Collections

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

Letters from relatives in New York, New Jersey and Iowa discussing in part plans to migrate westward; letter, 1852, recounting missionary life in India; Civil War letters from Townsend M. Luce (Co. F., Third Michigan Infantry), Rufus Cheney (Co. D, 2nd Michigan Cavalry), Charles O. Reed (probably Co. A, 4th Michigan Cavalry), Philip Segur (Co. A, 7th Michigan Cavalry), and one tentatively identified as Albert H. Freeman (Battery B, 1st Michigan Light Artillery); and miscellanea.

D. C. Allen was a Three Oaks, Michigan book dealer and collector of material on the House of David, an adventist cult founded in England. The leader of this cult was Benjamin Purnell who made Benton Harbor his home and the site of his follower's business activities. The Allen collection (formerly housed at the Wyoming American Heritage Center) consists of most of the publications by and about the Israelite House of David, scattered manuscript materials mainly documenting the colony's business operations and court cases involving Purnell and the colony, and photographs and postcards depicting activities of the colony.

The collection gathered together by D. C. Allen includes published materials, manuscripts and other paper documentation, and photographs, postcards, and other visual materials. The published material consists mainly of books and pamphlets written by House of David founder "King Benjamin" Purnell and his wife Mary and others associated with the House of David. This collection was formerly stored at the University of Wyoming American Heritage Center.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

The Francis Edmonds papers document the art and business world of the early 19th century and the interrelationship between business and the arts. The correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

The Francis Edmonds papers are about evenly divided between the banking and art scene. The collection is valuable in depicting the interrelationship between business and the arts in mid-nineteenth century New York, where a small group of men dominated art promotion and patronage. Edmonds, a man with one foot in both worlds, naturally occupied a prominent position, and his correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

There are 70 different correspondents represented in this small collection, so its story must be pieced together from multiple fragments. Luckily, there are two published biographies of Edmonds which help to make sense of this scattered correspondence by placing it in context. Roughly, the letters can be divided into those from artists, those from business contacts, and those to or from family members. Their subject matter, however, is not so neatly separated -- and that is what makes the Edmonds Papers so interesting, for bankers talk of art in addition to business, artists of finances as well as aesthetics, and Edmonds may have been the only man to whom these combined interests were communicated.

The largest set of correspondence consists of letters from Francis Edmonds to elder brother John Worth Edmonds, who became prominent as a judge, politician, and writer on spiritualism. Letters written between 1823 and 1829 show the young man to have been much inclined toward personal improvement, and to have looked upon his elder brother as a worthy critic and role model. He self-consciously uses their correspondence as a means to improve his writing style and intellectual development, and mentions writing projects he is at work on. An 1829 letter refers to progress in art work: "About my neighborhood I am getting to be a little known as a painter however I am not at all intoxicated with success as yet."

Edmonds' letters to his brother reveal little of marriage or home life, but are good barometers of his psychological state and his views on life. Clearly he had no illusions about the business and political world, commenting in a March 31, 1829 letter that the Edmonds family had been "to [sic] kind in this world, too much trusting to the good will of mankind and they have suffered for their generosity. It is time we changed their nature's [sic]. ... if two hands are offered you spit in the worst & shake the best." Perhaps this attitude sustained him later on when he lost his prominent banking position, for he comments to his brother in October 1856 that "the sensitive feeling which has so influenced my conduct in going into the world is rapidly wearing away," which he knew would happen with time. In August, 1859, he writes that he is unhappy with his new position at the American Bank Note Company, and has to take the "bile" of those who are jealous and competitive of one another. It appears that he may have had an opportunity to regain his old bank job, but writes to John in 1861 that he has no interest in it, as his old boss would feel threatened by him.

Letters to Edmonds from John Gourlie, Charles Leupp, Jonathan Sturges, and Fanning Tucker, primarily dating from the 1840's, depict the interest in art held by some in the business world. These men, all of whom knew Edmonds in a business setting, also associated with him in societies for the promotion of art, bought and commented upon his paintings and those of other artists, and looked to him for advice when acquiring art for themselves. Many of the letters discuss both banking and art. A particularly interesting one, from Gourlie on June 15, 1841, criticizes artists' refusal to be business-like. Commenting upon rivalry between the Apollo Association and the N.A.D., he remarks that artists "are a queer set. ... So sensitive and at the same time so blind to their own interests." He believes popularization of art, as the Apollo does with its subscriptions for pictures or engravings, is the key to supporting artists, for "[a]ssociations in this country are what the aristocracy is in Europe." Gourlie asserts that rivalry between the Academy and Apollo is a good thing, for "rivalry is the life of all business and pictures may be made business matters as well as cotton or cocoa.!"

Yet correspondence to Edmonds from fellow-artists show them to have been aware that their work was a commodity. An 1841 January 30 letter from Daniel Huntington to Edmonds in Paris comments on hard times in New York, remarking that the arts are now "stagnant," as "[t]he mass of painters are I believe lasily waiting with hands in empty pockets for the revival of Commerce & the increase of orders for portraits." Huntington has sold a sketch he began in Rome of "one of those ragged and flea-inhabited beggar boys" for $100, and sold two heads painted at Florence for $150 each. He must be concerned with what will sell well "in these starving times." Artists Joseph Adams, Thomas Cole, and John Kensett also write of both art and money. They seem to have used Edmonds as a combination personal banker and agent, asking him to sell paintings for them, choose and execute stock transactions, or make loans with paintings offered as collateral. Because of his contacts he was also able to secure artists commissions, contracting with Cole for a painting, employing Asher Durand to copy a picture for engraving, hiring engravers to work from paintings to prepare Apollo Association and Art-Union premium offerings.

The artists' letters are highly interesting for their gossip and commentary on the art scene, both in New York and abroad. They describe work in progress, discuss the merits of major exhibitions, comment on the activities of the N.A.D., and chronicle the life of the expatriate artist as he moves from place to place in season, sending work home for display and (hopefully) sale, scrambling for funds to finance work abroad. It seems to have been a small and convivial "old boys' network" who worked and traveled together and critiqued each other's painting. Edmonds enjoyed seven months of the artist's life in 1840-41, and perhaps this cemented his position as an insider with other artists.

In two important letters of 1840 November 7 and 1842 December 14 Thomas Cole agrees to do a painting of Mt. Etna on commission and describes the finished product. He explains the location and elements of the picture in detail, noting that he may be accused of having "scattered the flowers with too profuse a hand. This is not possible. Sicily is truly the land of flowers..." He hopes the picture "will come to the lot of some one whom we would choose," or that "some good New Yorker will purchase it. I myself will give a hundred dollars & the View of Lake Schroon in Mr. Ridner's room for it." In April 1843 John Kensett writes extensively of the Paris art scene, describing specific works he has seen and including a small pencil sketch of one by Jules Louis Coignet.

Also of particular interest are three 1844 London letters from publisher and bookseller George Putnam, who worked to raise awareness of American art abroad. One solicits articles on American art from Edmonds, assuring him that despite prejudice there are many in England who would be interested in "a little information about American doings in some other arts than the art of raising the wind." In December, reporting on the disappointing reaction of a major critic to three American paintings Edmonds sent for display, he ruefully remarks that the criticism typified English ignorance of America. Putnam was advised to "'tell them to paint some American subject (!) Something of the Indian life.' He was rather incredulous when I suggested that Indians were as great a novelty, nearly, in New York as in London." Still, he wrote, hundreds had viewed and appreciated the paintings, so they had served a good purpose.

One letter in the collection involves neither art nor banking, but Civil War service in Virginia. It is from an old friend of Edmonds, William Fenton, who went to war along with his two sons and served as a colonel in the 8th Michigan regiment. Fenton describes a massive camp along the Rappahannock in detail and indignantly decries the "slaughter" at Fredericksburg as "almost unjustifiable," and due to "old fogeyism" in military strategy. "What was good strategy in the time of Napoleon may not be now." He criticizes political meddling in war and the advancement of "pets." Fenton encourages Edmonds to visit camp, for "[s]uch sights will never again be seen on this continent."

Besides correspondence, news clippings, some later genealogical material, and a draft excerpt from Edmonds' autobiography (ca.1860), the collection includes several pencil sketches by the artist. Eight rough but skillful sketches on small scraps of paper feature indoor and outdoor scenes of people and animals. One is water-colored. There is also a large preliminary study of Edmonds painting "The Bashful Cousin". It is not identified as such, and background scene and details differ from the finished version, but the two main characters are clearly recognizable.

This collection is comprised of seventy muster rolls and 15 additional letters and documents of the German regiments employed by the British to fight in the American Revolutionary War.

This collection is comprised of seventy muster rolls and 15 related letters and documents of the German regiments employed by the British to fight in the American Revolutionary War. Most of the rolls are from 1781 and 1783 and include lists for soldiers captured at Yorktown. The rolls contain details such as the rank and names of the Hessians, casualties, and remarks, such as "sick in the Barracks." These rolls are certified by British commanding officers.

• Anhalt Zerbst army under Riedesel, Regiment Prinz Friedrich, Grenadier Battalion von Mengen, Regiment von Riedesel, Regiment von Specht.
• Hesse-Cassel. Grenadier Battalion vacant Graff; Grenadier Battalion von Loewenstein,Company von Biesenrodt, Company von Mondorff, Company von Wachs; Grenadier Regiment d'Angelelli, Leib Conmpany; Regiment von Bunau, Leib Company; Regiment Erb Prinz (4 folls for this list names of Hessians captured at Yorktown), Company von Cochenhausen, Company von Fuchs; Regiment von Lossberg, Jr., Company von Baurmeister, Company von Biesenrodt, Company von Romrod, Company von Wilmowsky, Leib Company.
• Hesse-Hanau. Artillery detachment under Pausch.
• Waldeck. Third Regiment, Company von Alberti, Company von Horn, Company von Penzel.

In addition to muster rolls is a copy of the treaty executed in 1776 between the Duke of Brunswick and George III for hiring German mercenaries. Also enclosed is a barrack account for the first regiment of Anspach troops during the winter of 1777-1778; several receipts, including three accounts submitted to the Great Britain Army Victualing Office (1786); an account of payments to foreign troops in America; and a statement from a surgeon named Pralle of the Bath infantry, certifying that several men belonged to Major General de Rhetz' regiment (1781). Documents are in English and German.

The Great Britain Indian Department collection is made up of documents, letters, and other manuscripts relating to interactions between government and military officials, Native Americans, and American residents from 1753 to 1795.

The Great Britain Indian Department collection is made up of documents, letters, and manuscripts relating to interactions between government and military officials, Native Americans, and American residents from 1753 to 1795. The bulk of the collection concerns British interactions with Native Americans in New York, Pennsylvania, and Ohio, with some material relating to South Carolina, Michigan, and Virginia. Official documents include passes for Native American travelers, speeches to and from Native American groups, copies of treaties, and reports and correspondence relative to diplomacy, peace efforts, and military affairs. Materials relay information on boundary disputes, prisoner exchanges, crimes committed against both American settlers and Native Americans, and Native American distress over land infringements.

Of particular note are the Albany Commissioners of Indian Affairs' reports (112 pages) from June 1753 to May 1755. These include copies of correspondence, reports of meetings with Native American groups, and remarks on fort construction, prisoner exchange, rivalries with the French, religious evangelization, and diplomacy. The collection also includes a manuscript copy of the August 1768 journal of Benjamin Roberts, an Indian commissary, in which he describes the trial of Captain Robert Rogers for treason.

Please see Box and Folder Listing below for a comprehensive inventory of the collection.

The Humphry and Moses Marshall papers primarily document the careers of botanist Humphry Marshall and his nephew and business associate, Moses Marshall.

The Humphry and Moses Marshall papers consist of 233 items: 181 letters (including drafts), 15 legal documents, 11 manuscripts, 10 poems, 4 account books, and several each of books, letter books, arithmetic notebooks, and broadsides. The materials span from 1721-1863.

The first series contains correspondence and a few legal documents and writings, arranged chronologically. The correspondence dates from 1733 to 1863 and is predominantly incoming. Humphry Marshall is the recipient of the bulk of the material (approximately 40%), followed by Moses Marshall (approx. 30%). The majority of the outgoing correspondence comes from the two "letterbooks" kept by Moses Marshall in 1791 and 1793. These books contain correspondence from a couple of days each, but provide a record of Marshall's response to inquiries from clients.

The bulk of correspondence prior to 1800 relates to Marshall's horticultural and botanical operations. Substantial numbers of orders are for plants and seeds from clients in other parts of the United States, England, Ireland, France, and Germany, and communications with middle men in the operation detail methods of packaging and shipping. Also of botanical interest is the correspondence with Marshall's "agents" in the field, including Moses Mendenhall, John and James Watson, Matthias King, Samuel Kramsh, and James Kenny. These men were admirers and friends of Humphry Marshall, and provided him with specimens collected from various regions of the country. The unsuccessful search for wild Franklinia alatamaha is mentioned in several letters (April 8, 1788: "There is not a plant of the Franklinia to be found"), and other letters include discussions of scientific expeditions either actualized or planned, mostly involving the participation of Moses Marshall. On November 14, 1786, Humphry described the logistics of tracking down ginseng, providing insight into the duties of plant collectors: "both of you being obliged to…encamp in the mountains strike up a fire & lie by it all night in the morning…climb up the sides of the mountains and dig towards evening…about 20 days in Going and Coming home again & digging the roots packing up &c." The content of the letters does not indicate the Marshalls' scientific interests or abilities, but this correspondence provides documentation for the complex network used by the Marshalls to collect, sell and distribute plants.

Approximately 18 letters relate to the Revolutionary War (see "Subject Index" under "Additional Descriptive Data"). These include letters that indicate Marshall's support for the nonimportation agreements (January 6, 1775), second hand reports of the Battles of Lexington and Concord (April 25, 1775) and of Yorktown (August 24, 1781), and an important series of correspondence from Samuel Preston Moore relating to the resignation of the trustees of the General Loan Office when American revolutionaries seized control (June 17 and 21, 1777). Also significant are two letters from Quaker conscientious objectors on the morality of paying taxes to support military activities (undated c. 1780 letter; July 14, 1781), a letter relating to the North Carolina Regulator insurrection (March 3, 1771), and one concerning the arrest by American forces of Quakers suspected of Loyalist sympathies (September 6, 1777). Finally, in the pre-Revolutionary period, the letters of James Kenny provide excellent descriptions of plant collecting and the area around Fort Pitt in 1759-60.

The items from 1840-1863 mainly relate to Moses Marshall, Jr. Most notable in among them are several letters from William Darlington written as he was preparing his Memorial to Humphry and Moses Marshall in 1848 and 1849. Moses, Jr's pro-Confederacy political views are clearly expressed in the series of three speeches written during the Civil War, also included in the series.

The Poetry series includes 10 undated poems. The Bound Materials series comprises the arithmetic notebooks of Jacob Martin, whose relationship to the Marshalls is unclear; Darlington’s manuscript, Historical Introduction to Bartram & Marshall, Marshall's copy of Dover's Useful Miscellanies; and nine uncut and unfolded sets of signatures from Arbustrum Americanum.

The James Sterling letter book contains the outgoing letters of Sterling, a prominent trader at Fort Detroit, concerning transactions, prices, demand for goods, as well as accounts of events during Pontiac's War.

The James Sterling letter book contains 164 pages and 175 letters in all, spanning July 1761 to October 1765. Sterling wrote all the letters while at Fort Detroit, and they deal mainly with business and occasional local political matters. His letters provide a picture of the fur trade and the consumer needs of Indians, French civilians, and the British military, as well as the day-to-day concerns of a prominent trader at Fort Detroit.

The volume opens with a 6-page record of a council held "at the Wiandot Town near Detroit" by the deputies of the Six Nations (Iroquois) in order to convince members of the Ottawa, Wyandotte, Ojibwa (Chippewa), and Potawatomi tribes to ally themselves with the French. Sterling acted as interpreter during the meeting, and kept its minutes. The document records the Iroquois' grievances with the British, whom they accused of having "Disrespect" for them and their lands, adding "their Behaviour towards us gives us the greatest Reason to believe that they intend to Cutt us off intirely." The Iroquois urged the more western tribes to take quick action against the British and stated that "our Warriors are already prepared." The document contains long quotes from several speakers, including an Iroquois deputy and a "Captain Campbell," likely Donald Campbell, who expressed astonishment at the belligerent attitude of the Iroquois toward the British. The following day, the western tribes reported the meeting to the British, maintaining their loyalty.

Sterling's outgoing letters commence on July 20, 1761. He mainly wrote them to trading partners and clients, discussing details of shipments, prices (generally calculated in beaver pelts), and the availability of goods. On page 11 of the book, in a letter to Captain Walter Rutherford [August 27, 1761?], Sterling listed numerous items for sale along with their prices in pelts. These include strouds, blankets, shirts, buckskins, wampum, brass kettles, gun powder, knives, bed lace, and thread. Letters also shed light on the destinations and methods of the transportation of goods. In the first years of the correspondence, goods were shipped by fleets of bateaux, sometimes belonging to the military. Later, several schooners and sloops plied Lakes Erie and Huron, and went as far north as St. Mary’s River at Sault Ste-Marie. All goods had to be portaged at Niagara ("The Carrying Place"), while those to and from Albany were similarly reloaded at Oswego on Lake Ontario.

Sterling sometimes encountered problems with other traders and colleagues, including unscrupulousness, drunkenness, and offensive treatment of Native Americans, which alienated them as trading partners. He criticized John Collbeck, the commissary at Fort Niagara, for allowing his staff and servants to drink without restraint and for keeping a "seraglio of Indians Squahs in the same condition" of intoxication (January 10, 1762). On May 31, 1762, he complained to his partner, James Syme, that goods had arrived from New York "wet, dirty, and broken." Other hazards included storms and theft, which Sterling noted on several occasions.

A few letters detail the events of Pontiac's War as well as its effect on trade. On July 25, 1763, Sterling noted the capture of Fort Venango in Pennsylvania and the continuation of the siege at Fort Detroit, and hoped for relief from the army. On August 7, 1763, he described the Battle of Bloody Run as "the damn'd Drubbing the Savage Bougres gave us" and lamented the death of an aide-de-camp, "Capt. Delyelle." In other letters, he reported that trade with Native Americans had been prohibited by British officials (August 7, 1763), and gave an account of an attack on the schooner Huron by 340 Native Americans, resulting in the death of its commander, Captain Walter Horsey (September 8, 1763). The volume contains a gap in the correspondence between October 1763 and September 1764.

The volume also contains occasional references to Sterling's personal life. In a letter of February 26, 1765, Sterling informed his associate, John Duncan, that he had married Angélique Cuillerier, "the best interpreter of Indian languages in Detroit;" her dowry of 1,000 pounds included houses in Fort Detroit. Sterling also frequently referenced his brother, John Sterling, who was stationed at Niagara. James did not feel that John was capable of running the operation there, but called him dependable.

The Jared and Susannah Arnold papers are a collection of letters, written primarily by family members, pertaining to business and family matters. Legal documents regarding shipping, deeds for ships, etc. are also included in the collection.

The Jared and Susannah Arnold papers consist primarily of correspondence written between the couple and their children in the early 19th century. The earliest items in the Correspondence series, which makes up the bulk of the collection, are personal letters written and received by Jared Arnold and Susannah Brainerd before their marriage; these include material from Jared to his brothers, Simon and Joseph, as well as several addressed to Susannah by female friends. Many of the early letters detail the couple'scourtship; following their marriage, they corresponded with friends and family about their travels to New York, Baltimore, and other cities on the East Coast. Later material in the collection reflects the lives of the Arnolds' three sons, who frequently wrote their parents and, less often, each other; their son Owen, for example, shared his experiences at Yale College in the mid-1830s, and on one occasion detailed his expenses (February 6, 1835). Later, Owen wrote from his teaching post in Milledgeville, Georgia, while Jared drew a map of land along the Chemung River near Elmira, New York; Owen's letter of April 27, 1843 contains several pencil sketches, including a hawk and rough patterns. Two of the letters are written on printed reports: the Commercial Reporter and Shipping List from Mobile, Alabama (December 6, 1837) and a report of "The Trustees of the Planters and Merchants Bank of Mobile" (April 3, 1847).

Documents in the collection include two shipping receipts; a document related to the ownership of the Exchange, of which Jared Arnold was captain, by Jozeb and Horace Stocking; and a power of attorney appointing Jared Arnold legal representative for Jozeb Stocking.