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This collection is made up of 158 letters, 8 speeches and writings, 36 documents, 25 ephemeral items and currency, 5 pamphlets or booklets, 43 newspaper clippings, 26 lithographs, and 99 photographs by or related to Lieutenant Colonel Demas Lindley Sears. The bulk of the collection pertains to his service as a mid-level intelligence officer in the U.S. Army's 37th Infantry Division during World War II. A small portion of the collection reflects his service in the 8th Ohio Infantry Regiment during the Punitive Expedition of 1916 and in the First U.S. Cavalry during World War I.

This collection is made up of 158 letters, 8 speeches and writings, 36 documents, 25 ephemeral items and currency, 5 pamphlets or booklets, 43 newspaper clippings, 26 lithographs, and 99 photographs by or related to Lieutenant Colonel Demas Lindley Sears. The bulk of the collection pertains to his service as a mid-level intelligence officer in the U.S. Army's 37th Infantry Division during World War II. A small portion of the collection reflects his service in the 8th Ohio Infantry Regiment during the Punitive Expedition of 1916 and in the First U.S. Cavalry during World War I.

The Correspondence begins with a telegram and four letters respecting the death of Demas and Lura Sears's child in August 1918. The remainder of the correspondence is made up of original and contemporary carbon copies of letters by Demas L. Sears between 1942 and 1946. The bulk of one hundred and forty three letters are personal letters from Demas "Pop" to his wife Lura "Mother" and daughter Frances "Baby," or from Demas to others, between January 1944 and December 1945.

Lt. Col. Sears was an engaging writer and he described everyday experiences with thoughtful attention to detail. Within the restrictive confines of military censorship, he was unable to share what he called "real news," but wrote about his living quarters, food, plans for his return home, requests for letters and photographs, and generally about life in the South Pacific. He sent his wife souvenirs, such as a Japanese rifle and an entrenching shovel. His descriptions of combat and war atrocities are vivid (see, for example, his letters from late February 1945, as the 37th fought to capture Manila).

Between April 2 and July 4, 1943, Demas Sears wrote a 46-page letter to his wife in a diary-like form. He kept the letter as an uncensored account of his time on the Fiji Islands and Guadalcanal (before departing for New Georgia). It is accompanied by a typescript of the letter, titled "From the Fiji Islands to Guadalcanal with the 37th Division."

Between March 8 and September 14, 1945, Demas also composed 10 diary-like letters, producing multiple carbon copies for Lura to distribute to particular family members. In the margins, Demas identified (by hand) March 8 and September 14 as the first and last of these "family bulletins," and provided his wife with lists of intended recipients.

A series of Writings and Speeches include one war date essay and eight postwar speeches. From the Solomon Islands after November 14, 1942, he reflected thoughtfully on the war as a "young man's war" (he was able to identify a total of 22 men out of 14,000 who had served in World War I) and the importance of maintaining U.S. military strength in peacetime. His speeches relate to his war experiences and his audiences included a Congregational Church Men's Club, a Memorial Day gathering at Bucyrus, an American Legion group, and others.

The collection's 36 Documents, 1917-1946 (bulk 1942-1946), include certificates and orders related to Demas Sears's commendations and awards; training materials; intelligence (G-2 Reports, copies of a captured and translated Japanese Sergeant's diary, summaries of the interrogations of General Tomoyuki Yamashita, a Japanese map of the Pacific, etc.), and other similar papers.

Seventy-one Printed Items include ephemera and currency, booklets and pamphlets, and newspaper clippings. Among the ephemeral items are three unique World War I-era holiday menus; a menu for a 1945 banquet in honor of Maj. Gen. Robert S. Beightler; admission and transport tickets; Japanese currency; two World War I-era record of service posters, and a manuscript note in Japanese. The two posters are located in the Graphics Division, and more information can be found in the Separated Materials section. The five booklets and pamphlets are each listed in the box and folder listing below. Forty-three newspaper clippings pertain to Lt. Col. Sears's World War II service.

The printed items also include 26 lithographs of pencil sketches by Edward "E. J." Dollriehs of the headquarters battery of the 37th Division. His illustrations include buildings, airfields, military headquarters, portraits, and the wreckage of Japanese planes. Dollriehs identified each with captions; most of the images are from the Luzon provinces of Bulacan, Pampanga, Pangasinan, and Tarlac.

The Sears papers contain 99 Photographs. Fifteen images from the period of Sears's service in World War I include two panoramic photographs of the First Cavalry Regiment, one panoramic photograph of the headquarters staff of the 37th Division, and 12 snapshots and portraits. The collection also contains 84 photographs from Sears's World War II service in the Pacific, including individual and group portraits, snapshots depicting camp life; a series of aerial snapshots taken from a C-47 on a leaflet-dropping mission over the Philippine Islands; five photographs of a Kava Ceremony in the Fiji Islands; and a selection of confidential Signal Corps photographs.

The Edward R. Mullin, USS Albany in Asia photograph albums consist of three volumes containing images and ephemera that document an American sailor’s experiences aboard a US Navy ship in the Asiatic Fleet from 1919 to 1920.

The Edward R. Mullin, USS Albany in Asia photograph albums consist of three volumes containing images and ephemera that document an American sailor’s experiences aboard a US Navy ship in the Asiatic Fleet from 1919 to 1920.

Volume A: This album (14.5 x 21 cm) contains photographs of scenes in Panama, Hawaii, Japan, Russia, China, California, and the Philippines that mostly depict the USS Albany, American soldiers and sailors, local citizens, and tourist scenes. Numerous ephemeral items compiled by Edward R. Mullin (the album’s creator) from various foreign places are also present, including tickets, stamps, bank notes, and an Asahi beer label. Of note is a “familiar phrases” card for translating English to Japanese. On the inside back cover of the album a handwritten log lists arrivals and departures of the USS Albany, while a typescript description of a military takeover of Vladivostok, Russia, is also included.

Volume B: This album (18 x 26 cm) contains photographs of scenes in Russia and China. Images show American soldiers and sailors exploring sites and interacting with local citizens as well as natural scenery and architecture. Of note are photographs of the Great Wall and the Forbidden City in China. Some photos have handwritten captions that identify locations and/or persons pictured

Volume C: This album (20.5 x 29 cm) contains photographs of scenes in Russia, the Philippines, Panama, Japan, China, Hawaii, and California. Of note are photographs of the Panama Canal and some images showing the compiler of the album, Edward R. Mullin. Many photos have handwritten captions. Also present are various types of ephemera including a beer label, tickets, and a fabric poppy flower, as well as a photocopy of Mullin’s service record, a large portrait of the USS Albany in Shanghai, China, and a loose photo of the USS Albany in Vladivostok.

The Emmett M. Smith photograph album contains approximately 790 photographs and 6 pieces of ephemera related to the experiences of American soldier and engineer Cpl. Emmett Merle Smith while he served with the United States Army Air Service’s 800th Aero Repair Squadron in France during World War I.

The Emmett M. Smith photograph album contains approximately 790 photographs and 6 pieces of ephemera related to the experiences of American soldier and engineer Cpl. Emmett Merle Smith while he served with the United States Army Air Service’s 800th Aero Repair Squadron in France during World War I.

The album (28 x 37 cm) has black cloth covers with “Postal Souvenirs” stamped on the front; the covers and spine are in poor condition, as are a relatively small number photographs (some of which bear signs of insect damage).

On the inside of the front cover is a tipped-in copy of A History of the 800th Aero Repair Squadron, an official unit history account of the squadron published by its members in 1919. A small group of 10 loose photos and 6 pieces of ephemera are also present, including postcards, snapshots, YMCA guides to Paris and Marseilles, and two programs related to jointly held French and American Mother’s Day celebrations in Paris in May 1919 that were organized by L’Association des French Homes.

The first pasted-in photographs in the album are a series of 24 panoramic views showing Parisian scenery and famous landmarks. This section ends with another YMCA guide to Paris and a matriculation card for the Université de Paris Faculte des Sciences 1918-1919 for Emmett M. Smith that includes a portrait. Smith appears to likely have been the compiler of this album as he appears in numerous other photographs throughout. He was a member of the 800th Aero Repair Squadron’s Flight A, who were stationed at Camp de Souge near Bordeaux.

From pg. 15 through to the end of the album photographs are individually numbered from 1 to 781. While a typescript index describes photographs #25-28, there is no overarching index for the entire series. Numerous photos have captions (including manuscript captions), though the majority do not. Images come in a range of sizes and appear to have originated from numerous sources including German and French photographers as well as snapshots possibly taken by Smith himself. “AR” also appears on several photographs, possibly indicating that these images were taken by 800th Aero Repair Squadron photographers. However, by and large photographers are not identified for specific images.

In general, this album contains frontline scenes of battlefields, dead soldiers and animals, trench views, and ruined structures as well as images documenting camp life, military bases, and aerial reconnaissance views. Numerous photographs of military equipment, weaponry, airplanes, tanks, warships, soldiers, and street scenes showing cities/towns and civilians are also present. Post-war scenes include documented stays in Paris, southern France, Italy, and Spain.

• #3 (image showing charging soldiers, some in gas masks, with one man appearing to be clutch his throat while falling; captioned “Actual photo of action at Verdune”)
• #7, 651 (800th Aero Repair Squadron group portraits)
• #12 (shot of Kaiser Wilhelm talking with German officers)
• #15, 17 (aerial views of Albert, France, in November 1916)
• #48, 70.1 (pictures of German tanks)
• #73, 76 (view of citadel with German signage and view showing street signage by ruins; amongst other views that appear to be in Belgium)
• #109 ("Toul - French plane ready for a flight")
• #110, 111 (images showing the French and American sections of the 1918 panoramic painting Panthéon de la Guerre)
• #142, 143 (two images of a train wreck by “Chiljian,” possibly Armenian American photographer Pvt. Henry B. Chiljian)
• #146, 148 (two images showing plane crash wreckage)
• #167 (French observation balloon being inflated)
• #209 (Georges Clemenceau visiting aviation field)
• #219 (clipping showing aftermath of the Halifax explosion with inscription reading “Spent 10 day aboard ship here right after explosion was supposed to have been here just before explosion but was delayed”)
• #374 (post-war image captioned “U.S.A. bound” which precedes series of naval voyage images)
• #451+ (images from Italy and Southern France)
• #525 (railroad scene with “Chicago Opera Association” sign in view)
• #631 (view of three men at typewriters working in an office with maps and aerial photographs pinned to the wall)
• #638 (aerial view captioned “My aviation camp. Camp de Souge - North of Bordeaux from the 2nd Artillery Aerial Observation Island 1917-1918-1919”)
• #649 (view showing surgery being performed on a man in operating room captioned “Hell - without [anesthesia]”)
• #699 (view showing a queue outside of a YMCA in Bangor, Maine)
• #712, 715 (two portraits of young women captioned “My Italian fiancée” and “My Spanish fiancée”)

The Ernest Appleyard papers primarily consist of letters written by Appleyard to his family during his time in Europe during the First World War. Appleyard served in France during World War I as part of the 10th Red Cross Ambulance Corps and in the 32nd and 10th Artillery Regiments of the French Foreign Legion.

The Ernest Appleyard papers primarily consist of letters written by Appleyard to his family during his time in Europe during the First World War. Ernest addressed the majority of his letters to his parents. Other correspondence in the collection originated from several of Appleyard's friends from home. In his earliest letters, written shortly after his arrival in Europe, he detailed his life in the ambulance corps, and included a description of its composition and organization (August 8, 1917). He continued to write throughout his military service, discussing different aspects of life in wartime France. He also told his parents of his experiences travelling in Europe, including visits to Italy (December 1917) and to his grandmother in England (September 1918). Appleyard composed several letters in the collection following the signing of the armistice in November 1918, and chronicled his efforts to return to the United States. In addition to his letters from Europe, the collection contains material addressed to him and to his mother. Appleyard received several letters from a Canadian woman, Jeannette Peretti, who spent time in France with the Red Cross, and from acquaintances from the Ridgewood, New Jersey, YMCA. These include a typed letter from a young man named Jud, who expressed his discontent at being in college instead of in the army and who described the exploits of his Springfield College football team (November 21, 1918). Louise Mills, a friend of Frances Appleyard, composed a number of friendly letters, providing news from home, particularly in the fall months of 1918. The collection includes four photographs enclosed in two letters: a photograph of Jeanette Peretti (November 29, 1918) and three snapshots from Franklin W. Ross (March 3, 1919).

The Evans family photograph collection consists of a six-volume set of albums and approximately 60 loose photographs mainly depicting the immediate family of Lucretia Booth Evans of Riverdale, New York. Three of the albums contain baby pictures of Evans and her brothers Mason and Morgan Jr. while the other three albums focus on family life and vacations taken by the family.

The Evans family photograph collection consists of a six-volume set of albums and approximately 60 loose photographs mainly depicting the immediate family of Lucretia Booth Evans. Three of the albums contain baby pictures of Evans and her brothers Mason and Morgan Jr. while the other three albums focus on family life and vacations travel.

Volume One: The Morgan Evans, Jr. Baby Book album (19.75 x 16.5 cm) contains 12 photographs of Morgan Evans Jr. as a young child. There is one photograph with his maternal grandmother, Susan Edwards Booth Robinson. Evans Jr.’s obituary, World War I draft registration certificate and a lock of his hair from when he was 14 months old are also present.

Volume Two: The Mason Robinson Evans Baby Book album (19.75 x 16.5 cm) contains 34 photographs of Mason Evans as a child. A lock of his hair from when he was 18 months old is also present.

Volume Three: The Lucretia Booth Evans Baby Book album (23.5 x 18.5 cm) contains 9 photographs of Lucretia Evans as a baby. Most pages remain blank, and a lock her hair from when she was 16 months old is also present.

Volume Four: The Point o' Woods album (22.25 x 39.5 cm) contains approximately 175 photographs and several negatives stored behind snapshots. This album focuses on summer trips to Point o' Woods on Fire Island, Suffolk County in New York State during the 1930s. Many of the individuals depicted in this album are identified with captions. Images of note include the aftermath of the September 1938 New England Hurricane.

Volume Five: The Lucretia Evans early adulthood album (26.75 x 34.25 cm) contains approximately 170 photographs and several negatives stored behind snapshots. The images include landscapes from the late 1930s and images of Lucretia's final days at the Baldwin School in Bryn Mawr, Pennsylvania, and her time in school as an X-Ray technician.

Volume Six: The Lucretia Evans travel album (22.75 x 31.75 cm) contains approximately 200 photographs, 4 negatives and 35 pieces of printed ephemera representing trips to the Bahamas, Bermuda, and Canada in the 1950s. Inside the front cover is a 50th wedding anniversary clipping of Kitty and Morgan Evans Sr.

There are approximately 60 loose photographs that range from early 20th century cabinet cards of Kitty Evans' family to a large class picture of Lucretia Evans’ X-Ray Technician class.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes printed invitations, programs, and 23 photographs.

This collection is made up of letters written and received by Reverend Evarts Kent and members of his family throughout the late 19th and early 20th centuries. Kent and his family corresponded with friends and family members in several states, including Vermont, Illinois, Iowa, Indiana, Georgia, Massachusetts, and North Carolina. Most letters concern family news, education, religion, travel, family relationships, and similar personal subjects. The collection also includes 2 documents and 23 photographs; printed invitations and programs are interspersed among the letters.

The Correspondence series comprises most of the collection, and contains approximately 4 linear feet of letters, which are primarily the incoming personal correspondence of Evarts Kent, his wife, and their children. The earliest items are Civil War-era letters between unidentified family members. The bulk of the collection begins around 1867, when Evarts Kent began to receive letters from his family and friends, who provided local news from Ripton, Vermont, and often commented on his recent marriage to Helen Beckwith. As Kent's father, Cephas, was a Congregational minister, the Kent family frequently discussed religious topics. In the early and mid-1880s, Michael E. Strieby and Joseph E. Roy of the American Missionary Association also corresponded with Kent.

After the mid-1870s, the correspondence is primarily between Evarts and Helen Kent and their children, Ernest, Grace, and Willys, who exchanged letters with their parents and each other from their childhood into their early adult lives. Ernest discussed his educational experiences, including his time at Iowa College,his experiences in preparatory school and as a young adult and at Iowa College, and occasionally composed letters to his father in Latin. The Kent siblings sometimes included sketches or more refined drawings within their letters. Their letters reveal details about their relationships with each other, their personal lives, and their religious beliefs. Later items from the World War I era often concern Willys's wife, who signed herself "Roxi," and the couple's experiences while spending their summers at Camp Arcadia in Belgrade, Maine. A relative named "Jupe" also wrote Evarts Kent an extensive series of letters throughout the late 19th and early 20th centuries, including a group of 20th-century letters about travel in the Black Mountains of North Carolina.

The Documents series is made up of a 2-page document containing several sets of church minutes compiled in Benson, Vermont, between March 1790 and September 1792, and a partially printed receipt for a payment made to the American Board of Commissioners for Foreign Missions (ABCFM) in 1870.

The Photographs series holds 23 photographs, primarily snapshots, of unidentified individuals. Though most are portraits, 2 depict a woman riding a bicycle and one is a self portrait of a woman, "taken by herself in front of a looking glass." The photographs include one cyanotype.

The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia.

The The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia. The album (19 x 28 cm) is partially disbound and has green burlap covers. Images include family snapshots primarily taken in Oakland, California (89 photographs in total), and East Orange, New Jersey (73 photographs in total); views of sights in Richmond (Virginia), Victoria (British Columbia), including many home interiors and exteriors, nurses and infants, family groups, and children in cribs and posed with dolls; photographs of parks and scenic views of Oakland; views of the battleships Vermont and St. Louis off the coast of Old Point Comfort, Virginia; and a street and waterfront view of New York City. Other photographs of interest include a light-hearted image of five women with their faces bursting through sheets of newspaper; views from locations in Virginia (Roanoke, Richmond, East Radford, Norfolk, and Jamestown), New York (Manhattan, Brooklyn, Schenectady, and Staten Island), Washington (Seattle and Big Lake), and California (Berkeley and Santa Catalina); White Fleet admiral Robley D. Evans in a carriage; and four real photograph postcards showing night views of San Francisco illuminated to welcome the Great White Fleet, May 6-17, 1908. Most photographs include manuscript captions indicating location and date.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The album (33 x 25.5 cm) is string-bound with grey cloth covers. Most photographs in the album have detailed handwritten captions identifying people, often with their middle or maiden names as well as the location and date. The presentation of the album is not strictly chronological, especially in the latter half. The early generations of Tylers are represented in photographic formats such as cartes-de-visite, tintypes and cabinet cards, while later generations are represented in snapshots and postcards. When the album reaches the mid-twentieth century, it begins to resemble the modern family album with various forms of ephemera (newspaper clippings, drawings, letters, Christmas cards, etc.) supplementing the photographs of family and friends.

The album begins with a portrait of Frederick Tyler, his daughter Sarah Sophia Cowen, granddaughter Kate “Gwen” Cowen Pratt, and great-granddaughter Kate Pratt. George F. and Louisa R. Tyler as well as their children (including Sidney F. and Helen Beach Tyler) are also featured in the initial section of the album, along with many extended family members, friends, nurses, and pets. Among the family friends pictured are painter Frederick Church, writer Bret Harte, Leonor Ruiz de Apodaca y Garcia-Tienza, Gen. William Buel Franklin, patent lawyer and historian Woodbury Lowery, and the Duke and Duchess of Arcos (Jose Ambrosio Brunetti and Virginia Woodbury Lowery Brunetti). Several interior views of rooms in George F. and Louisa R. Tyler’s home on 201 South 15th St. taken in 1896 are also present, including a photograph of the “Children’s play room” that features their granddaughter Hope Binney Tyler Montgomery holding a doll. Hope, her parents Mary W. and Sidney F. Tyler, her husband Robert “Bob” L. Montgomery, and their children Mary, Ives, and Alexander are well-represented in the album.

Of particular interest are a number of photographs in different sections of the album that depict Theodore Roosevelt and his family. Some of these images are formal studio portraits, while others are more candid snapshots of Roosevelt with other people. One snapshot shows the family at play on the grounds of Sagamore Hill in 1897. Two photos taken at the White House including Helen Beach Tyler, daughter of George F. and Louisa R. Tyler and second cousin to Edith Kermit Carow Roosevelt, are labelled “taken by Ted Roosevelt,” possibly referring to President Roosevelt’s son Theodore Roosevelt III. Helen Beach Tyler may be the “Nellie” who was the recipient of a partial letter included in the album which describes conditions at a wartime hospital (most likely in Italy) in 1915. Only the first two pages of this letter are included, and there is no indication of the identity of the writer. Helen Beach Tyler may also have been the principal compiler of this album. Supporting this possibility is the presence of an interior view of a bedroom at 201 South 15th St. (George F. and Louisa R. Tyler’s home) captioned as “Mother’s bedroom,” a signed portrait of Englishman Lytton Sothern captioned “Given to me by Mr. Sothern June 1872. Mr. Edward Sothern & his son Lytton Sothern sat at our table on ‘Oceanic’ my first trip to Europe,” and a portrait of Sara Schott von Schottenstein, Baronin von Prittwitz-Gaffron, bearing the inscription “to her friend Helen Tyler 1880.”

Other items of interest include portraits of Col. August Cleveland Tyler; several portraits of Brig. Gen. Robert Ogden Tyler; a portrait of French pianist Antoine Marmontel captioned “Mr. Marmontel Professor au Conservatoire gave us music lessons in Paris 1873-74”; a group portrait of Helen Beach Tyler, Mary L. Tyler, Alice Seward, Kitty Seward, and Ida Vinton posing with a silhouette of Sidney F. Tyler; photographs of painted portraits of George F. Tyler and Hope Binney Tyler Montgomery; a series of photos taken at the Spanish Embassy in Mexico City, some of which include the Duke and Duchess of Arcos, Woodbury Lowery, and Archibald Lowery; portraits of the Prittwitz-Gaffron family in Germany; photos taken around the world in various locations including Egypt, India, Germany, and Italy; images taken during an exhibition of sculpture by Stella Elkins Tyler (wife of George Frederick Tyler, Jr.), as well as a program from the event; and photos showing the family of Helen Hope and Edgar Scott.

This collection is made up of correspondence and other items related to United States Navy Admiral Frank H. Schofield and his wife, Claribel. The bulk of the collection consists of personal letters that Frank and Claribel Schofield received from acquaintances, family, and each other between the mid-1910s and the early 1920s.

This collection is made up of correspondence and other items related to United States Navy Admiral Frank H. Schofield and his wife, Claribel.

The Correspondence series, which comprises the bulk of the collection, largely consists of personal letters that Frank and Claribel Schofield received from 1913-1923. Frank wrote to Claribel while stationed in Italy, Mexico, Washington, D.C., and other locations; in 1914 and 1915, he served on the Delaware along the East Coast and in Veracruz, Mexico. His letter of March 26, 1918, pertains to military developments during World War I. Frank Schofield's incoming correspondence includes many letters from personal and professional acquaintances, who discussed his career, navy personnel and affairs, the U.S. Naval War College, and nonmilitary subjects. Perry Schofield occasionally wrote to his father about his schooling and everyday life. In July 1923, Frank Schofield received several letters of congratulation after the announcement of his promotion to rear admiral. The series includes an early letter from Anna L. Peck to her cousin Mary (July 6, 1891) and a letter by E. L. Schofield about family genealogy (March 16, 1935). Some of the letters are in French.

The Receipts, Printed Program, and Cards series contains a group of receipts from the Army and Navy Club restaurant and barber, a list of lecture courses and conferences offered by the Institute of Politics in the summer of 1923, cards from friends, and an invitation to a reception at the U.S. Naval War College. One item includes pencil drawings of Frank H. Schofield's monogram.

The collection includes three Scrapbooks. The first volume (85 pages) contains newspaper clippings, with articles about science and medicine, horses, Shakespeare, Swedenborgianism, opium usage, and American history. A large number of clippings are poems about various subjects, sometimes related to religion. Manuscript quotations were written directly onto the first few pages. Visual materials include portraits of members of the Polk family, historic homes and churches, horses, and the stages of development for trilobites. Several items pertain to Frank H. Schofield, including an article about his travels with the navy, photographs from his trip to Guam in 1903, and informal portraits of his wife and son. M. H. P. Cox received the volume from "Miss McGill" in April 1887.

Two large scrapbooks, both with canvas colors, bear the titles "U.S. Fleet Visit to Melbourne, August 1925" and "U.S. Fleet Visit to Lyttelton and Christchurch, New Zealand, August 1925." Each contains programs, invitations, visiting cards, and other ephemera related to the voyage, commanded by Frank H. Schofield. The bulk of each volume is newspaper articles and entire newspapers concerning the fleet's destination. The clippings frequently include information about the sailors' relationships with local residents. The New Zealand volume includes clippings from The Star, The Press (Christchurch), The Sun, and The Lyttelton Times, as well as a full issue of The Weekly Press and N.Z. Referee. The Australia volume contains full issues of The Sun, Punch, Table Talk, The Leader, and The Australasian. The New Zealand album also contains images of native Maoris and others in Maori costume.

This collection is primarily made up of 32 letters that Frederick McGill wrote to his sweetheart, Louise Rochat of Glen Cove, New York, while serving in the American Expeditionary Forces during World War I. McGill wrote about his training at Camp Mills, New York, and about his experiences in France, which included service on the front lines.

This collection is primarily made up of 32 letters that Frederick McGill wrote to his sweetheart, Louise Rochat of Glen Cove, New York, while serving in the American Expeditionary Forces during World War I. McGill wrote about his training at Camp Mills, New York, and about his experiences in France, which included service on the front lines.

From August 1917-October 1917, McGill discussed life at Camp Mills, where he was a member of the 69th Infantry Regiment, Company M. He mentioned daily activities, such as drilling, and told stories about other soldiers, including one who committed suicide. In November 1917, he wrote a brief account of his voyage to Europe on the USS Agamemnon, and, from December 1917-October 1918, he shared news from France. McGill commented on the scenery and local customs, and occasionally referred to his participation in active combat. He described aspects of life in the trenches, such as soldiers' propensity for losing personal items, the difficulty of adapting to the noise of shellfire, the effects of a mustard gas attack on his regiment, and plane crashes. While traveling behind the front, McGill and other soldiers sometimes bathed in shell-holes. He composed his final from Camp Hill, Virginia, in March 1919. Undated items include a Christmas card, a coupon entitling McGill to a Christmas package, and two embroidered cloths. Enclosures include a snapshot of a soldier, newspaper clippings, and ephemera from McGill's time on the Agamemnon.