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Martin Pakledinaz was a two time Tony award winning costume designer for stage and film. The collection includes costume, figural, and set design sketches, correspondence, photographs, posters, programs, and publications reflecting his work as a student at Wayne State University and the University of Michigan. The collection also includes a small portion of materials from the early stages of his professional career.

The records within this collection highlight Tony award winning costume designer Martin Pakledinaz' academic career as a student within Wayne State University's Department of Theatre and the University of Michigan's School of Music, Theatre, and Dance during the early to mid-1970's. The collection subsequently incorporates a small portion of his sketches as a burgeoning costume designer in New York from 1977 to 1978.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. The sketches depict cityscapes, scenic and street views.

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. Each 11.5 x 18.5 cm sketch includes a brief handwritten caption denoting location. The sketches illustrate cityscapes, scenic and street views. Cities shown include Omaha, Nebraska; Saint Joseph, Missouri; St. Louis, Missouri; Louisville, Kentucky; and Cincinnati, Ohio. Specific locations depicted include Lafayette Park and Shaw’s Botanical Garden (Missouri Botanical Garden) in St. Louis, Missouri, and Lane Seminary in Cincinnati, Ohio.

The Peter H. Musty papers are made up of two bound diaries, disbound diary entries, a letter book, ten loose illustrations, and two printed items belonging to Peter Henry "Hank" Musty of Greensburg, Ohio. In 1862, Musty enlisted in the 61st Ohio Infantry and served as a musician until his health-related discharge in 1864.

Peter H. Musty Bound Diaries. The earlier of the two bound diaries dates from Musty's enlistment and initial period of service in the army (January 1862- September 1862) and the later bound diary begins after Musty had been discharged and returned home (June 1864- February 1865). Throughout both diaries, Musty wrote personal names and the daily entries for July 2- September 16, 1864, in a numerical substitution code. Before enlisting, Musty made multiple visits to a gypsy camp near Greensburg, where he had his fortune told and received an invitation into a tent to sing for them (January 15-19, 1862). Shortly after his enlistment, Musty was appointed as a musician (drummer) and transferred to Field and Staff duty where his responsibilities included cooking and guarding prisoners. Musty described daily life at Camp Dennison and Camp Chase in Ohio, including mentions of petty thefts such as a soldier being placed in the guard house for stealing a pie as well as someone stealing his blanket.

Although not directly involved in combat with his unit at the second Battle of Manassas, Musty was impressed by the intensity of the heavy "cannonading and musketry," and mentioned the forced retreat with the entry: "Jackson after us. I run all night - no sleep at all - cold, cold." On July 31, 1862, he described flags flying at half-mast in their camp and "canons fireing in every direction," at the news of Martin Van Buren's death.

After being invalided out of the army in 1864, Musty's diary entries again focused on life in Greensburg, Ohio. Musty spent a large part of each day playing his violin, often for two or three different gatherings on the same day. He played at "apple cuttings," parties, school programs, and oyster dinners. He serenaded neighbors, often not returning home until well after midnight. Sometimes Musty was accompanied by friends on the "basse" and drums, and on several occasions they donned "blackface" by rubbing their faces with cork only to find that it was much easier to apply the cork than it was to remove it. Musty returned to helping his father with the coopering business and began working part time at the local post office, hoping to get well enough to return to Washington, D.C., to work for the Veteran's Relief Corp. On the local scene, the town of Greensburg worked actively to prevent the drafting of local men in 1864. Instead of individual men buying their way out of the draft by hiring replacements, a committee of Greensburg citizens went to Cleveland and hired replacements for all the Greensburg men subject to the new draft. The town then set about soliciting money from all the local families to cover this communally-incurred expense. Musty made a passing mention to visiting a photographic gallery in November 1864, where he saw "movements on negatives" and had his "picture taken with motion." The December 23, 1864, entry includes four small pencil sketches of a friend named Tom, showing his progression from civilian to soldier. Musty was fond of keeping lists, and in the back of his diaries he compiled the names of soldiers he served with, people who owed him money, letters he had received, and a six page chronological list ("Memorandum") of all the girls he had accompanied home from local events between April 1860 and February 1865.

Peter H. Musty Disbound Diaries. Pages disbound from diaries span from January 1, 1861, to August 7, 1863, with some ca. 1865 entries at the end. The early entries pre-date Musty's enlistment and describe his schooling, daily activities, and work. Musty occasionally mentioned topics like slavery (January 8, 1861; February 24, 1861), and by April 1861 he began to note military activity. Throughout the rest of 1861 Musty recorded local enlistments, drills, and military news alongside his daily work and activities, providing a glimpse of local reactions to the early war effort. Entries from January to September 1862 overlap with the bound diary for these dates, but with variant wording and occasionally more details. Musty described his enlistment on February 26, 1862, and his subsequent stay at Camp Dennison and Camp Chase, providing details about daily camp life. Musty commented on guarding Confederate prisoners at Camp Chase, some who were en route to Johnson's Island (April 26-May 27, 1862). Musty described the march through West Virginia, arriving in Strausburg, Virginia, on June 21. From June to November 1862, Musty wrote from Strausburg, Middleton, Sperrysville, Arlington Heights, Fairfax Court House, New Baltimore, and other Virginia encampments, describing marches, camp life, nearby Confederates and guerrillas, and recent military encounters. In his entry for September 10, 1862, he vividly recalled his first time in battle on August 22. From April to August 1863, the collection includes copies of letters Musty wrote while at the hospital at Brooks Station, Virginia, and convalescent camps near Alexandria, relaying news of nearby engagements and activity at the hospitals. In July 1863 he began working as a clerk at the Medical Head Quarters for the convalescent camp and subsequently the Invalid Corps Head Quarters. The entries for 1865 primarily detail his health complaints. Musty included occasional references to African Americans (May 4, 1862; May 28, 1862; July 30, 1862; June 9, 1863; June 25, 1863). Other items include lyrics to a song about alcohol, an extract from the Army Herald entitled "The Fruits of Rebellion," and several pages accounting for Ohio soldiers.

Musty's letter book contains eleven of his outgoing correspondences and eighteen incoming letters from friends (both male and female) during the Civil War. It also includes poems, songs, programs of performances at the local Greensburg school from 1859 to 1861, the constitution of the Tyrocinean Debating Society, and a list of other men from Greensburg who served in the Civil War. Among the copied letters is a formal letter of complaint against Captain Thomas Graham for being intoxicated on multiple occasions while stationed at the Invalid Corps Convalescent Camp in Virginia (November 7, 1863). A table of contents for the letter book appears between pages 101 and 104.

Ten illustrations drawn by Musty during his military service are present in this collection. He drew three of these sketches between February and April 1863, when his unit (61st Ohio Infantry) was stationed near Stafford Courthouse, Virginia. Of particular interest is a detailed drawing of General Adolph von Steinwehr's headquarters and the surrounding camp activities, with what appears to be a self-portrait of Musty sketching the scene in the foreground (March 6, 1863). The illustration is on the reverse side of a fragment of a letter in which Musty states that he and all of the soldiers he knows are not fighting for "the freedom of the collord race." Another drawing from around the same time shows a soldier carrying dispatches in front of a tent, with several wooden hitching posts in the foreground. The third illustration depicts a log cabin next to what appears to be an oven while two soldiers stand guard nearby. On the reverse side of this sketch is part of a letter to his brother Francis in which Musty mentions having received a valentine from a girl (whose name he rendered in code). The fourth sketch from this period is on the back of a letter dated May 28, 1863, and shows a long tent, possibly a field hospital, with a "No Admittance" sign over the entrance. A man is visible through the tent flap with a bucket at his side. The fifth sketch (undated) shows the fortifications at Aquia Bridge, Virginia, and the surrounding countryside. Two undated sketches depict women, one drawn in pencil with the title "Going By the Gate" and the other in black, blue, and red ink showing a woman with a striped hat. An undated pencil sketch, "The Signal Flag," shows soldiers atop a house waving the signal flag, an army encampment in the foreground, and soldiers marching in the background. A pen and ink drawing captioned "Near Cedar Mountain" shows three soldiers, one on horseback and two others cajoling a balking donkey. A dialog entitled "A Quaker on an argument" includes a pen and ink illustration of two men debating theology before a fireplace.

The last two items in this collection are printed items, a black and red print of Major General John C. Frémont torn from a letterhead and a Valentine containing an illustration of a man playing his guitar for a woman that includes the following poem:

"My song is mute, the strainWhich melodized each line,My sentiments conveyTo thee my Valentine."

Phyllis Johnson kept this pocket diary while attending grammar school and high school in Hartford, Connecticut, from January 1, 1925-February 4, 1929. She composed entries almost daily between January and September 1925, and commented on her experiences at school, her activities and travels during summer vacation, and her friends.

Phyllis Johnson kept this pocket diary while attending grammar school and high school in Hartford, Connecticut. She composed most of her brief entries from January 1, 1925-September 22, 1925, and wrote further entries sporadically between June 15, 1926, and February 4, 1929. She commented on her experiences at school, her activities and travels during summer vacation, and her friends.

Johnson had just turned 12 when she received her pocket diary, and wrote regularly about her experiences at school, church, and home throughout much of 1925. Though she succeeded academically and at one point achieved the highest marks in her grade, Johnson's teachers frequently reprimanded her for excessive talking. She often mentioned her male friends and acquaintances, and occasionally commented on her romantic feelings for them. Her social activities included attending baseball games, traveling to the beach, and dressing up with female friends. During the summer of 1925, she discussed her family's trips to the Mohawk Trail and the state of New York. She mentioned the Scopes trial in her entry of July 15, 1925 (pp. 196-197), suggesting a brief satirical prayer for atheists. After February 1926, Johnson wrote less frequently, but continued to list the names of her friends and significant changes in her life. The final pages of Johnson's diary contain notes, addresses, and sketches.

• Arm patch (May 22, 1925, p. 271)
• Pair of eyes (July 6, 1925, p. 187)
• Phyllis Johnson dressed in fancy clothing and accompanying hat (July 9, 1925, p. 190)
• Two girls dressed in circus uniforms (July 29, 1925, p. 210)
• Floor plan of the Johnson family's new house (June 15, 1926, p. 271)
• Three women's heads, shown in profile, and a woman's leg (undated, end of volume)

• A paper with her initials written in blood (see entry of January 12, 1925)
• Diagrams of two classrooms, showing students' seats
• A torn portion of an advertisement for Merriam cash boxes
• Several blank sheets of paper from a small notepad

The Pool family papers contain financial records and other material related to Joseph Pool of Abington, Massachusetts, and to his daughter Lydia.

The Pool family papers contain penmanship exercises, a shoemaker's account book, financial accounts, receipts, and other material related to Joseph Pool of Abington, Massachusetts, and to his daughter Lydia.

The Penmanship Exercises series is primarily made up of a small penmanship book that Lydia Pool kept in the early 19th century. The exercises on pages 1-28 repeat proverbs and simple phrases, and pages 29-44 have poems, including Lydia's lengthy narrative poem "The Four Indian Kings & A young Lady of England." The series also includes 2 ink sketches and an example of the penmanship of "A. B."

The primary item in the Receipts and Accounts series is a shoemaker's account book (1764-1791), which lists the amounts that clients paid for "shoes," "pumps," and "heels." Interspersed among these entries are accounts related to farm work, such as hoeing, mowing, and planting. Several members of the Pool and Dyer families are mentioned in the volume. The receipts (1743-1809) pertain to individual payments for goods and services. Many pertain to the finances of Jacob Pillsbury, for whom Joseph Pool served as estate executor, and to Benjamin Pool; Christopher Dyer signed several of the items.

The Ephemera series consists of an illustrated reward of merit and a blank calling card.

The Renwick family correspondence is made up of the World War II-era letters of John and Violet Renwick of Durhamville, New York, and their sons George and John. The Renwick brothers, who both served in the United States Navy, discussed aspects of their service and their parents and friends shared news from home.

The Renwick family correspondence is made up 90 World War II-era letters of John and Violet Renwick of Durhamville, New York, and their sons George and John, both of whom served in the United States Navy. The collection has three main groups of letters, which overlap chronologically: letters from John E. Renwick to John and Violet Renwick; letters from John and Violet Renwick to George Renwick; and letters to George Renwick from friends in New York.

John Renwick's letters to his parents primarily regard his initial induction into the navy in Albany, New York, his time at the US Naval Training Station in Newport, Rhode Island, and his experiences working in a store at Naval Air Station Pensacola in 1942 and 1943. He wrote infrequently throughout the remainder of the war and into the postwar years, when he described his life in Brookhaven, Mississippi.

John and Violet Renwick's letters to their son George provide news of family and friends in New York. Violet Renwick often commented on her health problems, urged George to remain safe, and expressed her concerns during George's hospitalization for "stomach trouble" in the summer of 1944. George's other correspondents, who were primarily women, wrote about life in Oneida and Rome, New York, during the war. Both the Renwick family and George's friends mentioned news of other military personnel. A letter from "Eleanor" on January 4, 1944, includes a pencil sketch of a sailor, identified as "you," dreaming on a small tropical island, with a ship in the background.

This collection is made up of letters that Lieutenant Russell G. Schlagal wrote to his wife Margery while serving in the United States Army during World War II. Schlagal discussed his experiences in India and on the island of Tinian, and he often illustrated his letters with ink sketches and watercolor paintings.

This collection is made up of letters that Lieutenant Russell G. Schlagal wrote to his wife Margery while serving in the United States Army during World War II. Schlagal discussed his experiences in India and on the island of Tinian, and he often illustrated his letters with ink sketches and watercolor paintings.

Russell G. Schlagal regularly wrote letters home to Margery, who remained in Dayton, Ohio, during the war. He responded to news of family members and acquaintances, and shared his love for Margery. Most letters concern Schlagal's daily experiences with the 28th Air Service Group in India (December 1944-April 1945) and on the island of Tinian in the Northern Mariana Islands (June 1945-March 1946). In India, he occasionally mentioned his encounters with local residents, and he described the wildlife, the scenery, and local customs. He frequently attended USO shows and movies. Schlagal later discussed his life on Tinian, where he remained until the spring of 1946. He continued to attend performances and films, and also participated in underwater sightseeing. After the end of the war, Schlagal wrote about the possibility and timing of his return home.

Schlagal illustrated some of his letters with ink sketches, ink drawings, and watercolor paintings. These depict buildings, objects, and scenery from India and Tinian. Occasionally, he used stationery with pre-printed scenes, and his letter of December 29, 1945, has a manuscript map of Tinian. On February 24, 1946, Schlagal composed a partially pictographic letter about his anticipated return home. He alternated words with pictures of animals, his wife, himself, and the island of Tinian.

This volume records the names and nativity of guests of the Shirley House (later the Missouri Hotel) in Fayette, Missouri, from June 1856-October 1858. Guests included members of at least three traveling circuses. Newspaper clippings are pasted into the first 10 pages, apparently over register entries.

This volume (around 280 pages) records the names and residence of guests of the Shirley House Hotel (later the Missouri Hotel) in Fayette, Missouri, from June 20, 1856-October 9, 1858. Many of the guests, whose names appear on approximately 270 pages of register entries, came from elsewhere in Missouri, though some traveled from other states and, on at least one occasion, from foreign countries such as Ireland. One note reports that a guest later went to jail (June 28, 1856), and another lists a guest's nativity as "no particular place" (July 6, 1857). Members of traveling circuses stayed at the hotel on three occasions: Herr Driesbach & Co. Menagerie & Circus of Brownsville, Ohio, visited on April 30, 1857; an unidentified group of performers visited on July 27, 1857; and the Spalding & Rogers North American Circus visited on May 6, 1858. The lengthy entry for Spalding & Rogers includes the names of performers, organized by profession, and ink illustrations of various types of performances, including a tightrope walker, monkeys, and men and women riding horses. Other visual material includes sketches of men and unidentified animals, and stylized lettering.

The volume's first 10 pages consist of pasted-in newspaper clippings (dated between 1866 as 1886) containing fiction stories, poetry, obituaries, and other articles of interest. A story about a "beautiful killer" is illustrated by an engraving of a woman about to stab a man, and a story about Grover Cleveland's marriage to Frances Folsom includes the couple's portraits. At least one poem commemorates Civil War soldiers.

This guest book (121 pages) contains contributions from visitors to The Curtis, a summer boarding house and hotel in New Castle, New Hampshire, in the late 19th and early 20th centuries. The book contains poetry, signatures, quotations, sketches, and watercolors, as well as 5 cyanotype photographs.

This guest book (121 pages) contains contributions from visitors to The Curtis, a summer boarding house and hotel in New Castle, New Hampshire, in the late 19th and early 20th centuries. The guest book contains poetry, signatures, quotations, sketches, and watercolors, as well as 5 cyanotype photographs.

Most entries are dated between 1895 and 1906; one is dated 1916. Visitors mainly stayed at The Curtis between the months of June and September, many for a month or longer. Most guests came from New Hampshire and Massachusetts, and some visited from Maine, Vermont, Iowa, and California. Several guests included lines of verse alongside their signatures, including one who copied "At the Stand of the Tide," a poem by Harriet McEwan Kimball (pp. 38-39). One patron, Marie Middlekauff, signed in German (p. 33), and 2 referenced "Miss Bickford's" hospitality and cooking. A few contributors drew sketches, and 3 signed next to cyanotype photographs depicting sailboats, people at leisure, and a cat.

• Colored painting of an industrial town on a river, Alice M. Comstock, July 23, 1903 (p. 4)
• Sketch of buildings, M. L. Wood, June 1898 (p. 45)
• Sketch of a street, Alice Washington Ball, [1898] (p. 47)
• Sketch of a steamer, L. McL. King, 1898 (p. 49)
• "The Studio," sketch of a barn beside a body of water, Joseph B. Davol, (p. 51)
• "Why we tarried," sketch of a female golfer, William F. Crocker, [1899] (p. 77)
• "The presiding genius of The Curtis," sketch of an owl, Alice Prossitte Hall, [1899] (p. 83)
• "The Homestead," watercolor painting, Frederick E. Bartlett, [1899] (p. 85)
• Sketch of a planter with flowers, Thomas B. Frost et al., September 2, 1899 (p. 87)
• Sketch of a sailboat and waterfront buildings, Ethel Woods Varrell, September 17, 1899 (p. 89)
• Sketch of a young woman's head, Josephine Bruce, September 1899 (p. 91)
• Sketch of a house, Pauline McKay, October 5, 1900 (p. 101)
• "Keep Dark!," sketch of an African-American man in profile (p. 107), accompanied by poem on next page, Mr. & Mrs. F. A. Whiting, Mr. & Mrs. A. H. Hall, and Mr. & Mrs. F. Allen Whiting, September 11, 1905, pp. 106-107
• "Piscataqua Cafe," sketch of a building and pier, C. F. S. (p. 110)
• Cartoon sketch of a cowboy outside of a building, saying, "I done it!," Lionel Sherwood (pp. 112-113)
• Sketch of a sailboat on water, with waterfront buildings and factories in background, James N. Vandegrift, July 28, 1906 (p. 117)