Collections

Notecards on research topics for Lydens' book, the Story of Grand Rapids, Michigan (1966).

Notecards on research topics for his book, the Story fo Grand Rapids, Michigan (1966), a copy of which is available in the CMU libraries.

The collection documents the history of the club mostly through meeting minutes, photographs, and scrapbooks.

The collection documents the history of the Zonta Club of Mt. Pleasant, through meeting minutes, photographs, scrapbooks, and after 1992, scrapbook materials. The three oversized scrapbooks are acidic and brittle and should be handled with care. Later additions added mostly meeting minutes. The collection is organized alphabetically and chronologically. The collection is ongoing. The Zontian is separately cataloged.

This is the official collection of Central Michigan University’s Orchesis Dance Troupe, and also documents the CMU career of its found, Yvette Birs Crandall, and her impact on Orchesis and its students, performances, practices, workshops, and social events, mainly 1967-2010, with a few materials postdating that through 2023.

This is the official collection of Central Michigan University’s Orchesis Dance Troupe, and also documents the CMU career of its found, Yvette Birs Crandall, and her impact on Orchesis and its students, performances, practices, workshops, and social events, mainly 1967-2010, with a few materials postdating that through 2023. The collection also includes a small amount of material documenting earlier CMU dance instructors, including Grace Ryan, country dancing classes, and performances, formal dances, possibly Sadie Hawkins dances, as well as social dances at CMU, 1928-1967, in photographs and a scrapbook, which Crandall likely inherited from prior CMU instructors. Yvette’s Wisconsin and CMU University papers and research materials, related to movement and dance, and photographs of and clippings about her (see Box 1) and her published reviews on music, dance, and theatre in the Midland Daily News, 1991-1992 (see Box 5) complete the collection. A list of performances was compiled by Archivist Marian Matyn from documentation in the collection and is found in Orchesis, Programs, 1969-1979 (in Box 2).

Nearly complete, the collection provides excellent documentation of Orchesis and how crucial Crandall was to its success and vitality. All aspects or Orchesis are documented in this collection including advertising, auditions, welcoming or “initiations” of new members, graduating senior events, performances, choreographer’s workshops, social events, travels, competitions, training, backstage preparations, classes, costume and makeup design, choreography, , and participation in CMU events such as country dancing and doing dance movements after a float in Homecoming parades and dancing in Madrigals. Orchesis also performed at various local institutions, such as Mid-Michigan Community College. In 1969 Orchesis performed Peter and the Wolf, for which they received hand printed thank you notes and hand drawn art from elementary school children at Longview Elementary School in Midland, Michigan. Because the children’s materials was very acidic, they were photocopied. In the early 2000s Orchesis performed with Dance Umbrella dancers. Dance Umbrella is an international modern dance festival.

The collection also provides important evidence of how one woman successfully built and expanded a nationally recognized modern dance company from scratch composed mainly of female students. When compared to the CMU Athletics collection, it is clear that she did not have the resources nor the support accorded the more traditional recognized athletic programs which merited CMU published programs and posters, so Crandall and her daughter, Rebecca Crandall Folt, designed and made Orchesis posters and programs themselves by hand. The lack of official CMU photographs in the collection is also interesting and unusual among CMU collections. Crandall paid private photographers for the professional, non-CMU photographs.

The collection is organized by size, format. and then alphabetically and chronologically within each series. Photographs are further organized by those with and without negative numbers. The paper-based and photographic series (Boxes 1-5 which are all .5 cubic foot boxes) are: Biographical Materials, Orchesis materials, Photographs that are not specific to Orchesis, and Crandall’s published reviews. There are two oversized scrapbooks document dance at CMU, 1928-1967, and CMU Orchesis, 1968-1971. The three oversized folders include CMU Orchesis posters (Folder 1-2) and oversized Orchesis professional photographs, both black and white and color, undated. Additionally, photographs are further organized within folders by those with a negative number or date/time stamp and then those without. Overall the collection is in very good condition except for the acidic contents of the scrapbooks and a few posters with tape stains or have hole punctures. Most of collection, as donated, was original material, but some were photocopies. Formats in the collection include paper, original art, photographic materials, including two DVDs, and scrapbooks

Recordings:

In March 2024, Orchesis recordings were donated (see Boxes 6-12, which are all cubic foot boxes). The recordings are organized chronologically and document Orchesis concert performances, workshop performances, Madrigal dinner concerts, “Puttin’ On The Ritz” events, Swing Club, and dancing in Homecoming parades, and liturgical dances. The recording formats include Ampex, Karex, Memorex, and Sony five- and seven- inch helical video tapes, VHS videotapes, CDs, DVDs. And Sony Mini Discs. Warren Crandall recorded most of the recordings, but there are some recordings created and presumably copyrighted by Kabobel’s Kamera and Heitman Video Services, that Yvette paid for, and one that is a gift copy from a Channel 9 and 10 News segment. None of the recordings were created or copyrighted by CMU.

Besides the Recordings, other major Orchesis series include Photographs, Programs, and Posters, which merit further description to assist researchers.

Photographs:

Photographs, 1940s-2010, 2023, in the collection are from multiple photographers, both professional who hold copyright, and amateurs. CMU copyright of photographs taken by CMU Photographer Robert Barclay are few and found interfiled with other photographs dated 1981, 1993-1998 and 2000-2006. Bryan P. Wallace, a professional photographer, took all the photographs which are stamped with his name and copyright information, 1986-1987, including all the galley proofs and related negatives. Other photographer’s names are occasionally found on photographs, while others are unidentified. Most of the professional photographs are black and white until the 2000s. Amateur photographs taken by those in the company and probably also by Yvette document individuals, groups, travel, social events, performances. There is one photograph of the liturgical dance troupe in 1973 in Muskegon with a priest. There are also photographs of a country dance troupe in costume dancing during a CMU Homecoming parade, 1989. Part or all of the company traveled to various trips to cities including Washington, D.C. and Milwaukee, Mid-Michigan College, and Western Michigan University, to perform and participate in regional or national dance events. The company also had summer picnics, a welcoming event, referred to as the initiation, for new members, and a graduation recognition event after the show of the academic year with a cake where each graduating senior receive an award, hug, and the applause of peers. Within folders photographs are sorted by those with a negative number or date/time stamp and those without. Those with additional identification, especially amateur photographs, with a specific event and/or a year date, are in separate folders. Some people, dates, and events are identified in photographs by labels or writing on the back of photographs. If the labels were loose or detached, the Archivist wrote the information in pencil on a piece of acid-free paper and included that in the photograph sleeve, and withdrew the original label or note.

Programs:

CMU Orchesis programs, 1969-2010, are nearly a complete and include mostly Orchesis events: Choreographers Workshop Performance, all concerts, “Puttin’ on the Ritz” events, CMU Madrigal dinners, and Choreographers Workshop Performances, dance competitions, events outside of CMU that she choreographed or advised, and a Church program, featuring CMU liturgical dancers, December 3, 1978. The programs vary in size, format, and materials, and some were photocopies when donated. Those listed as ‘Program’ are only the list of dances and performers. During the 1970s many of the early programs and posters were hand drawn or written in penmanship. Both programs and posters featured photographs from the past. Sometimes there are matching illustrations for programs and posters.

Most of the programs were dated, some with dates written on them by Crandall, when donated. Depending on the information in the program, Archivist Marian Matyn looked up names and information online in digitized CMLife, and reviewed perpetual calendars to try to determine the year for undated programs, and matched materials to posters or other information in the collection. To assist with the process the Archivist generated a list of performance dates from the programs which she added to the collection. Many Orchesis performances were not listed in CMLife. Overall the programs are in excellent to very good condition.

Posters:

Posters, 1970-2010 in the collection are mainly Orchesis posters for Auditions, Choreographer’s Workshop, Dance Concerts, and “Puttin on the Ritz” events and are almost a complete run. There is also one Orchesis Fall 2008, Dancers Photographic collage poster, 2008, which Yvette crafted. The posters vary widely in size from 8.5x11 inches to 30x20 inches, in shape, colors, and format including paper, cardboard, and plastic. During the 1970s many of the early programs and posters were hand drawn or written in penmanship. Some posters listed are actually the original drawings and composite information with parts taped and glued to paper or cardboard from which posters or printed copies were made. Crandall appears to have created many of these posters by hand. Both programs and posters featured photographs from the past. Sometimes there are matching illustrations for programs and posters. Posters are housed in two Oversized folders. Oversized Folder 1 contains all concert performance posters in chronological order and the collage photographs poster. Oversized Folder 2 includes Oversized art, and all remaining poster series grouped alphabetically by series, then chronologically within each series.

Many posters lacked a year date as published. Depending on the information on the poster, Archivist Marian Matyn compared the information to the programs, and then followed the process she used to determine program year dates. (See that process above.) She wrote years on the posters in pencil. If there is more than one year during Yvette’s CMU career that the poster could date from, the year is in square brackets with a question mark.

A few posters have tape attached, while others have tape or hole damage from being pinned, and one, CMU Faculty Dance Recital, (taped, tape stains and term schedule in pen and marker on revere), September 21-22, 1972, has the term schedule written in pen and marker on the back. Overall the posters are in excellent condition. Most of the photographs donated were originals with some being photocopies.

Also included are posters of events in which CMU dancers participated. These posters include dance festivals, for the now American College Dance Association, 1979-1980, and the Great Lakes Regional Dance Festival, 1991 and 1999, and CMU Madrigal Dinner Concert posters, 1986, 1988-1994. The Madrigals occurred annually at CMU, 1977-1992.

Included with the posters is one oversized original art piece. There is also a folder in Box 2 of a few original hand drawn Orchesis art. The oversized image does not appear in posters nor programs. It is similar to a hand drawn image on the front page of the 1968-1971 scrapbook.

Researchers Note:

Researchers may also be interested in other collections documenting Grace Ryan and Rev. John Goodrow in the Clarke. The CMU Posters collection contains one early Orchesis poster and some Madrigal posters found in Crandall’s Orchesis collection.

Processing Notes:

Approximately 5 cubic feet of paper and audio-visual materials were withdrawn during processing. This includes duplicates, undated and/or unidentified, or very dark or damaged photographs, acidic materials, empty envelopes. If there were larger and smaller versions of the same poster, the smaller version was retained in the collection and the larger version was withdrawn. Acidic materials, except for the pages and contents of the scrapbooks, were photocopied, and the copies were added to the collection while the originals were withdrawn. .75 cubic feet of nationally recorded and distributed LP dance records were withdrawn. Family photographs were returned to the donor. Three cubic feet of recordings were withdrawn during processing, including duplicates, rehearsals, personal recordings of television dance programs and music CDs, non-CMU produced dance instructor videotapes, and unidentifiable, inaccessible, and very dark recordings.

The records consist of photocopies of legal-sized mortgages, insurance policies, tax receipts, blueprints, oaths and bonds, notices of candidates and meetings, petitions, school district records, and miscellaneous.

The records consist of photocopies of mortgages, insurance policies, tax receipts, blueprints, oaths and bonds, notices of candidates and meetings, petitions, school district records, and miscellaneous.

Papers include copies and transcriptions of correspondence, articles, and biographical materials. Note: A users copy is available for researchers to use.

The collection consists of photocopies and transcriptions of correspondence to and from Watson, copies of articles he wrote and published, copies of Strangite Mormon articles he reprinted, and copies of his biographical information.

Some correspondence is with family and friends, including his daughter, Grace, and his grandchildren. Other correspondence is with two of Strang’s widows, Betsy (Elizabeth) and Elvira and three of Strang’s sons, Charles J., Gabriel, and Clement J. Strang. There is also correspondence with major Strangite Mormons, such as Lorenzo Dow (L. D.) Hickey, publisher Edward Couch, and Joseph Smith III, leader of the Reorganized Church. The correspondence mainly discusses Strangite beliefs, activities, and history.

For further information see related collections such as Lorenzo D. Hickey Papers, Church of Jesus Christ of Latter-Day Saints (Strangite) Collection and Miscellaneous collection, or numerous books on Mormons and Strangites at the Clarke Historical Library.

Note: A users copy is available for researchers to use.

Papers include biographical materials, correspondence, military correspondence, and miscellaneous.

The collection includes Biographical Materials, Certificates re: his Postmaster position; Correspondence, 1899-1935, mostly about postal service and politics; State Liquor Control Commission correspondence and related materials, 1933-1934; Military Correspondence, 1915-1916, about his conflicts with work versus military duties; and Miscellaneous, including his typed diaries of a 1914 trip on the (yacht) Virginia.

The collection contains biographical materials, deeds, bonds, assignments, land books, and mortgages.

The collection consists mostly of William Hinman’s legal, financial, and tax records (receipts) relating to his real estate business, 1844-1909. Most of these records are for land in Ingham County, although a few are for land in Livingston or Wayne counties, Michigan. Some of the land and legal records relate to family property, such as his father-in-law’s estate papers, 1857. Some records document land owned by his wife and daughters. A few records of William C. Hinman, related to property and delinquent taxes, 1844, 1902, complete the collection.

The collection is divided into the papers of William Hinman and then William C. Hinman.

The collection contains biographical materials, reports, Michigan Commission on Indian Affairs materials, Michigan Governor's Special Task Force on Indian Fishing Rights reports, Michigan Interim Action Committee on Indian Problems, newspaper clippings, photographs, and copy of the Corporate Charter of the Wisconsin.

The collection documents Native American issues, legislation, and governmental organizations concerned about the issues, in Mich. and the U.S. Most of the collection documents the Michigan Commission on Indian Affairs, 1969-1972, undated, in reports, by-laws, correspondence, memos, project files, meeting minutes and agendas, proposals and surveys, etc. Other Michigan organizations in the collection include the Michigan Governor’s Special Task Force on Indian Fishing Rights, Michigan Interim Action Committee on Indian Problems, and the Inter-Tribal Councils of Michigan. Additional subject folders document U.S. or Michigan Native Americans, their issue, or other non-Michigan governmental units concerned with Native American issues, such as treaties and legislation. Miscellaneous materials on the Butt family complete the collection.

Processing Note: Photographs of Upper Peninsula Native Americans in this collection were added to the Clarke Photograph collection

Photographs of students in Chaffee's Central Michigan University physics classes.

The collection consists of 8x10 and 12x15 inch black and white photographs of the students in Chaffee’s various physics classes, 1977-1989. Most of the photographs have paper attached to them with an outline of each student in the photograph, as well as their name. Apparently, Prof. Chaffee used the photographs to help him identify the students during class time. An occasional syllabus, test, or experiment project outlines are included with the photographs. Chaffee’s obituary, January, 22, 1991, (a copy) is also included. The photographs are organized chronologically by school terms and then by class number.

Processing Note: Duplicate photographs, negatives, and class lists or test answers with students’ names and social security numbers were removed from the collection.

The collection consists of the diaries of William A. Craker, 1919-1951, son of missionaries to the Chippewa Indians, and later a farmer and Superintendent of the Leelanau County farm and home, later known as the Infirmary.

The collection consists almost entirely of his diaries, 1919-1951, giving daily accounts of his activities, church attendance, work, and family. The entries are brief to moderate in length and detail. Also included is biographical information on Craker and a diary of Carrie Craker, 1920.

The collection biographical materials, accounts, correspondence, deeds and legal papers, tax receipts, wills, and photographic materials.

The collection includes family papers for several generations of Knaggs. Among them are a petition by George Knaggs for reimbursement of property damaged in the War of 1812; a silhouette of Whitmore Knaggs; tax receipts for land in Detroit, Mich., Lucas and Henry Counties, Ohio and Eldora, Kansas; an 1866 Toledo, Ohio census; and essay on epidemics in Toledo, undated (ca. late 18th century?); and a telegram from the mayor of Chicago, R. B. Mason about the distress caused by the Great Fire of 1871.

Collection includes various sizes and types of photographic materials of the William H. White family,William H. White and Company, a lumbering and shipping business, and the city and people of Boyne City, Michigan.

Wesley Foundation (Central Michigan University) includes plans, reports, board meetings, newsletters, applications, photographs, slides, an object, and a CD.

The Organizational Records, 1939-2016, and undated contain the Wesley Foundation (Central Michigan University) (WFCMU)’s plans, reports, board meetings, newsletters, applications, photographs, slides, an object, and a CD. The collection is organized alphabetically. The majority of the collection contains WFCMU minutes, annual reports, and many photographs of different events related to the WFCMU activities including, parties, gatherings, trips, and others. The slide box contains slides of the Wesley Foundation activities including, notably, a mission trip to Jamaica and a metal trading stamp saver with stamp books used in a campaign to purchase a bus to transport students. The oversized folders include a scrapbook, 1948-1950, and loose pages of a scrapbook missing its covers, with photographs of early WFCMU people, places, and events with a description written about each black and white photograph. The Homosexuality folder contains letters of appreciation and welcome flyers that invite all people of various orientation. The CD documents one of the leading pastors, the Rev. Thomas Robert Jones, with a slide show of Jones, the church members and a trip they took to New York City. Another pastor documented in the collection is the Rev. Steven Michael Smith, who was the lead pastor, 1996-2000. The collection also includes newsletters and newsletters about Native American tribes, like the Anishinaabe and the Saginaw Chippewas in the Mount Pleasant area, published by the WFCMU.

Researchers may also be interested in the Above Ground newsletter of the WFCMU and Rev. Thomas R. Jones' collection, which are separately cataloged and housed in the Clarke.

Papers of the Wells family of New York (State) and Saginaw, Michigan, include business records, correspondence, diaries, genealogy notes, photographs, oversized materials, and Eclipse Motor Car Company vouchers.

The Wells Business Records, almost all legal-size (2 cubic feet in 5 boxes), is divided into Eclipse Motor Car Company Vouchers, 1906-1911 (3 boxes), and Traverse City Iron Works Estimates, 1931-1942, except for 1940. Eclipse Motor Car Company was an automobile company based in Saginaw and operated by the Smith family that was later purchased by General Motors Company. It ordered iron supplies from Traverse City. Also included is one folder of letter-size business correspondence requesting catalogs and information on machinery of the Brady Cooperage Machinery Company, which was located in Manistee and Traverse City, Michigan, 1911-1916. This was apparently a company that supplied machinery to make barrels. Apparently, Brady Cooperage Machinery Company made round wooden tire spokes for the Eclipse Motor Car Company.

The Wells Family Correspondence, 1823-1947 (Scattered), and undated (5 cubic feet in 10 boxes), is composed almost entirely of letter-size correspondence between Wells family members and their extended relatives, Cochranes, Smiths, Wadhams, and Wells, and their friends and some business associates. Correspondence is filed alphabetically by surname, then first name of the writer of the letters, and chronologically within each folder. Additional miscellaneous items that do not fit elsewhere in the collection, such as locks of hair, report cards, etc. are also filed with correspondence. It is clear that for the most part the families through the generations cared about each other. Most of the letters concern family news of birth, deaths, marriages, news of illness and social events. Letters that may of particular interest to researchers include: A letter to Mrs. Wallis Craig Smith (nee Jean Wadhams Wells, daughter of C. W. Wells) from Mrs. Jefferson Davis, 1905, with an undated clipping of Jefferson Davis’ signature; Civil War correspondence of C. W. Wells to his parents, siblings, and friends, 1861-1865, particularly a letter discussing a battle with Confederate General James Longstreet’s troops, April 23, 1863; Correspondence from California discussing earthquakes, business, and gold mining, from Chester (Chet) Wells to his parents and siblings, 1853-1886; To Wells, Ermina, from William and Col. Luman Wadhams (cousin) and L. Wadhams (nephew), mostly in San Francisco, 1850-1882 (scattered). The Wadhams operated a general store in San Francisco; Correspondence from Wells, Jane A., to Benjamin and Charlie (sons) and Charlie’s wife, Mollie, June 3 and 14, 1876 re: death of their daughter Mattie of Scarlet; a letter from Mollie Wells to Mr. Paxson regarding Women’s Temperance, November 11, 1870; a letter from C. W. Wells to daughter, Jean W. Wells, October 10, 1893 while at the World’s Fair in Chicago; and Correspondence from Cochrane, John to Jane Cochrane (mother), James C. (brother), and sister, 1848-1862 (This includes an 1849 letter from Vera Cruz, Mexico, 1850 from San Francisco, and an 1851 letter from Panama.)

Diaries, (.5 cubic foot in 1 box), include those of Mrs. E. J. (Mrs. W. V.) McLean, 1854, 1871 (2 v.) and 1867 (1 v.); her husband, W. V. McLean, W.V., 1855, 1863, 1865, 1869, 1875 (5 v.); possibly Mrs. Henry Prindle?, 1886 (1 v.), and G. W. Smith, 1883 (1 v.). There are also six unidentified diaries, 1862, 1865-1866, 1872, 1884, and 1891. The link between G. W. Smith and Mrs. Henry Prindle and the Wells is undetermined.

Genealogy Notes, 1894-1945 (Scattered), and undated, (1 cubic foot in 2 boxes), are grouped roughly by surname of family members. These notes were definitely generated and gathered by Jean Craig Smith and include a number of her correspondence regarding her ancestry and for admittance into the DAR.

Photographs, 1860s-1915, and undated (1 cubic foot in 2 boxes), consists of various sizes and types of photographic materials, including cabinet cards, albumen image in a case, cartes-de-visites, stereoscopic views, and a variety of other 19th and early 20th century family photographs. Many of the images are partially identified if not both identified and partially dated. Photographs are grouped by type, size, and family groups. Of particular interest to researchers will be the Civil War Cabinet Card Portraits, includes C.W. Wells and Maj. Gen. Joe Hooker (39 total) and Stereoscopic Views, two of the Civil War, and one of C.W. Wells’ House.

Oversized Materials include Legal Documents, 1872-1901 (Scattered) mainly related to the Last Will and Testament of C.W. Wells, deeds, and guardianship legal documents (.5 cubic foot in 2 boxes), Oversized Photographs,1910-1916, and undated (.25 cubic foot in 1 box), and Oversized Miscellaneous including notes, obituaries, undated (.25 cubic foot in 1 box).

Oversized Folders include: blueprints, drawings, and proposals related to the Battle Creek Pump Station 8, 1941; Battle Creek Sewage Plant, 1938, the Midland Chemical Warfare Plant, 1942, and the Traverse City Pump/Lift Station, 1941, and an undated partial map of Essex County, New York State, showing the AuSable River, home of the Benjamin Wells family. The map was probably cut out of a magazine.

Lastly, Oversized Volumes, are the account ledgers of Jean Wells Smith, 1893-1901, and 1898-1906.

Collection contains biographical materials, photographs and postcards, cash book, diaries, photographs, and writings.

The collection includes: Biographical Information about Ryder, mainly in newspaper clippings (copies); his Cashbooks, 1931-1944; Diaries, 1909-1956; some Photographs and Postcards made from photographs of him while attending Acadia University; Sermons, 1910-1919; Writings, 1933, undated; and church-related miscellaneous.

The diaries document Ryder’s years at Acadia University, 1910-1915, in great detail. The other diaries vary in amount of detail and document his stay in various places, including: as minister of Havelock Baptist Church, 1915-1916; and living in Parma, New York, 1916-1921; Vancouver, 1919; Chicago and Savanna, Illinois, 1919-1924; Oshkosh, Wisconsin, 1925-1927, St. Paul, Minnesota, 1928-1934, Flint, Michigan, 1935-1942, and Mount Pleasant, Michigan, 1942-1956.

Ryer’s correspondence file is very thin consists mostly of brief notes from CMU President Charles L. Anspach or Business Manager Norval C. Bovee.

The index of Ryder’s sermons includes a list of baptisms, marriages, and funerals he performed, 1919-1921.

The Clarke Historical Library also has copies of a number of Ryder’s publications including: Men and religion, a functional approach (1932); Society in the making; an introduction to sociology volumes 1-2 (1934); Sociological surveys of Iosco County, Michigan (1948); and Studies of economic and social aspects of Montcalm County, Michigan (1950).

The collection includes correspondence with George Washington Carver and Rachel Carson, an autobiography, correspondence, scrapbooks, artifacts, biographical materials, certificates, photographs, and slides of Michigan plants, views, and ornithology.

Papers, 1922-1975 and undated, approximately 13 cubic ft. (in 9 boxes, 2 Oversized folders, 3 slide cabinets, 2 slide boxes) include: correspondence with George Washington Carver, 1930-1939; and with Rachel Carson, 1958-1963; an autobiography of Nickell; correspondence arranged by subject, 1937-1974; correspondence arranged alphabetically by surname, 1932-1975; scrapbooks, 1922-1969, artifacts, including an academic hood presented with his honorary LL.D. from Central Michigan University; biographical materials; certificates of membership, 1960-1970; photographs of Nickell; approximately 1,250 slides of Michigan plants and animals; approximately 700 slides of views of Michigan; and approximately 1,000 sides of ornithology. Thirty-five books about Michigan topics from the collection have been added to the Clarke Historical Library's holdings. A later addition includes two slide boxes of pre-European contact Native American archaeological excavations, arrowheads, and other artifacts. Nickell collected these later slides.

The collection includes videotapes of Central Michigan University events, units, buildings, programs, activities, research, and people at CMU.

Videotape collection, 1989-1995 and undated, includes Central Michigan University (CMU) campus scenes, numerous campus buildings, sports, alumni, professors, commencements, 1990 and 1995, students, Clarke Historical Library, theatre, dance, music, woodshop, Beaver Island (Mich.), Music Building ground breaking, 1994, and the centennial of CMU, 1992-1993. Titles are taken directly from video labels. Videos are 3/4inch videotapes (71/4x5x11/4inch Ampax 197 Master Broadcast Videocassettes).

The family papers, 1819-1979 and undated, include materials from the late 1880s to the 1950s and contain photographs, calling cards, genealogical materials, scrapbooks, newspaper clippings, and personal writings.

The family papers include photographs, calling cards, genealogical materials, scrapbooks, newspaper clippings, and personal writings. Many of the photographs are of immediate family (Campbell and Davenport) as well as more distant family members (Wells, Turk, Bliss, Allen, and Brehm). There are tintypes, daguerreotypes, and ambrotypes, in addition to later photographs. Many photography studios are represented in the collection. Also included is the Campbell Family Bible, published by Geo. W. Ogilvie in Chicago, 1892. The collection is organized by size and alphabetically. There is a small box containing a small wooden desk, that has no reference in any of the papers or photographs but was included with the collection. This is a homemade piece, perhaps for a doll. It is not professionally crafted.

The 2021 addition includes: Helen Brehm account book, undated and insurance card, 1939; correspondence of Elizabeth J. Humphrey to Earl Campbell, 1898-1899, with a 2021 transcription; Helen Campbell correspondence, 1932-1969 (Scattered); Campbell genealogical information; and Earl Campbell’s membership card for the Organization of Railroad Telegraphers, 1939, and two related pins, a moose emblem, and mother of pearl pocket knife, all undated.

A white cotton table scarf with the letter F, and a white linen table cloth with the letter C embroidered into it have been transferred to the Central Michigan University’s Museum of Cultural and Natural History.

This is an incomplete, unofficial set of Vernon (Isabella County, Mich. : Township) Township records. Also included are three oversized scrapbooks and a copy of the graves in a cemetery.

The collection includes a miscellaneous group of incomplete township records. Most of the records are some type of election records, including absentee voter applications and lists, appointments, board of election inspectors miscellaneous, bonds, caucus meeting minutes, election returns, instruction ballot, oaths of office and acceptances, resignations and tally sheets, some of which are in book form. Other township records include Board of School Inspectors petitions, a dog tax list, meeting minutes, one set each) for the highway commissioners and township board, miscellaneous correspondence and receipts, and sheep damage bills.

Also included with the donation are three oversized volumes, all scrapbooks of mostly newspaper articles. Volume I, 1915-1969, mostly undated, includes mid-Michigan births, deaths, marriages, and events from local newspapers. Volume II, 1961-1966, documents mostly news of Shepherd high school, including sports, homecoming, and students. Other articles document soldiers, babies, some Winn, Michigan, news, two images with text of Representative Al Cederberg, and articles by Ruth Lau and Ida Clark. Volume III, 1914-1918, and 1941-1945, mostly document Isabella County, Michigan news articles of World War II soldiers, women who served, their letters, obituaries, and related article. There are two pages of WWI material, including an image with text of members of the Mount Pleasant Indian School who enlisted with a list of WWI dead soldiers from Isabella County on the back.

An oversized copy of the graves of Woodland Cemetery (Rosebush, Michigan), undated, on greased paper completes the collection. The location of the cemetery was identified by the donor. The copy includes names from gravestones but not the dates. The copy was repaired at one point with scotch tape, which was removed by the archivist, so now the copy is in two pieces. The copy has sustained some stain damage from water and perhaps mildew, although there is no odor.

Processing Note: Three live birth certificates were sent to the Michigan Department of Health. According to the township record schedule most of these records should have already been destroyed. However, they are now kept as examples. Acidic materials or those with mold were copied and the originals were withdrawn from the collection, totaling approximately .25 cubic feet.

Collection includes various sizes and types of photographic materials of people, buildings, and logging and lumbering in Beaverton, Michigan.

The collection consists of various size and types of photographic materials of people, logging and lumbering, the Ross Bros.’ store and mill, school children, dams, water scenes, and buildings of Beaverton, Michigan. Tintypes, postcards, Kodak prints, and cabinet card style photographs are included in the collection. The collection is in very good condition. Some of the people and buildings are identified. Mrs. Velma Ross Damoth collected the materials that comprise this collection.

A number of loose scraps of paper with identification information have become detached from the photographs and were found in the bottom of box during processing. These have been copied and put in the front of the first folder of Box 1. Many of the photographs in the collection were reproduced in the book Beaverton: a century in the making (2003), copies of which are available both in the Park and the Clarke.