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This collection is made up of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The Charles H. Foster collection consists of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The collection's correspondence (144 items) primarily relates to Foster's naval service after 1902. Letters, memorandums, orders, and reports concern his ship assignments and work at the Naval Gun Factory (Washington Navy Yard) during World War I. One group of letters from the early 1920s relates to the acquisition of dependent's pay for Foster's mother. A series of World War II-era documents respect Foster's fitness for active duty. After World War II, he received letters from military acquaintances and veterans of the Spanish-American War.

Charles H. Foster's 1918-1919 diary concerns his travel on the Huron between the United States and France. Notes, newspaper clippings, and a telegram laid into the volume regard deaths, the military, and historical inquiries.

The papers include 4 of Charles H. Foster's scrapbooks, which contain materials related to the USTS Alliance's 1897-1898 training mission; naval ships, personnel, and theatrical and musical programs and performances; the Mexican Revolution and Mexican politics in the mid-1910s; and naval equipment, camps, and weapons tests.

Sixty-three photographs depict U.S. Navy sailors and vessels. One group of pictures show scenes from the Huron's voyage between France and the United States during World War I. The collection also features photographic postcards sent by Charles H. Foster and others from Mexico, the Philippines, Japan, Germany, and Borneo.

Financial records, legal documents, and service records primarily pertain to Charles H. Foster, with a focus on his time on the USS West Virginia in the 1920s and his mother's financial dependency. Documents, blueprints, photographs, and other items relate to devices patented by Charles H. Foster and others. Two service ribbons appear in the collection, mounted onto a wallet printed with "United States Battle Fleet, Sydney, 1925," which also contains a travel pass and membership card for Charles H. Foster.

The collection includes 429 typescripts about early American history, the Civil War, South Carolina Confederate soldiers, the Spanish-American War, aviation, and the US Navy. Rosters of American Navy ships and personnel include information on Union vessels during the Civil War; casualties from the 1898 USS Maine explosion; USTS Alliance naval apprentices in 1898; USS West Virginia officers in 1926; and the names and addresses of members in several naval veterans' associations.

A "Personal Log" by Royal Emerson Foster relates to his service on the SSAC Bedford in early 1919, with descriptions and illustrations of naval equipment, ship construction, signaling, personnel, and other subjects. The navy publication Rules to Prevent Collisions of Vessels also appears in the Log.

US Naval Ex. Apprentices Association materials include copies of Trade Winds, the association's newsletter, from 1939-1964. The newsletters are accompanied by a list of Alliance apprentices in 1898. A copy of Rocks and Shoals, a publication for former crewmen of the USS Memphis, is also present. Other printed works include military publications about equipment and procedures, a handbook on medicine, the Mariner's Pocketbook, A History of Guantanamo Bay, newspaper clippings, a souvenir book from the US Naval Training Station in Newport, Rhode Island, a death announcement, and a map of Arlington National Cemetery.

Notes, reports, and a bound volume concern the history of the Foster, Yates, and Lindstrom families.

The Charles H. Marias photograph album contains approximately 162 images documenting a Portland-based Y.M.C.A. group's travels around Oregon including visits to the Klamath Agency.

The Charles H. Marias photograph album contains approximately 162 images documenting a Portland-based Y.M.C.A. group's travels around Oregon including visits to the Klamath Agency.

The album (18 x 28 cm) has black cloth covers and black paper pages. The majority of images have handwritten captions, many of which are extensively detailed in identifying locations, dates, and people represented. Besides the album's compiler Charles H. Marias, numerous other individuals (many of whom were also members of the Y.M.C.A. Portland excursion group) are identified including Rex B. Parelius, Lyndon Street, Lewis Hauglum, Clarence H. Prehn, Bill Blumenscheim, Emerson Harley, Amandus Pfaender, A. M. Grilley, William W. Belcher, Jim Arbuthnot, George Sebben, Fred Nelson, and Judge G. T. Baldwin. Also of note are identified Native American individuals including Joe Scott, George Pitt, Jack Pitt, Charles Pitt, and Clayton Kirk. While Marias is presumed to have likely taken the majority of snapshots included in this album, several other excursion group members are also credited as photographers in various captions.

Images of interest include views of salmon hatchery operations (including Native American laborers and fishermen); a group of excursion members playing the card game "Pedro"; Native American man Joe Scott (possibly a member of the Confederated Tribes of the Warm Springs Reservation) posing with his twin sons as well as cow punching gear; landscape photographs of natural features including the Salmon River, Sandy River, Baldy Butte, Bear Creek, Rogue River, Mill Creek Falls, Crater Lake, Wizard Island, Mt. Hood, Mt. Pelican, and Mt. McLoughlin; hiking and camping-related expedition photographs; a humorous staged photograph of a mock stagecoach robbery; numerous views of abandoned log cabins previously occupied by early white settlers in the region; a view of the log cabin at which the assassination of Gen. Edward Canby occurred during the Modoc War of 1873; views from the Klamath Indian Reservation including a portrait of Bill Blumenscheim posing with an older Klamath woman making baskets for sale as well as a set of views related to the humorous treatment of a newlywed couple; views of the river boat Curlew and steamboat Winema; a snapshot of a streetcar captioned "The only car in Klamath Falls"; various scenes in Medford, Oregon; and a professionally produced group portrait of the Y.M.C.A. Portland excursion group posing with three automobiles and a small dog who appears to have accompanied the group on their travels.

Of particular note are voting-related scenes from the Klamath Indian Reservation including several images with captions variously stating "Indian cayuses at Klamath Reservation on the day of the first election ever held by the Indians," "Klamath Indians about to cast their first vote. Election of Council-men. This was done so as to avoid the troublesome 'Pow-Pows' when their affairs were to be settled," and "At the election (No the squaws didn't vote)."

This collection is made up of incoming and outgoing correspondence pertaining to Mary Flavin and her grandson, Charles A. Robertson of Albany and Berkeley, California, who served with the United States Army in Europe during World War II. Robertson wrote letters to Flavin about his experiences in Western Europe and received letters from Flavin and his fiancée, Naomi Watson ("Dee"), who wrote about her life in Oakland, California, during the war. Later letters pertain to Robertson's compensation from the Veterans Administration and to romantic relationships between soldiers. The collection also contains ephemera.

This collection (1.5 linear feet) mainly consists of incoming and outgoing correspondence pertaining to Mary Flavin and her grandson, Charles A. Robertson, who served with the United States Army in Europe during World War II. Robertson wrote letters to Flavin about his experiences in Western Europe and received letters from Flavin and his fiancée, Naomi Watson ("Dee"), who wrote about her life in Oakland, California, during the war. Later letters pertain to Robertson's compensation from the Veterans Administration and to romantic relationships between male soldiers. The collection also contains ephemera.

The Correspondence series, which comprises the bulk of the collection, is primarily made up of Robertson's incoming and outgoing correspondence, particularly during his military service. The earliest items are family letters and greeting cards to Robertson's grandmother, Mary Flavin ("Mother May"). From September 1943-March 1946, Robertson wrote letters to his grandmother and received letters from his fiancée, the Veterans Administration, and acquaintances. Between September 1943 and July 1944, he discussed his army training at the Presidio of Monterey; Camp Lee, Virginia; Fort Washington, Maryland; and Fort Omaha, Nebraska. From August 1944-April 1946, he wrote about his experiences in England, France, Germany, and Belgium with the 48th Machine Records Unit (Mobile), 29th Machine Records Unit (Mobile), and 65th Machine Records Unit (Fixed). He occasionally mentioned attending mass and communion and responded to family news, such as the death of his Aunt Lizzie. His letter of December 9, 1944, has diagrams of his quarters in a building formerly held by German troops and a cabinet, and his letter of April 10, 1945, encloses several German monetary bills. Some of Robertson's later letters are written on stationery with printed cartoons about military life. Flavin received many greeting cards for Mother's Day, her birthday, and other holidays throughout the World War II era. The collection also has a small number of letters from Flavin to her grandson.

Much of the series is comprised of letters and greeting cards to Charles A. Robertson from his sweetheart and fiancée, Naomi M. Watson ("Dee") of Oakland, California. She regularly wrote to Robertson about her work, social activities, and life in Oakland, particularly after he was sent to Europe. She reported news of her family and his, whom she occasionally visited or with whom she corresponded, and discussed their relationships and her hopes for their future. A few of her letters enclose newspaper clippings, often with cartoons about military life or photographs of herself and friends. In the spring of 1945, she celebrated the one-year anniversary of their engagement and V-E Day, which she hoped would lead to Robertson's quick return home. Her letter of October 29, 1945, has drawings of cartoon mice representing Watson and Robertson. Watson's mother sometimes wrote personal letters to Robertson, whom she referred to as a "son." One large group of newspaper clippings is enclosed with correspondence dated July 1945, and other enclosures include advertisements, telegrams, a program, and an invitation. Watson stopped writing to Robertson after February 1946, and later correspondence indicates that their relationship eventually ended.

Charles A. Robertson occasionally received letters from fellow soldiers and other acquaintances after the war. A group of letters from the Veterans Administration, including some drafts of Robertson's responses, pertains to financial compensation and to Robertson's health in the late 1940s. Charles F. Foley ("Chuck") wrote a series of letters to Robertson while stationed in Tokushima, Japan, with the United States Army in July and August 1948. He frankly discussed his reluctance to visit prostitutes, despite the threat of derogatory epithets from fellow soldiers, and mentioned the possible effects of giving up the "gay life" (August 7, 1948). Foley's later letters apparently went unanswered, and he ceased to write after August 25, 1948. Later items, dated as late as 1951, concern Robertson's financial compensation from the Veterans Administration.

Dee Watson compiled 2 Scrapbooks entitled "Army Life of Charles A. Robertson 1943-1946." The volumes have picture postcards, train timetables, travel ephemera (including guides and visitors' maps), souvenir folders, performance and church service programs, and newspaper clippings. Additionally, several items relate to a trip taken on a United Air Lines "Mainliner" aircraft. The postcards have images with humorous mottos, paintings of army bases and other locales, and photographs of army bases where Robertson was stationed. The clippings and other materials pertain to his service in the United States and Europe.

Most items in the Ephemera series pertain directly to Charles A. Robertson's military service, such as his service record and military documents. Among the printed items are a French/English dictionary, a religious pamphlet, newspaper clippings, and pocket guides to Paris and Birmingham. Other items include, but are not limited to, a record with a message for Mary Flavin from Robertson, name cards, and photographs.

This collection consists of 53 correspondences from Santa Ana, California, Spiritualist Charlotte Elizabeth Dresser to her niece and grandniece. The papers are dated from February 4, 1907, to November 7, 1928. This collection also includes two photographs and a typed copy of "automatic writing" spirit communications with deceased "Sis" dating between June 28, 1928, and July 28, 1928.

This collection consists of 53 correspondences from Santa Ana, California, Spiritualist Charlotte Elizabeth Dresser to her niece and grandniece. The papers are dated from February 4, 1907, to November 7, 1928. This collection also includes two photographs and a typed copy of "automatic writing" communications with deceased "Sis" dating between June 28, 1928, and July 28, 1928.

The recipients of Dresser's correspondence were her niece Martha Wood and great-niece Ernestine Wood, daughter of Martha. Dresser frequently mentioned her close friends, Carrie-Bell Richards Rafferty (Mrs. Rafferty) and Fred Charles Rafferty (Mr. Rafferty, "Uncle Fred", "F. R."), Martha's husband Ernest Wood, and estranged family members Van and Gertrude. The letters contain detail about parties, theatre productions, and concerts attended by Dresser and Mrs. Rafferty, including a concert by organist Bruce Gordon Kingsley. Dresser often reported on the medical concerns of herself and her circle of close friends and family. Such concerns include "breakdowns", lumbago, miscarriage, neuritis, rheumatism, sciatic nerves, spinal issues, sprains, and ulcerated/abscessed teeth. Personal concerns of Dresser included the grippe and a sprained ankle and foot.

In her later letters, Dresser wrote about her experiences with "automatic writing" and meetings with other spiritualists, including writer and physician Sir Arthur Conan Doyle, parapsychologist and founder of the Boston Society for Psychical Research Walter Franklin Prince, parapsychologist Carl A. Wickland, and medium Anna W. Wickland. Dresser also touched upon the success of her 1922 book Spirit World and Spirit Life: Automatic Writing.

This collection concludes with typed spirit communications dating between June 28 and July 28, 1928 and two photographs showcasing moments of Dresser's time as a musician and music educator.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma. Many of the images are portraits of individuals, structures, and activities associated with the Chilocco Indian School; most are individual and group portraits of Native Americans, but there are also several images showing school buildings, agricultural activities, sports teams, and white American adults and children. The majority of the images are real photo postcards from the 1910s.

A total of 16 tintypes (mostly 8 x 5 cm) are present in the collection. Included are studio portraits of Native American men, women, boys, and girls wearing western clothing. Many of the tintypes have been moderately hand-colored. None of the subjects nor their tribal affiliations have been identified.

Also present are 18 photographic prints (6 unmounted and 12 mounted). The 6 unmounted prints are all 11 x 6.5 cm snapshots taken in 1920 that appear to have been taken by tourists and were once stored in a photograph album. Inscribed captions include the following: "Gold Fish Pond Chilocco OK 1920"; "Three Indian Boys"; "View of the lake at Chilocco"; "Little Girls Dormitory at Chilocco Government School 1920"; "Dairy at Chilocco"; "Chilocco OK Indian School Stadium 1920." Of the mounted photographs, there are 10 of approximately the same size (8.5 x 6.5 cm; all albumen prints) that show individual and group studio portraits of Native American men, women, boys, and girls. The remaining two mounted photographs (12.5 x 8.5 cm and 10.5 x 6.5 cm respectively; both albumen prints) are studio portraits of a very young Native American girl and a Native American boy with his mother which bears the verso inscription "T. Wolf." None of the subjects nor their tribal affiliations have been identified.

Real photo and photomechanical postcards (mostly 14 x 8.5 cm) make up the remaining 73 photographic images in this collection. Most images consist of individual and group portraits of Native American and white people, the latter of which many appear to have been affiliated with various Indian Agencies and/or boarding schools.

Items of particular interest include an image of a young Native American boy captioned "Jim McKay's kid"; a studio portrait of an unidentified Native American man by George B. Cornish; a studio portrait of a man possibly identified as "Red Fox" through an inscription on the verso; a studio group portrait of an unidentified married Native American couple captioned "New Year Eve. 08-09" in which the photographer appears to have edited the negative by painting fake snowflakes on the subjects; a group portrait of Umatilla Agency superintendent E. L. Swartzlander's children Lawrence and Inez; views of Chilocco Indian School buildings such as Haworth Hall, Home One, the Printing Department, and the inside of a classroom; and three photographs showing young men dressed in World War I-era army uniforms.

Sports-related images include group portraits of the 1912-13 Chilocco men's basketball team, the 1906 and 1915 Chilocco women's basketball teams, the 1945-46 Chilocco men's football team, and a Chilocco men's baseball team from an unknown year.

A relatively small number of postcards have been signed. Of the postcards that have signatories, there are eight signed by Samson B. Harjo (Seminole; name also spelled "Sampson B. Harjo"); one signed by "John Wolf" (tribal affiliation unknown); one signed by "Silas Beal Brown"; three signed by Chief Tishomingo's grandson Joe F. Factor (Chickasaw); and five signed by Umatilla Agency clerk Alvin Barbour.

The Alvin Barbour postcards (6 in total) are the only postcards in the collection that contain correspondence. Writing from Pendleton, Oregon, Barbour was in communication with a girl at the Chilocco Indian School named "Anna" of unknown tribal background who appears to have come from the Umatilla Agency. In one postcard with a view of a school building dated March 4 1914, Barbour expresses delight that Anna was "pleased with the pennant" he sent her and that he hopes it will "remind you of home and of the sender." In another postcard bearing an outdoor portrait of Barbour dated April 18 1914, Barbour states that he is glad Anna has recovered from an illness and that he sent her some Easter lilies. Two postcards dated April 27 1914 show images of Barbour and a Native American girl from the Umatilla Agency identified as "Ruth" taking turns sitting on a fallen tree trunk. Two postcards do not bear any correspondence and include an outdoor portrait of Barbour (signed "Yours very truly, Alvin Barbour") and an unsigned outdoor group portrait of Barbour with two other men posing on a bridge.

The realia item is a double-handled silver basketball trophy (10 x 15 x 6 cm) bearing the engravings "Chilocco Basket Ball League 08" and "Bird's Head - Escudero - Du Bois - Taylor - Jones." The trophy was awarded to "Team Jones" in 1908 after they won all four of their matches in their five-team intramural league. "Bird's Head" may possibly be Jesse Bird's Head, while "Escudero" may possibly be Cipriano Escudero (approximately 1882-?).

Printed publications include a 1932 Chilocco Indian School senior class yearbook as well as an illustrated libretto and associated program from a 1907 Chilocco Indian School production of Hiawatha. The front cover of the libretto bears the inscription "Lulu Gregory, Tonkawa, Okla."

The manuscript item consists of a three-page handwritten document regarding the "Crimson" flag of an unidentified University Preparatory School (possibly the Tonkawa U.P.S.) and its importance being "similar to that of the Stars & Stripes to the United States." The document is unsigned and undated.

Also present is a graduation certificate (51 x 40.5 cm) granted by the Chilocco Indian School in 1897 to Myrtle M. Long (tribal affiliation uncertain). The diploma was signed by Superintendent Benjamin F. Taylor, principal teacher Philena Everett Johnson, and teacher Anna D. Burr.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The Clinton Prison, Lake Chazy, and Lake Saranac photograph album contains 14 images including views of the Clinton County Prison, New York and the surrounding area, and individual and group portraits.

The Clinton Prison, Lake Chazy, and Lake Saranac photograph album contains 14 images including views of the Clinton County Prison, New York and the surrounding area, and individual and group portraits.

The album (22 x 17 cm) is lacking covers. The exposed cover page bears a montage photograph showing printed flowers with an inscription reading "A Merry Christmas / 1897" as well as a portrait of an unidentified young man. Images of note include views of Clinton Prison, the "Warden's Garden" dedicated to Warden Walter N. Thayer, the Clinton Prison chapel, Chazy Lake and waterfalls on the Saranac River, a studio portrait of a man with a safety bicycle, and a group shot of 22 uniformed men captioned "W. N. Thayer Hose Company." Also present is a loose photograph of a dirt road in Saranac, New York.

The Cora Smith photograph album contains approximately 214 photographs documenting the travels and daily life of a woman living in Cornwallville, New York, in the late 1890s.

The Cora Smith photograph album contains approximately 214 photographs documenting the travels and daily life of a woman living in Cornwallville, New York, in the late 1890s.

The album (26 x 22 cm) is a blank page scrapbook with "Cora M. Smith" written in pencil on the fly leaf. Photographs consist primarily of snapshots and cyanotypes, and many of the people represented in this album (including members of the Smith and Olcott families) are identified with captions. Several trips are documented including visits to New York State destinations such as the Catskills, Niagara Falls, and Cambridge as well as Atlantic City, New Jersey, and Virginia.

Images of note include views of the Brooklyn Bridge; an older African American woman captioned "Aunt Caroline, Virginia"; young girls on "Poverty Row"; scenes around Cambridge, New York, and Cornwallville; a wedding party; the Smith family home; “Dr. Carter” preparing to remove a tooth from the mouth of an African American man; a semi-domesticated bear; the 1899 Dewey Land and Naval Parade; and Niagara Falls. Cora Smith appears in photographs on pages 24 and 33. Also present is a note regarding a store display designed by Cora to advertise Payne’s Celery Compound.

The David V. Tinder Collection of Michigan Photography consists of over 120,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The Delmar Lepper Civilian Conservation Corps photograph albums consist of two volumes containing 59 photographs, 15 postcards, and two letters documenting the daily life and experiences of a young man in the Civilian Conservation Corps in California and Idaho.

The Delmar Lepper Civilian Conservation Corps photograph albums consist of two volumes containing 59 photographs, 15 postcards, and two letters documenting the daily life and experiences of a young man in the Civilian Conservation Corps in California and Idaho.

Volume one (14 x 21 cm) has leather covers with a stereotypical design of a Native American man wearing a war bonnet and the words "Snap Shots/Co. 544/ Delmar Lepper" stamped on the front cover. This album contains approximately 40 snapshots and 15 half tone color postcards. Images of note include a picture of a bear being fed by a man outside of a car and postcards featuring Californian scenery. One of the postcards was sent to Lepper’s brother Albert in Fort Wayne, Indiana.

Volume two (19.5 x 26.5 cm) has red pressed paper covers with a hawk and the word "Photographs" stamped on the front in silver. The album contains 19 snapshots as well as two letters written by Lepper in 1935 addressed to his brother Albert. One letter discusses Lepper's recommitment to the C.C.C. and his anxiety about doing so while the other letter describes a trip to a ship in the Pacific Ocean as well as his weight gain. The photographs appear to have been previously moved around in the album as many are loose.