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This volume contains financial records, journal entries, planting lists, and other content related to a farmer and fur trader in the early 19th century.

This volume is comprised of financial records, journal entries, planting lists, and other content related to a farmer and fur trader in the early 19th century.

• Undated list of prices for animal skins, "Expences Coming to Pennsylvania," and "Expences at the quitting" (1 page)
• Chronological accounts (11 pages, February 1806-March 1806; September 1806-November 1806; and undated)
• Double-entry accounts (9 pages, February 1806-May 1806)

Several individuals, including Sidney Wells, Matthew Gibson, and Daniel Whipple, are represented in both chronological and double-entry records. Most entries pertain to skins from mink, muskrat, and martin, and to manual labor tasks such as cutting grubs, drawings logs, and rafting. Other accounts concern sundries, a knife, a watch, and "a Balance between Guns."

The volume contains 3 pages of notes and journal entries about the author's travels from Cambridge to towns in Pennsylvania (2 pages, February 1806-July 1806); and from Philadelphia, Pennsylvania, to Lansingburgh, New York, via New Jersey and New York City (1 page, August 1806). His notes refer to travel by land and water.

Two pages concern crops planted at Cambridge in May 1808, including potatoes, beans, cabbage, corn, peas, beets, and oats. The volume also has an 8-page list of names and numbers; drawings of a compass rose and geometric shapes; signatures of James Peters and Lydia M. Peters; a very rough sketch of an "apple machine" (apparently for coring or peeling and apple) below which is written the name "George Washington"; and page of manuscript sheet music for the "Duke of Halstein's March."

This collection contains material related to Daniel Decatur Emmett and the song "Dixie," which he published in 1860. The collection has 4 autograph items by Emmett, an additional letter, a photograph, and a first edition music score.

This collection contains material related to Daniel Decatur Emmett and the song "Dixie," which he published in 1860. The collection has 4 autograph items by Emmett, as well as an additional letter, a signed photograph of Daniel Emmett, and a first edition music score of "Dixie" (1860). Two items concern the debate about the song's authorship. The collection also includes an undated holograph manuscript of Emmett's song "Old Dan Tucker." See the Detailed Box and Folder Listing for more information.

This collection contains 77 letters that members of the Disosway and Wilkins families of New York, Maryland, and Virginia wrote and received between 1861 and 1864. Correspondents include several Union soldiers who wrote about their military experiences, women who commented on wartime life in Maryland and Virginia, and southern sympathizers.

This collection contains 77 letters that members of the Disosway and Wilkins families of New York, Maryland, and Virginia wrote and received between 1861 and 1864. Correspondents include several Union soldiers who wrote about their military experiences, women who commented on wartime life in Maryland and Virginia, and southern sympathizers. The collection also includes 2 reflections on the death of William W. Disosway and the lyrics to a military song.

The bulk of the Correspondence series is made up of letters that Annie R. Disosway received from her brother, First Lieutenant William Wilkins Disosway of the 1st New York Cavalry Regiment and 1st New York Mounted Rifles; from a friend, Captain Richard H. Lee of the 1st New York Cavalry Regiment and 16th Independent Battery of the New York Light Artillery; and from several aunts and cousins living in Baltimore, Maryland, and in Virginia. In his 16 letters (13 to Annie R. Disosway and 3 to Eliza Disosway), William Disosway described camp life, particularly at Camp Kearney, Virginia, and related his experiences in the army; he occasionally mentioned participating in skirmishes or other actions in southern Virginia, such as the Union Army's move into Yorktown, Virginia (May 6, 1862), an action at Blackwater, Virginia (December 14, 1862), and "Spear's Raid" (August 4, 1863). On March 30, 1863, he mentioned his intent to join the French invasion of Mexico.

Richard Lee's 8 letters concern similar military topics and details about camp life, including his vow to remain temperate while in the Army (September 29, 1861). Lee enclosed a carte-de-visite portrait in one letter (August 14, 1862). Another Union soldier, Russell P. Forkey, wrote 2 letters in late 1861; in one, he mentioned the case of a fellow soldier charged with an intention to defect (December 22, 1861).

Most civilians' letters pertain to the impact of the war on daily life, particularly in Maryland and Virginia, where several members of the Wilkins family lived. Annie and Eliza Disosway also received letters from Annie's aunts, Achsa and Louise, and from Annie's cousin Rebecca C. ("Beck") Davis, a Southern sympathizer. In addition to providing family news, the women discussed the impact of the fighting on local churches, noted their personal interactions with the armies, and shared their opinions on the war. Davis described an encounter with Burnside's army and reported the soldiers' apparent dissatisfaction with military life (September 25, 1862), and others mentioned Baltimore's struggles under martial law. Other letters refer to Fort Sumter (April 11, 1861) and to Union supporters living among Confederate supporters in Virginia (October 27, 1862).

The Disosway family also received approximately 20 condolence letters following William Wilkins Disosway's death, including Captain L. W. Bates's description of the man who shot Wilkins (November 11, 1863) and a letter from Isabella Hurry, who enclosed a newspaper obituary (December 17, 1863). The collection also contains a letter from congressmen Harrison Gray Otis Blake, Benjamin Franklin Wade, and John Hutchins, asking President Abraham Lincoln to appoint Reverend J. W. McFarland of Wooster, Ohio, as a chaplain for contrabands at Port Royal (April 24, 1862).

The Writings series includes 2 reflections and resolutions respecting the death of William W. Disosway: 1 by Annie R. Disosway, offering sympathy and forgiveness for her brother's killer, and 1 by officers of the First Regiment Mounted Rifles, New York. The series also contains manuscript lyrics to "Punch 'em in the Eye," a song of the 45th Regulators.

This collection contains over 500 letters that Captain Edward Van Winkle wrote to his wife Sama while serving in the United States Army during World War I. Van Winkle, a member of the 24th Engineer Regiment, discussed his experiences at Washington, D.C. and Camp Dix, New Jersey, and in France and Germany from 1917-1919.

This collection (0.75 linear feet) contains over 500 letters that Captain Edward Van Winkle wrote to his wife Sama while serving in the United States Army during World War I.

The Correspondence series contains 533 letters and telegrams that Van Winkle (who signed his letters "Papa" or "Ted") sent to his wife while serving in the United States Army from September 1, 1917-June 2, 1919. Van Winkle trained at American University in Washington, D.C., and worked at the General Engineer Depot from September 1917-November 1917, when he joined the 24th Engineer Regiment. By November 1917, he had joined the 24th Engineer Regiment at Camp Dix, New Jersey, and he wrote about the regiment's preparations to head overseas in February 1918.

From February 1918-May 1919, Van Winkle was stationed in France, where he served behind the front lines. He described his quarters and his daily activities and discussed topics such as an American cemetery, German air raids, French and German soldiers, and his trips to the front to observe the fighting. After the armistice, Van Winkle traveled to Germany; he noted the disintegration of the German army, and anticipated his return home while he was stationed in France throughout early 1919. Van Winkle sometimes included sketches in his letters; one letter is written on the back of a military map of Bitburg, Germany (December 4, 1918).

The Documents, Map, Printed Items, and Poem series (12 items) contains additional material related to Edward Van Winkle's army service, including a brochure about insurance policies, a directory for the United States Army's Office of the Chief of Engineers, and a memorandum regarding Van Winkle's transfer to the 24th Engineers. The series also contains a copy of a European edition of the New York Herald from September 14, 1918, and additional newspaper clippings pertaining to the war. A program for a production by the 25th Engineers, Company F, is illustrated with a drawing of soldiers in costume, posing as the bottom halves of the letters in the word "camouflage." The final items are a manuscript song about engineers' war experiences and a manuscript map of the Leonval Camp, located in the Forêt de la Reine in eastern France.

The Photograph shows a United States soldier in uniform.

The Realia series includes a black case and canteen that belonged to Edward Van Winkle. The case holds 6 medals, 5 buttons and cufflinks, and a compass.

This collection is made up of 4 letters to William H. Strong of Wallingford, Connecticut; a manuscript poem addressed to his sister-in-law, Louisa Strong of Wallingford and New Haven, Connecticut; a letter addressed to "Bro. Strong"; and proverbial thoughts about friendship by James and Marcia A. Strong. William's brother, Edwin F. Strong, wrote 4 of the letters while serving in the 8th Connecticut Infantry Regiment during the Civil War. The poem, told from the point of view of a slave, also concerns the war.

This collection (7 items) is made up of 4 letters to William H. Strong of Wallingford, Connecticut; a manuscript poem addressed to his sister-in-law, Louisa Strong of Wallingford and New Haven, Connecticut; a letter addressed to "Bro. Strong;" and proverbial thoughts about friendship by James and Marcia A. Strong.

Edwin F. Strong's 4 letters his brother William regard Edwin's service in the 8th Connecticut Infantry Regiment during the Civil War, and his life in New Haven, Connecticut, after his discharge from the army. "Jennie G" sent a poem titled "Kingdom Coming" to Louisa Strong; the poem is in African-American dialect and regards a master fleeing his plantation. C. E. Piper's letter to [William?] Strong concerns Christianity. See the Detailed Box and Folder Listing for more information about each item.

The Fairfield Goodwin papers consist of poems, essays and drawings created by a Union soldier from Michigan during the Civil War. Goodwin was part of the 1st Illinois Light Artillery (Taylor's Chicago Battery) at the outbreak of the Civil War and later joined the 8th Michigan Cavalry.

The Fairfield Goodwin papers (27 items) consist of poems, essays, and drawings created by a Union soldier from Michigan during the Civil War. While most of the items are undated, the identified items range from November 5, 1861, to September 20, 1862. Goodwin likely created many of these items while with the Chicago Battery and during his six-month convalescence, before he joined the 8th Michigan Cavalry in 1862.

The bulk of the items are sentimental or comical poems and essays with titles such as: Decay, Thoughts of Spring, Our March, Flowers, Friendship, My Mother's Voice, A Dream of Heaven, What is Pleasure?, The Lazy Club Song, and Minute Men. In these, Goodwin expressed feelings of longing and loneliness, as a soldier away from home. He also mentioned several notable military figures, including Jefferson Davis, General Beauregard, and Stephen Douglas.

Goodwin illustrated many of these poems and essays with pencil and color pencil drawings. He sketched pictures of birds, soldiers with beards, a horse, a cat, and a dog. Of particular interest is a full-page illustration of a union camp at Shiloh depicting men chopping wood, killing pigs and fowl, cooking, and reading, as well as cannon, felled trees, and tents. This drawing is colored with blue and orange details. Another recurring sketch is of the artist propped up in his sick bed. Some of the drawings are independent of essays, including pictures of a cannon, a man and woman under a flowering tree, Goodwin's home in Pontiac, Michigan, a "Missouri Rural Cotage," a picture of "Jeff Davis returning from war," portrayed with a large beard and lying on his back, and, finally, a picture of a man on a horse.

The George Philip Hooke journal is a 21-page officer roster and journal of the 1st Battalion of Grenadiers in the British army, which describes their travel from New York to South Carolina. The volume also contains copies of 30 catch tunes, many with lyrics.

The George Philip Hooke journal (21 pages) is comprised of an officer roster and a journal of the 1st Battalion of Grenadiers in the British army under Henry Clinton, from December 1779 to May 1780. Hooke described the battalion's voyage from New York to South Carolina; gave the movements of his battalion during the landing at St. Simons Island, Georgia; and provided eye-witness accounts of various scrimmages in the southern campaign, including the siege and surrender of Charleston. Hooke described sinking the damaged "Judith Transport" (January 16, 1780); meeting the British fleet under Admiral Mariot Arbuthnot, at Tybee Harbor, [Georgia] (February 3, 1780); and positioning and attacking the rebel forces at Charlestown, South Carolina, between March 29 and April 13, 1780.

At the back of the journal, after 48 blank pages, are copies of 30 catch tunes (comic rounds). The British baroque master Henry Purcell and popular composer Henry Harington wrote several of the songs, though many are unattributed, such as "The Quaker Wedding: A Catch for three voices," and "Come Honest Friends" (52 pages of music in total).

The bulk of this volume is made up of 15 military/navy songs, many of them variants of published versions. One song, beginning "In a mouldering cave" laments the death of General James Wolfe on the Plains of Abraham (pages 57-63). The volume also contains accounts and an inventory of clothes of General Harry Burrard, 1st Baronet of Lymington, and was likely kept either by him or by one of his close circle.

The volume was apparently rebound sometime in the 20th century with a 15th century manuscript cover.

• Harry Burrard/J. L. Nixon Account, June 4, 1798 (pages 2-5, 9)
• 1. Hunting Song, by Chas. Pawlett (pages 11-19)
• 2. Joe's Lamentation, by Chas. Pawlett (pages 20-33)
• 3. The Soldiers Adieu, by Dibden (pages 34-41)
• 4. The Sailors Adieu, by Dibden (pages 41-47)
• 5. Song, beginning "Vulcan contrive me such a cup" (pages 47-51)
• 6. Song, beginning "Come my lads time parts away" (pages 51-55)
• 7. Song, beginning "In a mouldering cave, where the wretched reside" (pages 57-63)
• 8. Song, by Sheridan, beginning "When twas night, and the mid watch was called" (pages 63-67)
• 9. Song, beginning "If gold cou'd lengthen life I swear" (pages 67-71)
• 10. Song, beginning "Bid me when forty winters more" (pages 71-77)
• 11. Song, by R. Cumbd. Esqr., beginning "What do I see before mine eyes" (pages 77-79)
• 12. Song, beginning "Then farewell my trim built wherry" (pages 81-83)
• 13. Hunting Song, by Chas. Pawlett (pages 83-97)
• 14. Song, beginning "Round duthers gay table some wish to be gambling (pages 99-103)
• 15. [Untitled], beginning "Dear Tom this brown Jug which now foams with mild ale" (pages 105-109)
• Accounting (pages 112-113)
• Acct. of General Burrards Cloaths (pages 117-118)

Between 1835 and 1839, Hart Hosley produced an exercise and commonplace book while attending the Canton Academy in Canton, New York, and while later living in Boston, Massachusetts. The bulk of the volume consists of a translation from French into English of François Fenelon's The Adventures of Telemachus, the Son of Ulysses. Selections of poetry, proverbs, songs, and mathematics problems comprise the rest of the volume. Pressed leaves appear throughout. The covers feature printed decorative paper (possibly wallpaper) of a woman playing a lute beside a dancing cherub.

The J. F. Rose collection contains lyrics for 3 undated patriotic and religious songs, as well as an early 20th-century essay about popular music during the Civil War.

The J. F. Rose collection contains lyrics for 3 undated patriotic and religious songs, as well as an early 20th century essay about popular music during the Civil War.

• "Along the Rio Grande," supporting the American cause during the Mexican-American War, with pencil annotations (2 pages)
• "Lost, O Forever Lost. The awakened Sinner," reflecting on salvation and the death of Jesus Christ (2 pages)
• "A Toast to Our Flag," a celebration of the American flag (2 pages)

The essay and its typescript are similar drafts of Rose's "Songs of the Civil War"; the manuscript version (36 pages) is an annotated draft, with portions absent from the typed copy (10 pages). The essay, written around 45 years after the war's conclusion, briefly traces the history of popular patriotic music in Europe and in the United States before discussing the Civil War-era's most popular tunes. Rose examined songs from the Union and Confederacy, citing many of the war's influential songs, such as "Maryland, My Maryland" and "John Brown's Body Lies Mouldering in the Grave." He analyzed several songs within the context of the wartime events that inspired them, including the story of the writing of "The Battle Hymn of the Republic" by Julia Ward Howe. The typed copy of the essay ends abruptly, and is followed by the text of "Along the Rio Grande."