Collections

His papers include biographical material on the Howes and Holmes families and on Ithaca Civil War veteran Myron R. Holmes, and Ithaca and Gratiot County, Michigan, history.

The collection provides genealogical information on the Holmes family, especially Civil War veterans, and general information, mostly through photographs of the Gratiot County Herald newspaper, documenting families and life in Gratiot County in the early 1900s.

His papers consist of biographical material on and correspondence of the Church family, especially Ithaca, Michigan, Civil War heroes Nathan and LaFayette Church.

The collection consists mostly of correspondence of the Church family, particularly the men who were Civil War veterans. Miscellaneous accounts, a poem, and correspondence from friends are also included. The 2002 addition to the collection includes typed transcriptions of letters written by Nathan and Lafayette Church on paper and on CD, with a family tree.

The collection documents some of the history, people, businesses, and events of Mount Pleasant, Michigan.

This artificial collection documents some of the history, people, and events of Mount Pleasant, Michigan.

The collection consists of material collected and written by Virginia Kjolhede's mother, Marion Kraft Larson, about her school mate Ernest Hemingway and the Hemingway family, and the papers and photographs of Virginia's husband, Ted Kjolhede, respected athlete, alumni, coach, and athletic director of Central Michigan University.

The collection is divided into two series, each in its own box: first the materials of Ted Kjolhede, and second, the materials of Marion Kraft Larson. Materials in each box are in alphabetical and chronological order. Acidic clippings were photocopied and the originals were withdrawn from the collection.

Series (Box) 1 consists of materials documenting the life of Ted Kjolhede, including biographical materials, photographs of his athletic career and teams, articles and letters to the editors he wrote, many of which were published in his role as guest columnist of the local Mount Pleasant newspaper, the Morning Sun, and various materials related to CMU athletics, CMU World War II graduates, and his career at CMU.

Series (Box) 2 consists mostly of newspaper and magazine articles (copies) collected or created by Marion Kraft Larson about Ernest Hemingway. Also included are a few biographical materials about Marion. Of particular interest, is her Memory Book of Oak Park and River Forest Township High School, 1917, signed by Ernest and Marcelline Hemingway, among others, and her 1972 paper about her memories of Ernest and other Hemingways, entitled “Yes, I Knew Ernest Hemingway.” There is one undated, color photograph of Marion, and a photograph album, 1912-1913, probably of her primary school mates. Also included is one oversized photograph of the Oak Park and River Forest Township High School graduation class, 1917.

The collection consists mostly of letters from Post to/from his family and friends during World War II, photographs, and biographical materials.

The collection is organized alphabetically by topic: Biographical Materials, Letters (in chronological order), Miscellaneous, and Photographs.

The collection consists mainly of letters. There are 68 letters handwritten by Albert Post to his children, wife, in-laws, and other relatives, dating from April 1944 through March 1945. Four of his letters, dated June 24, August 29, and September 5 and 11, 1944, were censored by officials. Most of them were written on onion skin paper. Another nine letters from family members and friends are also included, as is Albert’s telegram to Leila of June 15, 1944. All of the letters are in excellent physical condition. After the Box and Folder Listing, researchers will find a detailed Collection Inventory detailing the contents of each letter, as well as the author, addressee, dates, etc. to facilitate use of the collection. The letters are organized in chronological order.

The rest of the collection consists of one folder each of Biographical Materials (Albert’s birth certificate, business card, the letter Leila received from the Secretary of the U.S. Navy declaring Albert officially dead in 1946, information about the U.S.S. Halligan and its crew, and other materials,), 1916-2005 (Scattered). Photographs in the collection are of Albert Post either alone or with his immediate family. There is also a photograph of Albert and Leila with her parents, Maria and Milton Williams, and a formal studio group portrait of Leila and the children. All of the photographs are dated or from 1944 to 1945. A few Miscellaneous Materials in the collection, a newspaper clipping, undated, of Art Jackson, a famous hunter, which Albert carried in his pocket until he went to war, and Albert’s train ticket stub to California [1944].

Albert’s letters were saved by Leila. In the 1960s, she distributed some of the letters to her children, notably those letters written just to Darrel to him and letters with interesting parts about Sharron Lei to her. When Leila’s house burned in 1981, the family thought all the letters still in the home had been destroyed. However, after Leila died in 1999, Sharron Lei found a cache of letters in a two-pound chocolate box in the garage, with the pearl ring Albert bought for his wife, as described in his letter of August 21, 1944.

Sharron Lei was so young when Albert died that she has no memory of him. She only knows him from stories family members told and his letters. Her research at the National Archives concerning Albert and the history of the U.S.S. Halligan, provided her family with Albert’s official death date for the first time.

Sharron Lei and Darrel donated letters in their possession, which are extremely precious to them, as well as some of their family photographs and biographical materials to the Clarke in December 2005. This is all that they have of their Father. Additional materials from the National Archives were provided by Sharron Lei and their Father’s favorite newspaper clipping on Art Jackson by Darrel.

Many of Albert’s letters survived time, moves to various homes, and a fire. Those that survived are in excellent physical condition and provide an in-depth, personal biography of their author. Albert was an articulate writer and wrote in a legible, cursive hand, occasionally being creative in his spelling. His letters are highly emotional, sad, lonely, and full of loving concern for his family. It is obvious that he adored his family. His loneliness and despair when mail was not delivered for sometimes up to two months at a time, is palpable and painful to the reader.

Today, World War II veteran are viewed as the greatest of the great, as super heroes, and perhaps at times the younger generations may think they were devoid of human frailties. These letters plainly document Albert’s very human pain and, indeed, agony he endured when physically separated from his family. He missed watching his children grow up, and his longed both physically and emotionally, for his beloved wife. Albert’s letters are also full of his hopes, dreams, future plans, and concerns for his wife and children, particularly Darrel, and his in-laws. Albert repeatedly wrote how he cried when he read and received letters and sometimes got so emotional he had to stop reading and go for a walk or into an empty part of the ship to compose himself. He also wrote that other proud shipmates got together after receiving letters to brag about their children and show off pictures of their beloved wives and children. Albert wrote mostly about his family, but there are many references to life in Gladwin, farming, hunting, fishing, relatives, and neighbors. He missed home cooking, particularly pies and cakes, hated naval chow beans, and longed for mail and photographs from his family, whom he thought about constantly, even in his sleep.

Besides his duties aboard ship and writing letters, Albert spent time developing his artistic side. He wrote a poem “Phantasma, found between two letters dated August 29, 1944, to his wife about his physical and emotional longing of a man for his wife when separated by war, clearly based on his feelings for Leila. He also sketched quite a bit from magazines. At the top of his letter dated March 1, 1945, Albert sketched an outline of a mother holding a baby from a magazine, and filled it in with his interpretation of how he thought Leila looked holding Sharron Lei.

This collection is wonderful for documenting the individual in war, a Michigan man who served in World War II while he loved and missed his family. It is also excellent for documenting the sometimes difficult and lonely lives that women and families endured while the men went to war and the necessary role that letters and photographs played in helping soldiers and sailors endure the stresses and strains of war.

The collection includes minutes of related organizations, reports, correspondence, directories, floor plans, newspaper clippings (copies), photographs, and statistical information.

The Instructional Materials Center Papers consists of meeting minutes of the Association of Instructional Resource Centers of Higher Education, Instructional Materials Center Advisory Board, and the Mid-Michigan Society for Instructional Technology Members. Also included are annual statistical reports, correspondence of the IMC, directories, IMC floor plans, newspaper clippings (copies), photographs and statistical information.

Also included in the collection are slides of the IMC during the 1970s. A special note should also be given to the CMU Related Slides incorporated within this collection, which are copies of destroyed glass plates of CMU images.

The collection includes financial records, meeting minutes, reports, and curriculum and educational materials for the Division of Field Services, Extension Department, Extension Division, Public Services- Division of Field Services, Public Services Council, Public Services-Placement Bureau, and the Rural Education Department, all of Central Michigan University.

The collection was originally divided into various CMU vertical files and a separate collection. These materials were merged to create this collection, which includes mostly financial and other reports documenting CMU’s Extension, Field, and Public Services. The collection is organized alphabetically by the organizational subdivisions, example Div. of Field Services; Extension Department; Extension Division; etc., with materials generated by each subdivision filed in alphabetical order. Materials with the same title are also filed chronologically.

Processing Note: Some materials may be uncataloged CMU publications. These materials were left in the collection due to other processing and cataloging priorities.

The collection consists mainly of handwritten cookbooks, brochures, calendars, catalogs, recipes, recipe cards, menus, dining guides, and other materials related to food, meals, and cooking.

The published cookbooks Hathaway also donated to the Clarke have been individually cataloged. Miscellaneous materials are found in this collection, which consists mainly of Michigan cookbooks, brochures, calendars, food and equipment catalogs, recipes, recipe cards, menus, dining guides, and other materials related to food, meals, and cooking, 1928-2003 (Scattered), and undated. A number of these items are handwritten and more manuscript than publication in nature. Also included in the first folder is a copy of the 2006 Clarke exhibit catalog and website pages about the Maureen Hathaway cookbook collection.

Processing Note: All duplicates and non-Michigan materials were removed from the collection and returned to the donor as per the donor’s request.

The collection consists of a wide range of musical compositions composed by Rivard.

This collection documents a wide range of musical compositions composed by Dr. Rivard, 1951-1999. There are compositions for orchestra, band, and small instrumental groups and solos, and these pieces may include conductor’s scores and/or various instrumental parts. While a few of the pieces have been published and copyrighted, most are unpublished. They are in good condition. For processing reasons, the collection has been organized by size, legal-size or oversized materials, and then alphabetically by title. Sometimes because of size differences, the score is physically separated from the musical parts. Boxes 1-2 are legal-sized materials. Boxes 3-4 and oversized materials and are housed in oversized, flat drop-front boxes.

Musicians may prefer the following list organized by musical genre. Orchestra: 1. Cupid and Psyche—Symphonic Poem, M.M. Thesis, 1951, Score; 2. Concerto Sinfonia for chamber orchestra—Ph.D. dissertation project, 1958, Score and Parts; 3. Overture to War of the Comedians—full orchestra, 1956, Score and Parts. Band: 4. Capriccio Concitato, 1955, Score and Parts; 5. Four Jazz Originals, 1976, Score and Parts, copyright 2008 by Nancy Rivard; 6. Concerto for Brass Quintet and Band, 1987, Score and Parts; 7. Echoes from the Twilight Zone, 1997, Score only. Small Instrumental Groups and Solos: 8. Three Biblical Scenes, Brass Choir, 1957, Score and Parts; 9. Sombrero Fallout-Incidental Music, Brass, Woodwind, and Percussion, 1978, Score and Parts; 10. Arioso and Scherzo, Woodwinds and Harpsichord, 1958, Score and Parts; 11. Sonata for Trombone and Piano, 1955, Score and Parts, published in 1969 by Tenuto Press, now G. Schirmer; 12. Set for Alto Saxophone and Piano, 1991, Score and Parts; 13. Quadrivalence, Bass Trombone and Piano, 1990, Score and Parts, to be published 2010; 14. A Lenten Contemplation, Trumpet and Organ, 2007, Score and Parts; 15. Philosophical Hautboy, Oboe, Strings, Percussion, 1953, Score and Parts; 16. Four Songs from the Masques of Ben Johnson, SATB, 1967, Scores; 17. Elizabethan Song Set, Mezzo-soprano and Piano, 1993, Score.

All the material in Acc#72163 was digitized and is available in the CMU digital collections, Scholarly and Creative Works under Rivard Collection of Music Scores.

Acc#76882, is not digitized. It was processed in late 2020-early 2021, and is found in Boxes 2 and Box 5. In the back of Box 2 are five legal-size Rivard original show tunes scores and parts for the CMU Marching Band, mostly pen on manuscript stave4 paper, with some copies and one written in pencil. Box 5 includes Rivard’s eleven Jazz and seven Show Tunes scores and parts and a lead sheet for CMU jazz and marching bands as well as a red Notebook of Show Tune scores. The Jazz scores and parts are all printed ink on cream colored or white paper. Some of the Jazz folders include a photocopy of the piano score by the original composer. The six Show Tunes are photocopies of Rivard’s compositions on white paper with acid stains where the pages were once taped together. Handwritten notations that were on the originals are visible on the copies. The Show Tunes music stave Notebook includes undated scores by Rivard in pencil, most of which have additional notation added by him in pencil and/or ink. The red Notebook scores include: Strike Up The Band, Rockin’ Chair, Caravan, Chicago, Stampin’ at the Savoy, Rhapsody in Blue, Everything’s Turning Up, Jazz My Blues (Segué), ½ Time P-G Fanfare, and ½ Time Pre-Game Fanfare, At some point, the front right lower corner of the red Notebook got wet and bled through pages of the first three scores to varying degrees, although none were rendered illegible or seriously damaged. Researchers with allergies please note: The Notebook has a light musty smell, but does not have mold.

The collection consists mainly of slides, mostly of Beaver Island, Michigan, and some of nearby Garden Island, with some biographical information and correspondence.

The collection consists mainly of colored slides (in 5 slide boxes) Hohn took of people (researchers, students, and Boy Scouts), various buildings, lighthouses, boats, shores, wildlife, water, and flora on Beaver Island, 1960, 1988, and undated. Some slides of nearby Garden Island are also included. The slides are organized chronologically, since many of them lack additional identifying information.

Also included are several folders of Biographical Information about Hohn, 1959, 1981; his Correspondence with CMU officials, 1961-1986; and printoffs from the CMU Biological Station website, 2006.

Processing Note: A large number of slides from foreign countries and other states, as well as completely unidentified slides were withdrawn from the collection during processing.