Collections : [University of Michigan William L. Clements Library]

The Jayne papers contain letters from Samuel Ferguson Jayne, during his service as a relief agent with the U.S. Sanitary Commission, to his fiancée Charlotte Elizabeth Jayne in the summer of 1864. He described his work at the U.S. Colored Hospital at City Point, Virginia, treating wounded soldiers from the battles at Spotsylvania, Cold Harbor, and the Battle of the Crater (Petersburg).

The Jayne papers consist of 17 letters from Samuel Ferguson Jayne, during his service as a relief agent with the U.S. Sanitary Commission, to his fiancée Charlotte Elizabeth Jayne in the summer of 1864. The letters, dated May 22-August 19, 1864, track his travels on the Mary Rapley steamboat and document his efforts at the U.S. Colored Hospital at City Point, Virginia. They discuss the numerous wounded soldiers coming from battles at Spotsylvania, Cold Harbor, and the Battle of the Crater (Petersburg), and include vivid details on the treatment of the men and the facilities of the hospitals. Jayne often notes the difficulties of getting the Union doctors to treat black troops. He wrote, "We have had to almost fight the doctors to get them to treat the colored men decently and to find them proper attention. When we came here most of the men were without beds. Now we have them upon, not only beds, but every man has also an iron bedstead, entirely covered by mosquito netting" (July 12). On August 9th, Jayne wrote that "There are very few agents here, who are adapted to such 'low' work as that of taking care of sick negroes" (August 9).

Jayne described in depth the types of wounds and afflictions the solders suffered. On August 4, he wrote "we are overcome with sick and wounded...I have found many who fought hand to hand with rebels, as their wounds are those made by the butts of muskets or clubs...We have twelve men digging graves today for our hospital alone." In a letter dated April 9th, he described a "terrible explosion" of an ammunition boat at City Point, Virginia, and its aftermath. Though the letters contain many details on his work managing the sick in the hospitals, they also include expressions of love for Charlotte, who Samuel was "compelled to write" in order "to keep [his] wits straight" (August 9, 1864). Jayne also commented on political and ethical issues of the war. For example, in the letter from August 19, 1864, he questioned the morality of paying black soldiers to fight in place of a drafted white soldier:

"I do not think it would be exactly fair to obtain a negro for a substitute. In the first place, in all modesty, they do not make as good soldiers as the whites, and at the present crisis of affairs, from all that I can learn from observation and report, one white man, even as insignificant as myself, is equal to two negroes for war purposes. Then, the negro fights under great disadvantages. If taken prisoner he is either murdered or sold into slavery--and I think that a government that permits its soldiers to be thus dealt with, without retaliating upon the enemy ought to go to perdition, or at least to a strongly seasoned purgatory. I would not ask a man to go as my substitute who would be murdered in cold blood because he was not of my race and color. Until we can procure the African some rights of civilized warfare, let the Anglo Saxon fight his own battles."

Jayne drew several sketches and commented on them. Of note is a picture of a ground plan of the U.S. Colored hospital, City Point, Virginia camp, annotated with the functions of many individual tents. It includes the positions of hospitals for the 5th, 6th, and 9th Corps. This plan accompanies the letter from July 15, 1864, in which Jayne provided additional details of the hospital camp.

• "Our pet lamb Molly," City Point Virginia, a pencil sketch of a young Black woman sitting in front of shelves of supplies (July 26, 1864).
• "Special Diet," a barefoot black man walking past army tents holding a mug and plate of fish (August 10, 1864).
• "For this are we Doctors," a black soldier with a bloody amputated arm (August 10, 1864).
• "Lizzie," a profile of a black woman sitting on a crate with her hands to her head (August 10, 1864).
• "Hospital bed" on the back: "This is a drawing of our hospital beds, with mosque-to netting. Made by Roberts, S. "(August 19, 1864).

This collection consists primarily of incoming personal and professional correspondence received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s.

This collection consists primarily of approximately 1,150 incoming personal and professional letters received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s. The papers also include 5 photographs, 4 printed portraits, and a small group of additional printed items.

The Correspondence series spans most of Barbour's career. The bulk is comprised primarily of letters John Barbour received between 1883 and 1899, reflecting the everyday lives of clergy in Connecticut and New England, as well as Barbour's work with the Episcopal Church and at Berkeley Divinity School. Many of the letters contain professional inquiries and reports of the writers' daily lives and work with local churches. Several relate to Barbour's role as the librarian of the Berkeley Divinity School, including factual questions and inquiries about specific volumes. Other letters request his services as a minister, including several from the Connecticut Hospital for the Insane in Middletown, Connecticut, and from other clergy requesting substitutes. Additionally, many of the letters concern religious education and mention prominent bishops and others in the Episcopal Church.

Two early items relate to John Barbour's father, Henry S. Barbour, and to administrative affairs of the town of Torrington, Connecticut, in 1852 and 1857. The series also includes a timetable for trains between Hartford, Connecticut, and New York City, and a manuscript complaint from attorney John R. Wittig to the Rt. Rev. Bishop Williams, issued against John Barbour, claiming that Barbour colluded with Wittig's wife in a conspiracy to "get rid" of him and seize his property (March 17, 1885).

The Photographs and portraits series holds 5 carte-de-visite photographs of members of the Barbour family, including Henry S., Sylvester, Herman H., Julia, and Joseph L. Barbour, as well as 4 printed portraits of Episcopal clergy.

The Printed items series contains biographical sketches of bishops, Episcopal clergy, and other figures, removed from published books and newspapers. Among those represented are Bishop John Williams and librarian Melvil Dewey. The series also includes approximately 20 invitations, programs, circular letters, and advertisements. One advertising card for the Fannie C. Paddock Memorial Hospital of Tacoma, Washington Territory, bears an engraved image of the facility.

This collection is comprised of 104 items related to Private First Class John Marshal Holcombe III's service in the United States Army Air Forces during World War II. Holcombe sent about 90 letters and other items to his parents and siblings in Farmington, Connecticut, while in training in Florida, South Dakota, and Utah in 1942 and 1943, and while serving in Africa between 1943 and 1945. He commented on various aspects of his training, the war, his health, and military life. The collection also contains 4 documents, 2 newspaper clippings, and 6 loose photographs related to Holcombe's military service.

This collection is comprised of 104 items related to Private First Class John Marshal Holcombe III's service in the United States Army Air Forces during World War II. Holcombe sent about 90 letters and other items to his parents and siblings in Farmington, Connecticut, while in training in Florida, South Dakota, and Utah in 1942 and 1943, and while serving in Africa between 1943 and 1945. He commented on various aspects of his training, the war, his health, and military life. The collection also contains 4 documents, 2 newspaper clippings, and 6 loose photographs related to Holcombe's military service.

The Correspondence series consists primarily of letters that John Holcombe III wrote to his parents, John Holcombe, Jr., and Marguerite Holcombe, and to his siblings, especially his sisters Ada ("Adie") and Gloria. Of the collection's 72 dated letters and other items, Holcombe composed 7 letters from the training center at Miami Beach, Florida, (June 1942-July 1942); 20 letters from the training center at Sioux Falls, South Dakota, (July 1942-December 1942); 4 letters from Kearns, Utah (December 1942-January 1943); and 35 letters from North and Central Africa between (February 1943-May 1945). Other items are a telegram, 3 letters from other soldiers to the Holcombe family, a blank record sheet for "Bombing Practise" [sic], and a speech that Holcombe composed in honor of his parents' 25th anniversary. Of the 20 undated items, 19 are letters from John Holcombe III to his family; the final item is a typed copy of his poem "Tropic Fever."

Holcombe's letters relate to many aspects of his life as a soldier, both in training and on active duty. An asthmatic, he frequently commented on his health; for example, his letters from late 1943 mention his stay in a hospital after he contracted malaria. Other letters describe the scenery in the United States and in Africa, as well as African cultures. Holcombe frequently referred to his experiences in training, which included drilling and attending technical classes, and he sometimes reported news of the war, such as Italy's surrender. He requested news from Connecticut and often wrote personal asides for his sister Ada. His later letters often concern his relationship with other soldiers, and increasingly provide more detailed information about his duties.

• July 6, 1942: Hand-drawn diagram of Holcombe's quarters, Sioux Falls, South Dakota
• August 20, 1942: Printed chart for weather reports, filled out in pencil
• September 14, 1942: Photograph of an unidentified soldier sitting on a bunk
• October 14, 1942: Photographs of a soldier punting a football and a soldier next to technical equipment and a chalkboard
• January 12, 1943: Printed cartoon of a soldier washing dishes
• March 19, 1943: 8 photographs of Africans
• June 14, 1943: Poem dedicated to Ada Holcombe on her 19th birthday
• April 7, 1944: Unidentified plant leaf
• July 17, 1944: Enclosed poem dated July 11, 1944
• January 25, 1945: Small drawing of a stickwoman
• Undated: Printed cartoon of a soldier writing

Additionally, several letters dated after October 1944 have a wax seal, often labeled "The Seal of the Clan & Huck Finn."

• United States Army Air Forces Technical School diploma for John Holcombe III's completion of a radio mechanics course (November 27, 1942)
• Travel orders for John Holcombe III and other soldiers, United States Army Headquarters, West African Service Command (March 20, 1945)
• "Salvati Africa" ticket stub (undated)
• Humorous certificate for John Holcombe III's membership in the Marching and Mayhem Club, illustrated with cartoons depicting Japanese and German soldiers being wounded (undated)

The two Newspaper Clippings are a copy of The Spectator Daily (March 22, 1945), and a copy of a John D. Rockefeller, Jr., radio broadcast entitled "I Believe" (undated).

Six black-and-white Photographs illustrate scenes from Asmara, Eritrea, such as a market, a horse-drawn carriage, and buildings.

The Paulding collection contains eleven heavily illustrated letters written from Chicago, Illinois by the teenaged artist-in-training, John Paulding, to his mother.

The Paulding collection contains eleven heavily illustrated letters written by the teenaged artist-in-training, John Paulding, to his mother between 1897 and 1899. The content of these brief letters is limited, but Paulding's light-hearted style and good nature make reading them enjoyable, and there are a few small barbs about his status as a bachelor in the city, and about the possibility that the art work he sends home might scandalize the small town in which his mother lives (Carthage, Mo.). "I can hang the pictures in my room," he wrote, "because I am a young bachelor and live in a city where such matters are not given criticism. You are situated differently" (1898 March 13).

The main interest in Paulding's letters, however, are the excellent pen and ink sketches that he uses to illustrate his experiences in the city. Each letter contains as many as half a dozen small sketches, ranging from humorous self portraits to views of the street outside his window, country roads, and humorous characters. As an illustrator, Paulding's style is strongly influenced by the popular magazine illustrators of the day, featuring strong, clean lines, and outstanding attention to detail and character.

The Jonathan Chase papers contain letters and documents relating to the services of Colonel Jonathan Chase, of the 13th and 15th New Hampshire Militia regiments, during the Revolutionary War. These record Chase's involvement with recruiting soldiers and providing supplies for the army during the war.

The Jonathan Chase papers (74 items) in the Schoff Revolutionary War Collection contain 39 letters, 1 letterbook, and 34 documents and financial records (including receipts, soldier rolls, and commissions) relating to the services of Colonel Jonathan Chase, of the 13th and 15th New Hampshire Militia regiments, during the Revolutionary War. Chase was actively involved in recruiting soldiers and in providing supplies for the army during the war. This collection documents his part in these efforts and includes several wartime letters that depict the military situation in New England.

The Correspondence series contains 39 items, all of which are related to the Revolutionary War. Frequent correspondents include Benjamin Giles, a New Hampshire officer stationed in Charlestown, Massachusetts; Meshech Weare, President of New Hampshire; Major Jonathan Child; Major General Nathaniel Fulsom; and Jacob Bayley. The earliest letters are requests from officers at Charlestown, Massachusetts, with orders for Chase to send flour and meat to feed their troops. Meshech Weare wrote 10 letters on behalf of the Committee of Safety for New Hampshire, headquartered in Exeter. These dealt with military matters, informing Chase of the structure of the militia (July 18, 1777) and calling for him to draft a certain number of men from his militia units to fill a quota mandated by the Continental Congress. Weare specifically recommended that Chase must not trust prisoners of war or enemy deserters (March 9, 1778).

Other notable items include letters dealing with military matters such as deserters (July 23, 1779 and May 27, 1781), and pay incentives for enlisted soldiers (June 20, 1779). A report issued by the New Hampshire House of Representatives, dated April 15, 1781, outlined plans for the defense of the western New Hampshire frontier. One of several letters from Jacob Bayley warned of a possible attack near Otter Creek in Vermont and advised that "each man would equip himself with snow-shoes &c" (February 8, 1780). In an urgent letter, General Peter Olcott advised Chase to have his men ready "to march at a minutes warning to the relief of any quarter which may be invaded" (October 15, 1781). Post-war items, in both the Correspondence and Documents and Financial Records series concern reimbursements from the United States government for expenses incurred during the war. Though most of the items in the collection are official in nature, one letter reveals personal struggles during the war: Elisha Payne, in a letter dated May 12, 1777, explained to Jonathan Chase that he cannot stay with the militia because he must tend to his wife and many small children, and can find no one to take care of his land while he is away; also, he is unsure his health can take the strain.

The 14-page Letterbook contains 34 numbered letters. While the letterbook is largely comprised of copies of records dealing with supplies, food, and money, it also contains letters from Chase, Moses Hazen, Major Jonathan Childs, Jacob Bailey, and Horatio Gates. These describe troop missions and news about the war. Of note are two letters: one is from Moses Hazen mentioning that the French fleet is to be expected to arrive at the end of June, 1780 (p. 9, June [14], 1780); and the other is 1778 letter to the Chairman of the Committee of Bennington discussing the sending the 15th New Hampshire regiment to defend Vermont (p.12-13, [1780]).

The Documents and Financial Records series (34 items) contains lists of officers and soldiers recruited and dispatched by Chase, records of military expenses kept by Chase, and 3 printed items appointing Chase to various official positions. Nine items are regimental returns and other lists of soldiers, including returns for soldiers who marched with Chase to Ticonderoga and Saratoga. One document, of June 10, 1777, lists men under guard, with their infractions. The series contains 12 military records of payments for food, supplies, and soldiers pay. Two of these are post-war accounts kept by Jonathan Child and Jonathan Chase, documenting expenses incurred on behalf of the United States during the war, with calculations of interest up to December 13, 1786, and March 1, 1791.

• May 8, 1781, Jonathan Chase's appointment as "Colonel of the first Regiment in the 3rd Brigade & third Regiment of the Militia of this State [of Vermont]," signed by Thomas Chittenden
• December 25, 1784, Jonathan Chase's appointment as "Colonel of the Fifteenth Regiment of Militia, in the said State of New-Hampshire." signed by Meshech Weare
• September 13, 1786, Jonathan Chase's appointment as "a Brigadier General of the Militia, in the said State of New-Hampshire." signed by John Sullivan and Joseph Pearson. A note on the document, dated June 9, 1791, and signed by Josiah Bartlett, grants Jonathan Chase "leave to resign his Commission as a Brigadier General of the militia."

The Kane family papers contain letters from a large family and document various family matters.

The Kane family papers span multiple generations; they include letters, deeds, and miscellaneous documents from various members of the Kane Family and documents the family member’s lives and relationships.

Of the 225 items in this collection 185 are letters, of which 121 are dated between 1851 and 1866. Most of the letters are addressed to Bessie Kane from her brothers Thomas Leiper, Robert Patterson, and John Kintzing, and her sisters-in-law Elizabeth Dennistoun Wood Kane and Mable Bayard Kane. The correspondence also has letters to and from other members of the family and some from Mable Bayard Kane’s family. Also part of the collection, are 10 letters from 1800-1801 addressed to Elisha Kane, Sr.

The letters mostly concern family matters such as sickness, deaths, engagements, marriages, the Presbyterian religion, births, and children.

Approximately 35 letters written by Elizabeth D. Wood Kane, wife of Thomas Leiper Kane, present a portrait of a well educated and well-to-do young woman living in Fort Hamilton, New York. These letters fall primarily between 1851 and 1863 and provide details regarding clothing and fashion, her home and nursery and her feelings regarding the sickness and death of her child, Maggie, who died in 1851. She describes walking down Broadway in search of muslin mantillas, weeping over Uncle Tom’s Cabin, and expresses her concern for her husband, who was serving in the Civil War. In 1852, Elizabeth traveled to Europe and provided descriptions of Liverpool and Paris, which included witnessing the extravagant arrival of Louis Napoleon.

The few letters from Mabel Bayard Kane, husband of John K. Kane, Jr., express her feelings of loneliness, John’s leaving for the Civil War, and her appreciation for the sisterly concern shown by Elizabeth. In addition, the collection contains two letters written by Alida Van Rensselaer (1766-1834), Elizabeth’s paternal grandmother. They are written to her cousin, Jane D. L. Kane in 1819 and 1820 regarding a visit with a dying friend, family news, and reading chemistry with another female friend.

Though the correspondence continues through the Civil War few letters mention the war or the Kane family members participating in it. John Kintzing Kane Jr. wrote five letters while in Cairo, Illinois, serving in the hospital there, and one letter from Elizabeth Dennistoun Wood Kane concerns her husband, Thomas Leiper, resigning from the army.

Of note are the nine letters from John Kintzing Jr. describing his medical studies in Paris in 1857. Two letters from Thomas Leiper describe going west with the Mormons in 1846. Also, one letter of July 1855 is a petition to Judge John Kintzing Kane for three slaves being kept in Pennsylvania to be returned under the fugitive slave law.

The collection includes 14 deeds and memorandum to Elisha Kane dating from 1798-1823, most concerning H.G. Livingston and Oliver Phelps. The correspondence to Elisha Kane, Sr. primarily deals with buying, selling and farming land.

The collection also contains two of Robert Patterson Kane’s calling cards with notes on them from July 1858, a fifteen page pamphlet from 1883 on vaccination entitled “Of the Importance of General Vaccination and the Groundlessness of the Prejudices Against it A paper prepared at the request of the state board of health” by John Kintzing Kane Jr., and poem entitled “Goodbye to Noah’s Ark” by S.W.M. and copied by John Kintzing Kane, dated 1849. A sheet of paper with “Kane v. Bitchett and Livingston v. Kane” written on it and 21 miscellaneous envelopes complete the collection. A few letters from Robert Patterson Kane have pen and ink sketches, and one from John K. Kane has a small sketch of a gravestone.

The Louise Gilman papers consist of letters written by Louise Gilman while serving as a teacher at the Hampton Institute in Hampton, Viriginia, a school set up to educate freed slaves. The letters describe Gilman's activities as a teacher and her thoughts about the black students.

The Louise Gilman papers consist of 21 letters written by Louise Gilman to her elder sisters Molly and Emily, one to her brother, Edward, and four letters to Lizzie (probably Elizabeth Dwight Woolsey Gilman, ca. 1839-1910) or Hattie, who may either be friends or relatives. The collection also includes five letters from Molly Gilman to Lizzie, and a copy of one letter from Samuel C. Armstrong to one of the Miss Woolseys (probably Georgeanna).

Gilman's letters to her sisters include several fine descriptions of the still unfinished grounds of the Hampton Institute and portray an interesting, though not highly detailed picture of the life of a freedmen's teacher. The eagerness of many of the students to learn to read and the enthusiasm for education, at least among some of them, comes through strongly in these letters. One letter in particular provides an outstanding description of the Institute, the teachers' rooms and the daily routine, along with a long description of a visit to a Freedman's Church and Sunday School (1869 February 21). Gilman's final lines in her description of the Sunday School capture some of the complexity of her feelings about her experience: "I have spun out a long story of all this - but how else can I give you an idea of the mixture of free-ness & pomposity, of rudeness & simple decorum in all the exercises - I wish I could give you a picture of the whole scene! Such bonnets! Such hoops!!"

A running tension in the Gilman correspondence is the mixture of admiration and respect that Gilman musters for her pupils, leavened with an air of condescension and occasional scorn. At times, it can be difficult to discern her true feelings, as when she implies that books found in the Slabtown Sunday School might have been stolen, or when she suggests that she might bring home an 18 year old African-American girl whose health and well-being might improve at the north. Gilman adds, revealingly, "'Nothing offensive or niggery about her' says Rebecca [Bacon] -- 'She don't smell bad.' She has never received wages -- & I have not doubt would be satisfied with very small wages at least till the expenses of her journey are paid" (1869 April 27).

The Lydia Maria Child papers consist of ninety mostly personal letters by Lydia Child; the bulk of them were written to her wealthy abolitionist and philanthropic friends in Boston, the Lorings.

The collection consists of ninety mostly personal and often playfully provocative letters dating from approximately 1835 to 1877. Most of them are from Lydia Maria Child to her wealthy Boston abolitionist and philanthropic friends, the Lorings, and date from 1839 to 1859. They thus concentrate on the period of Maria Child's distress with the institutional politics of antislavery, her editorship of the Standard, her growing attachment to New York Bohemia, and the publication of Letters From New York. Many of the letters deal simply with her day to day finances, friends, and family.

These letters chart Maria Child's loss of "pleasure" in "anti Slavery" until the martyrdom of John Brown renewed her "youth and strength." They witness her antagonism to the aggressive tactics of elements of the American Anti-Slavery Society and her defense of the "Old Organization." It is in terms of intra-organizational criticism that she justifies her job at the Standard despite reservations. Later, however, the letters witness her declining commitment to pacifism. They describe a remarkable fearlessness to the danger of the mobs in New York, and they note the challenges that the Standard faced. They speak of Maria Child's withdrawal from cliques of reformers and antislavery organizations, though clearly her hermitage was constantly broken by meetings with the likes of Catherine Beecher and Margaret Fuller. Throughout, she declares a radical social egalitarianism while demonstrating a contemporary racial paternalism and liberalism. Of particular interest concerning antislavery and race are:

• (1) To George Kimball, Jan 1835, on Texas and the freemen plantation in Mexico
• (3) To Louisa L., April 1839, concerning the discord within the movement
• (6) To "Nonny", Dec 1840, of a story about "our colored man... our retainers"
• (8) To Ellis L., May 1841, about guilt for accepting money for editing the Standard
• (9) To Ellis L., June 1841, where she insinuates the A.A.S.S. with proslavery form
• (13) To Ellis L., May 1842, about the Boston and Philadelphia cliques and N.Y. mobs
• (17) To Louisa L., May 1843, about the New York Letters and Angelina Grimké
• (48) To Ellis L., December 1852, with reference to Charles Sumner and Catherine Beecher
• (57) To Louisa L., October 1856, about Kansas and Frémont
• (69) To Oliver Johnson (A.A.S.), Dec. 1859, on John Brown's execution
• (70) To William Cutler, July 1862, on the questions of wage slavery and social equality
• (72) To Anna L., Oct (1871?), on a "mulatto girl" asking for handouts.

More peripherally the letters are witness to the homosocial support networks of Victorian America despite their author's exceptional ability to transcend the limitations imposed on her sex. Of the latter she was painfully aware, complaining here of the impropriety of a "young lady" staying at the Globe Hotel, determining to "always avoid belonging to any association of men" because of her "experience," noting how her critics preferred to attack her as a woman rather than deal with the facts, how some were shocked to meet a woman like her, and complaining about her gendered financial liabilities despite her disfranchisement. Indeed, she detaches gender stereotypes from biological sex as she writes repeatedly of the "small female minds of both sexes." Writing domestic guides for women and attending Emerson's lectures on domestic life never reconciled Maria Child to domestic work, of which she often complains here. On the other hand, she seemed to relish romance and also writes of her caring for a "wild Irish girl," and her poor niece Maria, and her taking in of Dolores, a poor Spanish woman, as her companion. Particularly relevant are her letters: (67) To Louisa L., December 1857, a story of two babies engaged in the struggle of the sexes; (71) To Anna L., July 1871, on suffrage for societal efficiency and female education.

Lydia Maria Child's letters also chart her critical attitude to religious and social injustice in general. This is born out in accounts of specific incidents of charity to orphans abandoned in the Tombs. Calling Angelina Grimké a "flaming Millerite," Maria Child also makes fun of her patron Isaac T. Hopper's Quakerism, claims to prefer the "Lord Pope" to the "Lord Presbyters," and "shocked... Christian piety by saying if Mendelssohn were a Jew, I hoped I should get into the Jew's Quarter in heaven." Her "dislike to respectable Puritanical character" crops up repeatedly in these letters. In one letter she jokingly claims her "right to be damned." She praises Plato as a forefather of "modern socialists" and writes of the world of the spirits and of her "bigotted Swedenborgian[ism]." In terms of her pacifism she recounts an argument she had with Samuel Colt over "his battery." Her letters moreover present a consistent picture of her preference for the soul-inspired music of the underdog against anything machine-like, or tainted by the "diseased ambition of wealth and show... and respectability." She criticizes the "ruffianly Forrest" and the Astor Place Riots for demagoguery and violence while repeatedly noting the blindness of aristocracy and arguing for a world in which "all ranks, and sexes, and sects, and barriers of all sorts," would be ignored. In an elusive search for freedom she claims pleasure in acting "contrary to statutes made and provided."

The Marmaduke Burrough papers contain business and personal correspondence and documents, primarily related to Marmaduke Burrough’s time as United States Consul at Lima, Peru; Calcutta, India; and Vera Cruz, Mexico.

The Marmaduke Burrough papers is comprised of 495 letters, 51 essays and personal papers, 5 drawings, 418 financial records, 20 documents, and 4 items of printed material.

The Correspondence series holds Burrough's business, official, and personal items. The letters are mostly to Burrough though some are copies and drafts of letters by him. Many letters contain routine material on provisioning U.S. naval ships at Vera Cruz or requests from U.S. citizens for assistance, while others are from fellow consuls in Mexico. These describe tensions between U.S. and Mexico over the question of Texas annexation and express opinions on Washington politics. Other notable topics include the arrests of U.S. citizens by the Mexican Navy for being "Texas Pirates," the discussion of an assassination attempt on President Jackson, and the expected election of Martin Van Buren. A few letters are in Spanish and French.

The Essays, Drawings, Personal Papers, and Notes series holds many interesting items, such as a bundle of poems; medicine lists and prescriptions with notes; sketches of the island of Borneo and a beautiful detailed drawing of an Indian man riding a rhinoceros (undated); and a number of essays including travel notes and observations on leprosy.

The Financial Records series consists of bundles of ship provisions and medical inventories, travel notes, receipts, legal documents, accounting sheets, and a subseries of loose receipts and accounts.

The Documents series contains contracts, investment memoranda, an official appointment as consul, debt settlements, partnership agreements, insurance documents, and a deposition of witness for the seizure of an American ship by the Mexican government for importing counterfeit coins into Mexico.

The Printed Materials series holds a booklet called Friends' Miscellany (1831) and three formal invitations.

The William L. Clements Library acquired two newspaper cuttings separately from the Marmaduke Burrough Papers, which have been placed with the collection for their possible relation to the rhinoceroses imported by Marmaduke Burrough, and for ease of research. They include illustrated advertisements for the traveling Menagerie and Aviary, Zoological Institute, New York (at Bridgeport, Connecticut, and Newport, Rhode Island). The Library is currently unclear about whether or not the Zoological Institute rhinoceros is the same as one of the rhinos imported by Burrough.

The Puffer papers consist of items relating to the family history and tea room operated by the Puffer sisters in Nobleboro, Maine; much of the material is undated.

The most significant item in this collection is a typescript manuscript in two parts, "Recollections and Recipes," written by Mary Sophia Puffer, and "Nobleboro Community Kitchen", written by her sister, Alice. In addition, there are seven unique copies of Community Kitchen menus and several seemingly unrelated land deeds.

The first part of the typescript is aptly described by the author: "Around the seasons and through the years with a suburban Boston family, from Massachusetts to Maine and New Jersey, with happy memories and good eating made possible by old Yankee recipes handed down from generation to generation, culminating in the successful operation of a popular tea-room." This account of family travels and customs is interspersed with over sixty recipes. A tremendous appreciation for food fuels this reminiscence, which seems to have been written much later in life.

Alice Puffer goes on to describe the "birth and death of a tea room in the pre-war days of plenty" and provides some more recipes, including ones for lemon meringue pie, "the best seller and reputation maker... no ordinary haphazard confection," and the original recipe for Parker House rolls. The roll recipe was obtained by the Puffer's father directly from the chef at the Parker House, but the sisters found ways to improve it.

Two Community Kitchen menus are for afternoon tea and have watercolor paintings on the front. There are also five black menu cards painted by a "gifted art student" and four handwritten menus to accompany them. Lobsters are naturally featured ("We boil our own lobsters and Maine deep-sea lobsters have a flavor all their own"), as well as berry pies, "lemon pie, with a wonderful meringue", "rich creamy milk from a herd of registered cows" and "community pickles."

The six deeds are all for properties in the Nobleboro area and date from 1830 to 1912. They seem to be unrelated to the Community Kitchen materials, even though one deed, dated 1911, is from Robert W. and wife Blanche Puffer to O. C. Nutting. There is also a sketch of property lines done by Frank Bulfinch for Charles M. Hall in 1907.