Collections

An anonymous Mormon airman kept this diary while serving with the 15th Air Force in Italy during World War II. Entries pertain to the airman's daily activities, including bombing missions in Italy and Central Europe, and to his postwar plans.

An anonymous Mormon airman kept this diary (138 pages) while serving with the 15th Air Force in Italy between December 9, 1944, and March 24, 1945. The diary begins with biographical information about the author, a 19-year-old draftee from Houston, Texas. He occasionally mentioned his Mormon faith, expressing his desire to meet Mormon friends and his hope that he and his sister would both marry within the faith (March 11, 1945). Most entries pertain to the author's daily activities, which included visits to Taranto, attending movies and USO shows, and attending church services. He frequently discussed his participation in bombing missions over northern Italy and Central Europe, mentioning the presence of antiaircraft fire and, occasionally, damage to his and other planes; one crew was forced to land in Yugoslavia. The diary names multiple bombing targets. On several occasions, the diarist expressed his desire to return home and wondered about the health of his mother, father, and sister.

This log book contains information about several voyages of the ships Moro Castle and Southern Rights between the United States and Europe from 1860-1867. Log entries pertain to weather, sailing, crew members, the discharge of cargo, and other matters. The volume also contains a brief excerpt from William Shakespeare's poem "Venus and Adonis."

This log book (93 pages) contains entries regarding multiple voyages of the ships Moro Castle and Southern Rights between the United States and Europe from 1860-1867.

Under W. L. Knowles, the Moro Castle traveled between New York and Bristol, England, from October 5, 1860-May 26, 1861. The volume also regards voyages between United States and European ports from August 1862-February 1864. Log entries typically report information about the ship's course, the use of sails, and the weather. The author occasionally mentioned crew members, including "green" sailor William Andrewson, who later deserted (October 12, 1860, and October 27-28, 1860); Thomas Brooks, who fell overboard (December 7, 1860); and the ship's cook, who appeared to have a mental breakdown (March 5, 1861). While in port, the Moro Castle discharged cargo, usually wheat. Earlier entries include partially completed hourly charts reporting wind speed, the ship's course, and similar information; later "abstract log" entries consist solely of prose.

The latter part of the volume contains the brief logs of several voyages of the Southern Rights between the United States and Europe. These entries are similar to those of the Moro Castle and appear to be written in the same hand as the later Moro Castle records. The author most frequently documented weather conditions, but also reported the crew's harsh language in an entry dated June 23, 1863, and a crew member's case of "sulks" in an entry dated February 10, 1864. The final pages include a short extract from William Shakespeare's poem "Venus and Adonis" and brief financial records.

• Moro Castle
  • October 5, 1860-May 26, 1861: New York to Bristol, England, and back to New York (including entries made during time in port)
  • August 30, 1862-September 23, 1862: [Mediterranean Sea] to Atlantic Ocean
  • March 24, 1863-April 6, 1863: New Orleans, Louisiana, to New York
  • June 23, 1863-July 23, 1863: New York to Glasgow, Scotland
  • January 5, 1864, and February 4, 1864-February 24, 1864: Leghorn, Italy, to Philadelphia, Pennsylvania
• Southern Rights
  • March 15, 1865-March 28, 1865: Shields, [England], to Atlantic Ocean
  • February 28, 1866-March 11, 1866: Charleston, South Carolina, to Liverpool, England
  • April 6, 1867-April 7, 1867: Charleston, South Carolina, to Liverpool, England

This collection is made up of diary entries, letters, and prayers by a woman who lived in Morris County, New Jersey, in the early 19th century. She discussed her religious convictions and activities, her social activities, and daily life. Internal evidence suggests that the materials may have belonged to Abigail Harrison.

This collection is made up of 90 pages of diary entries, letters, and prayers written by a woman who lived in Morris County, New Jersey, between December 25, 1815, and January 1, 1820. She discussed her religious convictions and activities, her social activities, and daily life.

The collection includes 3 diaries (67 pages). The first has paper covers with engraved illustrations and a multiplication table. The author wrote about her Christian faith, particularly with respect to good and evil and deliverance from sin. Her religious activities included reading the Bible and published sermons, attending church services, and attending prayer meetings. A few entries contain personal reflections on the death of the author's husband (January 1, 1819, pages 31-32) and her conversion to Christianity (June 27, 1819, page 66, and others).

The diary entries occasionally refer to missionary work; one entry mentions an extract from the Boston Recorder about a schoolteacher working with Native Americans in the west (January 4, 1819, page 36). The journal includes two religious poems (pages 12-13 and 21), one of which is attributed to Mrs. Isabella Graham. Additional manuscripts include one letter addressed to a sister and several prayers.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots. The collection includes real photographic postcards, mounted and unmounted paper prints, and one severely tarnished tintype. Also present are two fingerprint identification cards with handwritten lists containing names of numerous individuals represented in the collection. A small number of photographs appear to be standard studio portraits. Photographs range in size from 6 x 10.5 cm to 11 x 17 cm.

Many of the mugshots have printed and/or handwritten information on their versos, including names, known aliases, nationalities, birth dates/locations, occupations, arrest dates, names of arresting police officers, criminal charges, sentences, prison locations, remarks on physical appearances, and Bertillon measurements. Most of these images were produced in various places in Pennsylvania, New York, New Jersey, and Maryland, with Philadelphia being the most represented location. The mugshots are mainly of white male subjects, though there are also four mugshots of women present. Five African American individuals (four men, one women) are also pictured. A substantial number of mugshots are of individuals from immigrant backgrounds, including Italians, Irish, Austrians, Germans, Poles, Greeks, Jews, etc. Approximately 90 individuals are personally identified in total. Recorded criminal charges include shoplifting, pickpocketing, larceny, burglary, forgery, embezzlement, false pretense, flimflamming, auto theft, horse theft, conspiracy, attempted murder, and murder. Specific police departments and correctional facilities represented include the Pennsylvania Department of State Police, Harrisburg Department of Police, Philadelphia Bureau of Police, Hartford Police Department, Newark Department of Police, Auburn Prison, Sing Sing Prison, City of New York Police Department, City of Boston Police Department, Camden Bureau of Police, Baltimore Police Department, Bureau of Criminal Investigation for the New Jersey Reformatory in Rahway (now East Jersey State Prison), U.S. Penitentiary in Leavenworth, City of Paterson Police Department, Philadelphia’s Eastern State Penitentiary, Montgomery County Prison (Norristown), Columbus Department of Police, City of Wilkes-Barre Bureau of Police, Trenton Department of Public Safety, New York House of Refuge, and the Reading Department of Police.

• a 1921 mugshot of an Italian man named Peter Erico, who was executed by electric chair on September 25 1922 along with Antonio Puntario after the pair were found guilty of murdering Detective Samuel Lucchino
• a 1909 mugshot of an eighteen year old Jewish man named Albert Steinberg, accused of pickpocketing
• two different mugshots of Irishman John Shelvin (accused of pickpocketing) taken in 1897 and 1906 following arrests in Philadelphia and Baltimore
• a 1920 mugshot of German houseworker Minnie Schissel, charged with theft
• a 1909 mugshot of accused shoplifter Marie Clark
• a 1915 mugshot of an African American man named King Brown, charged with illegal dynamite explosion, assault, and other crimes
• a ca. 1903 mugshot of larceny suspect Edward Stevenson, a "fugitive from Phil. Pa."; handwritten inscriptions on verso include note to address information to Detective E. H. Parker
• a ca. 1906 mugshot of German engineer and fireman Frank Schleiman with identifying details and a $50 reward notice for information on his whereabouts following his escape from Sing Sing Prison on December 9 1906 handwritten on the verso
• a 1908 mugshot of “dishonest servant” Blanche Grisson
• a 1919 mugshot of a Mexican man named Pedro Susman, charged with shoplifting
• two copies of a portrait or mugshot of African American man James Timberlake with identifying details handwritten on verso
• a 1908 mugshot of an Austrian butcher named Herman Haubt, convicted of 2nd degree murder
• an undated mugshot of an African American woman named Pearl Williams, charged with being a dishonest servant
• a 1906 mugshot of bartender Sam Davis (accused of pick pocketing) produced by detective Harry C. White of Harrisburg
• a ca. 1918 mugshot of Oliver Denton Bender taken in Columbus, Ohio, including an attached note that lists twelve of Bender’s known aliases
• a 1900 mugshot of Irishman John Mackey, charged with till tapping; two 1918 mugshots of Italian barbers Nicholas Shieno and Frank Rinaldo, both of whom were charged with flimflamming after being arrested in Scranton, Pennsylvania
• a 1918 mugshot of Jewish printer David Schleimer taken at the New York House of Refuge on Randall’s Island
• a 1917 mugshot of Michael J. Sullivan, charged with murder

The M. W. I. European Tour photograph albums contain commercial prints and lithographs from the compiler's trip to several European countries in the summer and fall of 1871. The photographs show landscapes and scenery, secular and religious buildings, European royals and nobility, and statues and paintings.

The two M. W. I. European Tour photograph albums contain commercial prints and lithographs from the compiler's trip to several European countries in the summer and fall of 1871. Each of the 28cm x 22cm volumes has a red pebbled cover with the title "M. W. I. 1871" stamped in gold on the front. Volume 1 contains around 175 items, including three loose albumen prints, and Volume 2 contains around 140 items. Smaller photographs and lithographs are mounted as many as five to a page and larger items are only slightly smaller than the albums' pages.

The first book primarily contains pictures from England, Scotland, and France, and the second has images from France, Switzerland, Italy, and Germany. Many of the pictures from England and Scotland show royal residences, cathedrals, and other landmarks, such as the houses of Parliament and the Crystal Palace. Natural scenes from Lochs Lomond and Katrine are also present, as are views of Edinburgh and Holywood Palace. Photographs from Continental Europe show similar scenes of religious buildings, monuments, and landscapes, particularly in the Alps. A few lithographs from Versailles pertain to the execution of Georges Darboy in May 1871, and others from Strasbourg show destruction after the Franco-Prussian War. Each album has portraits of royal families and prominent individuals from countries such as England, France, Germany, and Spain. Leonardo Da Vinci's Last Supper is shown in one item, and the second album has several lithographs of religious and secular paintings by Raphael and other artists, as well as photographs of artistic statues. Included is a ticket for a passion play performed in Oberammergau, Germany.

The Namur, Québec photograph album (24.5 x 18 cm) contains eleven snapshots of people in the countryside around Namur, Québec at the turn of the twentieth century.

The Namur Québec photograph album (24.5 x 18 cm) contains eleven snapshots taken in Namur, Québec. Multiple photographs feature women fishing and riding bicycles. The album has a dark red leather cover with "'The Farm', Namur Que." stamped on the front.

This log book pertains to the voyage of the bark Neptune from Philadelphia, Pennsylvania, to Mauritius and back to Philadelphia between May 1789 and August 1790, as well as multiple voyages of the schooner Federal between Pennsylvania and the Caribbean between March 1791 and November 1791.

This log book (around 200 pages) pertains to the voyages of the bark Neptune from Philadelphia, Pennsylvania, to the Isle of France (present-day Mauritius) and back to Philadelphia from 1789-1790 and voyages of the schooner Federal between Pennsylvania and the Caribbean in 1791. The log entries are written in a pre-printed The Seamen's Journal Book (London, 1785), with sections for each day's measurements and remarks.

The log entries from the voyages of the Neptune (which comprise the bulk of the volume) and the Federal are typically notes on the wind direction, ships' courses, and ships' positions. Additional prose remarks concern weather conditions, the sighting of land, encounters with other ships, and anchorage at a port or harbor. The log has gaps during the Neptune's stay at the Isle of France and during the Federal's time in Caribbean and United States ports.

The first page of the volume, preceding the printed title page, has calculations involving an epact. The book's final pages contain entries from one of the Federal's voyages and additional notes about the Neptune's time at the Isle of France in December 1789 (particularly regarding a thunderstorm). A sheet of paper laid into the book contains notes about an unknown vessel's anchorage at Saint Helena in May and December 1783.

The New England Criminals tintype album contains mug shot portraits of thieves, burglars, and other criminals or suspected criminals. Most of the individuals pictured were white males of varying ages, but the album also includes photographs of women and an African American man.

This album (15cm x 12cm) contains 47 tintype portraits of criminals or criminal suspects, mostly white males of varying ages. Pictures of one African American man, horse thief Frank Fields, and four women, mostly thieves, are also included; two of the women were photographed with other unidentified women. All but two of the subjects are identified by their name, alias, and/or the nature of their alleged crime; two photographs appear in the album twice. Most of the individuals were accused of theft (often of horses) and burglary, but others were arrested for shoplifting, pickpocketing, adultery, polygamy, and being a "confidence man." The album's green covers have a gold floral design, and the album is closed with a metal clasp.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century. The album (28.5 x 36 cm) has pebbled black leather covers with “Photographs” stamped in gold on the front. By and large, images are presented chronologically and many have extensive captions which mainly identify the locations pictured as well as certain individuals. It appears that many image captions were cut and pasted from white paper and added on top of pre-existing faded captions that had been written directly on the album pages. Some images that show people of African descent have subtly derogatory captions. Photographs showcasing the family’s domestic life include pictures of annual spring blooms in their backyard; friends and family; various domestic activities including interacting with pet cats; and regional outings such as visits to Mt. Washington, Point of Pines nature park in Revere, Massachusetts, and poet John Greenleaf Whittier's birthplace in Haverhill, Massachusetts.

In the summer of 1905, the couple travelled to Montreal and up the St. Lawrence River to Quebec City and beyond, resulting in the production of nearly ten pages of photographic highlights (pgs. 7-16). Later that summer, they also took photographs while vacationing in the Lake Sebago region of Maine with friends whom they later visited in Providence, Rhode Island (pgs. 16-20, 22). A visit to New Orleans, Louisiana, and Beauvoir, Mississippi, in December of 1906 is also documented (pgs. 30-37). In 1907 the couple undertook a period of extensive international travel beginning with a trip to England, Scotland, Ireland, Belgium, and France (pgs. 38-57). A second visit to Quebec in September 1907 is briefly represented (pgs. 57-58), while a series of pictures from a trip to St. Augustine, Florida, in April 1908 are also included (pgs. 59-62). Photographs related to two separate tours of the Caribbean and Central/South America in July and August of 1908 and March of 1909 make up a substantial portion of the album (pgs. 63-103); images from the first tour mainly include scenes from Caribbean islands such as St. Thomas, St. Croix, St. Kitts, Antigua, Guadeloupe, Dominica, Martinique, St. Lucia, and Barbados as well as British Guiana, while images from the second trip include scenes from Puerto Rico, Jamaica, Panama, Venezuela, Trinidad, Dominican Republic, and Cuba. Also present are several commercially-produced photographs, including a number of panoramic views, showing scenes from Mexico (pgs. 104-111). The majority of images taken during the couple’s travels consist of typical sightseeing photographs showing important cultural landmarks and historic buildings as well as street scenes, methods of transportation, and local people and industries. Throughout the album there are also numerous photographs taken aboard various transport vessels mid-voyage.

A few noteworthy historical events are minimally represented by photographs in this album, such as the January 15 1905 Washington Street Baptist Church fire in Lynn, Massachusetts (pgs. 2 & 3); the Quebec Bridge a few weeks after its collapse on August 29 1907 (pg. 57); the Great Chelsea Fire of 1908 (pg. 59); Panama Canal construction in 1909 (pgs. 87-89); long distance views of the site of the village of St. Pierre, Martinique, which was decimated by the volcanic eruption of Mt. Pelée on May 8 1902 (pg. 80); and the wreck of the battleship Maine in Havana Harbor (pg. 179). Individuals identified by captions throughout the album include Dr. Robert L. Bartlett (pgs. 4 & 89); “Miss Morse” (pg. 5); Stanley and Donald Clauss of Providence, Rhode Island (pgs. 17, 19 & 22); Hattie English, Lizzie English, “Mrs. Boynton,” and “Miss Lord” (pg. 19); Samuel Pickard (pg. 20); Jessie Pauline Whitney (pg. 21); "Mr. Little" (pgs. 19 & 22); William Rhodes (pg. 26); Maud Burdett (pgs. 38 & 58); George C. Hardin (pg. 74); Dr. Selah Merrill, American Consul in British Guiana (pg. 80); "Mrs. Parker" (pg. 85); and Hermann Ahrensburg (pg. 91). Other images of interest include a couple of photographs showing United States cavalrymen at camp in Lakeville, Massachusetts (pg. 2); a multiple exposure photograph showing the wife and other women (pg. 22); four photos showing a group of women that appear to be associated with a possible Masonic organization with the acronym “O.E.O.T.” (pg. 23); two photos of local boys diving in St. Lucia (pg. 72); a picture of a school for natives in St. Thomas where students were supposedly fined 10 cents a day for being absent (pg. 82); photos from Kingston, Jamaica, showing women working on a railroad and men operating a hand-made sugar mill (pg. 86); a group portrait of a baseball team in Venezuela (pg. 92); photos of the natural asphalt deposit Pitch Lake in Trinidad (pgs. 94 & 95); and photographs showing people with Brownie box cameras (pgs. 82 & 103).

In this book, a traveling New England schoolteacher recorded instructional exercises, instructional explanations, poetry, and biographical information about pupils. The author taught in New Hampshire and present-day Maine. Subjects of instruction include arithmetic, surveying, geometry, nautical navigation, and writing.

A traveling New England schoolteacher recorded instructional exercises, instructional explanations, poetry, and biographical information about pupils in this volume (220 pages, 8" x 12") between 1787 and 1811. The author taught in New Hampshire and present-day Maine and entered personal information about teaching appointments throughout the volume. Individual lessons are dated as early as 1787, and the volume includes several lists of male and female pupils from teaching engagements in various towns, dated as late as 1811. Some lists of students are accompanied by the students' birthdates. Classes convened in schoolhouses, other public structures, and private homes.

Each page has a subject label, and several pages are comprised of miscellaneous questions entitled "A Collection of Questions," occasionally attributed to The London Magazine. Much of the volume pertains to instruction in mathematical subjects such as algebra, geometry, and trigonometry, and it includes diagrams, examples, and practical applications. Lengthy sections are devoted to surveying and nautical navigation (including "plane-sailing"), often with many diagrams. Other sections concern subjects such as writing and history, with examples of proverbs, deeds, marriage licenses, and letters for copying. Some pages have collections of anecdotes, proverbs, and poems, usually pertaining to morality and religion. A number of lengthier poems concern death and weddings, and one is entitled "Rodgers & Victory[:] Tit for tat. Or the Chesapeake paid for in British Blood!!!" Other parts include a cure for jaundice, a "rebus," a table of symbols for astronomical objects, information about "Occult Philosophy or Magic," instructions for gauging a copper kettle and a man of war, and a list of nouns with corresponding verbs and participles. Some of the material is copied from outside sources, such as John Love's Geodesia.