Search

Corporation administering the summer juried art fair in Ann Arbor, Michigan. The art fair is the oldest of three fairs that comprise the annual Ann Arbor art fairs. Minutes, bylaws, financials, and other materials relating to the administration of the art fair; also press materials, artists' evaluations, scrapbooks documenting development and history of the fair, and photographs and slides of the fair and the work of the artists.

The records of the Ann Arbor Street Art Fair document the origins and development of the art fair from a small fair designed to promote business on South University avenue to one of the nation's premier, juried street art fairs. The documentation includes administrative records, correspondence, photographs, scrapbooks, posters, flyers and promotional material. The record group is divided into three series: Board and Committee Records, Other Materials, and Visual Materials.

The Borobudur collection is composed of approximately 4,000 color and black-and-white slides depicting the Borobudur temple. The collection contains slides from the Southeast Asia Art Foundation (SAAF) Archive and from Patrick Young's expedition to the Buddhist temple in 1983.

The Borobudur collection is composed of approximately 4,000 color and black-and-white slides depicting the Borobudur temple. The collection contains slides from the Southeast Asia Art Foundation (SAAF) Archive and from Patrick Young's expedition to the Buddhist temple in 1983. The slides depict general views of the temple and the complex from different directions. The collection also contains individual views of the reliefs on the balustrades and walls, as well as the stupas and the Buddhas.

[View items]

Detroit, Michigan, architect; 1934 graduate of the University of Michigan. Biographical material and descriptions of his architectural work, including photographs; also photographs taken during World War II and report of U.S. Strategic Bombing Survey on Wake Island, Marshall Islands, and Rabaul, New Britain.

A large part of this collection is made up of black and white slides taken during World War II in the South Pacific and color slides taken in 1945 and 1946 during the Strategic Bombing Survey of Wake Island, the Marshall Islands, and Rabaul, New Britain. The collection does not include any information as to whether Gabler was the actual photographer. The slides are identified by a topical code system, which is deciphered as much as possible in this finding aid. Some of the slides are mounted in cardboard mounts and are stored in folders, the rest in glass and metal mounts and stored in a metal box. The finding aid indicates the locations for each topical code.

The book The Allied Campaigns Against Wake Island, the Marshall Islands and Rabaul, New Britain: A Photographic Record, included with the collection, parallels the topics of the slides taken during the Strategic Bombing Survey, but does not duplicate any of the pictures in the slide files.

National dental fraternity founded at University of Michigan. Constitution and by-laws, minutes, financial records, fraternity newsletter, memorabilia and artifacts, textbooks, citations and plaques, photographs, and miscellaneous manuscripts.

The records of Delta Sigma Delta provide an interesting view into the organization of a professional fraternity, and into the activities and personalities of those individuals drawn to such a social organization. Because it is such a visual collection, with many photographs, scrapbooks, and artefactual items, the Delta Sigma Delta collection provides a varied source of information about the affairs of a distinguished professional fraternity.

The Delta Sigma Delta collection includes both the records of the fraternity as well as related materials collected over the years by fraternity historian, Dr. Frank O. Clifford, and as such, there is a wide diversity of materials spanning more than a century of activity, 1882 to 1992.

The records of Delta Sigma Delta, at the request of the fraternity, are divided between those records stored archivally and other materials on display in the Delta Sigma Delta Room of the library. This finding aid will describe both sets of records with indications where they might be found.

University of Michigan graduate (BFA '74, MA '76, and Ph.D. '88) and artist, art historian, and educator with an emphasis in Latino art. Materials include artwork as well as research, teaching, and professional topical files.

The George Vargas papers present a look at the interests, work, and activities of artist and historian George Vargas. The material is dated from approximately 1933-2016 and includes topical files, artwork, and correspondence.

The strength of the collection is found in the numerous lectures written by Vargas, which reveal the depth of his research, the original artwork, and the broader view of multi-cultural and, particularly, Latino art activities in Michigan. Also of note are his extensive files of artists that were of interest to him as well as his own papers and publications.

The researcher should note that many items in the collection overlap various series. As a result, researchers should—in addition to reviewing multiple series—be sure to look for the "see also" notes that help identify some of these overlaps.

Parent organization of the Interlochen Arts Academy and the Interlochen Arts Camp (formerly the National Music Camp) founded by Joseph Maddy. Includes administrative records of the Center, the Academy and the Camp and personal papers of Maddy, photographs, sound recordings, and motion pictures.

The records of the Interlochen Center for the Arts were received in installments over many years. They came from several sources: the Camp office in Ann Arbor, the Tremaine family, an alumni leader, and various administrators at Interlochen, but the greatest proportion was assembled from Maddy's home and Interlochen offices, after his death, by Margaret (Peg) Stace, his long-time assistant.

The Camp files for 1935-1945 comprise the major portion received in their original order, and they were in disarray because of frequent changes in Camp secretaries and the practice of moving the office (along with relevant files) from Ann Arbor to Interlochen and back each summer. Also, Maddy kept many items of a personal and confidential nature at home.

In processing the records, an attempt was made both to preserve the original order, where ascertainable, and to highlight major subjects and individuals, some of whose importance only became apparent with the passage of time. A separate name index is available for major correspondents. Where extant, explanatory historical and background information has been placed at the front of records categories. Because of Maddy's influence on the development of Interlochen both past and present, his correspondence with later administrators has been included if practical, under "Administration" in their papers.

The surviving records have been divided into nine series: Chronological, Subject, Post-Maddy Administrators, Boards, Closed, Printed, Visual Materials, Sound Recordings, and Scrapbooks. The Chronological focuses on Maddy and the Camp until 1966 while the Subject, is composed of two subseries. The first, mainly 1928-1989, though also heavily relating to Maddy, also includes much on developments through the '90s. The second subseries, 1930-2003, Later Acquisition represents a group of files that were acquired in 2005. Many files pertain to the early camp and Joesph Maddy. The Post-Maddy Administrators series begins in the late 1950's when Maddy expanded the staff in anticipation of making Interlochen a year-round institution and continues unto the most recent accession. Boards (governing bodies) starts with the Camp's founding in 1928 and ends in 1989 while the Closed series covers the Maddy, Haas, and Wilson administrations through 1971. Printed offers coverage to the present but is more complete for the early years through the 1980's. While the Visual Materials and Sound Recordings series extend from the 1920's into the 1980's, it offers best coverage from 1924 to 1942 Scrapbooks, with gaps in the early years, documents both Maddy and the Camp, beginning with the National High School Orchestra and ending with the Camp's 50th anniversary celebration in 1978.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photographs Collection. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama, and additional photographs of Islamic architecture.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photograph. The Mehmet Ağa-Oğlu collection documents the Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. Arthur Upham Pope focused primarily on Persian architecture and monuments, but his collection also includes photographs of Persian ceramics, textiles, and illustrated manuscripts. Wilber, Pope's colleague, also primarily studied Iranian monuments but he focused on those built during the Achaemenid and Sasanian empires. Oleg Grabar's work focused on the architecture of the seventh and eighth centuries of the Umayyad dynasty, the architecture of Jerusalem under Islamic rule, Arabic and Persian illustrated manuscripts and ornaments, and contemporary Islamic architecture. On the other hand, the Afghanistan Archaeological Remains Photograph collection depicts Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. Finally, Dr. Simpson's collection documents her work and her notes from her study of Islamic manuscripts around the world. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama.

Jerald terHorst was a political reporter for the Detroit News and served as President Ford's first press secretary, before resigning in protest of the pardon of Richard Nixon. He also wrote a biography Gerald Ford and a history of Air Force One. The collection includes correspondence, speeches, newspaper articles by terHorst and about him, audiotapes, and video documenting his role in the Gerald Ford administration and his later literary and public career.

The Jerald F. terHorst papers consist of clippings, correspondence, speeches, audiotapes, and video related to terHorst, Detroit News reporter and President Gerald Ford's press secretary. Topics in this collection include his early life (particularly as a member of the Marine Corps), his work as a member of the Detroit News and White House, and other efforts (such as producing documentaries) that occurred after officially resigning as President Ford's press secretary in 1974.

The Ağa-Oğlu collection is comprised of approximately 42 glass lantern slides and 648 slides, which depict Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. The collection was compiled by Professor Mehmet Ağa-Oğlu and Professor Grabar during the 1930's.

The Mehmet Ağa-Oğlu Collection contains 42 4 x 5 glass lantern slides and 648 slides compiled by Professor Mehmet Ağa-Oğlu and Oleg Grabar. The glass lantern slides depict images of pre-Islamic and Islamic architecture and material culture. The buildings (mosques, tombs, fortresses, domestic spaces) and objects (illuminated manuscripts, metalware, glassware) represent a vast geographical range from the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. The 648 slides contain original field photographs, official museum photographs, and photographs of printed reproductions published in scholarly texts. This collection offers insights into the early state of the field of Islamic art and therefore is of particular interest to specialists concerned with issues of historiography. Likewise, scholars interested in studying monuments over time will find these photographic images useful.

The Michigan Council Hostelling International records (1941-2005) consist of materials related to the Michigan Council and Metro Detroit Councils of Hostelling International-American Youth Hostels (HI-USA), formed in 1943. Records include administrative files, national and statewide boards and committee minutes, publications, topical files, photographs, slides, and scrapbooks documenting hostel trends, events, and programming for the latter half of the 20th century.

The Michigan Council Hostelling International records (1941-2005) consist of administrative files, national and statewide boards and committee minutes, publications, topical files, photographs, slides, and scrapbooks documenting hostel trends, events, and programming for the latter half of the 20th century. The records have been organized into seven series of materials related to the Michigan Councils of HI-USA: Administration Files, Boards and Committees, Publications, Topical Files, Photographs, Slides, and Scrapbooks.