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The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Hair documents, ephemera, and prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair.

The Hair Documents, Ephemera, and Prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts from British monarchs George II and George III relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair. The material spans from 1717 to the late 1980s, with the bulk of materials dating from the late eighteenth century to the end of the nineteenth century. A majority of the materials are from England, although some are from Belgium, France, Switzerland, and Scotland. Many of the items are satirical and are commentary on fashion and the idea that the local barber was the "jack of all trades." Two similar items, a comical manuscript resume of "Isaac Morgan" and a fictitious advertisement for the varied services of "Isaac Factotum" offer exaggerated illustrations of how a barber did more than cut hair. Of interest is a series of mid-nineteenth century Valentines which center around the love-lives of barbers. Also included is a letter from Alex Campbell to his relative John Campbell, the Cashier of the Royal Bank of Scotland during the Jacobite rising of 1745. There is also sheet music from the composer (Franz) Joseph Haydn (1732-1809), A Pastoral Song, better known as My Mother bids me bind my hair. Of note are prints by British satirists William Hogarth, Isaac and George Cruikshank, and Thomas Rowlandson.

This collection consists of incoming letters and printed items to Henry Stahl, undertaker at Homeworth and nearby Washington Township, Ohio, in the late 19th century. Stahl kept letters, receipts, and trade cards, plus printed pamphlets, advertisements, and price lists for funeral home supplies and stock. They pertain to caskets and children's coffins, floral designs, wrappers, linings, trimmings, embalming fluid, headstones/tombstones/monuments, trade magazine subscriptions, and other items. Businesses that Stahl engaged with include Hamilton, Lemmon, Arnold & Company; Excelsior Coffin and Casket Works; Detroit Metallic Casket Company; Cincinnati Coffin Company; and others.

This collection consists of 25 incoming letters and printed items to Henry Stahl, undertaker at Homeworth and nearby Washington Township, Ohio, in the late 19th century. Stahl kept letters, receipts, and trade cards, plus printed pamphlets, advertisements, and price lists for funeral home supplies and stock. They pertain to caskets and children's coffins, floral designs, wrappers, linings, trimmings; embalming fluid, headstones/tombstones/monuments, trade magazine subscriptions, and other items. Businesses that Stahl engaged with include Hamilton, Lemmon, Arnold & Company; Excelsior Coffin and Casket Works; Detroit Metallic Casket Company; Cincinnati Coffin Company; and others.

Please see the Box and Folder Listing below for information about each item in the collection.

The Hubble family scrapbooks consist of two volumes containing trade cards, clipped engravings, and other scrapbook materials compiled by members of the Hubble family of Monroe, Michigan.

The Hubble family scrapbooks consist of two volumes containing trade cards, clipped engravings, and other scrapbook materials compiled by members of the Hubble family of Monroe, Michigan.

Volume 1: The first volume (35 x 25.5 cm) was originally a copy of the 1876-77 Autumn and Winter edition of Mme. Demorest’s Illustrated Portfolio of the Fashions and has red cloth covers and gilt embossing work on the front and back. “Monroe Hubble” is inscribed on the volume’s first page, while “Willie Hubble” is written on the inside of the back cover; both inscriptions appear to be written in a child’s hand. Two engravings by Kimmel & Voigt made for Demorest’s Monthly Magazine appear towards the front and were part of the original volume. Subsequent pages also reveal numerous illustrations and descriptions of various articles of clothing listed in Demorest’s fashion catalog, though much of this has been obscured by scrapbook items that were pasted in. Compiled materials mainly include various trade cards and scrapbook decorations, but also include several engravings showing scenic and rural landscapes, women’s fashions, portraits, and performance artists (including Smith’s Swiss Bell Ringers). Of particular note are Uncle Tom’s Cabin-related illustrations and cartoons involving racial caricatures of an African American regiment called “The South 5th Rangers.”

Volume 2: The second volume (25 x 20 cm) has red paper covers with “Scrapbook” and decorative designs embossed in gold on the front. A photomechanical reproduction of a portrait of N. B. Hubble as an adult appears on the inside of the front cover. Subsequent materials mostly include trade cards and scrapbook decorations, several of which also appear in the first volume. Many of the trade cards were produced by the Calvert Lithograph Co. of Detroit. Items of note include Shakespeare-related cartoons; an ad for “Mme. Fontaine’s Bosom Beautifier” that incorporates a portrait of Oscar Wilde; a photographic portrait of a baby made to look like a stamp; and scrapbook cutouts including one of a black man (likely supposed to be a Haitian soldier) wearing one boot and components of a French Army uniform as well as one of two women embracing and kissing.

The papers of Dr. Rufus Degranza Pease are made up of 219 letters, documents, drafts, a diary, notes, broadsides and handbills, a printed journal, and ephemeral items dating between 1844 and 1890. The papers contain 195 incoming letters and drafts of outgoing letters focusing heavily on four main areas: itinerant teaching and lecturing on scientific and pseudoscientific subjects in Indiana, Illinois, Iowa, Michigan, and other areas between the 1840s and 1860s; Dr. Pease's imprisonment at Oshkosh, Wisconsin, in October-November 1863; Dr. Pease's work for and later litigation against the National Christian Association Opposed to Secret Societies, late 1860s-1870s; and his work as phrenologist and physiognomist in Philadelphia in the 1870s and 1880s. The collection also includes Dr. Pease's 1855 pocket diary, a copy of Pease's The Journal of Man (1871), and a variety of printed handbills, tickets, broadsides, business cards, and trade cards associated with Dr. Pease's lectures and occupations.

The papers of phrenologist and physiognomist Rufus Degranza Pease are made up of 219 letters, documents, drafts, a diary, speeches, notes, broadsides, a printed journal, and ephemeral items dating between 1844 and 1890.

The Correspondence and Documents series contains 195 incoming letters and drafts of outgoing letters focusing heavily on four main areas:

• Itinerant teaching and lecturing on scientific and pseudoscientific subjects in Indiana, Illinois, Iowa, Michigan, and other areas between the 1840s and 1860s;
• Dr. Pease's imprisonment at Oshkosh, Wisconsin, in October-November 1863;
• Dr. Pease's work for and later litigation against the National Christian Association Opposed to Secret Societies in the late 1860s and early 1870s; and
• His work as phrenologist and physiognomist in Philadelphia in the 1870s and 1880s (including several drafts pertinent to Dr. Pease's analysis of Charles Guiteau's "psycho-physiology," dated 1881 and 1882)

The collection also includes Dr. Pease's preprinted Pocket Diary for 1855. For Registering Events of Past or Present Occurrence ... Boston: Wm. J. Reynolds & Co., [1855]. Dr. Pease used this daily diary to document activities, notes, costs and purchases, medicinal recipes and more. It is unclear whether or not many of the entries correspond to the pre-printed dates on which they were written. He spent much of 1855 in Indiana (particularly Wayne County). Examples of his brief entries include: "Completed my large portfolio" (March 3); a recipe for broth taken from the Tribune (March 10). "Went to Indianapolis on cars . . . got cards printed . . . guitar strings. & saw Risher Linder in bookstore" (April 2); a rough pencil sketch of a "Puzzle box"; card printing and costs, and Silas Galespy's printer in Iowa (April 4-6); section headed "The Italian Lost Girl" with brief biographical notes about Amelia [Ettensberger?] (April 7-9); instructions for making "Webber's Plates" (for portrait painting) (April 22-23); reference to "Lectures to Ladies on Anatomy..." followed by a note "Mrs Lukens is said to be in sympathy with H.C. Wright." (April 24-25); an entry stating "a want of sensibility in the skin has been found in a vast number of cases of insanity" (June 18); a treatment for "Frozen flesh" (July 15-16 and November 27). Throughout are very brief notes or lists pertinent to articles and books, art, geographical locations, body measurements, names of people, professions, where they were from or where he met them, and places.

The papers include a single Photograph, a 3.5" x 2.5" tintype group portrait of three unidentified women, one standing behind two seated.

The collection's Printed Items include:

• R. D. Pease, The Journal of Man. Philadelphia: Wm. S. Rentoul, January 1872.
• Two business cards for "R. D. Pease, M. D., Editor of the Journal of Man," one with manuscript revisions.
• One trade card for R. D. Pease's services in Philadelphia.
• Eleven different handbills, broadsides, programs, and prospectuses for lectures and courses by Dr. Pease and others, plus fragments.
• Four tickets to lectures and courses by Dr. Pease (including one complimentary ticket for the Wagner Institute of Science).