence documenting the legal case with Eugenia Webster Ross survives. The two folders of undated correspondence contain several letters in French as well as some unusual ruminations on women, night, and other topics, which appear to be in William King’s handwriting, and may have been addressed to a female love interest.

The documents series contains 36 items, including legal documents such as David King, Sr.’s will, tax documents, land indentures, and lease, loan, and rental papers, dating from the 1840s to 1900. Of particular interest is a printed 1893 Massachusetts Supreme Court record concerning William King’s condition, and Eugenia Webster Ross’ petition.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

The Leckie family papers document the business activities and relationships of Alexander Leckie and his sons, who traded dry goods between England, the United States, and the Caribbean around 1800.

The Leckie family papers contain 44 letters, 3 ledgers, 2 inventories, and a receipt, spanning 1794-1808. The materials primarily document the business activities of the Leckies, who traded dry goods between the United States, England, Jamaica, and Haiti. The correspondence contains many details on the nature of an ambitious mercantile business and matters affecting it during this period. These include political disruptions that threatened trading, especially in Santo Domingo (August 31, 1797), insurance of cargoes, the suitability of certain kinds of goods for specific markets (August 5, 1797), and the types of materials bought and sold, such as cloth, groceries, soap, and candles. The inventories provide further specifics on types of items and prices.

The letters also reveal family relations and their repercussions on the business. In their correspondence, the Leckie brothers frequently quarreled with and chastised one another. They found particular fault with Alexander, who, according to his brothers, made a number of bad contracts (April 7, 1795), as well as an "unfortunate and premature attachment" to a young woman in Virginia (December 28, 1795). In a letter of February 4, 1802, George discussed Alexander's enormous debts ("Alexander could not be indebted at New providence in any less sum than 100.000 Dollars"). Despite this, all three remained in the business at least until 1808.

William Leckie's letters, in particular, show him to be a keen observer of society. In a letter of August 15, 1802, he described the rapid growth of cotton as a crop, the construction of Washington, D.C., and his views on the American social and political scene. His comments on the growing tensions over slavery in the south would prove prophetic: "I have thought that two circumstances are likely to operate at possibly no very distant day to the disadvantage of this happy Country, the first is the great laxity of morals & religion…The other is the increasing quantity of blacks…who are all natives & many of whom can read & write, these will perhaps prove the bane of all the Southern States & by their struggles for freedom involve nearly one half of the Union in Civil Wars."

The bulk of this collection (24 items) is the incoming and outgoing correspondence of Lee Goodwin, of the New York City mercantile firm Fitch, Goodwin & Company. The letters are predominantly by Lee and his siblings, respecting local and family news, and health updates from East Hartford and New York City.

The bulk of this collection (24 items) is incoming and outgoing correspondence of Lee Goodwin, of the New York City mercantile firm Fitch, Goodwin & Company. The letters are predominantly by Lee and his siblings, respecting local and family news, and health updates from East Hartford and New York City.

Lee Goodwin wrote 17 letters and received 7. His incoming correspondence includes 2 letters from his sister Hester Waterhouse (née Goodwin), from East Hartford, Connecticut, in which she described her home, family members' health, local acquaintances, and attendance at the local Unitarian church (April 1843, and June 6, 1846). Lee's other incoming correspondence includes a letter from his brother Eli, who wrote of business affairs in New York City (April 1, 1825), and 2 from his brother-in-law, James Fitch, who provided family news from New York City, such as Emily's foot injury (September 16, 1823, and October 18, 1825). Goodwin also received a partially printed letter from the Farmer's Loan and Trust Company on August 8, 1868.

Lee Goodwin's 17 outgoing letters include two that he wrote to Andrew Milbray, a merchant from Edinburgh, Scotland. Goodwin wrote a brief letter of introduction for Samuel and James Fellows on February 25, 1836, to which Milbray responded on September 19, 1836, offering his apologies for having met them too late to give them assistance. In the same letter, Milbray introduced James Aikman, a young man seeking employment, and provided news of his imminent move to St. John's, Newfoundland, to take charge of a branch of the Bank of British North America. Goodwin wrote Milbray a second time, in June 1837, and discussed economic effects of the Panic of 1837, particularly on New York City.

The remaining 15 letters and drafts of letters by Lee Goodwin date from August 1, 1837, to October 1856. His brother Eli received most of them between 1848 and 1851; they provided Eli with local and family news, and mention several aspects of Lee's life in East Hartford, Connecticut. Lee often wrote about his sister Hester, with whom he lived after returning to his hometown, and, in one letter, discussed his discipline of a female housekeeper named Cecilia, whom he "shut in a chamber" for 24 hours following one of her outbursts of anger (March 14, 1850). Lee advised his nephew Richard about life and the business climate in New Orleans, Louisiana, in a draft dated April 29, 1851. He also wrote an unidentified sister about family news and sent a letter to Eli about his intent to purchase stock of the American Exchange Bank (October 30, 1856).

The final letter in the collection is from Hester (Goodwin) Waterhouse to her sister Emily, Mrs. James Fitch (July 2, 1822). In it, Hester described her boarding house and life in Albany, New York.

The Masters-Taylor-Wilbur papers are the personal and business letters of an extended family in New York, New Jersey, Pennsylvania, and Washington D.C. Of special interest are a group of letters between former slave Matthew Matthews and Mary F. Spence (the owner of his six children), and between Francis Markoe, Jr., and Jeremiah Wilbur, who helped Matthews purchase his children's freedom.

The Masters-Taylor-Wilbur papers (618 items) consist of 570 letters, 9 legal documents, and 39 financial records (1796-1850). The vast majority of the letters are family correspondence written by Thomas Masters and two of his daughters, Martha [Mrs. Henry W. Taylor] and Sarah [Mrs. Jeremiah Wilbur], between 1824 and 1850. The collection also includes letters written by his wife Isabella, his daughter Anna, his sons Samuel and Francis, and his sons-in-law, Jeremiah Wilbur and Henry W. Taylor. Many of the letters are between family members living in New York City, where Thomas Masters ran his mercantile business and Canandaigua, New York; Marshall, Michigan; Philadelphia; and Mt. Morris, New York. Several are joint letters with notes from two or more family members. The letters are rich in details of family life: illnesses, disease, and cures are much discussed, as are family weddings, and travel. Though dominated by family news, the family occasionally discussed politics, religion, temperance, and other religious-inspired social reform issues.

• July 19, 1832: G.H. Green to Martha C. Masters claiming a link between the consumption of alcohol and the occurrence of cholera
• October 15, 1833: Jeremiah Wilbur describing an anti-slavery speech
• December 19, 1835: Henry Masters to Martha Taylor recounting in detail a fire that swept through parts of New York City and destroyed Taylor's firm of Masters & Markoe at 51 South St.
• March 20-April 3, 1838: A long communal letter to Martha Taylor and Samuel Masters from family in New York City, in the form of a newspaper entitled "The Burning and Shining Light and Free Discussionest"
• August 1840: passing reference to hearing Daniel Webster speak
• Three letters from Lydia H. Sigourney to Martha Caldwell Taylor (July 26, 1841; February 18, 1846; February 13, 1849)
• February 15, 1842: Martha Taylor to Sarah Wilbur describing the temperance movement in Marshall, Michigan
• June 2, 1842: Sarah Wilbur to Martha Taylor discussing a wedding feast and spousal abuse
• December 11, 1842: Thomas Masters to Martha Taylor, providing a detailed account of the first New York Philharmonic Concert, which opened with a well-received piece by Beethoven
• March 3, 1844: Thomas Masters to Martha Taylor giving a second hand account of the explosion on board the U.S.S. Princeton, which killed the Secretary of State and the Secretary of the Navy

The earliest letters in the collection pertain to the Wilbur family from 1811 to 1818 (32 letters). These consist of letters from Backus Wilbur in Princeton and Newark, New Jersey, to his brother Marcus Wilbur in New York City, describing Backus’ schooling, religious training, and life at school. Included in one letter is an account of a food fight that escalated to a near riot (February 6, 1812).

Of special interest are 12 letters and two enclosures documenting the attempt of Francis Markoe, Jr., and Jeremiah Wilbur to help former slave Matthew Matthews of Washington, D.C., purchase his six children (January-September 1835). Markoe and Wilbur outlined strategies regarding the best use of the available money to maximize the purchase of the highest number of children in the shortest possible time. Also included are two letters to Matthews, one from Mrs. Mary F. Spence, informing him that she may be forced to sell his children at public auction, and the other from Luke Johnson of Dumfries, Virginia, a black slave who loaned him money toward the purchase of one of the children. Enclosed with the letters are copies of bills of sale for two of the children.

In addition to the family papers are 135 business letters, 35 receipts, four invoices, and nine legal documents that relate to the mercantile affairs of Thomas Masters, Francis Markoe, and their firms of Markoe & Masters, and Masters & Markoe in New York City and Philadelphia (1796-1847). These business papers give some insight into the New York and European financial markets and the economic climate of the time.

This collection is made up of letters written by and addressed to members of the Minot family of Boston, Massachusetts, between the 1820s and 1840s. The letters pertain to family members' lives in Boston and New York City, travel, and other subjects.

This collection is made up of letters written by and addressed to members of the Minot family of Boston, Massachusetts, between the 1820s and 1840s. Louisa Minot wrote to her daughter Mary about life in Boston and New York City. She shared news of family members, discussed her travels, and described visits to a deaf and dumb asylum for children (June 20, 1824) and an insane asylum (undated). Her letter of September 11, 1836, mentions a pet monkey. Mary wrote undated letters to her mother about her experiences in New York City, including her journey to New York, social activities, and attendance at concerts and theatrical performances; she also wrote about medical treatments she received on Staten Island. Mary also received letters from Louisa Lee, a friend in Boston, and G. de Castillio, a man who discussed his intention to visit Italy (July 25, 1842). William Minot wrote one letter to his daughter Julia about the progress of Boston's public garden (July 27, 1839).

This collection contains around 150 incoming letters that Miriam Kline of New York City received from men serving in the United States Armed Forces throughout World War II. They described their experiences and exercises at army training camps and other military bases within the United States.

This collection contains around 150 incoming letters that Miriam Kline of New York City received from men serving in the United States Armed Forces throughout World War II. They described their experiences and exercises at army training camps and other military bases within the United States. She also wrote 2 letters and sent 2 Christmas cards to soldiers.

Sergeant Walter C. Jessel and Private David W. Hoefer wrote most of the earlier letters between July 1941 and June 1942. Jessel, a friend, shared his experiences in the army both before and shortly after the Pearl Harbor attacks, and Hoefer often wrote Miriam about his life in the army and about his affection for her, though he wrote less frequently after she declined his romantic advances in mid-June 1942. Throughout the war, Kline continued to receive letters from Jessel, Hoefer, and 14 other servicemen, primarily from bases in the United States. They described many aspects of everyday life in the army, army air forces, and coast guard.

Enclosures include 3 photographs of Walter C. Jessel in uniform, newspaper clippings, and humorous cartoons. Jessel drew a picture of his transport train in his letter postmarked October 13, 1941. Later items include letters that Miriam wrote to Jessel and to Lieutenant R. H. Davis in 1945, as well as Christmas cards she sent to Davis and to Allan Isakson.

The Native American collection contains miscellaneous letters and documents concerning Native American Indians in the United States, Canada, and the West Indies, and their interactions with British and American settlers.

The Native American collection is comprised of approximately 125 miscellaneous letters and documents concerning Native American Indians in the United States, Canada, and the West Indies, and their interactions with British and American settlers (1689-1921). Topics range from land agreements, legal issues, treaties, descriptions of travel through Indian Territory, Indian uprisings and conflicts, Indian captivities, prisoners of war, Indian enslavement, and interactions with Quaker and Moravian missionaries. Tribes include the Cherokee, Choctaw, Chickasaw, Cree, Iroquois, Ojibwa, Oneida, Ottawa, Kickapoo, Seneca, Shawnee, Sioux, among others, and concern activities in Canada, New England, the Midwest, the South, and the western frontier. Also present are items written in Cherokee, Mohawk, and Ojibwa.

The New Jersey and New York City Region photograph album (18.5 x 26 cm) contains 45 photographs of landmarks and city and countryside views of the New York City Region.

New Jersey and New York City Region photograph album (18.5 x 26 cm) contains 45 photographs of landmarks and city and countryside views of the New York City Region. Included are 8 views of the Palisade rock formations near Weehawken, New Jersey, one view including sculptor Karl Bitter's clifftop studio. Other nature views include the Delaware River, South River, Newark Bay, and Mountain Lakes, N.J. City views are mainly of Newark, N.J. streets and buildings, and New York City attractions including Herald Square, the Washington Arch, Trinity Church, Broadway and the Hippodrome. Additional photographs show the boardwalk at Ocean Grove, and pavilion at Asbury Park on the Jersey Shore, an elevated streetcar at Bay Ridge, N.Y., battery at Fort Griswold, Ct., a train on the Lackawanna railroad bridge in East Orange, N.J., and interiors of the Essex County court room and Newark Public Library in Newark, N.J. Photographs include typed captions; paper label inside front album cover: F.H. Tucker, Artistic and Commercial Photographer.

The album has alligator-print cloth covers. Stored in a three-part wrapper with green cloth spine.

The New Jersey, New York, Connecticut and Vermont photograph album (18.5 x 26 cm) contains 70 photographics of parks, monuments, bridges, river scenes, lighthouses, waterfalls, and steamboats, in New York, Connecticut, New Jersey, and Vermont.

The New Jersey, New York, Connecticut and Vermont photograph album (18.5 x 26 cm) contains 70 photographics of parks, monuments, bridges, river scenes, lighthouses, waterfalls, and steamboats, in New York, Connecticut, New Jersey, and Vermont. Images of ships include photographs of the steamboats Naugatuck, Hendrick Hudson, and Robert Fulton, as well as the prison ship Success. The few city scenes present include two views of the State Capitol in Albany (one with election banners for the 1908 presidential election, the second with election banner for 1912 gubernatorial election), and views from the river of Tarrytown, N.Y., St. Johnsbury, Vt., and the New York City skyline. Also included are multiple views of Ethan Allen Park and Battery Park in Burlington, Vermont. Photographs include typed captions; paper label inside from cover: F.H. Tucker, Artistic and Commercial Photographer.

The album has a black pebbled leather cover which has been partially disbound. Stored in a three-part wrapper with green cloth spine.