Collections : [University of Michigan William L. Clements Library]

This volume contains the text of two debates held by a debating society during the latter half of the nineteenth century. The society compared the relative merits of George Washington and Abraham Lincoln and discussed whether men and women have equal mental capacities.

This manuscript book of a late 19th-century meeting of an unknown debating society contains the text of two debates. The first argument (76 pages) was to debate whether George Washington or Abraham Lincoln was "the greater man." Individual speakers, whose names have often been added in pencil, are identified as supporting either Washington or Lincoln. Those who advocated for Washington concentrated on his military service and his role in establishing the United States. One repeated argument in his favor, for example, was his refusal to accept a royal title after leading the Continental Army to victory over British forces. Those who favored Lincoln focused on his character, decisions made during the Civil War, and eventual martyrdom. The matter was taken to a vote following an argument that both presidents deserved to be lauded. The middle of this debate is marked by a brief foray into Constitutional issues, particularly the advisability of introducing amendments, though the argument soon returned to its original topic. An additional argument in favor of Washington, written on a separate piece of paper, is placed inside the book's front cover.

• "Abraham Lincoln: Lord of Himself, Leader of Others," laid into the front of the volume (undated)
• "Dallas Academy and Washington's Birthday," containing the program for the Philomethean Society's celebration of George Washington's 152nd birthday, pasted into the volume (1884)
• "Stand Points in the Life and Times of Washington," containing extracts from a speech delivered by Erastus Brooks on February 22, 1866, pinned into a page in the volume (undated)
• "Washington's Birthday," commemorating the 153rd anniversary of George Washington's birth, pasted into the volume (1885)
• Untitled article examining aspects of Abraham Lincoln's character, pasted into the volume (undated)

The second debate (50 pages) concerned a comparison of the "Mental Capacities of the Sexes," specifically whether the minds of women are equal to those men. After heated debate, centered on the more prominent historical roles of men and the impact of women in the domestic and maternal spheres, the group decided overwhelmingly ("Loud cries of All, All") that the genders did share equivalent mental capacities. This debate was briefly interrupted following a general outcry over contentious remarks made by a man named Spooner.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. He originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

This volume (7.5"x6") contains John Greenwood's memoirs about his experiences during the Revolutionary War (approximately 163 pages) and about his family and personal life (17 pages). During the war, Greenwood was a fife player with a Massachusetts regiment and served on privateers and other vessels in the Caribbean Sea. Greenwood originally composed his Revolutionary War memoirs in 1809; this item is a later copy made by his son Clark.

After a brief note by Clark Greenwood, who transcribed his father's memoirs, the main narrative opens with John Greenwood's brief account of his early years in Boston and in Portland, Maine, and of the unrest that eventually led to the American Revolution (5 pages). Pages 5-51 consist of Greenwood's detailed recollections about playing the fife in a Massachusetts regiment in the Continental Army, and about his experiences in the military. After page 51, the memoirs focus on the interception of British ships in the Caribbean Sea, during which time Greenwood was captured as a British prisoner of war. In addition to his wartime experiences, he also briefly recounted some stories of his postwar life, such as the beginning of his dental practice (pp. 85-89). The remaining parts of the volume include a note by a Greenwood family member who had recently read the memoirs (January 11, 1894), and an additional 17-page autobiographical account by John Greenwood.

A set of six wooden medallions, in original box, commemorating the 1876 International Exhibition held at Fairmont Park, Philadelphia. The underside of the box lid is a lithograph showing the exhibition grounds and buildings.

The Philadelphia Ornamental Wood Co. Medals, 1786 collection is a set of six wooden medallions, in original box, commemorating the 1876 International Exhibition held at Fairmont Park, Philadelphia. Four of the medals measure 2.5 inches in diameter. The other two are 3 inches in diameter. The reverse of the smaller medals contains the inscription "The 100TH Anniversary of American Independence; Great International Exhibition; Fairmont park; Philadelphia; 4th of July; 1876." The reverse of the two larger medals reads "The 100th Anniversary of American Independence; 4th of July 1876; Exhibition Open from May 10 to Nov 10 1876; Fairmont Park; Philadelphia; U.S. America."

The underside of the box lid is a lithograph of the view of the exhibition grounds and buildings. The lithograph, published by Breuker & Kessler of Philadelphia, is titled "Birds Eye View of the International Exhibition Buildings 1876." Also written on the lithograph is the inscription, "Manufactured by the Ornamental Wood Co., Phila." The box also is inscribed: "Manufactured by the Philadelphia Ornamental Wood Co. 1129 Cherry Street."

The Parrish family photograph album contains 110 photographs assembled by the Parrish family of Philadelphia, Pennsylvania, including images of family and friends, political figures, celebrities, and popular illustrations as well as photographs related to Union efforts to educate freed slaves during the Civil War in the Port Royal Experiment.

The album (15.5 x 24 cm) has embossed brown leather covers and two metal clasps. 63 loose photographs are stored in Mylar sleeves and many appear to have been separated from the album over time. In some cases, it is possible to match loose images with a specific page slot through pairing inscriptions on the photograph with annotations present in the album. However, many loose images do not contain any identifying information, so it is unclear where some may have been located within the album or if they were ever associated with the album in the first place. It is possible that a small portion of the loose images were never originally included in the album since there are more photographs present in the collection than there are available photo slots in the album. At least two portraits from the 1890s do not appear to have belonged to the original family collection.

Compilation of the album may have first begun in the 1860s, but it was most likely completed during in the 1870s with photographs that the Parrish family had acquired over time. Sarah H. Parrish, née Wilson (1836-1892), the wife of Joseph Parrish’s grandson John Cox Parrish (1836-1921), may have been one of the primary creators of the album. She and John had a daughter named Caroline L. Parrish (1863-1915), who may be the “Carrie” whose name is written on the back of some of the photographs. Overall, there appear to be three different styles of handwriting present in the album. Captions for several of the album’s portraits were made in pencil in a flowing cursive while other names appear in a more juvenile-looking cursive hand, and a distinctive third hand also appears sporadically. The two cursive hands may well have been Sarah’s and Carrie’s as mother and daughter worked on the album together in the mid to late-1870s, with an occasional contribution (the third hand) possibly made by one of Carrie’s three younger brothers. One other detail supports this hypothesis: a portrait labelled “Fred” with “Mrs. Parrish, with love of Fred” inscribed on the verso. The individual photographed here was most likely Sarah’s cousin, Frederick Cleveland Homes (1844-1915). Additionally, the portrait on the page next to Fred’s portrait is of a young child identified as “Charlie Homes,” and it is likely that this is Fred’s son Charles Ives Homes (1872-1939).

Parrish family members are well represented in this album, while other unidentified family members may also be portrayed in some of the loose photographs without captions. Likely family friends or acquaintances of the Parrishes whose portraits are present include George and Catherine Truman, James and Lucretia Mott, the Rev. Richard Newton, and Phillip Brooks, all of whom were active in the same abolitionist organizations as the Parrishes. The album also contains many images of admired religious, political, and cultural figures, including Quaker heroes George Fox and Elizabeth Fry; Civil War leaders Abraham Lincoln and Ulysses Grant; George and Martha Washington; social reformers Dorothea Dix and Anna E. Dickinson; actor Edwin Booth; and Queen Victoria and Prince Albert. A number of these images are photographic reproductions of painted, engraved, or lithographic portraits. Also present are four hand-colored photographs of Dutch women in traditional dress as well as photographic reproductions of popular sentimental genre scenes such as “The Unconvanience of Single Life.”

Of particular note are a series of photographs related to the Port Royal Experiment, an ambitious effort to provide education for freed slaves following the capture of islands off the coast of South Carolina by Union troops in 1861. Relief committees in the North raised money and sent volunteers to set up schools and other institutions. Among the most successful was the Penn School, established by Laura Matilda Towne with support from the Philadelphia Freedmen’s organization in which the Parrish family was actively involved. People and places are identified with ink captions on the photographs themselves in a hand that differs from other inscriptions in the album. Towne may possibly have compiled these images herself and sent them to supporters back home. This series of photographs includes seven images of Beaufort, South Carolina, (four of which were produced by Sam A. Cooley, photographer to the Tenth Army Corps) captioned “Beaufort Soldiers’ Chapel and Reading Room,” “Path to the river of Smith’s Plantation,” “Beaufort House / Where we Stopped, showing the Beaufort Hotel and nextdoor office of the Adams Express Company,” “Soldiers’ Graves,” “Gen. Saxton’s Headquarters,” “Father French’s House,” and “Our House.” Three cartes de visite produced by Hubbard & Mix show instructors Towne, Ellen Murray, and Harriet Murray respectively posing with freed black children. The photograph with Ellen Murray bears inscriptions identifying her students as “Peg Aiken” and “Little Gracie Chapin (one of Miss Murray’s brightest pupils).” A fourth Hubbard & Mix image captioned “I’m a freeman” shows an African-American man dressed in clothing made from rags and includes an album page inscription that reads: “Young Roslin says, ‘Now I’m free, I go to bed/ when I please I’se gits up/ when I please. In olden times/ I’se help gits de breakfast/ but no’se time to eats it myself/ Ha-ha-I’se happy boy now.” Also present are three cartes de visite produced by photographers based in Nashville, Tennessee, including one portrait by T. M. Schleier of an African-American woman with two children (one of whom has a much lighter complexion than the other) with the recto caption “Lights & Shadows of Southern Life” and verso caption “Aunt Martha and children/ Slaves/ Nashville, Tenn.,” as well as two other images by Morse’s Gallery of the Cumberland that show the same young African-American boy looking sad “Before the Proclamation” and then grinning broadly “After the Proclamation.”

This collection is primarily made up of Benson J. Lossing's incoming and outgoing correspondence concerning his writings about and interest in numerous subjects in American history. Essays, newspaper clippings, and ephemera are also included.

This collection is primarily made up of Benson J. Lossing's incoming and outgoing correspondence (179 items, 1850-1904) concerning his writings about and interest in numerous subjects in American history. Essays, newspaper clippings, and ephemera are also included (18 items, 1849- ca. 1884).

The Correspondence series (179 items) mostly contains incoming letters to Lossing about his career as a historian. Some writers thanked Lossing for sending them copies of his books or otherwise commented on his works, such as his Pictorial Field-Book of the War of 1812. Others offered biographical details on historical figures, notes on family genealogies, and information about historical events. Some older correspondents provided firsthand accounts of events, and other writers shared information about potential primary source material. The American Revolutionary era and War of 1812 were common topics, though at least one letter was written during the Civil War. Historical figures discussed included John André and Oliver Hazard Perry; one man wrote about busts of George Washington at Mount Vernon. Some authors enclosed newspaper clippings in their letters, and two made drawings: one of an unidentified building (June 2, 1851) and one of the grave of James Ross (May 11, 1852). One letter from a publisher postdates Lossing's death.

Benson Lossing wrote occasional letters about his work, and at least one of his letters contains a printed form letter requesting historical information.

The Writings and Biographical Sketches (8 items) are brief essays about historical topics, mostly in Benson J. Lossing's handwriting. Subjects include copied inscriptions from a monument marking the Battle of Red Bank and biographies of Colonel Anthony White, William H. Winder, and Alexander Lillington. One item is a copied "Parole of Honor," with Lossing's added notes on some of its signers. Two signed manuscript drafts of articles include "The British Flag and the American Sailor Boy," which was later published as "Anna Van Antwerp and John Van Arsdale" in the Christian Union, and "Mr. Lincoln A Statesman," which appeared in Osborn H. Oldroyd's The Lincoln Memorial: Album-Immortelles. An essay about William H. Winder is attributed to Mrs. A. W. Townsend of Oyster Bay, New York.

The Printed Items series (10 items) is comprised of programs, newspaper clippings, obituaries, a chapter in a published volume, and engravings. One clipping is a reprint of an article written by Benson J. Lossing.

The William Tell Claude manuscript contains all of Claude's editorial columns written between December, 1846 and June, 1849, probably for the Maryland Republican.

The William Tell Claude manuscript contains all of Claude's editorial columns written between December, 1846 and June, 1849, probably for the Maryland Republican. As a deeply committed and tireless publicist, Claude launched a series of front door and back door attacks on the Democratic opposition, criticizing the Democratic war in Mexico and smearing the names of Democratic candidates for office.

The origins of the manuscript are unclear, but it appears to have been compiled at a later date, possibly simply to be retained for convenient reference, possibly for separate publication. Only one work of Claude's appears to found its way into print as a separate work, however, his war-time Address to the people of Anne Arundel County (1861).

The Henry Vignaud papers are made up of letters, manuscript notes, and published works concerning Vignaud's diplomatic career and scholarly life in Paris during the late 19th and early 20th centuries. Letters and notes by his correspondents and fellow “Americanistes” Pierre Margry and Henry Harrisse comprise the bulk of the collection. The following books include manuscript items related to Henry Vignaud, many of which are tipped into or otherwise affixed to the volumes: Inventory of Henry Vignaud manuscripts located in books at the William L. Clements Library.

The Henry Vignaud papers are made up of letters, manuscript notes, and published works concerning Henry Vignaud's diplomatic career and scholarly life in Paris during the late 19th and early 20th centuries. The collection is divided into four series: Henry Vignaud, Pierre Margry, Henry Harrisse, and Miscellaneous. Groups of correspondence, writings, printed materials, and biographical portraits are arranged within each series.

The Henry Vignaud series includes incoming and outgoing letters, manuscript notes, and published works related to Henry Vignaud.

The Correspondence subseries mainly consists of letters Vignaud received between 1866 and 1922 regarding his diplomatic work and academic interests. Correspondents, such as Pierre Margry and Henry Harrisse, often discussed articles and other publications about North American history. One 496-page letter book contains copies of Vignaud's outgoing correspondence from February 25, 1876, to June 1, [1888]. Written in both English and French, these letters relate to his appointment as secretary for the United States legation in Paris. The letter book contains a chart comparing the sizes and expenditures of the standing armies of European countries (p. 198) and a floor plan for the United States legation's new offices (p. 343).

The Writings subseries contains notes, speeches, and manuscript books by Henry Vignaud. He compiled notes about topics in American history and composed biographical sketches of Henry Harrisse. He entitled his manuscript books Lettre de Toscanelli à Martins (Texte et Traduction) and Notes de Ximenes sur la Lettre de Toscanelli. Additionally, his papers include the bottom portion of a colored map depicting the French-German border and a description of plans for an arc de triumphe to stand over the "Monument du Gen. Lafayette," accompanied by a photograph of the model of the monument. The second photograph is a of mock-up a statue of George Washington and Lafayette shaking hands; the statue now stands in Moringside Park,New York City. Both photographs are signed by [Frédéric-Auguste] Bartholdi.

The Writings of Ferdinand Denis, a fellow Americaniste and future librarian of the Saint Geneviève Library in Paris, consist of his manuscript notes on topics related to Portuguese exploration and colonies, particularly in South America.

The Printed Materials subseries includes articles that Benjamin Franklin Stevens wrote about unpublished manuscript collections in European archives and specimen pages from his annotated facsimile edition of Christopher Columbus: His Own Book of Privileges 1502…. Additional materials dated between 1895-1896 pertain to a legal case involving the former American consul to Madagascar, John L. Waller.

The Pierre Margry series of letters, writings, and other items relates to Margry's scholarly work on North America. The bulk of the Correspondence subseries comprises 381 incoming letters between June 1839 and October 1889 about his academic interests. Margry also composed Writings on various topics, such as Isle Royale, Canada, and Detroit. François-Edme Rameau de Saint-Père and Gabriel Gravier wrote Biographical Sketches about Pierre Margry shortly after his 1894 death; 4 engraved portraits of Margry accompany the biographies.

The Henry Harrisse series contains materials similar to those in the Pierre Margry series. The Correspondence subseries includes 11 letters, 3 undated and 8 sent between November 1866 and January 1904, Harrisse wrote about his academic work, discussion of publications by his colleagues, and his efforts to locate specific maps. The Writings subseries contains extensive manuscript notes related to his publications about the European discovery and early exploration of North America. This interest continue to be reflected in the Biographical Portraits subseries, which includes notes and proofs for Harrisse’s work on “Americus Vespuccius” and on the sixteenth-century explorers John and Sebastian Cabot, as well as a 1-page account of Harrisse written by John Johnson (June 23, 1891); Henry Vignaud's writings on Harrisse are located in the Henry Vignaud series.

The Miscellaneous series includes 13 additional letters, 3 postcards, 2 funeral invitations for Sigismond-Joseph-Marie-Louise de Pourcet, baron de Sahune and Antoinette Helin, an invitation to a ceremony honoring the 100th anniversary of the Louisiana Purchase on December 18-20, 1903, and other miscellaneous notes.

The John Marshall autobiography is a 16-page autobiography written in 1827 by Chief Justice of the Supreme Court John Marshall.

The John Marshall autobiography consists of a 16-page autobiographical letter, written by John Marshall to Joseph Story, at the latter's urging, in 1827. Also included is an additional letter from Marshall to Story, expressing his approval of Story's biography of him, and an undated engraved portrait of Marshall.

The autobiography begins with a description of Marshall's happy childhood and the many sources of his education, both formal and informal. Marshall then moved to the topic of the Revolutionary War, first describing his service, and then the impact it had on him: "When I recollect the wild and enthusiastic democracy with which my political opinions of that day were tinctured, I am disposed to ascribe my devotion to the union, and to a government competent to its preservation, at least as much to casual circumstances as to judgment" (p. 4). Also covered in some detail is Marshall's legal practice, which he expressed a great reluctance to leave, and his role in the XYZ Affair, including the decision "to bring the controversy before the American People and convince them of the earnestness with which the American government sought a reconciliation with France" (p. 13).

Marshall also described the process of his selection for Chief Justice, which he portrayed as surprisingly casual: "[Adams] said thoughtfully 'Who shall I nominate now'? I replied that I could not tell….After a moment's hesitation he said 'I believe I must nominate you" (p. 15). Unfortunately, Marshall ended the letter without any discussion of his work on the Supreme Court.

Lewis Walker letter books contain copies of letters written by a citizen of Catoctin Furnace, Maryland, who described the local effects of the War of 1812, as well as the dress and manners of visitors to the town.

The Lewis Walker letter books (58 pages) contain copies of letters written by a citizen of Catoctin Furnace, Maryland, who described the local effects of the War of 1812, as well as the dress and manners of visitors to the town. The collection is comprised of a letter book entitled "Private Letter Book commencing May 1, 1813;" a letter book of "Discriptions of Gentlemen & Ladies, who appeared in Stile at Catoctin Furnace, since the 5th of March;" and three loose items related to the Walker family.

The first letter book (17 items) contains letters written by Lewis Walker to friends and family. Walker discussed events and repercussions of the War of 1812, as well as his own efforts to avoid the war. Topics include: the workings of the town's iron forge (page 1), Walker's thoughts on joining Colonel Richard M. Johnson's horse troops and avoiding the draft (2, 4-6), the state of Baltimore before and during British occupation (pages 2, 4), descriptions of soldier's uniforms (6 page), the lack of available furnace workers because of the war (page 8), the "conflagration of Havre de Grace" (page 9), a description of Franklin County, Pennsylvania (page 13), a Catholic seminary in the area (page 14), the popularity among young men of joining the army (page 13), a ball attended by 60 couples (page 21), and many accounts of social interactions.

• April 23, 1813: Cover page
• May 1, 1813: Walker to Samuel Hackly
• May 10, 1813: Walker to Reverend John P. Hecht
• May 19, 1813: Walker to S.M. Potts
• May 20, 1813: Walker to his father Thomas Walker
• May 28, 1813: Walker to cousin Nancy Leonard
• July 20, 1813: Walker to Thomas Walker
• July 28, 1813: Walker to his mother Anna Walker
• August 1, 1813: Walker to cousin Ann Leonard
• August 22, 1813: Walker to George H. Leonard
• September 11, 1813: Walker to cousin Nancy Leonard
• January 14, 1814: Walker to his sister Sarah H. Walker
• January 17, 1814: Walker to cousin Nancy Leonard
• January 21, 1814: Walker to Thomas Rutter, Esquire
• Undated: Walker to Edward Burd Hubley
• Undated: fragment
• March 15, 1797: Thomas Erskine to General Washington

The second letter book (19 items) is comprised of letters Walker sent to a group of friends between March and July of 1815. The letters contain reports on the dress, appearance, and social gifts of the "Gentlemen & Ladies, who appeared in Stile at Catoctin Furnace," Maryland. In the letters, Walker commented on visitors' personalities, physical traits (height and size), facial features, hair, and manners of dress. He often provided specific details on elements of the subjects' clothing, as well as on their opinions on politics and interesting conversation topics. Descriptions are both positive and negative. The following quotation is a sample of one of Walker's entries:

"Miss M. G…..y. there is no pretention to beauty neither in respect to face or person here. Her face bears the aspect of a Lady who has seen his "Satanic Majesty" for near eight years, as in plain terms been in the old maiden register for that length of time. Her eyes are jet-itself—very handsome black hair finely put up and very "stylish" in front, crowned with a small red Bonnet with white plumes flying—her person is considerably shorter than the generality of her sex—appears to be hip-short. I had no opportunity of discovering the state of her mind, "as the methodists say." Therefore can not judge of its elegance, but have been informed that it is of the first order—Adieu my fair nymphs. So good night. Stay but not bright."

• March 6, 1815: Describing Captain Hillery
• March 7, 1815: Describing Mr. Sweadow of Baltimore
• March 8, 1815: Describing Mr. James Johnson
• March 8, 1815: Describing Captain B. Johnson, and Miss M.C..e of Baltimore
• March 10, 1815: Describing Miss. M. G….y
• March 14, 1815: Describing Miss A. R. G……
• March 16, 1815: Describing Mr. George Grundy
• March [16], 1815: Describing Mrs. N….I……
• March 27, 1815: Describing Mr. John Dillingham
• April 2, 1815: Describing Miss F…. I……
• April 18, 1815: Describing Mr. James Harwood of Lower Marlborough
• April 18, 1815: Describing Mr. Thomas T. Blackford (student at Physics)
• April 20, 1815: Describing Mr. Benjamin Blackford from Virginia
• April 22, 1815: Describing Mr. Joseph Johnson
• July 6, 1815: Describing Miss Z…. M…….
• Undated Sunday: Describing Miss A………e of Philadelphia
• Undated Sunday: Describing Miss J……a J…..n of Fredericktown
• Undated Sunday: Describing Miss M…..a Joh…. of Fredericktown
• Undated Tuesday the 5th: Describing Miss A……. of C.

• July 15, 1815: Walker to unknown - the letter is faded and only partially legible
• February 6, 1875: Copy of a March 4, 1822, letter to Sarah Walker from her mother Anna Walker, containing news on friends and family
• January 3, 1880: Brief notes on Uncle Hackly's reading of various letters