Collections : [University of Michigan William L. Clements Library]

This volume is a 14-page diary of Zachariah Taylor Cooper of East Montville, Maine, which he kept between May 1 and June 26 of 1875, documenting his work as a beekeeper. He bought and sold bees, built and painted beehives, discussed bees working and swarming, drove sheep, and engaged in other farm work. On June 3, he mentioned that a freeze killed most of the bees in the area. The remainder of the volume contains around 65 pages of farm accounts by an earlier owner in or around Bridgewater and Canton, Massachusetts, 1836-1874. Accounts include entries for shoes, oxen, hay, cattle, potatoes, wheat/grain, apples, sugar, molasses, butter, milk, and labor.

This volume is a 14-page diary of Zachary Taylor Cooper of East Montville, Maine, which he kept between May 1 and June 26 of 1875, documenting his work as a beekeeper. He bought and sold bees, built and painted beehives, discussed bees working and swarming, drove sheep, and engaged in other farm work. On June 3, he mentioned that a freeze killed most of the bees in the area. The remainder of the volume contains around 65 pages of farm accounts by an earlier owner in or around Bridgewater and Canton, Massachusetts, 1836-1874. Accounts include entries for shoes, oxen, hay, cattle, potatoes, wheat/grain, apples, sugar, molasses, butter, milk, and labor.

The York ship log contains daily entries chronicling the packet boat's journeys between the United States and Great Britain between 1825 and 1828.

The York ship log contains daily entries chronicling the packet boat's journeys between the United States and Great Britain between 1825 and 1828. The first entry, dated March 19, 1825, marks the beginning of the ship's regular service between New York City and London, under the command of William Baker. Approximately 50 pages cover the boat's travels along this route, with daily entries recording wind direction, weather conditions, and notable events on board. On July 4, 1825, the author wrote about a celebration in honor of Independence Day, when the merchant ship fired a salute. The entries he made in port often relate to the loading of cargo or passengers. In January 1826, the York received a new captain, Nash de Cost, and began sailing between New York City and Liverpool; the remainder of the volume covers the ship's journeys along this route. The author's remarks focused on seamanship, weather, and activities in port, though several entries from October 1826 reflect the difficulty of keeping the sailors onboard; some were reported to be "on shore without liberty" throughout the period. The last entry, on June 24, 1828, noted that the York was moored at Prince's Dock in Liverpool, ready to embark for the Atlantic crossing. The final 2 pages of the volume include accounts of provisions for the ship for the year 1828.

The Yacht Vergana photograph album contains approximately 190 photographs related to the lifestyle and friends of a New York-based yacht owner.

The Yacht Vergana photograph album contains approximately 190 photographs related to the lifestyle and friends of a New York-based yacht owner. The album (18 x 26 cm) is fully bound in brown leather. Images of interest include views taken in and around Long Island Sound, including the torpedo boat Ericsson at the Greenport dock; shell races at Poughkeepsie, with spectators aboard the steamboat Chester W. Chapin; Luna Park on Coney Island; various sailing and steam vessels on Long Island Sound; Prospect Park in Brooklyn; the racing yacht Flint's Arrow; a group of nurses from the Flower Free Hospital on a shipboard outing; buildings in Greenport; Sir Thomas Lipton's yacht, Erin; cadets at West Point; the steamboat Orient and her crew; the yacht Vergana; Long Island Railroad snow plows; and an automobile race at the Riverhead Fair (according to laid-in caption). Other photographs include beach scenes, fishing boats, family and friends onboard the Vergana and other vessels, and unidentified street views possibly taken on Long Island. A number of photographs include manuscript captions.

The World War I surgeon's photograph album, Base Hospital 29, contains approximately 90 photographs and 4 ephemeral items documenting a U.S. Army surgeon's training in the United States and service overseas during World War I.

The World War I surgeon's photograph album, Base Hospital 29, contains approximately 90 photographs and 4 ephemeral items documenting a U.S. Army surgeon's training in the United States and service overseas during World War I. The album (18 x 29 cm) was possibly compiled by Lieutenant H. O. Wernicke. Nine photographs show military personnel and barracks at the Medical Officer Training Center at Fort Riley, Kansas, in 1918. Following a voyage to Liverpool on July 6 1918 aboard the RMS Empress of Russia, subsequent photographs depict Base Hospital 29 in Tottenham, London, including medical staff, facilities, wards, an operating theater, and casualties. One photograph shows medical staff and patients singing from songbooks while a nurse plays the piano and a patient sits up in bed playing the violin. A possible transfer to France is indicated by 6 postcard views of a town and hospital with the caption, "Base Hospital 9 at Chateauroux."

Ephemeral items include a seating chart for the Candlewick Ward Club dinner held Monday, July 29 1918 attended by U.S. service members as well as a fold-out schematic of the RMS Olympic.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The album (29 x 40 cm) has black cloth and leather covers bound by two metal rods. The original covers were replaced in March 2012 by conservator James W. Craven. Most of the album's 70 pages contain 4 photographs per page. Images include photographs of exteriors and interiors of various exhibition buildings, large crowds of people, numerous sculptures and statues, various historic and modern marine vessels, and bird's-eye views of the fair complex. Also of note are several photographs showing attendees in wheelchairs, images of various ethnic group exhibit buildings (including the Japanese Bazaar, Persian Palace, Irish Village, Oahomey Village of Benin, Egyptian Temple of Luksor, Alaskan Indian Village, and NY Iroquois Exhibit), and a group portrait of women sculptors including Helen F. Mears and Jean Pond Miner.

The Woman's Hunting and Camping photograph album contains pictures taken during a camping trip in upstate New York and exterior views of homes and municipal buildings in western Massachusetts. Many of the camping pictures feature women.

The Woman's Hunting and Camping photograph album (34cm x 25cm) contains 68 photographs taken in upstate New York and western Massachusetts around the turn of the 20th century. The green cloth cover has the words "Colgate & Co's Toilet Soaps and Perfumery" on the front in thin gold letters. Most of the photographs, which are pasted three to a page, have brief captions.

The first group of photographs pertains to a camping trip around Lewey Lake, Mason Lake, and Indian Lake in northern New York, including many views of woodland scenery and pictures of male and female campers. People are shown carrying and paddling in canoes, relaxing and posing around log cabins and campsites, and riding in open horse-drawn carts. The album includes two portraits of a woman dressed in a hunting outfit posing with a rifle and a portrait of a baby taken on his or her first birthday. One group of pictures concerns a logging camp and loggers. The final pages contain photographs of homes and other buildings in Hatfield, Northampton, Amherst, and Hadley, Massachusetts, including the compiler's girlhood home, a mill, the Northampton library, and the municipal halls of Northampton and Amherst. People can be seen relaxing in front of some of the dwellings.

An unnamed woman kept this diary, documenting her sojourn to Cuba from October 1854 to April 1855. She traveled with members of her family, including "Uncle M" (likely Montgomery Livingston), Margaret (possibly Margaret M. Tillotson), Mary, and a servant Bridget. Staying primarily in Havana and Güines, the writer described Cuban vegetation, religious and social practices of white and Black residents, cuisine and dress, military and political figures, enslaved laborers and hired servants, sugar, tobacco, and coffee plantations, and other international travelers.

An unnamed woman kept this diary, documenting her sojourn to Cuba from October 1854 to April 1855 with members of her family, including "Uncle M" (likely Montgomery Livingston), Margaret (possibly Margaret M. Tillotson), Mary, and a servant Bridget. Staying primarily in Havana and Güines, the writer described Cuban vegetation, religious and social practices of white and Black residents, cuisine and dress, military and political figures, enslaved laborers and hired servants, sugar, tobacco, and coffee plantations, and other international travelers.

The party travelled from New York aboard the steamboat Black Warrior, captained by James D. Bulloch, in October 1854. The diarist described their voyage, other passengers, and their arrival in Cuba. Because the captain and vessel had been embroiled in an international conflict earlier in the year, Cuban authorities scrutinized the Black Warrior upon their arrival in Havana. While staying at a boarding house in Havana, the writer described the city, food, merchants, residents and their fashion, and the presence of enslaved people.

Upon leaving the city, they took up residence in Güines. Frequently exploring the area by horseback, the writer detailed local vegetation, produce, and crops, while also noting the social and religious life of the community. She commented occasionally on books she was reading, and she wrote of the people she encountered, such as local vendors, enslaved people, other Americans, or the poor (see November 28, 1854). She provided commentary on practices like smoking, culinary dishes, music, and balls. Marginal figures are also remarked upon, including an American woman living under the protection of the Jesuits who was being pursued by her ex-husband seeking custody of their children (see December 1, 1854; December 6, 1854; December 18, 1854).

The writer regularly remarked on enslaved and free people of color and their activities, including their participation in Mass and religious holidays, such as Epiphany / El Dia de los Reyes (January 6, 1855). She noted their presence at balls, their relationships with their children, work as vendors, and labor on plantations and in the town. She visited a number of plantations and wrote of their crops, buildings, operations, and enslaved laborers. Several times, she noted violence against enslaved people, including evidence of beatings and punishments (December 1, 1854; December 2, 1854; December 16, 1854; January 22, 1855). On another occasion, she witnessed a two-year-old boy sold separately from his mother, and wrote about their distress (March 13, 1855). The writer also made at least two references to Chinese laborers (October 31, 1854, and November 25, 1854). The family hired several servants during their stay in Cuba, and the writer periodically remarked on their displeasure with them and their dismissal.

The diarist commented on military troops and government officials in the region. Several entries pertain to the "Lopez Expedition" and its aftermath, referring to American-backed efforts by Narcisco López to liberate Cuba from Spanish rule several years earlier (October 16, 1854; November 19, 1854; December 19, 1854). She wrote about orders by José Gutiérrez de la Concha to inquire into residents' "character" and take up any of ill repute (seemingly targeting Black populations), and attendant police presence (November 25, 1854; December 3, 1854; December 4, 1854; December 11, 1854; December 13, 1854; January 23, 1855; March 1, 1855). She noted the uniforms of the "gens d'armes" and their participation in Mass. The diary includes occasional remarks about the local jail.

The family made occasional trips to Havana for shopping and made a brief visit to Matanzas in February 1855, where they met with the American consul who was working to protect American sailors (February 7, 1855). The diary ends on April 15, 1855, as the family prepared to depart for Havana to return to the United States.

The Wisconsin and Minnesota friendship photograph album contains approximately 245 photographs documenting a friend group of young women.

The Wisconsin and Minnesota friendship photograph album contains approximately 245 photographs documenting a friend group of young women.

The album (18 x 29.5 cm) has black cloth covers and black paper pages. Contents generally progress chronologically starting from the 1910s while the friend group appears to be in college before documenting their lives once they get married and start having families. Numerous images have witty captions, likely referencing inside jokes. Photographs primarily consist of individual and group portraits showing the women partaking in various activities including striking comical poses together, attending costume and fraternity parties, holding picnics, and going on various other adventures. Also present are views of the University of Wisconsin-Stout in Menominee, Wisconsin, Hamline University in Saint Paul, Minnesota, and Loring Park in Minneapolis, Minnesota. Halfway through the album begins to document members of the friend group getting married and starting families of their own, with photographs mainly depicting young children, homes, and group vacations including a trip to Salt Lake City, Utah. The last few pages also include images of a World War I-era soldier and nurses with facemasks (possibly indicating involvement with treating Spanish influenza victims).

Photographs showing instances of blackface and other racially insensitive costumes are present.

This collection contains 21 individually bound sermons and religious lectures delivered primarily in Winchester, Connecticut, in the early 1800s. The sermons cover a variety of religious topics, and include several lectures from a series based on the Westminster Shorter Catechism.

This collection contains 21 individually bound sermons and religious lectures delivered primarily in Winchester, Connecticut, in the early 1800s. The sermons cover a variety of religious topics, and include several lectures from a series based on the Westminster Shorter Catechism. The pastor utilized shorthand abbreviations for common words.

At the top of some sermons, the author recorded dates on which the sermons were delivered and the location at which they were delivered when not at Winchester (often in towns across northwestern Connecticut). The earliest sermon was delivered at "Preston" on August 1, 1791, and is numbered 236. Sermon topics, based on verses copied from the King James Version of the Bible, included the doctrines of salvation and repentance, Christian life, and the author's 35th anniversary with his congregation ("Sickbed Reflections," January 31, 1843).

Four additional sermons form part of a series of "Catechetical Lectures," delivered between November 23, 1811 (lecture I) and April 16, 1819 (lecture XV). The first considers the history of the Westminster Shorter Catechism, and the others touch upon individual questions taken from the document. Additionally, the collection includes part of a notebook containing notes on sermons given by various speakers between April 20, 1832, and April 21, 1833.

This manuscript is a 141-page biography of William W. Winters (1826-1895), a one-time medical student from Ohio, cabinetmaker, daguerreotypist, and Methodist Minister, among other professions. The biography and subsequent pasted-in documents draw heavily from Winters's own diary entries and trace the events of his life from 1826 to 1853, including his divorce from his wife, who he accused of adultery.

This manuscript is a 141-page biography of William W. Winters (1826-1895), a one-time medical student from Ohio, cabinetmaker, daguerreotypist, and Methodist Minister, among other professions. The biography and subsequent pasted-in documents draw heavily from Winters's own diary entries and trace the events of his life from 1826 to 1853.

Written largely from a third-person perspective, Winters's biography stylistically embodies nineteenth-century artistic and literary Romanticism. Here, a younger Winters is characterized as "schivalrous and full of gallant deeds in matters of Cupid, came off first best." Likewise, Winters is cast as "our hero" within the narrative. A later portion of the volume continues Winters's history, but from a first-person perspective, using "extracts [taken from] his journal in his own language."

Winters's employment experiences include tanning, cabinetmaking, operating a drug store, taking daguerreotypes, and serving in appointments as a deacon and then a reverend in the Methodist church. Descriptions of these occupations are conveyed with varying detail. Also noted are his experiences as a student, first at Oberlin College and, later, at Norwalk Seminary. Winters's courtship and marriage to Philenda Howard, as well as his divorce from her in 1853 on grounds of adultery, is richly detailed.

Laid into the front of the volume is a "Methodist Episcopal Church Quarterly Ticket" and the end of the journal is pasted in a fragment of Winters's 1844 wax-sealed appointment as a church deacon, and 12 fragments of a manuscript, four of which are photocopies.

Among many notable topics of interest are:

• Mormonism (pp. 12-13)
• Body snatching (pp. 66-67)
• Work as a daguerreotypist—Springfield, Ohio (p. 123)
• Divorce—Springfield, Ohio (pp. 131-32)
• Ordination as a Methodist deacon (pp. 88-91)

This student notebook contains Latin-language treatises on logic, metaphysics, and related subjects, composed around 1720. The book also includes a few pages of sermon notes, an example of a Porphyrian Tree, and additional notes by later owners.

The bulk of this volume is comprised of Latin-language treatises about logic, metaphysics, and related concepts, written or copied around 1720. Each section is broken into multiple chapters, some with appendices. The volume also includes small groups of shorter writings in Latin and an example of the Porphyrian Tree. The Latin writings are infrequently interrupted by additional entries, such as a few pages of English-language notes from an August 1761 sermon based on a verse from 2nd Corinthians. Notations throughout the volume refer to William Potts, Georgius M. Conchie, George Potts, and William McCauly (with several variations on the spelling of the surname).

The William Eighinger ledger contains two sections: a ledger kept by a Baltimore shipping merchant between 1798 and 1801 and math problems and copied compositions compiled by George Eighinger in 1850. The accounts pertain to the shipment of goods between North America, the Caribbean, and Germany, and the copied material includes a narrative told from the point of view of a slave.

This volume contains 2 sections: a ledger kept by a Baltimore shipping merchant between 1798 and 1801 (about 105 pages) and math problems and copied compositions compiled by George Eighinger in 1850 (5 pages).

The financial records intermittently cover the period from October 1, 1798, to June 24, 1801, on pages numbered 47-144 and 188-211; some pages have been torn from the book. The accounts concern the affairs of a Baltimore shipping merchant who imported linens and other items from Europe while exporting coffee, tobacco, sugar, and other goods to Bremen, Hamburg, and other German ports. Each entry reflects a transaction with a merchant, and the ledger often records the names of the ships carrying the cargo, as well as inventories, prices, the names of shipmasters, and consignment agents' marks. The ledger occasionally includes costs of storage or insurance. On December 31, 1799, the bookkeeper recorded "postage of 1798 & 1799" (pp. 131-133). Cartoonish drawings illustrate a few pages throughout the accounts (e.g. pages 93 and 239).

The pages numbered 235-239 contain arithmetic problems, copied prose, and cartoons by George Eighinger, who received the book from Nash G. Camp on March 4, 1850. The pages, which are labeled "Compound Subtraction" and "Compound Addition," include a narrative told from the point of view of a slave (p. 235).

The William Bull and Sarah Wells Pageant photograph album contains 33 photographs of an elaborate outdoor pageant of the story of William Bull and Sarah Wells, two early settlers of Orange County, N.Y.

The William Bull and Sarah Wells Pageant photograph album (19 x 26 cm) contains 33 photographs of an elaborate outdoor pageant of the story of William Bull and Sarah Wells, two early settlers of Orange County, N.Y. It features locals dressed up as settlers and Indians and a house of logs constructed on site. Images of the reenactment also include the courtship and wedding of Bull and Wells, a wedding dance, and the making of plans to build a stone house. This pageant may be part of a family reunion, an ongoing Independence Day ritual, but also includes thanksgiving scenes of a meal shared by Indians and settlers. Prominently featured in one photograph are William Bull V and VII, descendants of William Bull and Sarah Wells.

The album has an unmarked black cloth cover and is housed in a gray wrapper with blue cloth binding.

This collection is made up of typescripts of letters that William A. Carter sent to his wife Mary from July 1857 to January 1859. Carter described his journey from Kansas to southwest Wyoming throughout 1857 and later discussed his life at Fort Bridger, where he became a prosperous sutler. Many of the letters refer to Native American tribes and to ongoing conflicts between Mormons and United States troops.

This collection (71 pages) is made up of typescripts of letters that William A. Carter sent to his wife Mary from July 28, 1857, to January 23, 1859. From September 1857 to January 1858, Carter wrote about his journey from Atchison, Kansas, to Camp Scott and Fort Bridger, Wyoming, describing the changing landscape and aspects of daily life as part of a traveling wagon train. He referred to Native American tribes such as the Pawnee, Cheyenne, Snake, and Sioux, sharing news of reported attacks on other wagon trains and mentioning a friendly encounter with a group of Sioux. Carter and his companions also feared attacks by groups of Mormons and he commented on the ongoing conflicts between Utah Mormons and U.S. troops. After reaching Fort Laramie in October 1857, the party sometimes travelled alongside U.S. forces under the command of Philip St. George Cooke; during this time, Carter relayed reports of heavy fortifications around Salt Lake City.

In early 1858, Carter wrote several letters from Camp Scott in southwest Wyoming, joining U.S. troops in their winter camp. There, he pursued a mercantile career; his letters from this period sometimes refer to the large sums of money that could be earned by transporting freight between the Utah Territory and "the States" back east. By mid-1858, Carter had settled at Fort Bridger, where he was officially appointed sutler in June 1858; he later became postmaster as well. At Fort Bridger, Carter shared news of the Utah War, reported on his finances, and discussed his plans to build a store; on one occasion, he discussed a visit to Salt Lake City. He increasingly referred to his unhappiness about being separated from his wife and children and eventually announced his intention to bring them to Wyoming. By January 1859, he anticipated a reunion with his family.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts. The album (26.5 x 32 cm) is fully bound in leather with gilt lettering "Kodak" on the front cover. Most of the locations depicted are represented in one or two photographs with the exception of Yellowstone (approximately 20 images) and the Grand Canyon (approximately 12 images). Other photographs show trains and train tracks, with two photographs of train station gardens in Sacramento and Ypsilanti, Michigan. Non-western locations and objects depicted include the Hudson, Niagara, and Mohawk Rivers, Niagara Falls, Minnehaha Falls, and Stone Arch Bridge in Minneapolis. In general people appear to be incidental to the scenery, save for two photographs showing posed groups; one in front of a topiary maze, and another in a grove of giant trees. Most photographs have numbers and captions derived from labeled negatives.

The "Western Trip" photograph album contains pictures of people, natural scenery, and cities in Colorado, Arizona, New Mexico, California, Oregon, and Washington. The album includes photographs of the traveling party, popular tourist destinations, and residents of Santa Fe, New Mexico.

This album (17cm x 25cm), entitled "Western Trip-Summer-1899," contains 95 photographs of people and scenery in several western states. Each page contains two photographs housed in 8cm x 8cm windows; all items have captions, usually providing the location of the photograph. The title "Photographs" is printed in gold on the album's faded green cloth cover.

The photographer took three photographs of railroad stations, railroad tracks, and the prairie in Nebraska and Kansas before reaching Colorado. A photograph on the first page, identified as Lincoln, Nebraska, is likely mislabeled. A manuscript caption on the back of this photograph identifies the location as Omaha, Nebraska. In Colorado, where the photographer visited Manitou Springs, several canyons, Pikes Peak, and the Garden of the Gods. Several photographs are views of mountain passes and similar Colorado scenery some of which were taken from the front of a horse drawn carriage. The photographs from New Mexico include street-level views of Las Vegas and Santa Fe, as well as informal portraits of a woman and a child in front of a pueblo, a woman ("Belle of Santa Fe"), and a boy ("Dude of Santa Fe"). In Arizona, the traveler visited cliff dwellings, canyons, and the Grand Canyon; some images show the horse-drawn carriage the party took from Flagstaff to the Grand Canyon, and others show tourists (including the compiler) on horses. The caption of one photograph implies that a railroad car on the Atchison, Topeka and Santa Fe Railway had caught fire, though no fire or smoke is apparent.

After visiting the Southwest, the traveler continued to California, where he or she collected several photographs of the Pacific Ocean as seen from Santa Catalina Island, California. These are followed by a group of pictures from Yosemite National Park, including views of mountains, waterfalls, lakes, and forests, and a picture of Mount Shasta. The final items feature the Hotel Portland in Portland, Oregon; Umatilla House in The Dalles, Oregon ("Where Measles Flourish"); the Columbia River and riverside scenery; Tacoma, Washington; Seattle, Washington; and the shore of Lake Washington.

The Western travel and mid-Michigan photograph albums (2 volumes, each 23 x 36 cm) contain a total of 417 photographs primarily pertaining to travel in the western U.S. and the mid-Michigan region, likely taken by a member of the Charlesworth/Abraham family of Flint, Michigan.

Volume I: Western photographs include views of Yellowstone, the Yosemite Valley, cliff dwellings with pictorgraphs, a petrified forest, hiking across a glacier, buildings of the Panama-Pacific Exposition, the Saltair resort in Utah, cliff dwellings, the California coast, a bull fight, Native Americans selling pottery on the street, California houses, and a concert band dressed in kilts. Also included are single views of a city waterfront, possibly St. Paul, Minn., Milwaukee grain docks, and the Minnesota State Capitol. Album contains 232 images. Photographs lack captions.

Volume II: Mid-Michigan photographs show chiefly outdoor activities and rural scenery, including house and barns, country roads, hunting and fishing trips, boating, swimming, hunting dogs and game birds, a circus parade in downtown Flint, farm animals and cow-milking, and picnics. Nine photographs show a collection of bird amulets and carved relics, some belonging to the Silas Collins collection at the Flint Public Library. Also shown are burnt-out ruins of the Michigan School for the Deaf and postal carriers in Flint with sleds and wagons piled high with Christmas packages. Several photographs feature automobiles, including an overturned auto in the street being contemplated by a young man in swimming costume with handwritten caption, "Berston killed;" automobiles stuck in potholes and rescued by horse-teams; filled with hunting dogs; and a Buick Model C burnt out and restored. Michigan locations include: Flint, Prescott, Stiles Lake, Long Lake, Houghton Lake, Rifle River, Ortonville, and Skinner Lake. Identified individuals include: W.B. Ormsbee, A.G. Abraham, Herb Mitchell, Howard Casler, E. Rockafellow, Luella Charlesworth, John Brewer, Emma Abraham, Ernest Oldfield, M.B. Shirk, William Somerville, Hattie Barker, George Dell, Gert Fellows, Glenn Jones, Edgar Ries, John Ries, George Havers, John Wildanger, George Havers, Clyde Baldwin, George Frye, Edgar Rice, Chancey Straber, Elsie Caverly, Clarence Caverly, Leo & Mrs. Boomhower, Bud & Mrs. Evans, Ed Brown, Llloyd & Mrs. Algoe, Alice Charlesworth, Anna Charlesworth, George Holmes. Album contains 185 images. Most photographs include manuscript captions on verso.

Albums housed in three-part wraps with blue cloth spines.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used; approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used, and approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

The brand book, once owned by a livestock buyer, contains both graphic and textual descriptions of brands used by livestock breeders throughout the Great Plains and western United States. The vast majority of brands are for cattle. Each page has 8 images of cattle or horses stamped in purple ink, with hand-drawn brands placed on the images. Animals' ears are represented by a stamped infinity symbol. Some dealers used variations, which are recorded in red ink. Each livestock stamp is accompanied by the dealer's name, cattle range, and primary city. Suppliers originated from Colorado, "Dakota," Illinois, Kansas, Minnesota, Missouri, Montana, Nebraska, New Mexico, Texas, and Wyoming. A newspaper clipping showing 7 branded cows of the Warren Live Stock Company of Cheyenne, Wyoming, and their ranges, is pasted on page 23. The brands (pp. 2-185) are followed by 15 pages of accounts recording purchases of cattle made primarily from F. H., W. H., & M. B. Gill Brothers of Greeley, Colorado, in December 1899 and January 1900 (pp. 186-201). Each account includes a stamped image of a cow with a brand, the supplier, and the price, each spread across two pages. A total price appears at the bottom of every two pages.

The Western Brand book is accompanied by a short pamphlet entitled Cattle Brands of Texas, published by the First National Bank in Dallas around the mid-1950s. A forward by Wayne Gard introduces the history of cattle branding within the state. The book contains historical notes for numerous brands that decorated the bank's executive dining room.

This album contains photographs of local residents, buildings, and natural scenery taken in the Congo region of Africa, around 1887. Africans and white missionaries posed singly and in groups. Landscape views, village scenes, images of vegetation and rock formations also appear.

This album (43cm x 32, 61 pages) contains 269 photographs of local residents, buildings, and natural scenery, possibly at an American Baptist mission in the Congo region, circa 1887. Three to eight items are pasted onto each page, and captions are written directly into the album where photographs are missing. The three-quarter-bound volume's covers are black and gray.

The photographs are roughly organized by topic. Pages 1-23 are comprised of individual and group portraits of Africans and of white missionaries. Many are identified by name. Of particular interest are posed ethnographic photographic studies of native men, women, and children shown in traditional African and western dress. Many if not most images appear to have been staged by the photographer. Among those may be of native inhabitants appearing as manacled slaves or prisoners; a mock execution, people with primitive weapons; mock combat with bow, spear, and shield; the wearing of ceremonial masks, families with children, and a young man with a large snake around his neck. "Mr. Clark" is identified in group photos as is "Dr. Flemming," a black woman, who is occasionally pictured with the missionaries. "Mr. Lewis" appears with a camera and tripod and may be the photographer for this album. "Mr. Roger Casement," future British consul to Portuguese West Africa and Irish Nationalist, is identified in one photograph and appears in at least one other. A set of four photographs depicts two African boys using a camera obscura on a stand to produce drawings of each other. The images on pages 23-31 include village scenes, rustic buildings including a church, post office, and photographer's booth. A man posed with the decapitated head of a hippopotamus appears on page 23.

Pages 32-48 concentrate on details of trees, fruits, and other vegetation, and pages 49-60 pertain to rock formations and rivers. These items include views of rocks with unidentified carved inscriptions, of caves, and of sailing and steam ships in a harbor. A small river steamer, theHenry Reed , a canoe, and a shipwreck are also pictured. The final item, located on page 61, is a photograph of William Shakespeare's supposed birthplace in Stratford-upon-Avon, England.

This 32-page account ledger documents sales made by an as-yet unidentified printer in or near Waynesboro, Virginia, from 1901 to 1904. Most entries include the date of purchase, the purchaser's name/business, quantity and type of items sold, prices, and occasionally markings indicating the receipt of payments. The types of items sold include circulars, envelopes, billheads, letterheads, notices, statements, ball invitations, memos, tickets, folders, booklets, blanks, notes, reports, printing jobs, and at least one typewriter. Quantities of sold items largely range from the low 100s to 1,000 pieces. Purchasers included the Henckels, J. A. Patterson, the Stuart Draft Mill Company, the Belmont Hotel, Blue Ridge Furniture Company, Bean's Photo Gallery, Basic Lithio Spring Company, Union Baptist Church, Union Sunday School, Presbyterian Church, Crimora Mine Company, F. M. White & Bro., and many others. In July 1901, the printer received orders of tickets and receipts for a Baptist bazaar.

This 32-page account ledger documents sales made by an as-yet unidentified printer in or near Waynesboro, Virginia, from 1901 to 1904. Most entries include the date of purchase, the purchaser's name/business, quantity and type of items sold, prices, and occasionally markings indicating that payments had been received. The types of items sold include circulars, envelopes, bill heads, letter heads, notices, statements, ball invitations, memos, tickets, folders, booklets, blanks, notes, reports, printing jobs, and at least one typewriter. Quantities of sold items largely range from the low 100s to 1,000 pieces.

Purchasers included the Henckels, J. A. Patterson, the Stuart Draft Mill Company, the Belmont Hotel, Blue Ridge Furniture Company, Bean's Photo Gallery, Basic Lithio Spring Company, Union Baptist Church, Union Sunday School, Presbyterian Church, Crimora Mine Company, F. M. White & Bro., and many others. In July 1901, tickets and receipts were ordered for a Baptist bazaar.

A note on the final page states: "Nihilist / Holt Nihil Henkel."

The collection consists of six penmanship exercises composed between 1815 and 1817 by Eirene Smith (aged 13), Nancy Smith (aged 14-16), Mary Smith (aged 17), and Loreney Stone (aged 17), likely students in the same class in Wayland, Massachusetts. The exercises consist of copied poems entitled "The Rose," "To Eliza," "On The Seasons," "To The Lilly," "Epitaph," and "Lines Written in a Winter's Walk."

The collection consists of six penmanship exercises composed between 1815 and 1817 by Eirene Smith (aged 13), Nancy Smith (aged 14-16), Mary Smith (aged 17), and Loreney Stone (aged 17), likely students in the same class in Wayland, Massachusetts. The exercises consist of copied poems entitled "The Rose," "To Eliza," "On The Seasons," "To The Lilly," "Epitaph," and "Lines Written in a Winter's Walk."

This volume is a record of costs associated with mortgage foreclosure cases filed in Michigan's Second District Court in the early 19th century, personal financial records of Michigan Supreme Court justice George Miles, and notes on mortgage foreclosures and similar legal cases filed primarily in Washtenaw County, Michigan, between 1847 and 1858.

This volume records costs associated with 8 mortgage foreclosure cases filed in Michigan's Second District Court in the early 19th century (20 pages); personal financial records of Michigan Supreme Court Justice George Miles, kept between May 27, 1839, and March 9, 1841 (16 pages); and notes on mortgage foreclosures and similar legal cases filed primarily in Washtenaw County, Michigan, between 1847 and 1858 (29 pages). One item laid into the volume documents the payment of costs associated with the case of Wilson & Cobb vs. Levi Rogers (February 19, 1848-August 24, 1852).

A. M. Gould, a clerk with Michigan's Second District Court, kept 20 pages of detailed records of filing costs and similar expenses related to 8 court cases, most of which were mortgage foreclosures. These include filing costs, the costs of creating copies of documents, and similar charges.

• Frederick M. Sanderson vs. Harvey Norton and others
• James E. Hays vs. Mary E. Hays
• Ormsby & Page vs. Howard Norris, et al.
• Hawkins & Wilson vs. H. H. Neff
• Miles Wilson vs. David P. Hinson
• Jagger & Varrick vs. Calvin Townson
• Levi Walker vs. William J. Moody
• Calvin F. Austin vs. Charles T. Moffett

The second portion of the volume, 16 pages, is a record of cash received and expended by George Miles, in account with Miles & Wilson, between May 27, 1839, and March 9, 1841. Miles often traveled throughout southeast Michigan, including trips to Detroit, Adrian, and Ypsilanti. One entry mentions Michigan governor William Woodbridge.

The final part of the book contains 29 pages of notes on many court cases heard in the "Circuit Court for the County of Washtenaw in Chancery" between January 19, 1847, and March 1858. Most of the cases involved mortgage foreclosures, and notes often mention the plaintiffs and defendants, motions and related documents filed, and associated fees. A divorce case related to Murray Speer of Pinckney, Michigan, is mentioned, but with no associated notes. Though the majority of cases pertain to Washtenaw County, Michigan, others took place in Livingston, Kalamazoo, and Eaton counties. The case of Ebenezer Wells and Franklin L. Parker against James Fuller, Jr., of Eaton County, Michigan, relates to land held in Ionia, and is accompanied by a newspaper clipping (April 4, 1857). Two additional items are laid in: a scrap of paper with calligraphic writing, and a short note.

The Washington & Jefferson College Student album contains carte-de-visite portraits of Jefferson College students and various other individuals, many of whom are identified. Several of the college students belonged to the fraternity Delta Tau Delta. Many photographs originated in Washington, Pennsylvania; Canonsburg, Pennsylvania; and Ann Arbor, Michigan.

The Washington & Jefferson College Student album (13cm x 18cm) contains 79 cartes-de-visite, 1 tintype, and 1 lithograph. The original brown leather cover, now detached, has a partially raised geometric design and two metal clasps; a floral design is carved into the sides of the pages. Most items are individual portraits of young men, though a few pictures of women and children are also present, including a group portrait of four women and three men. One carte-de-visite has a decorative border printed directly on the card backing.

Many of the individuals pictured signed their photographs and wrote brief notes; several of the men photographed in Washington and Canonsburg, Pennsylvania, mentioned their membership in the Delta Tau Delta fraternity. A large number of photographs are attributed to George C. Gillett of Ann Arbor, Michigan; the album contains a portrait of University of Michigan professors Alonzo Benjamin Palmer, Samuel Glasgow Armor, and Corydon L. Ford; and a lithograph of the University of Michigan campus in Ann Arbor. A number of the other portraits taken in Ann Arbor are signed by men who took courses in medicine at the University of Michigan during the 1860s. The volume includes one portrait of a young child that may have been taken postmortem and one carte-de-visite with artificial coloring.

The Warrensburg, Missouri photograph albums consist of two photograph albums containing 21 studio portraits, including several portraits of members of an African American family based in Warrensburg, Missouri during the 1870s.

Although these two albums were purchased together as a single lot from the same source, it is unclear if or how the individuals who are represented in each respective album are related. For conservation and preservation reasons, the original photographs have been removed from these albums and replaced with facsimile scan copies. The original photographs have been housed alongside the albums.

Volume 1:

This album (10 x 12 cm) contains four cartes de visite and six tintypes, all of which are formal studio portrait photographs. The album is made of pebbled black leather covers with a leather closure and has “Album” stamped in gold on the spine. The ownership stamp of “Lon. Fickas” (likely Benjamin Alonzo Fickas) appears twice in the album. “Warrens Brug (sic) Johnson Count Mo” is inscribed on a page near the back cover.

Eight or nine African American individuals are depicted in these photographs, some of whom may be identified through inscriptions on the photograph versos and/or inscriptions made directly onto the album pages. However, it appears that these photographs may have been moved around at some point as some of the album inscriptions do not seem to match up with subjects. Several images have hand-painted details including gold jewelry.

Pg. 1 of this album contained a carte de visite portrait of an African American man bearing a verso inscription that reads “Warrens Brug (sic) Mo march 11 1875 Less Will Wis 25 years old march 1”; there is also an inscription on the album page that reads “Renie (or Remi?) Hatton.” Pg. 2 held a tintype of an African American woman wearing a light blue ribbon that was colored by hand. Pgs. 5 and 11 both contained copies of the same carte de visite portrait of an infant African American child being held in place by a hidden mother; an inscription on pg. 5 reads “Lewis ?” while an inscription on pg. 11 reads “John Butler.” Pg. 7 contained a tintype of a young African American woman that includes a paper flower scrap with printed text reading “Charity” pasted at the top of the photograph sleeve. Two locks of women’s hair were stored in the album, one between pgs. 8 and 9 and the other between pgs. 12 and 13. Pg. 9 contained a full-length tintype portrait of an African American woman that bears a verso inscription reading “John Butler Warrensburg Mo,” while an inscription on page 10 also reads “kizher? Butler Was 27 year old June 1 1876.” This inscription may possibly be referencing a woman named Kizzie Butler who was recorded as living with her husband John Butler in Warrensburg in the 1870 census and was later included in Dawes Act Rolls under “Choctaw Freedmen.” Pg. 13 contained a tintype of an African American woman seated while holding a book (likely a bible). Pg. 15 contained a half-length portrait tintype of an African American man, while pg. 16 contained a tintype of an African American woman (possibly the same woman represented in the tintype from pg. 9) seated while wearing a white dress and hat. A small loose unmounted gelatin silver print portrait of an African American girl was also present between pgs. 16 and 17.

Volume 2:

This album (14 cm x 10 cm) contained eleven studio portrait photographs, nine of which are tintypes. The album has brown leather covers with a metal closure and has a floral motif rectangle around the word "Album" all stamped in gold on the front cover. None of the subjects represented in this album are identified, and none of these portraits appear to depict any of the individuals who are represented in Volume 1.

Most of the portraits that were housed in this album are of unidentified white men, women, and children. Also present is a group portrait tintype showing a family of possible African and/or Native American descent and a carte de visite portrait of a young African American girl taken by “Simpson 424 E Wash St.” (possibly William Simpson of Indianapolis). Also of note is a carte de visite portrait taken by J. F. Ryder of Cleveland of a white actress (possibly a burlesque dancer) leaning on a chair.

This volume contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from the works of Shakespeare and other sources.

This volume (28 pages) contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from other works. Pages 1-7, 16-19, and 25-28 contain excerpts from The Sleep Walker; pages 8-15 and 20-24 contain copied excerpts from other sources, most frequently Shakespeare's plays. The lines from Oulton's play vary only slightly from an 1813 published version; one notable difference is a lengthier concluding monologue by the character Somno. The other excerpts are written under the names of prominent English actors from the early 19th century, including members of the Kemble and Siddons families. The volume has the bookplate of Erastus Tefft, which has an engraving of a Native American gazing at a European settlement.

The Wabash (Ind.) family photograph albums contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century.

The Wabash (Ind.) family photograph albums (both 14cm x 10cm) contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century. The first volume contains 19 tintypes and five cartes-de-visite, and the second volume contains 16 tintypes and nine cartes-de-visite; an index of subjects in included at the back of the second album. Some of the tintypes have raised decorated borders on their cardstock frames, and many include hand coloring. Most items are individual portraits, though some men and women posed in pairs. One man appears in a Masonic sash and apron. Each album has a brown leather cover with a raised geometric design and floral patterns stamped in gold.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices. Predominant visual themes are flowers, birds, hands, children, and cherubs. Others include a dog holding a guitar, a quill pen, a G.A.R card, and an "Imp Card" showing a devil holding a sign to read "I AM ___ WHO THE [DEVIL] ARE YOU."

A "Gold Escort" card has the text "I beg the blissful felicity of being honored with your gracious condescension to the extent of allowing your humble servant to escort you to your leafy bower this balmy eve. Say yes, fair lady!"

The Virginia, New York, and Massachusetts photograph album contains approximately 195 photographs depicting the travels and leisure activities of an unidentified Brooklyn-based family in various locations in Virginia, New York, and Massachusetts.

The Virginia, New York, and Massachusetts photograph album contains approximately 195 photographs depicting the travels and leisure activities of an unidentified Brooklyn-based family in various locations in Virginia, New York, and Massachusetts. The album (28 x 40 cm) has black cloth covers, with the front cover being detached. Images of interest include a series of photographs documenting an 1898 trip to Richmond, Virginia, including views of the Capitol, City Hall, St. John's Church, and other landmarks. Also present are 17 photographs showing Fort Monroe, Virginia, with an additional 11 images showing Old Point Comfort hotels, docks, a street view of Phoebus, Virginia, and waterfront views of the Hampton Roads region. New York-related photographs include views of carriage-driving and horseback riding at the Brooklyn Riding & Driving Club, and a summer home at Lake Mahopac, with views of people sailing, swimming, taking carriage rides on country roads, and women golfing. Massachusetts-related photographs include 12 images taken in Boston during 1899 including views of the Public Library and Faneuil Hall and three street views of Commonwealth Avenue.

The Virginia, Georgia, and Maryland carte-de-visite album contains carte-de-visite and tintype studio portraits of men, women, and children taken around the 1870s-1880s. Most of the tintypes are hand-tinted.

This album (13cm x9cm) contains 16 carte-de-visite and 13 tintype photographs taken in Virginia, Georgia, and Maryland circa 1870s-1880s. Most items are individual portraits, with three exceptions: a carte-de-visite of two women, a tintype of a woman holding an infant, and a tintype family photograph of six people, mostly children. The majority of the tintypes and at least two of the cartes-de-visite have hand coloring. One photograph of an infant is identified as Estelle Simcoe. The volume's brown cover has a raised geometric design, and the title "Album" is stamped in gold on the spine.

The Virginia and Tennessee Railroad Trip photograph album includes pictures of railroad cars, tracks, and travelers taken in the 1890s, as well as pictures of trackside scenes in Tennessee and pictures of people enjoying recreational activities on a beach.

The Virginia and Tennessee Railroad Trip album contains 296 photographs taken along a railroad line in Tennessee and on an unidentified beach in the 1890s. Each item is a Kodak No. 2 circular print, mounted onto the pages in groups of 6; two are pasted on top of other pictures. The photographs are numbered 577-863. The volume has leather covers with the title "Photographs" stamped in gold on the front.

Most of the album's images are scenes from a railroad trip in Tennessee, beginning with views of the Hotel Roanoke in Roanoke, Virginia, and including pictures of passengers, tracks, trackside scenery, depots, and small towns. The album also contains pictures of people walking along a beach, displaying captured fish, preparing to launch a rowboat, and shooting small birds. Additional groups of items show a large Victorian house, people disembarking from a boat, and bathers diving into a large partially covered swimming area.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

The Vermont and Connecticut photograph album contains approximately 60 photographs primarily showing scenes from Brattleboro, Vermont, and New London, Connecticut.

The Vermont and Connecticut photograph album contains approximately 60 photographs primarily showing scenes from Brattleboro, Vermont, and New London, Connecticut. The album (23 x 25 cm) has black cloth boards and is tied with a white cord. Brattleboro-related images include views of the arrival of a train carrying Spanish American War veterans, parade floats in the Brattleboro Fair, the town hall, Main Street, and the former studio of photographer Caleb L. Howe at the corner of Main and Elliot Street with a sign reading "Howe Photographer." New London-related images include views of Ocean Beach and the Soldiers and Sailors Monument. Also included are photographs of the interior and exterior of a house at "35 Western Ave.", other waterfront scenes, steamboats, and a mill in Hinsdale, New Hapmshire. Of particular note are two photographs of an acrobat performing on an outdoor stage. Many of the photographs are faded, with details partially or wholly obscured.

The Vanderpool religious journal contains religious diary entries from three authors over the course of 52 years.

The Vanderpool religious journal contains religious diary entries from three authors over the course of 52 years. The journalists began their portions of the volume with brief biographical introductions, and offered numerous musings on their relationships to religion. The first, and most prolific, writer began his biographical note with an account of his conversion, and on August 14, 1833, started his daily diary entries, which focused on the impact of religion on his life. After August 31, entries became more sporadic until a final note on January 1, 1841.

The second portion of the journal is dated November 14, 1866, and contains a brief autobiographical note about the author, likely C. W. Vanderpool, including indications of strong religious convictions. A loose paper inserted into this section of the volume indicates that the book was a gift to C. W. Vanderpool from his mother, Helen Elmira Vanderpool, of Buffalo, New York.

The third body of material in the journal consists of two pages written in January 1885 by a member of the Young Men's Christian Association, and relates primarily to attendance at several religious meetings and other events. This section of the volume concludes on January 30, 1885.

The journal also contains "Exertations from the following texts," which is a list of Bible verses and brief lines taken from them.

The Vacation travel photograph album contains a mixture of approximately 260 commercial and amateur photographs documenting a series of vacations to California, a Lake Michigan cottage, Alaska, and Canada.

The Vacation travel photograph album contains a mixture of approximately 260 commercial and amateur photographs documenting a series of vacations to California, a Lake Michigan cottage, Alaska, and Canada. The album (18 x 30 cm) has black cloth covers with two rivets. California-related photographs include views of beach scenes at Santa Catalina and La Jolla; the Theosophical Society Homestead and Temple on Point Loma; a cutler at work at his donkey-drawn cart; crates of fruit at a railroad station; passengers stretching their legs beside a stationary train; and Mount Lowe Railway and Observatory. Other Western photographs include views of pueblos and adobe buildings in New Mexico Territory.

A series of approximately 70 photographs taken in 1902 show a summer sojourn at Pine Knot Cottage, Macatewa, on Lake Michigan and includes interior and exterior cottage views, beach scenes, sailing a small boat on the lake, and views of the Hotel Ottawa. One whimsical snapshot shows a man standing on his head while being photographed by a man and woman holding a box camera. Images of a traveling party to Alaska include views of the group onboard a steamer and making stops in southeast Alaska; a street view of Wrangell; Tlingit totem poles in Wrangell and Fort Tongass; and commercial photographs of a Greek Church interior and Indian River Park in Sitka.

Additional photographs show Lake Agnes and the Canadian Rockies; Washington Park in Springfield, Illinois; Wall Street, Trinity Church Cemetery, and Grant's Tomb in New York City; Mission San Jose and Mission Concepcion in San Antonio, Texas; and bison and black bears, including a photograph of two men feeding a bear off the back of a wooden cart.

This volume contains crew lists for the US Ships Java and Delaware, compiled around the 1830s. The lists are mainly organized by sailors' stations.

This volume contains crew lists for the US Ships Java (29 pages) and Delaware (25 pages), compiled around the 1830s. The crew list for the Java was created while the ship served under the command of Commodore James Biddle and Captain Charles W. Skinner. The names of officers and sailors are organized into seven divisions, further divided into crews for each of the ship's guns (under the command of lieutenants) and sails. The crew of the Java included a small number of marines and numerous firemen and "wenchmen." The crew list for the Delaware is similarly subdivided into groups stationed in various parts of the ship and at various sails. The crew lists begin from opposite covers, and several pages have been torn out of the volume.

This collection contains 5 letters from a man named George, who wrote to his mother while he served with the United States Armed Forces in Stams, Austria, during May and June 1945. He told his mother of his daily life, recounted a day trip to nearby Innsbruck, and shared news of acquaintances from the United States.

"George," a member of the United States Armed Forces, wrote 5 letters (9.5 pages) to his mother while stationed in Stams, Austria, in May and June 1945.

He often reported receiving and sending correspondence and packages, including a shipment of fudge that had spoiled (May 12, 1945), and responded to news of people he knew in the United States. Occasionally, he mentioned the draft and the possibility of acquaintances serving in the military, and in one letter commented on the death of a friend named Bert Vollmer, who had also served in Europe (May 29, 1945). George wrote about various aspects of military life, such as inspections, and remarked about the weather and daily life in Austria. He mentioned the work of local citizens, who spent most of their time farming, and in his letter of June 10, 1945, he described the haying process. On May 31, 1945, he wrote of a recent trip to nearby Innsbruck, where he went skiing and attended an opera, and reported that the military had resumed censorship of soldiers' letters.

This collection is made up of letters that a United States serviceman sent to his wife while traveling to and serving in the Philippines between July and September 1945. The letters pertain to religion, leisure activities, a Japanese surrender delegation, and other subjects.

This collection is made up of 8 letters that a United States serviceman sent to his wife while traveling to and serving in the Philippines in August and September 1945. In his first two letters, "Jake" wrote about aspects of his journey across the Pacific Ocean, including weather conditions and a religious service held onboard his ship (July 2, 1945, and undated). After arriving in Manila, he described the destruction in and around the Intramuros district and discussed his life in an unfinished camp, where soldiers used their helmets to hold shaving water. He mentioned repeated thefts from soldiers' footlockers, and the prevalence of scorpions, lizards, and other animals. In his letter of August 21, 1945, Jake lightly criticized Catholic chaplains. This letter also contains an account of a 16-man Japanese surrender delegation, which Jake spotted while retrieving his mail; he noted the differences between the ornately decorated Japanese uniforms and the Americans' plain khakis.

This diary pertains to a United States serviceman's experiences in Italy between October 1943 and September 1945. He kept records regarding his correspondence and commented briefly on his travels in the Mediterranean and some of his daily activities.

This pocket diary (95 pages) pertains to a United States serviceman's experiences in Italy between October 1943 and September 1945. The volume's inside front cover contains a partial itinerary of the soldier's European service, as well as a woman's photograph (cut out in the shape of her head). The diary entries are mostly arranged chronologically, with some small sections appearing out of place. The author regularly reported on his correspondence, particularly with a woman named Ann, and recorded addresses on the book's final 2 pages. Entries include brief comments about Mediterranean scenery, soldiers' leisure activities, and the end of the war. The author encountered Italian prisoners of war while in Morocco in late 1943, and a ship in his convoy was sunk by a German submarine while the author sailed from Morocco to Italy on the Liberty ship SS Jonathan Worth in December 1943.

The U.S. Army Hospital Ship Marigold diary concerns a payroll clerk's experiences on the Marigold during a tour of duty in the Pacific Theater in the Second World War. The diarist described daily life onboard the ship, discussed crew discipline, and noted the places he visited. Hand-drawn illustrations and maps depict the Marigold's voyage through the Panama Canal and sections of the Papua New Guinea coast.

The U.S. Army Hospital Ship Marigold diary (105 pages) concerns a payroll clerk's experiences on the Marigold during a tour of duty in the Pacific Theater in the Second World War. The diarist described daily life onboard the ship, discussed crew discipline, and noted the places he visited. Hand-drawn illustrations and maps depict the Marigold's voyage through the Panama Canal and sections of the Papua New Guinea coast.

The first entry is dated in Charleston, South Carolina, on October 9, 1944, just prior to the Marigold's departure for the Pacific Ocean. The diary covers the author's daily experiences and observations through May 5, 1945, including his descriptions of scenery and details about ship life. In mid-October, he wrote about and sketched the journey through the Panama Canal (pp. 2-10). In November, he reported that the 6th had been "cancelled" as the ship crossed the International Date Line (p. 26) and that the 11th had been celebrated for the armistice (p. 28). His comments on everyday routines and experiences included observations on passengers, the weather, crew discipline, submarine scares, and air raids. Further entries follow the ship's progress toward New Guinea and the Philippines, where he mentioned destroyed cities such as Manila and its harbor (pp. 90-95). At the time of the final entry (May 5, 1945), the Marigold had just passed Hawaii on its return journey to the United States.

In addition to the Panama Canal sketch, the diary has maps of the Marigold's layout (p. 18); Finchhaven, Papua New Guinea (p. 29); the port at Milne Bay, Papua New Guinea (p. 38); and Hollandia Bay, Papua New Guinea (p. 58).

The Upstate New York and Maryland photograph album contains approximately 105 images showing scenes from Upstate New York and rural Maryland.

The Upstate New York and Maryland photograph album contains approximately 105 images showing scenes from Upstate New York and rural Maryland. The album (21 x 31 cm) has brown cloth covers, is disbound, and bears the signature "Ruth E. Wilcox" inside the front cover. New York-related images of interest include rural views of Brewerton and Onandaga; Owasco Lake; the interior of a blacksmith's shop with the smithy at work; and scenes from around Syracuse including Dorwin Springs Road, Furman Road, the aftermath of the Salinas Street fire, the illuminated interior of the Alhambra auditorium, home interiors, and numerous flower arrangements. Two photographs also show a man sitting in a horse-drawn wagon filled with flowers and outfitted with the lettering "Henry Burt, Florist."

Approximately 35 photographs show rural scenes from Maryland, including farmyard views, groups of African Americans including a farm family, as well as a group portrait of twelve African American men posed with baseball equipment.

The Upper Michigan vacation photograph album contains approximately 125 photographs and 1 program related to summer vacations in northern Michigan and the Upper Peninsula.

The Upper Michigan vacation photograph album contains approximately 125 photographs and 1 program related to summer vacations in northern Michigan and the Upper Peninsula. The album (25.2 x 21 cm) is half bound in burgundy leather with black cloth boards. Photographs of interest include views of tent camping on the shores of Brevort Lake in Mackinac County, with outdoor cooking, picnics, local Ojibwa guides operating a boat named the "John Boucher", fishing and boating, berry picking, and a group of Ojibwa Indians including "Chief Tail Feather" performing for the camera; snapshots of "Old Mr. Massey, the Blacksmith of Brevoort," inside his log cabin; and the exterior of the cabin of Frank Budney, trapper and guide, with snow shoes and a hand-made grinding wheel. Mackinac Island-related photos show the fort and Arch Rock. Also included are photographs taken on the Detroit River showing a revenue cutter (the USS Yantic) and a sailing ship loaded with lumber; there is one photograph of the railroad ferry Saint Marie, and one photograph of the locks at Sault Ste. Marie. Many photos have manuscript captions and are dated.

Also present is a laid in program from the 1890 Columbus (Ohio) High School Graduation ceremony.

The United States Signal Corps Photographic Collection contains approximately 1,630 photographs of the American Expeditionary Forces taken by the Signal Corps during WWI throughout the Western Front. The collection is divided into three volumes and one box, all loosely arranged by topic. General topics include destruction, battlefields and trenches, artillery, monuments, and postwar celebrations.

The United States Signal Corps photographic collection contains approximately 1,630 photos (many of which are duplicates) of the AEF taken by the Signal Corps during WWI throughout the Western Front. The collection is divided into three volumes and one box, all loosely arranged by topic. General topics include the AEF, warfare destruction, battlefields and trenches, artillery, monuments, and postwar celebrations.

Numerous photographs have handwritten and typewriter captions on the back, often stating location and subject matter. Also found on the back are different stamped inscriptions, including "Passed as Censored."

Many photos have an alpha-numeric code handwritten on verso that corresponds to the Catalogue of official A.E.F. Photographs. Washington, D.C.: Government Printing Office, 1919, which can be found online through the Internet Archive.

Volume 1 contains approximately 270 photographs taken in France, Germany, Belgium, and the U.S. The bulk of these photos are of monuments in Paris, the Palace of Versailles, Rhineland-Palatinate, and unidentified rural areas depicting farmland and civilian life.

• Paris, France
• Washington, D.C.
• Château-Thierry, France
• Bacharach, Germany
• Vincennes, France
• Fontainebleau, France
• Dordogne, France
• Pierrefonds, France
• Bad Neuenahr-Ahrweiler, Germany
• Bendorf, Germany
• Bernkastel-Kues, Germany
• Andernach, Germany
• Altenahr, Germany
• Pont-à-Mousson, France
• Saint-Léger, Belgium
• Humes-Jorquenay, France
• Montsec, France
• Varennes-en-Argonne, France
• Joué-lès-Tours, France
• Soissons, France
• Brieulles-sur-Meuse, France
• Vaux-lès-Palameix, France

Volume 2 contains approximately 270 photographs taken in France, Germany, and Belgium. Much of these photos relate to the Meuse-Argonne Offensive, destruction (both urban and rural), casualties, battlefields and trenches, artillery, cemeteries, various AEF training schools, naval operations, and prisoners.

• La Ferté-sous-Jouarre, France
• Mayschoß, Germany
• Forest of Argonne, France
• Brieulles-sur-Bar, France
• Les Petites-Armoises, France
• Varennes-en-Argonne, France
• Exermont, France
• Chatel-Chéhéry, France
• Étraye, France
• Grandpré, France
• Cochem, Germany
• Pinon, France
• Saint-Remy-la-Calonne, France
• Montfaucon-d'Argonne, France
• Berzy-le-Sec, France
• Dannevoux, France
• Romagne-sous-Montfaucon, France
• Saint-Quentin, France
• Soissons, France
• Ypres, France
• Hooglede, France
• Mouzon, Ardennes, France
• Château-Thierry, France
• Verdun, France
• Metz, France
• Rémonville, France
• Juvigny, France
• Péronne, France
• Chaudun, France
• Chavignon, France
• Moirey-Flabas-Crépion, France
• Reims, France
• Cambrai, France
• Neuvilly, France
• Vaux-Champagne, France
• Haudiomont, France
• Paris, France
• Koblenz (Coblenz), Germany
• Oberwinter, Germany
• Mont-Saint-Michel, France
• Chamonix, France
• Nanteuil-lès-Meaux, France
• Lucy, France
• Thiaucourt-Regniéville, France
• Seicheprey, France
• Nonsard-Lamarche, France
• Colombey-les-Belles, France
• Épieds, France
• Boureuilles, France
• Beaumont, France
• Dormiers, France
• Bertricamp, France
• Bois de Hesse, France
• Gondrecourt-le-Château, France
• Langres, France
• Le Charmel, France
• Villers-Bretonneux, France
• Saint-Aignan, France
• Landreville (Ardennes), France
• Imécourt, France
• Nantillois, France
• Stenay, France
• Butgnéville, France
• Le Mort Homme, France
• Saint-Maur-des-Fossés, France
• Gland, France
• Herbeville, France
• Vacherauville, France
• Baleycourt, France
• Marseilles, France
• Vaux-Andigny, France
• Saint-Juvin, France
• Brieulles-sur-Meuse, France
• Bohain-en-Vermandois, France
• Mézy-sur-Seine, France
• Badonviller, France
• Bois de Belleau, France
• Bazoches, France
• Châteauvillain, France
• Ploisy, France
• Suresnes, France

Volume 3 contains approximately 270 photographs taken in France, Germany, Italy, England, Ireland, Denmark, Switzerland, and the U.S. The most substantial topics are the Treaty of Versailles, postwar parades and celebrations, Interallied Games, U.S. strategic army maps, drawings of army corps and division insignias, and aircrafts. Notable figures include President Woodrow Wilson, General John J. Pershing, Prime Minister Georges Clemenceau, President Raymond Poincaré, and Marshal Ferdinand Foch.

• Chaumont, France
• Langres, France
• Versailles, France
• Paris, France
• Le Havre, France
• Sainte-Menehould, France
• Gironde, France
• Château-Thierry, France
• New York City, United States
• Hoboken, United States
• Bendorf, Germany
• London, England
• Dublin, Ireland
• Copenhagen, Denmark
• Montreux, Switzerland
• Florence, Italy
• Vinets, France
• Reims, France

Box 1 contains approximately 820 photographs taken in France, Germany, Belgium, Monaco, and the U.S. This box contains all of the aforementioned topics supplemented by French Riviera, Loire Valley, ruins of Reims, Château de Fontainebleau, Pyrenees, Alps, AEF, and personal photographs.

• Ypres, Belgium
• Albert, France
• Dun-sur-Meuse, France
• Reims, France
• Saint-Quentin, France
• Montsec, France
• Cantigny, France
• Château-Thierry, France
• Paris, France
• Koblenz (Coblenz), Germany
• Meaux, France
• Vincennes, France
• Versailles, France
• Fontainebleau, France
• Joinville-le-Pont, France
• Monte Carlo, Monaco
• Lourdes, France
• Menton, France
• Nimes, France
• Roquebrune-Cap-Martin, France
• Saint-Jean-Cap-Ferrat, France
• Mont-Saint-Michel, France
• Saint-Germain-en-Laye, France
• Azay-le-Rideau, France
• Loches, France
• Amboise, France
• Montrésor, France
• Le Lude, France
• Rigny-Ussé, France
• Saumur, France
• Chinon, France
• Langeais, France
• Blois, France
• Saint-Savin, France
• Luz-Saint-Sauveur, France

This volume contains carte-de-visite portraits of soldiers who served in the 47th Pennsylvania Infantry Regiment during the Civil War, additional loose photographs, and colored lithographs of Union generals.

This pocket album primarily relates to the 47th Pennsylvania Infantry Regiment. The first four images are colored printed portraits of Winfield Scott, George McClellan, Fitz John Porter, and George Stoneman. An additional printed image of the Battle of the Monitor and Merrimack appears later in the volume. The bulk of the items are 31 cartes-de-visite with formal photographic portraits of soldiers in uniform. The few named soldiers all served in the 47th Pennsylvania Infantry Regiment. Three loose photographs of William H. Gausler and two unidentified men (neither in military uniform) are laid into the back of the volume.

This volume contains the author's reminiscences about his service with the 319th Field Artillery Regiment, Battery C (part of the 173rd Airborne Brigade), in Vietnam from June 1968-June 1969. He listed the fire support bases where he was stationed and recalled anecdotes about combat, his relationships with other soldiers and officers, and other aspects of military life.

This volume (31 pages) contains the author's reminiscences about his service with the 319th Field Artillery Regiment (part of the 173rd Airborne Brigade) in Vietnam from June 1968-June 1969. The first 7 pages consist of a numbered list of the locations where his unit was stationed during his time in Vietnam, including several identified as fire support bases, the city of Bảo Lộc, and Cambodia, along with brief notes.

The bulk of the volume (24 pages) consists of notes written on December 13, 1983. The author reminisced about many aspects of his military service, including his participation in artillery support for infantry troops ("grunts") and the clearing and construction of landing zones and bunkers. He named some of his friends and discussed their activities, including frequent drinking and, on one occasion, the use of "coke." He sometimes interacted with local residents, who often sold goods to the soldiers, and frequently mentioned eating rations and local foods such as cucumbers and green lemons. On a few occasions, he recounted interactions with superior officers, and he once bragged about his ability to calculate data faster than a field computer. The memoir contains some descriptions of the scenery near the army's fire support bases and bombed-out villages. The memoir is written in a spiral-bound notebook with an image of an Asian woman on the front.

This diary, kept by a soldier in the 138th Pennsylvania Infantry Regiment, chronicles the regiment's movements throughout Maryland and northern Virginia between June 16, 1863, and January 1, 1864.

This diary, kept by a soldier in the 138th Pennsylvania Infantry Regiment, chronicles the regiment's movements throughout Maryland and northern Virginia between June 16, 1863, and January 1, 1864. The author listed three soldiers from Company A who died, deserted, or were discharged, and he also frequently mentioned Captain L. C. Andress of Company H, who died on November 12, 1863. He composed entries of varying lengths on an almost daily basis, consistently noting the regiment's movements during the pursuit of Lee from Pennsylvania to Virginia. The author also documented various aspects of camp life. Though the regiment saw little action, it did participate in guard duty near Washington, D. C. The soldier reflected upon the history of the war as he passed Manassas, where he saw "Graves every mile or so" (October 19). In early December, he received 10 days of leave. In the back of the journal, which concluded on January 1, 1864, the author recorded his "Expenses for Mess" and the amount of money sent home to his wife.

During the Civil War, intelligence on enemy forces was gathered from a variety of sources. This notebook includes meticulously recorded information on Confederate emplacements, strength, troop movements, and morale, gathered from debriefings of deserters, prisoners of war, civilians, and refugees.

The name of the intelligence officer who kept the "Union Intelligence Officer's" journal is unknown, as it probably should be. To use the term "spy" would probably be somewhat misleading, for the notebook consists of information culled largely from debriefings of deserters, prisoners of war, civilians, and refugees, rather than from the sorts of covert operations typically associated with spies. But it is clear that the man who kept the notebook was charged with obtaining, recording, and analyzing the immense volume of randomly scattered facts

The notebook includes meticulously recorded information on Confederate emplacements, strength, troop movements, and morale, and is made more valuable in that every informant is named and identified as to regiment and location. In many cases, the intelligence officer provided sketch maps of positions which, while skeletal, can be highly informative. At the end of the journal, perhaps in idle moments, he sketched out caricatures of a soldier, a civilian (?), and a Union shield.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

This manuscript rhyming poem written by "Hazel" is about a young girl who hung an extra Christmas stocking for an impoverished child, and Santa Claus' enlistment of elves to help provide gifts.

The poem is written in a blank book bound with red, white, and green braid, and pages featuring printed decorative borders of holly. The volume also features six watercolor illustrations depicting Santa, the elves, and the gifts in the stockings. The cover bears the title and painted holly and leaves.

An inscription on inside front cover reads "A merry Christmas from Hazel."

The Tully Lake Park and vicinity photograph album consists of 25 photographs showing scenes from Tully Lake Park, an educational retreat in the Finger Lakes Region of New York.

The Tully Lake Park and vicinity photograph album consists of 25 photographs showing scenes from Tully Lake Park, an educational retreat in the Finger Lakes Region of New York. Images include views of the Tully Lake Park Hotel, vacationers in front of resort cottages, a tent encampment, lakeside views, rowboats, a horse-drawn carriage decorated with bows, three me nwith musical instruments set up to play on a veranda, and crowds gathered at a lakeside clearing and under an open-air shelter. The album (26 x 33 cm) is half bound with leather.